Boss ME-6 Guitar Multi-Effects

Hello. I have used it in 12 years every week. I have strugled a lot and come up with my own sounds. My ME 6 is some problem sometimes in the led card it don??t always funktion. I have to repare it bacause the cabel is making a move in the card an makes it not function. The manual I??ve got just a year ago and it??s sucks. Onley one sound is going to use instead of mine.

Sound quality is okej. I use i transistor top Vs 100 Marshall. It??s little noice but you can put the treeshhold on 4. then it??s okej. You must realy make some offer in time to find good sounds. I have done it in 12 years. Now I have it. One distorsion is good and flanger and delay. Of course is Equliser good to make the sound higher on other stomp pedal trouth the ME6.

Yes it??s okej. I have 2 more ME 6 just incase it will brake down. So useful is it.

It??s okej.

I play covers in ballad rock and Iron Maiden and that stuff. I have a pedalboard with: Tu2 CS2 AC2 Ubermetal Line6 SD2 and a ME6. Love it because it??s so easy to use and I use ME6 delay chorus reverb flanger volume high solo to my stomppedals. My friend have problem to make a booster trough his Marshall 800 but I have no problem with this gear.

I have had this unit since 1995. Its very easy to use and very easy to edit patches. I play the Greek bouzouki and i had to do alot of editing so i had no troubles.

Everyone has a differen opinion and wants different things. I play the greek bouzouki, so im interested in clean sounds and using the e.q and the reverbs. I use a fender super reverb amp with it and it works excellent.

I have used so much and it has never let me down

I think its an excellent unit for what i want to use it for.

It`s very easy to use

It is a very good peice of equipment if you want to get the SRV or maybe Steve Vai`s clean sound but don??t expect to much from the overdrive and also the noise suppresor can be a little bit extremist

I??ve been using it for the last 15 years!!! and it??s good as new

You have to use some other pedals to get an up-to-date sound. but if you play blues it is all you??ll ever need.

I bought this thing used without a manuel and it took me 5 minutes to sort it all out. The guy I bought it from has shown me a short demonstration of how it works and it was very easy.

I haven't bought it for the distortion because i've got a Boss MT-2 pedal. The other effects are pretty good. I like the delay most. The reverb effects sounds cheap when setting the time below 10 ore something. The delay ends not nice then (to fast). The equalizer overdrives when setting the low-level to high.
With good settings it sounds great but it has to be used with other 'loose' pedals like my MT-2 for the best sound.

I think the reliability is good. I havent got any problems yet. Boss is a very good mark which I've good experiences with. All the things they make are reliable. Most pedals are I think.

I'm playing Metal and thats the reason why I don't like the distortion (just to weak). I??ve got a 12-snare Yamaha western guitar which sounds great with the delay effects. In combination with my other pedals do I like it. The only thing thats bordering me is that the bypass-button is too small. When I want to play without the ME-6 can't I turn it off easy with my foot (I've to use my big toe :P). That problem is easy to solve by setting channel one witout any effects. It's a good machine, specially for the price I bought it fore.

Extremely easy to use, although you may need to modify a thing or two to suit your taste, overall very simple

Not great , I agree with some reviews that claim you will be bored easily. It took me a lot of time to find sounds I really felt comfortable playing with

perfect, Own it for 10 years and been very cruel to it

Dont know

Overall this is a good piece of kit although a bit dated. I still like it for some of the effects. It has inspired me as this was my first multi effect pedal 10 years ago. Anyway I bought it for 50 pounds from a second hand shop from bradford 10 years ago, If you come across it for sth like 30 pounds go for it

well, it did take quite a few time to get used to it...but once you get through this, you can be editing sounds just as cooking in a microwave! I downloaeded the manual from the Roland web site and it was VERY helpful.

