Boss BF-3

very easy pedal to use, read the instruction manual the whole way throug h and with a little tweaking here and there, you should be able to the get the flange sound youre looking for in no time

this pedal sounds great. ive used in my crate with an ibanez rg series, and a fender strat, and it sounds great with both. this pedal is also very versitale, i tried out basically every other flanger pedal on the market, and none came anywhere near in terms of versitility and crisp clear sound as this one did

ive owned it for about 9 months, done shows with it, hasnt given me any problems at all

i play all types of rock, mainly metal, punk, and classic rock, whichever flange sound youre looking for, you can find it in this pedal, if someone stole this pedal i would definitely go out and buy another one

the BF 3 is fairly simple to use, once you read the manual and understand what the knobs do. the manual explains the unit very thoroughly. I gave it an 8 because the tap tempo mode is somewhat confusing to use, its very reliable but can be difficult, go try out the pedal and see what i mean. awesome pedal :)

to me, this is the best flanger i have ever heard. it is not noisy at all, and on clean channel there is hardly any audible noise difference when the effect is switched on, at least that's what my pedals like. and with distortion, the lower frequencies are made more audible as well.
my effect loop is fairly simple, because i dont like using tons of effects, to show i dont have to rely on them to play well. from left to right: BOSS DS - 1 distortion , BOSS BF 3 flanger.
I play through an ibanez jet king guitar, and a small marshall practise amp. I can get most of kurt cobain's flanging sounds, including those on Smells Like Teen Spirit, and many other phasing and chorus sounds as well. The chorus and lighter flanging sounds are awesome too, never weak and full tones.

it is made of solid steel, no boss pedal has ever died on me and i doubt they ever will. tyhe one drawback with the BF 3 is, because its all digital, it eats batteries VERY quickly, for example, while my DS 1 can last around 90 hours on an alkaline 9 volt battery, the flanger can last only 10 tops. Both BOSS and I recommend getting an adaptor

i have never had to deal with boss/ roland customer support,so i do not know. but i have heard they can be difficult to deal with at times.

over all, this pedal rocks!! it can be used for all genres of music. I play mostly hard rock and gothic metal, and i can get some pretty creepy sounds out of the BF 3, its awesome.
I've been playing for about 3 years now, and i own a BOSS DS 1, the BF 3, an ibanez jetking, and a marshall practise amp. this pedal has all the features i would want in a good flanger, plus more. if it was stolen, yes i would buy it again. the only drawback would be the battery consumption.
my favourite feature is the ultra mode, which boosts the flanger's output a little more. very useful. none of the flangers effects get in the way. ever. AWESOME PEDAL :)

Nothing to add.

I think this is one of Boss's best pedals. It improves on the BF-2 and my old HF-2 particularly with regards to headroom. I can now put this in my amp effects loop. The only problem, as pointed out below there is a severe volume boost with the effect on, so placed after the preamp you find yourself trying to play more quietly which is pointless with high gain settings. I have used it a lot in front of the amp and its great for the Dave Gilmour, The Wall sounds. I was hoping to buy another hoping the output was lower but it sounds like they are all that way. Very stupid if you ask me.

Probably the best compact Flanger ever made but I do wish they would put an output level control on this and a few other Boss pedals like the TR-2.

Quite easy to tweak in a nice sound. Manual is very complete and shows you some good setting samples to start from. The tap-tempo setting is not very usable on a stage i think. If you want a long sweep you first have to press the pedal down for 2 sec. Then if you want a sweep of around 2 sec you need another 2 sec. to tap in the right speed meaning you are at least 4 sec. busy to get your right setting. Not very handy in the middle of a song... The momentary function which allows you to just kick in a flanging part by just pressing down the pedal and releasing it when you want it out is very cool though for soloing...

It is not noisy at all and it doesn't really "suck" your tone when bypassed. Sounds best in fx loop. The main problem i have with it that IT IS NOT VERY TRANSPARENT!!! When you activate the pedal there's not much left of your original guitar sound and you have a completely different, very digital sounding guitar sound with a flanger over it. There is also a volume boost. Now some people might dig this but i just want to add some effect to my sound rather than change my whole guitar tone. I have to say that on clean guitar sound it's very ok indeed but when using lots of gain/distortion you hear this very well. I use my amp's (diezel vh-4 and Marshall DSL100) gain for distortion, maybe it sounds better if you use a distortion pedal and place the flanger behind the distortion and in front of the amp. The ultra mode is a bit too much for me but it doesn't sound crappy.

