Boss CE-5 Chorus Ensemble

EFFECT LEVEL, RATE, DEPTH, FILTER. Pretty simple, could be difficult at first but you can play around with it. It won't take long at all before you get it.

But the knobs are a little small so you have to have everything preset, don't be touching things when you're on stage with it, casue thats gunna be difficult.

SG>>Fender Blues Deluxe
(I use my effect send and return on my amp for the effects) AS far as singal chain goes. Simple.
Boss- OS-2>>Boss CE-5, Bodd DD-6>>Dunlop Original Crybaby.
Don't ask about my choice in pedals. I've made some bad decisions.

This pedal would be an OKAY choice. Not the warmest chorus out there. For it's price, I excepted more. A cheaper one, EHX Small Clone for example, would be a better choice.

The vertaslity on this pedal is very limited. The depth doesn't go too far, except the rate. You can get almost a vibrato sound with the chorus. Like a modulation tremolo, but muddy sound quality. This pedal, like other boss pedals, doesn't take things over the top. It's only a light chorus, you can't even tell the chorus is on until things hit around 12 o'clock.

There although is one setting I love, which gives me a vintage, warmish, chorus.

Don't except a beautiful, WOW, chorus whenyou get this pedal, just DESCENT.

Although, the cool feature on this pedal is the Ffilters. This knob controls the

Boss pedal= TANK!

I can live it for now, but I regret buying it, I would have gotten something else.

But don't get me wrong, this pedal is WORKABLE.

this pedal either works or doesn't work for you, depending on what type of sound you're after. It is extremely clean, somewhat buttery, smooth. It doesn't sound complicated or very lush. Great for rhythm, limited for lead I would think. If it's the sound for you, the setup is easy. If it's not, no amount of tweaking gets you there.

I've been testing my new pedals on "the bench" before commiting to keep them. The boss pedals I have are far, far cleaner than the digitech lines. Zero detectable noise on the ce-5, even engaged. OTOH, it's so clean that you can actually hear it "working," you can tell it's sampling the sound and oscillating its playback because the tones are so accurate... which was not what I was looking for.

boss...

Compared to digitech CF-7.

Digitech was noisy. CE-5 was quiet.

Digitech made it a lot easier to find the chorus I wanted, a mild lush chorus for lead saxophone work; the CE-5 just couldn't get there.

Plug in and go. Level, rate, depth, and the EQ filter are all easy to understand and use. It's not hard to get what you're looking for out of this pedal. The stereo out option is a nice feature. Boss pedals aren't true bypass, but they aren't too bad when it comes to tone-sucking.

As others have said, this is a vey subtle chorus effect, even with the effect level all the way up. It is a pleasing effect, although not the warmest chorus you'll hear. It's definitely a digital effect. It sounds equally good clean or overdriven; my favorite application is using this for solos - it gives the overdriven lead lines a little more power. I almost always run this through the effects loop in my Peavey Ranger 212. It sounds fine out front if you don't have an effects loop, but it's preferable to place it in a loop.

There is one problem with hum on this pedal. My pedal hums like crazy if you use any adapter besides the Danelectro ones that say "zero hum" on the box. Boss adapters don't kill the hum, and neither does any other kind of adapter I've used. The Dano one, at least in my case, is the only thing that keeps it quiet. With that adapter, it's silent.

I've had this for ten years. Boss pedals are made to last.

They answer their email.

I like this pedal, but since I don't use effects all that much, there really isn't a reason for me to replace it, even if I were to lose it. If I had to replace it, I would probably go with something like the Small Clone for a warmer sound. But come to think of it, I've got the MXR flanger, and that can put out a great chorus-style sound. Anyway, this is a constant in my effects loop, and I'm happy with it. If you're not looking for a crazy effect, then this might work well for you.

Not very complex to use, just plug it in. It??s possible to have stereo output - one dry, one effected, but I always go mono. At first it appears fiddly, with the high and low cut knob, but I don??t screw with that much as the basic sound of the pedal is what I want. A definite advantage is the ??mix?? knob which allows you to dial in just the right level of effect,which really helps to keep things subtle, as chorus can be such an overpowering effect.