Favourite artist's sounds? Since this is not a modern virtual-I-don't-know-what unit, you can taylor sounds of your own. The distortions are not the modern rectified ones that punky kids and shreder's clones expect, I recommend them to use a separate distortion stomp box as I do. My current rig is as follows: I plug either my Ibanez RG320, my cheap-o-caster or my beautiful Aria Pro II (see review) to a Dunlop CryBaby, then to a Boss MT2, then the Boss ME-6 and sometimes I add a volume pedal at the end of the chain before the solid state Marshall Lead 12 combo. It gets quite noisy if you don't handle the compression carefully when using theinternal distortions or if you abuse of the reverb.If you use external distortion it's a real reliable machine! And the clean sounds are amazing! I can spend hours tweaking for nice delays, warm reverbs and convincing flanger sounds (oh, yeah, if you sit down and work this unit out, you can get even contemporary sounds easily; just listen to your ears and use your head!). Let me tell you that I heard a guy of a classic rock cover band in a pub and he was pulling amazing sounds out of the ME-6, a strat and a Fender Twin amp...I realy believe good quality gear make the difference when you use this unit: I had a Marshall MG15RCD and the MT2 and the ME-6 sounded HORRIBLE; but when I got this little beast Marshall Lead 12 (a solid state combo from the 80's)things were SOOOOOOOO different...Overall, cool EQ, great modulation FX's and so-so distortions. Try this one with headphones, it will astonish you! And I use it for gigs and it's great because Ican swithch from rhythm to solo leads with its obvious volume increase and it hanldes that perfectly. I don't know what the people say, but if you are patient you can get great sound from it.

VERY reliable. Although I 've been using it for a year, it hasn't let me down...except from the power supply which broke down. Despite what they say, I use a generic power supply which matches specs and it works perfectly!And it looks great on stage!

I downloaded the manual from the Roland web site whithin minutes.

I've been playing for 6 years and this unit fits perfectly my music styles which are har rock, metal, rock and some blues; not for the distortions but for the liquid modulation,the nice EQ you can get, and the fact that you can store a lot of patches and use it as a series of stomp boxes. If it were lost or stolen I 'd buy another BOSS multiFX 'coz they are excellent quality. Compared to the Zoom 505II(which I traded for the ME-6 and paid NOTHING) the Zoom sounds cheesy compared to the Boss in terms of modulation. I wish it had pitch shifting...it helps with my music because I can use it live and it's easy to use.

Very well laid out functions, once you spend a few minutes with it it's very easy to edit.

I tried and tried and tried but I just could not get a good overdrive sound out of this unit, passable but very average.
The delay, chorus and reveb are very good though. The eq is good and the comp seems ok but I generally don't use compresors so I'm not a very good judge. After using a Rat and Od-1 for about 20 years the overdrives just don't stand up. So if your after a unit to run along side a good overdrive pedal go for it, otherwise I wouldn't recommend it.

Made from plastic but seems like it would last if taken care of.

I'm a working musician so I play many styles of music. I've been at it for about 20 years. I have a lot of gear but I usually use a tele or strat through a Fender 59 bassman or Vox ac-15. I borrowed this of a friend for a couple days to try out with the idea of having a simple unit where I could have a variety of patches to switch between but it didn't work out for me. I like the delay and chorus etc but hate the overdrive and distortion. Some of you do and may like the me-6 but it's not for me.

Very easy!!! Everything is clear, there are a few controls to edit a LOT of items.... so... just have 5 min with it and you will discover how to setup it by yourself. But it is a multieffect... it isn't that paradise of control potenciometers like in separate units...

Wow... is very common to find bad comments about this unit... specially when they come from little boys who need hard distortions...
But i have a different vision about this unit.
I plugged a 78 vintage Les Paul (mahogany) in a Fender Amp... It's sounds very fine... The clean effects are very good! Chorus is very nice, and with the compressor i could reach an excelent 'poping' and 'bright' sound with the guitar... Excelent for jazz.
The distortion... well, if you play something before the 80's, you can use the presets... If you want to play some heavy metal with high harmonics you have to work hard on it... You have the Pre equalized distortion... So, you can edit the color of you distortion equalizing it... Wow, since i've bought this unit, i'm still editing my PreEQ distortions... But i have nice ones today...
Another good point: the low drive, is very nice! You can get an vintage drive very similar to the blues OD used in the latest 60 or during the 70... Something like David Gilmour... Or something like Scott Henderson today... Very nice!!!!

think about the price... the advantages are ok!