It's a Boss... Will probably survive armageddon...

Who needs customer support when it's a Boss? It won't break down and everything you need to know is in the manual...

I've been playing pop/rock to metal for 14 years now. I have owned quite a lot of different flangers and this one is not bad at all for the music i play. My first choice was a Ibanez DFL flanger but they are very rare here in the Netherlands. 'Till i find one this baby will be the flanger on my board. It is the 4th Boss pedal on my board now out of the 7 i own. I still think Boss is the standard for guitar pedals...

First off. I bought this pedal ONLY for the bass. It has a bass input which handles the sound differently to guitar. Anyway, it took me about 20 minutes to read the manual, become acustomed to all the controls, and learn how to get any flanger sound i wanted in secs. I dont need the manual anymore practically. The controls look a bit complex, but once u have an understanding of how flangers work, its easy as pie.

This pedal is one of the sweetest flangers on the market for the bass guitar (and guitar probably.) the sound is classic phycadelic. very warm and subtle if u want. u cant have a rather odd sound which sounds like your signal being put thru an ashmatic smoker's lungs. lol, wen u use this pedal subtly, u can mimic some chorus-y sounds and phasers. I really like this pedal.

As usual, boss have made another tank-like pedal. in fact, all their stompboxes r built the same. very sturdy. i would gig without a backup, but i dont like the battery compartment, the wires seem rather flimsy.

N/A.

I play in several groups. this pedal is very sweet sounding, so nice! the main problem is the practicle use of it. It's hard to find a place to use it on bass in a song. It's like this: would u drive a F1 car, full speed in a 20km limit street? okay, bad example but its the easiest way to explain. I like it alot, i would probably buy another one if this got lost or stolen. It doesnt go well with other effects. LOL, i think the colour (purple) is pretty groovy too!

It takes a bit of noodling to find the right sound. It's faster if you're familiar with the way flangers function. The manual is very good and to the point. It provides sample settings, and you can use those as a starting point to find your own.

Mais ou menos facil para usar. Tinha que mexer um pouco para achar o tom que eu quis, mas depois era facil. O manual ajuda.

I play Fender guitars. It's a little noisy, but no more than most flangers. It seems to brighten up your tone a bit, so if you're already playing with a very quacky, bright tone setting, this might take it into ear-piercing territory. But for my normal tone presets this works fine.

Flanging can be very transparent, rich, or extremely pronounced, and all the gradations between. Nice and 3-dimensional, not boring at all like a lot of flangers. At times can feel a bit digital, but in a good way, somehow. Mostly it feels very analog and interesting. Nice and compact, too. It's hard to get bored with it because with the four main sound controls (not to mention to mode switching) there are a lot of sound options. Sounds good with overdrive.

O tom e muito rico e misterioso. E caro, com certeza. Custa mais do que salario minimo. Mas e muito legal. Tem muitos tons que voce pode achar. O som tem tres dimensoes.

Appears very reliable.

Confiavel.

No experience.

Nao tenho experiencia.

I play a lot of 80's stuff and 2000's stuff. It's a great product. Probably the most solidly good flanger around.

Eu toco musica dos anos 80's e musica moderna. Este produto e otimo. Provavelmente e o "flanger" mais solido e bom que pode se achar.

It's actually a bit tricky to get the right sound out of it initially. It's not highly intuitive... like, say, the Electro Harmonix flanger, but once you find out where the "sweet spots" are located, it's fairly simple.

I use this with a Telecaster and a Stratocaster. I actually own another flanger, the EH Delux Electric Mistress. Of all the flangers on the market today, the BF-3 (and BF-2 for that matter) and the Mistress are among the most chorus-like. The BF-3 is a bit more flangy and extreme than the Mistress, but sometimes you want that. I love the mysterious sort of early Cure sounds that it produces. "A Forest" is a good example of this, though I like set it a little deeper than that generally. Brilliant! The flanger sounds on the first "Neu" album are also acheivable. I can get an almost believable live Police sound out of it, but it's just a bit too modern-sounding on some of the sweeps to exactly match it... that's where the Mistress comes in to assist.