To my ear, this pedal delivers the sound of a slow rotating speaker. It??s transparent(for a chorus pedal!),which is why I chose it - the sound is not too thick. I play rock on a strat and have found the pedal useful for these tunes:
The chordal riff in ??Sultans of Swing??.
The last few bars of the intro of ??Little Wing??(that nice bit where he slides into the chords).
Any Police tune(bridge pickup with a bit of gain).
There are many other tunes which I don??t play live that this pedal is useful for, eg. ??Waiting on a Friend?? by the Stones. Also, Cream??s ??Badge??.

I have confidence in this product. I??ve had it a couple of years, and it hasn??t let me down. Besides, I can??t afford to buy two of them!

I??ve never dealt with them.

I play ??Classic Rock??- Hendrix, Clapton and so on. I may seem uncritical of this product, but I like it, and that??s why I bought it! It can give the full slow rotating speaker sound, or a very subtle shimmer. Works well with or without distortion. It??s a flexible pedal, which is so important for a chorus effect. Let??s face it, chorus is almost like a disease - too much of it, and everybody sounds the same! I like Boss pedals and own a bunch of them, and this one has been very useful to me.

4 knobs.......

I started listening to early Pretenders and the Police again in honor of their reunion (great Bands) and decided i needed to run out and buy a chorus pedal. I haven;t used the effect in 15 years and like most guitar players i know, am impatient and impulsive with gear purchases. Anyway, My local Sam Ash carried exactly three chorus pedals. The digitech x factor multi chorus, boss super chorus and ce 5 ensemble. Of the three, the digitech sounded best (and was the cheapest)so, of course they were out of stock. Knowing i had to immediately have the chorus pedal or i may die, i chose the ce 5 . Here's my thoughts... I play strats,teles, and les pauls into a variety of fender tube amps. The ce 5 is a very subtle effect for a chorus. It doesn,t do the warbly or vibrato type sounds most look for in a chorus. It primarily " sweetens" chords a bit and adds a thin, high end digital "sheen" when strumming. not necessarily a bad pedal, but it won;t give a fat warm sound either. If your'e looking to add a little "sparkle" to your chord work (think a live eagles type of sound) it;s fine. If your'e looking for the sounds of couldn;t stand the weather, badge- (live,) teen spirit,etc...shop around a little more. Used with a Boss dd-6 delay and playing along with zenyatta mondatta (or whatever the hell it's called) i found the sound just o.k....and a little thin sounding. Hope this helps...

Boss pedals are usually very reliable

I play a little of everything, and have been playing for 25 years. If this chorus was stolen, I doubt i'd replace it. It;s not a terrible pedal, just adequate that;s all. Considering the price and competion, there are better chorus pedals on the market in the same price range.

pretty damn easy to use. not to crazy about the added hi/lo cut knob, kinda found it to be useless.

its a decent chorus for the money. i have heard some guitarist use them and they sound great, but to me it just wasen't working. used mine for 4 years then switch to an older ce-2 model that i have had modded by robert keeley. much better sounding then the ce-5.
the ce-5 sounds lifeless and sterile to me. it doesn't have that nice smooth chorus sound that im after.

its a Boss! these things are like little tanks. they only surviving things after a nuclear war would be cockroches and Boss pedals.

i wouldnt know.

Like I said, its a decent chorus for the money. But if your after that nice lush chorus sound, then try something more along the lines of the MXR Stereo Chorus or the Voodoo Lab Analog Chorus... or a Keeley modded ce-2

If you're already familiar with the typical chorus pedal, you'll have no problems. The Filter section is like a tone control with extra fine tuning capabilities. Takes a little getting used to, but after five or ten minutes of twiddling it's a piece of cake.

This pedal is a Boss through and through: the very clean, hi-fi chorusing Boss is known for comes through at practically any setting. I used a CH-1 Super Chorus for many years and I can hear a lot of similarities between the two. Where the Chorus Ensemble differs from the CH-1 is in the filter control, which kind of "sets the mood" for the whole effect. Cut the highs and you can get a very convincing analog chorus tone. Boost the highs and you get a more modern shimmer.

I AB'd this with my semi-trusty EH Small Clone. The Chorus Ensemble was able to cop some of the gooiness that the EH is known for with the Low control turned fully clockwise and the High control backed off to 1 o'clock (Depth and Effect Level were set at 3 o'clock), though it required rolling off some of the tone at the guitar with the neck pickup on to do it. Still, it did a convincing imitation with the rate set at 1 o'clock or below. The EH sounds deeper and more organic overall and higher rate settings are a bit more and usable and smoother than the Chorus Ensemble, but the Chorus Ensemble is clearly a pedal that has a lot more range...and considering the overall reliability of my Small Clone has been less than stellar, even under light use, the Chorus Ensemble is the pedal I'd be using on stage.