Can you make it easier? This layout is like having some stompboxes on the floor. The manual is excellent too. There are some parameters that you won't find on todays multieffects - like adjustable predelay on the chorus. This means you don't have to sound like everyone else.

I really like this gadget. When it came around it was very unusual to have both delay and reverb at the same time. (My KORG AX 100G still can't do this..) The ME-6 sounds good. What I miss are more modulation effects (just chorus/flanger available). It would also be nice to have one semidistorted sound. The ME-6 covers clean and full distortion sounds but nothing in between. Remember that it was made long before digital tube-simulation became popular. I have used it in all different situations. In front of clean amps, dirty amps, PA.s, through FX-loops. It does them all!

Since I from time to time don't mess with the patches, the microswitches stops working. If you tap them for a while they get going again. The ME-6 has never failed me in a live situation. It's a workhorse! I have never brought a backup.

No idea. The manual is excellent so i didn't need to bother. That's what I call customer support!

I have used this unit from the day i bought it 1993 up til today. It still works great. Sound good and works all the time! I got a KORG 100G. It sucked so I use it in front of my ME-6.

It's really very easy to use. At about 2 minutes you can edit your own patches (with no manual).

People used to say it sounds bad (distortions mainly), but you have to consider that to get THE SOUND you should have a decent guitar and amp, of course. Cheap guitars and amps will produce a cheap sound, Am I right?
This machine rocks...overdrive and distortions are decent, effects are really warm, delay and reverb great, and the noise supressor really works fine. By the way, it's an analogue sound, not emulation! If you want to create your own sound signature, that's for you.

Built to live forever! It's a 90' pedal and works fine till now. It's BOSS.

Never needed.

I play brazilian music, rock, jazz, funk, blues. As you can see this baby can cover any style. I've been playing for 10 years and if it was stolen I could buy another one for sure, but it's not easy to find.
Run away from emulations pedalboards, it will never be the real amp sound even with a POD.

Very easy and straightforward to use. I bought mine used and with no manual and no power supply either.

Sounds are OK, nothing fancy about it. The distortions don't sound very good. The mid range settings on the EQ was hard to find a tone that suited my taste. You have to fiddle around with it alot to get the desired tone and still you may not find one that sounds right. No tremolo or phaser effect. Distortions effects are limited to just OD and Distortion.

Bought mine used. This pedal was made in the early 90s I believe. Everything still works perfectly. It's a BOSS so should be very reliable.

Haven't dealt with them

There's nothing fancy about this pedal. It's very plain. The sound is not that great to me either. I ended up returning it.

if you are unable to work out how to operate this box after 5 mins with the manual check your vital signs.stupidly easy interface.anyone who thinks that gear w/o knobs is hard to use didn't try this box out.edits are easy like using 2 knob stomp boxes, instead of twisting you scroll.i'd give it 10 except it doesn't have midi like the me-5 has.

i ran 2 ibanez rg's into a bad horsie and a whammy into a laney gh50l half stack with the me-6 plugged into the parallel fx loop. i used the me-6 for mainly delay ,modulation and reverb on a couple of patches for ryth plus a little of the eq on the overdrive channel to enhance the laneys mid range for leads.i could sort of cop that drop dead legs sound which suited the VH, roth, hair band stuff i was playing at the time.i bought a second one later on to get that dream theatre morphed sound by splitting after the whammy into a second me-6into the front of a solid state 60 watt in conjuntion with the laney setup which worked great except my pedal array was too big for the stage.if i put out the front of the laney it just plain sucked.crap distortions,fair compressor ect., just not a great unit to generate front end tone.but in fairness the multi fx of the day were primarily based around the concept of storing combinations of stompbox fx with instant recall.this is one of its redeeming features, given the parametric simplicity of the effects, patch changes are so quick and quiet because the algos are so small.(i have 2 j-stations that take ages to change patches via midi and they are not seamless).its quiet if you are not using the compressor or fuzzesas the noise gate has sharpe teeth and fuck all ajustability.tip is if you want basic delay,mods and rev sounds, get an amp that sounds good and ENHANCE it with something like this.6 for what i was using it for at the time, 2 for use in front end.