Flanger is a great sound when done tastefully. I prefer it to chorus any day. The BF-3 is a great all-purpose flanger. It has a wider variety of tones than the Mistress, at the cost of the liquid, almost milky quality that the Mistress offers. The BF-3 has a bit of a darker sound to it, while the mistress is a bit lighter.

There is a slight volume boost to the pedal. The changes from the old BF-2 format are hit and miss. The "Ultra" mode is too extreme for my tastes - I would never use it. I would have preferred and expression pedal option. It can get extreme enough in the regular setting, in my opinion (though it can also of course be very subtle). The gate/pan effect is interesting enough, although I don't have two amplifiers. If you plug into the stereo and not the mono out plug, instead of a gate effect the volume slowly rises and falls, but never cuts out completely. The "momentary" setting is nice if you just want to add a smattering of flange here and there in a song, as in "Roxanne."

I've only had this model for five months with no problems. I used to own the BF-2, which was problem-free.

I don't use flanger exclusively, but it is one of my favorite effects. I often just play clean with reverb or delay. I also enjoy overdrive and tremolo effects. In my opinion the BF-3 (and BF-2, which is identical except for the "Ultra" "Gate/Pan" "Momentary" and "Tap-Tempo" options), is one of the best flangers on the market. A very solid flanger. Much preferrable to MXR or similar sort of Van Halen big hair flangers. This one is for moody people and sensative artists and the like. Lots of wonderfully dark sounds are available - very mysterious and three-dimensional. I would love to try it in stereo. The Delux Electric Mistress is superior in smoothness - it's probably the most chorus-like and analog-sounding flanger available. However, the BF-3 is more flexible and has it's own unique voice. They are equal in quality but slightly different in flavour.

This is really easy to use if your familiar with flanger "lingo" i.e manual rez depth etc. But if your not the manual explains it very clearly and even gives you some settings to try out.
very easy to get a good flanging sound out of it!

I use a Ibanez GAX50 running through dod eq pedal the flanger then a psm-5 power supply unit and then into an Marshall avt50 amp.
Line noise is virtually nothing with the BF-3, and i dont get any at all unless i crank my amp all the way which the slight fuzzing sound is probably just because my amp is cranked all the way up :P
I play lots of Tool and it matches that flanging sound almost dead on. Very good flanger very smooth. The most used setting i use is the standard flange. Pan u cant really use unless you have two amps. Gate seems to just to turn the volume off and on over the set amount of measures. Ultra basically kicks the flanger into high gear and the flange effect is more intense.

OF course its a boss.
would gig without a backup

never dealt with them

I play mostly Tool and this seems to fit right in there/
Been playing for about a year and a half, if it where lost or stolen i definetly get another one!!
I tried a lot of flangers and this one seems to be the one for me, and i cant really think of anything i hate about it.
all in all a great flanger

This pedal is easy enough to use. Just play around until you find a sound you like. One thing I can?t get is the tap tempo feature; quite often I will turn the pedal on and rest my foot on it for a while. Then the next time I turn it on and get some strange sound and think something is stuffed inside. So I usually just use the momentary mode

Well? This thing surprised me. I had read reviews about the BF-2 that said some pretty strange sounds could be achieved; I wasted no time in seeing for my self. My chain goes like this: Guitar (Piece of Shit, I really cannot tell you how bad my guitar is) > original Crybaby > Marshall JH-1 Jackhammer (The BF-3 makes this sound kinda like a metal zone) > Boss BF-3 > Peavey Envoy 110.
If you turn everything down and crank the RES it will sound like every note is coming out of a metal pole, kinda like steel drums. If you crank everything it will sound like it?s under water or something. If you crank everything but keep the RATE right down and add some distortion you get this real metallic sound (imagine tearing corrugated iron). If you have a low rate setting on the GATE/PAN mode the sound will come then go away then come back again. If you do the same thing but plug it in through the MONO output it will sound like a tremolo. If you have MANUAL at ?, RES at ?, DEPTH at ? and RATE at just over ? and add distortion individual notes will sound like whacked out harmonies (try playing a harmonic like this). Have the MANUAL and RES at ? DEPTH at ? and RATE at ? and add distortion for a jet plane effect. I use this after my distortion to get these sounds I can hardly notice it when I put it before. ULTRA mode is a bit to over the top for me, I rarely use it.
Of course you can do much more subtle things with it with great results. Sounds great clean. My favourite setting would have to be the ? Jet Plane?.