When not trying to sound analog, the CE is very spacious and clean, with a nice 3-D depth. Even with the Effect Level and Depth set to max it doesn't overpower your tone, though I wish it was a lot more assertive at settings like this. Bonus: it played well with every dirtbox I threw at it: a Big Muff USA RI, DS-1, SD-1, TS-9, Ibanez fuzz, old Boss Turbo Overdrive...it really thickens up distorted and overdriven tones and you can't put just about anywhere in your signal chain. My Small Clone is a lot pickier about what it gets paired up with and where it is.

I've never had a Boss pedal fail on me.

Haven't crossed this bridge yet.

I play a little bit of everything, but my bread and butter is classic rock, britpop, oldschool country and noisy stuff. I've been playing almost 20 years. I play lots of Fender guitars and Vox amps.

I love the simple tweakability of this pedal. If you're someone who wants to be able to dial in a handful of good chorus tones on one pedal, this is a great piece of gear. The Filter control is the heart and soul of it. I can get a very close approximation of a Small Clone and I can get the classic Boss chorus tone. I find the best way to open this pedal up is to set the Effect Level, Rate and Depth about where you want it, and then play around with the Filter control. Once you get the filter set where you want it, you can go back and fine tune the other controls. I find I can go between fat and shimmery with just a quick adjustment of the Filter control or even just switching pickups.

I wish it were a bit warmer and a bit more assertive when set to higher depth and effect level settings, but overall I don't think these are major shortcomings. I have a pretty bright rig to begin with, and this pedal works with what you feed it. I love my Small Clone, but that thing is tempermental to the point of being unusable at times. I really like the fact that I can get close enough for government work with the Chorus Ensemble, because at least I know it's not going to konk out on me at a show and reliability counts for a lot on stage. I rate this a 9 overall because for $80 USD new it's not bad, but if you can find one used for $60 USD or less, it's a steal IMO.

This was my first pedal (we're talking 1994 or so), and it had a bit of a learning curve for me. The suggested settings in the manual helped a lot (until I lost it).

It's got four five knobs: E. Level (how hot is the effect compared to the original guitar sound), Rate, Depth, and a knob-on-top-of-a-knob Filter (High and Low EQ). Fiddling with the Rate and Depth are the key to understanding this stompbox. Dial too high on the Rate & Depth (together) and you've got some nasty sounds. Mix and match them for a right variety of sounds. The E. Level will determine how subtle the chorus sound is.

I've only rarely used the stereo feature. Usually I don't have two amps to work with in any given setting. But now that I'm recording more, I'm planning on experimenting with it.

My main setup is an Epiphone Les Paul Deluxe into a Sansamp GT2>Boss DS-1 Distortion>Boss SD-1 Overdrive>Boss TR-2 Tremelo>CE-5 either into my Peavy Transtube Studiopro 112 amp (for home practice), my Tascam 2488 (for recording), or Direct into the PA. I play a bit of rock (though I go for a more mellow sound in general), folk, and worship music.

I really like the sound of this chorus. I've had it for 12 years now (it was my first stompbox). I originally bought it because it was cheaper than the Superchorus, and everyone told me that Boss makes the best choruses. Years later, I've come to the conclusion the CE-5 is a better sounding chorus. It's subtle enough to not sound cheezy, but it'll thicken up your sound nonetheless.

It puts out a bit of static when engaged, but not an unreasonable amount. As the battery gets low, the chorused signal dies. When the battery is near the end of its life, you can barely tell the unit is engaged. But the LED will fade to let you know it's time to change the battery.

This has been a main workhorse for my setup for essentially all of my guitar-playing years. It's never failed me (unless I've let the battery die). I've never had to get it serviced. Heck, it's a Boss. They're little tanks.

I regularly take this to a gig with no backup.

Never had to deal with Boss. Never expect to.

I've used this stompbox in both electric and acoustic settings, and it works well. My soundman never complains about it. It's subtle and smooth. While chorus isn't essential to what I do, it's nice to have a good, reliable unit. It was my first stompbox, and I expect to use it for life.