the first one i bought i still have and it is the most reliable piece of gear i have ever owned, nearly 10yrs old still going strong. the second one i got had the plastic buttons ripped out of half the edit switches as the previous owner had taken his frustrations out on the external actuators not the microswitches underneath that were the culprit. i am an electrician and the place i worked at the time had an electronis dept. who replaced all of the micros for me.i replaced the external buttons with some ones i cut out of perspex and it was still working flawlessly on the day i sold it.its a boss which means hard to stop and easy to fix if it does!

got schematics in a week just for my own interest but the boss website sucks hard for the simple reason that you can't download manuals .it also makes it hard to 'try before you buy' especialy as i am a midi freak and wont even plug something in without seeing a control change chart first

i have played for 16yrs and am basically a rock jammer who these days gets more out of tweaking shit than actually using it,so i guess its fair to say the me-6 has become a doorstop.if you have an amp/guitar setup that already sounds good the delay/reverb /mod fx are passable enough for a bit of enhancement and shitloads cheaper than forking out on separate pedals.they lack realtime/midi control of parameters that are avaidable in gear these days for next to nothing,but if simplicity is what you want it works.i am presently driving my "obsolete" j-stations into a poweramp and using my K5000w for midi cc experiments on it.in 1994 there was not much to compare with the me-6 except the me-5 and i wish i had one.

really easy to use (its a boss!) getting the sound you want may take a while, took me a few weeks before i was happy. no manual second hand

i use a 50watt marshall combo with an epiphone les paul custom and a mexican fender telecaster. i use this with a variety of other pedals, crybaby wah, boss rod 10 overdrive, alng with boss tremelo, flanger, super overdrive, acoustic simulator and marshall bluesbreaker. i use so many for one reason. the unit as a whole is pretty terrible. the only good effects are the delay and compressor. i use the delay for the coldplay sound, when plucked clean, and the compressor along with my other overdrive unit to get the retro sound which the hives and the strokes have. this unit is good for me because i only use it for these effects. if you are looking for an overall multi effects unit, id look elsewhere.

was a bout 10 years old when i bought it. still works fine

never sed it

Really Easy !!! Once you first get the hang of how to change patches, it comes naturally forever after... Took me about 5 miniutes to work it out without the manual...

It has a good sound with a good noise supressor. The only thing to be carefull with is when using the noise suppressor with distortion/overdrive. I have used it with a variety of amps and guitars, and it is always easy to get a nice sound, normally you only need to tweak the amp settings. The one let down is the Flanger effect. It is hard to get the right mix between unnoticable and overwhelming (took me 30 minutes to get a sound i was happy with). Overall the sound is good, at least as good as having a huge rack of boss pedals.

It is the sturdiest multi-fx pedal i have ever used. I bought it second hand, gave it a whipping and it is still as sturdy as ever. The only problem was the Tuner Out jack fell out and i never use that anyway.

Never had to use it. DIY is more fun !!! and i bought it second hand.

Very good. Went out to get a flanger or compression, came back with both and a delay, chorus, destortion, noise suppressor as well for just #40 ! If i was you look out for it second hand !

no mutltifx can be edited more easier than this one. you can modify every single patch just as you like it. you can copy patches in a very easy way. I had no manual but hey, it's so simple!

I'm using a strat with a humbucker in bridge position running into a 50w amp. effetcs like delay, flanger and so on really kick ass! the reverb is very noisy and the distortion sucks. it sounds like there is some flanger mixed in. well overall: for flanger, chorus and delay: 6 out of 10 / would the distortion be much better and the reverb less noisy I'd give full 10 points.

the pedals are small. with large feets you easily can step on the wrong one. happened to me on a gig. but if you know where to stomp it's okay. it's playstic so take care. all in all it' okay.

n.a.