Well you know how you read reviews that say, ?I could drop this thing of a 10 story building and it would still work fine?. I actually tried; the only thing that happened was a small chip in the paint. I would play live without a back-up any day ?WARNING? this thing is a battery-eating Beast, make sure you have spare batteries when playing live (this is of course unless you want to here strange clicks and hums through your sound). When the Check light fails to work, be prepared.

Well I bought this second hand so I need not apply, but you would not need it on a machine like this.

I don?t really have a set style. A some times play old favourites, some times I play more modern tunes. In the tunes I write myself I can always find a use for this cool pedal (usually for strange sections of sound to capture attention). People just love it when I dial in a strange sound and use it to play whacked out versions of well-known covers.
I did not get a chance to play around with the BF-2 because they are not sold anymore were I live so I cannot really compare it to similar flangers but I would imagine that it would be better then a BF-2 simply because it is much newer (20 years or so) and has more features to play around with. This Is a great pedal for people experimenting with different sounds and looking something new.

Easy to use, manual simple but satisfactory. I did not buy this unit for flanging - an effect I really don't have much use for - but for the gated effect. There is also a nice touch with this pedal (you might miss it unless you read the manual). In Gate/Pan mode you get a usable tremolo effect by using the right output only (mono). I am experimenting with finding a tone similar to a univibe here...not quite there yet.
Controls all do what they are meant to - 'Manual' is a strange name for this knob though...it seems to adjust the frequency range of the effect.

Gear set-up as follows: Fender 1979 (25th Anniversary) Strat - Crowther Hotcake (great pedal)- Ibanez TK999 Tube King (adds Marshall-esque distortion that Fender amps can't do - great pedal, IMHO), Morley Little Alligator volume to Fender 2x12 Deville Amp. In the effects loop - BF3 to (old but adequate) Boss ME5 - Delay and chorus and subtle EQ-ing only used).
The BF3 is not noisy, and there is a good range with all parameters. What is missing is an overall effect volume control...the only major drawback for me personally. The standard Flange setting is good, and the Manual control is useful in 'sculpting' the tonality (phew!...that was a big word!). Ultra Flange is no use to me whatsoever. I just don't like the ringy, swooshy Flange thing myself...always sounds too artificial to me.
The Gate/Pan takes the cake for me, though. I strongly suggest you listen to the sound sample that Boss provides on their website...then you will get inspired re. it's application. The stereo panned sound also very usable, as is the tremolo...only you can't attenuate the effect level, so you can't get subtle tremolo.
If you're into normal Flanging sounds though, this is a very versatile unit, albeit very expensive in my country (New Zealand). Not really Boss' fault though...we have a weak currency.

Only use it 'in small doses' so no back-up needed, Being Boss I expect it to be very reliable. Hungry on batteries though, so will need power pack. I was not prepared to buy the proprietry Boss one though...again too expensive here!

Have found them quite friendly here. No local website though. The dealer network here is sewn up by one retail chain so no price competetion. I mark them lower because of this, but probably not a big deal.

I have been playing over 30 years, some semi-professionally, some teaching.I play blues/rock/ fusion styles - a lyrical lead emphasis.
The BF3 is used sparingly for sustained chordal sections.
I am very happy with my current set-up, and do a lot of live playing.I seek a distinctive sound (don't we all). I also use (again sparingly) an EBow plus (great toy!), and love the Hotcake...does what the o/drive channels on the De Ville DON'T do well. DeVille is a good workhorse though. The Tube King is great, IMHO, for getting a more Marshall-esque distortion sound, and works nicely with the Hotcake which I use for gain boost, although they both separately have quite diferent tonality.
I hope it isn't stolen...I won't be able to justify buying another! I had to sneak this one past my wife!!!
Again, I really brought this for 1 specific effect. I am not aware of another stomp box that does the flanging gate thing. Boss also are known to do the pitch modulation effects well, so will stick with this unit.

Thx for reading...this is my first submission...sorry it ws a bit long!!