Controls - level (wet/dry mix, kind of), rate depth and treble/bass (the eq works on the effect part of the signal only). Understanding the interaction between the controls is the key to making this pedal work. The trick is in the eq settings - as the treble is increased the effect becomes more pronounced. The scope given by the controls is a strength and a weakness - it's at least as easy to find bad settings as good ones.

Mine dates from the early 90s. As it's got the "Class B Digital Device" bit on the label I guess it's digital, though it doesn't sound stereotypically "digital" - it's not harsh, grainy or clouded by noticeable digital artifacts (unlike the Boss GTx series and the current phaser/flanger). It can handle very high input signals (including 2v+ from a synth) with no digital clipping. It also lacks the "processed" tone lots of Boss gear suffers from.

When off it's off, and the Boss high-impedence buffered circuit ensures no noticeable interference with the guitar tone and can reduce/eliminate tone sucking by anything after it in the fx run (and even put an end to the oscillation caused by vintage Small Stones when they're supposed to be off?!?).

It took me quite a while to get my head around getting the best from the CE5. First off, it sounds better into valves than transistors - much smoother. Fender or Marshall amps both work fine with it. There's a huge range of sounds available, from a decent if polite vibrato (level and rate high, depth low and treble reduced) to discreet thickening and 12-stringish tones entering flanger territory (think Andy Summers) plus an uncanny ability to sound like there's another guitarist who's almost playing the same notes as you. The sample settings are a good place to start but it does take some tweaking to suit your amp/guitar/playing before you hit the sweet spots.

I use chorus lots, both as a subtle thickening of lead lines and as a more noticable effect and this does both very well. With a bit of persistence the CE5 can be used to cover alot of bases. What it's least good at are the kinds of wallowing grungy chorus the Small Clone excels at.

I don't find the stereo function useful as I usually only gig with one amp. I have used it a few times and it works exactly as advertised.

Had it for years, it's never failed me yet. I have had Boss stuff die on me but not often. All my gear is gigged frequently, but I have a policy of not jumping on it, throwing up on it, pouring beer on it and generally avoiding doing all the other things electronics don't enjoy. I find it helps to keep costs down and profits up.

I find I usually don't like digital stuff (except delays - the ability to tap the tempo in as required is pretty essential for me), but the CE5 is an exception. It can do a wide range of things, some of which are useful and some awful (unless you like seriously de-tuned warbling chords out of tune with itself as well as everyone else).

A better "manual" would help - e.g. explaining that the prominence of the chorus isn't just altered by the level control but can be radically altered by the eq as well, rather than the typical Roland/Boss "level - adjusts the level of the effect"...

A final thought - it isn't too bad a battery-eater but for consistent performance is best run off a regulated 9v supply.

Too many parameters for a chorus, but not rock-it science. This pedal was made in probably 2002 and has FJ07936 on the red label.

We'll get to my low scores..
Strat hwy 1/Electra Phoenix> Ibanez tube screamer>Boss noise suppresser>Ibanez flanger>Ibanez delay> Dunlop cry-baby> Boss stage tuner> Randall RG100SC 212 amp>Randall 212 cabinet.
When I first got the effect it was to replace my coveted Boss CE-2 ( 1982 black label Japan) that quit after 13 years of loving abuse. This CE-5 pedal worked for two days and sounded nothing like a Boss chorus. It was cheap, transparant and too subtle. 2 weeks later it crapped out and the store I bought it from closed, dogs and cats moved in with each other and I realizede Barry Manilow wrote all the commercial jingles that were in my head....sorry...

this one- NO

No help..plus I lost my receipt.

I play blues/metal/progressive, been at it since 1979.
I play a 2006 Fender HWY 1 Strat, Electra Phoenix x150, Carvin Ultr-V, Aria Pro-II Hollw Body, Kramer Striker, Ibanez acoustic and Sigma -Martin acoustic. I have vintage Ibanez pedals ( except for my Turbo- Tube), newer Boss noise and tuner and vintage HM-2, a Zoom 1010, Dunlop Cry-baby and a busted Boss CE-2. Amps are Randall and Peavey wqith a teeny Fender frontman..
I wouldn't buy another one bur I will get another CE-2 on Ebay ( one day).
I used to beleive Boss was the ultimate power in this solar system but the rebels blew them up around 1995. May the farce be with you.