I play rock, punk, etc. and especially the flanger and delay are effetcs that I never heard better anywhere else. for distortion look out for a boss turbo dist. and for chorus just try an ibanez one. I would not buy it again, even I never bought it. just borrowed it from a friend. I recently bought the korgax100g which sounds overall better than the bosss because of built in vamps (better distortion etc).

Me being a man of little patience(i.e. none whatsoever) would prefer rotary dials instead of digital. BUT the idea of 25 patches available in two stomps of the old foot is wonderful, AND unlike other MFX boards the change is INSTANT. So the trade-off is that it does take a while to set up, but after that it's a piece of duff to use, especially in a gig. The manual was ok.

Well, it's now probably classed as "vintage", which is a kind way of saying "obsolete". I think it's great for plugging into solid-state cheap amps. It's very quiet with solid state and lets you explore lots of different sounds. I'd say "Sound" rather than "Tone" because the distortions aren't all that good. These days I play guitar plugged directly into a Fender HRD (see review) and it's put me right off using ANY effects, I much prefer the tone of the Amp. Basically, it doesn't matter what the hell guitar you put through this, they all sound the same! These days I would not use it in a gig, but I used to, and it worked well enough. For clean sounds you can get some real other-worldy tweets and swirls. Sonic equivelant of tripping. There are a couple of usable presets for Heavy Metal in bank two. More crunch than Extra Crunchy peanut butter. Also, can provide a really, and I mean really beautiful lead tone when you bung in enough delay. For the money these things go for now, it's worth buying just for the delay. Mind you, I wouldn't put it into an all-valve (Tube) amp, cos it fucks up the tone. Well actually, it replaces the amp's tone with it's own. All effects do that, so I'm not bashing the ME5, I just no-longer like my tone processed. But hell, it's still FUN to use in the bedroom.

Very reliable, mine's been all over Europe, each pedal must have been stomped on thousands of times. Only problem was that the input jack went bye-bye. Solution? Wire it up to the jack next to it! I've forgotten what it's for, but was something I never used anyway.

Never dealt with.

I bought this in 1993 and it no longer falls into what I'd call a "professional" piece of kit, but second hand I'd suggest buying it if you have a crap amp or are starting out. When you're starting, effects give you hope, just don't get too dependant on them like I did! I play all kinds from ballads to Blues to Rock. It will never match the tone of a valve amp, but neither do the ultra expensive modelling amps of today. I know, I've tried them and laughed. Not suitable for blues, very difficult to get any smoothness out of this without delay. And you don't want delay if your playing the blues!
As an aside, I've found a new use for it. My band practises in the drummers cellar and I don't have a lot of gear. I'm also lead vocalist, but we don't have a PA. So, I plug the mike into the ME5, use the Comp/Sustain, noise gate and reverb and whack that into a little 15 watt amp. Nothing brilliant, but I can be heard over the guitar, Drum and Bass! Not recommended for gigging in a rock band, buy a decent amp for the overdrive, but well worth experimenting with if you see one cheap!

It is really easy to use.. You just have to be a little curious to find the best of it by doing a little tweaking

I use it with a Crate amp and it sounds pretty good, but most of the time i just use it with a direct box to a mixer (cuz my amp is too small for gigs) and believe me, it sounds great! Try doing this with a Digitech or a Zoom and you'll sound as a small chicken dying in a grinding machine. ME-6's effects are very natural sounding, having in mind that it is a 10 year old effects processor. If you tweak enough, you can even get contemporary rock sounds.. you just have to be patient and smart enough. If you are one of those stupids who think all things must be preset to "be good" this is not for you... but if you are a serious musician who needs sonething versatile and long lasting... this is it!

Hard as a rock. I've used it since 1993... in about 100 gigs... and it works as new! Obviously, it doesn't have all the "exquisite features" of newer processors such as tuner, exp pedal, incorporated wah, harmonizer, etc... you have to be into the context of the time it was made... The precission it has between bank and effect changes is outstanding... It changes exactly when you press the pedal.
Believe me, The ME-6 is one of those things that are made to last forever, and become classics.. just like vintage Studer 24 track analog recorders, Telefunken mics, or a '57 Telecaster... Not like my other effects processor (Digitech RP-6) which dissappointed me as soon as I plugged it into my Crate... not to mention when I tried to change effects between verse and chorus... The gap took like 100 years...

That's a weakness of Roland... not enough support.. no info in the websites, etc.. But I have never needed any support, because the processor has never failed...

I bought it in 1993... when I was starting at gigs... I still love it!!! I've seen other processors, and If I had the chance, I'd obviously get a newer processor.. but I'll never get rid of it... I think it is some kinda Vintage Gear... I even use it on my home studio as an alternate effects processor for vocals, and instruments...

Very easy, wish every unit could be as easy to use as this one. Just press edit button and select the effects you want on or off with the foot buttons, and then go up and down setting the modes on each effect. To save your final sound mix, just use the write\copy button pushing it two times. There is a master volume also.
To modify anithing you must always press the edit button so your setting is secure. That's all there is to it, if you read this you dont even need to use the manual.

Have a Fender Fat Tele with a Seymour Duncan Little 59 bridge pickup and a Tex Mex on neck pickup. With my Fender Rock Pro 1000 amp this unit sounds very good. But I can confirm that you need good gear for this if you want to get a decent sound. I had another guitar and amp. and the result was very depressing. But with good gear this unit can give a surprising sound! The distortions are not the best, very noisy and kind of thin. Although it's great for artistic sounds, I made one that's a beautifull synth. I prefer my amp's distortion for most of the songs. What I do is have a clean sound set on a bank so I can mix it with my amps distortion, that way I don't need to use the bypass and still use my clean sounds of the ME-6. The dealy is excellent! the chorus is very good and also the flanger but this one needs to be set up very carefully. The bad thing of this unit is the noise suppresion which cuts too much your distorted sound if set after 5 or so. The mid range of the eq is kind of treaky.

You can depend on it. I have this unit for about 9 years and is a tank!!! just needed a clean up inside once to get the buttons dust free. I've played live but woudn't record with it.

Live inThe Dominican Republic. Never have to deal with them.

I play rock and some blues. Wouldnt recommend this unit for blues. But for rock is great, very versatil.
If it were stolen or lost I preffer to get something new, there is a lot to choose from on the market.

This pedal is so self explanitory. It has two modes for switching sounds, a normal mode which makes each pedal act as if it were a combination of whatever effects, and a Manual mode if you like to use it like a bunch of effect pedals. Editing patches is a breeze as long as you know how to read. And it basically is easier to use than a modern microwave in my opinion.

I have heard that this pedal sounds crappy. I beg to differ, it's the lazy person programming the patches, not the pedal. My friend lent me this so he could borrow my DOD Super American Metal. It sounded bad when I first had it. I took it home (On a night before school), and sat in my bed with the lights off programming patches with the LED's alone, using my Fender Jag-Stang with EMG pickups, and the headphones going into the headphone jack. I somehow managed to get Metallica-like Distortions, and Bluesy warm overdrives, and choruses much thicker than the chorus on my amp. I programmed patches that sounded like Aliens and Disembodied voices. and if your asking, no I was not tripping. This thing can SOUND EXCELLENT if you spend some time editing the patches and using your head to get the sounds you want.

You can depend on it, except the jack on the ac adaptor itself. After using it in my band for a month, the output plug on the adaptor jack self destructed inside the jack, leaving the metal positive conductor and the plastic insulation sleeve inside the jack. It worked OK for awhile longer until the insulation came out and the parts got mangled. Then I stripped off the output end of the adaptor and hardwired it into the pedalboard. It has worked perfectly ever sience. Who needs a bakup, all you need is MAYBYE a soldiering iron.

People say this thing sucks, they know nothing...take it from a guy who has played six years, and been through effect after effect, this is the best multi effect device I have ever seen. If somebod stole it, I'd kick them in the nutsack and gangk it back.

You dont get much simpler than this pedal. I remember taking it out of the box and already knowing how to use it (even though i never had a multi-fx pedal beofre). Especially with all this new "pre-amp simulations" this is bare bones and simple.

I use a Carvin "Holdsworth" model now but have used a Fender Tele +, an 86 Les paul Standard and a Gibson ES125. All of these sounded fine thru this box. Yes - the distortins are not the best but ive used this pedal for about 6 years now as my main distortions and have found 3 or 4 settings that make it sound great. I play thru an early 80's Mesa Boogie Mk2C so i assume a good amp will make the effects sound better. The delay and chorus are very usable but the reverb does have something to be desired. I found 1 usable setting (and that is my only reverb i use now).

Ive gigged with this in NY for 6 yrs now and the only problem has been blowing the power supply. A replacement is 30-50 dollars - a bit much but cheaper than a new multi-fx pedal.

dunno - never called them.

On a 1-10 scale - i give this pedal a 7 1/2. Its a good simple quality pedal that does not pretend to offer you the world then make lunch for you. It does what it does and does it fine with some tweaking.

The Controls of this unit really explain themselfs, easy as a breeze.
Editing and copying goes like one twoo three.
The manual, albeit not needed, forms a nice compliment and would teach even the dumbest around how to work with the unit within minutes.
Choosing different sound-effects couldn't be simplier, just stomp the relevant pedal and there was light...(ok a little red one, but "crystal" enough, even the manual mode benefits of this system.

Fender USA with a Seymore Duncan Hotrail bridgepickup and Texas special mid and neck pickups, into a Jim Dunlop Cry-Baby, into my Marshall 8080 (Valvestate).
Noise : non existant on clean settings, but with multipple effects it sometimes just get's away with it (Especially Flanger).
Distortions are pretty straigtforward but kick in the EQ and you're in distortion heaven ! Sweep the mid-range (if you dare) and your off into a wide variaty of eardrum-piercing tones.
Chorus is nice (Fatten's yer sound) and compression is great. The best effect must be the delay which,as a solo-guitarist, adds greater dimension to my overall leadsound.
Pink-Floyd, no problem (Watch out Dave...)
Deep Purple, Santana, Guns 'n Roses, Radiohead, Pearl Jam,... you name it. I even managed to recreate Mister Steve Vai's Sound without the Eventide !!!!(Phew)
Noise reduction tends to cut your sound a little too much, but only when you have to put a higher tresshold because of erky pickups.
My advice: get a good guitar (!!Pickups!!!)and this unit sounds fantastic

Stomp it, Kick it, chew on it.... and you might break your foot or dental structure. It evens swallows beer, softdrinks without belching

Never dealt with them, never needed to

Excellent value for money, but get yourself a decent guitar because with my squier strat it didn't sound that great, good, but not great.

This model is supprisingly easy to use. There are only a few things to press, but at times the edit buttons can be a bit anoying.Over all this effect was simple and very easy to follow.

The sound on this effect is terrible.The distortion was fuzzingly disturbing, feedback pearcing and a genaral anoyance.The chorus is extemely flat, and the flanger was uncontrolable.Infact the sound from the ME 6 was a great dissapointment.

Well what can i say about the reliability, ive had the ME 6 for 4 years now and all thats left is a pile of junk.Dont get me wrong, when it worked it worked fine but one day it just stopped.All conections were loose solders were broken, infact the whole outer shell and inners were very weak and basically fell apart in my hands.

If you ever come across these effects, whether second hand or in a shop run, run as fast as you can.

Very few buttons and easy to edit.
You have about 25 different sounds. I swear, you can only use a few of them (excepted you play psychedelic music)
So it is not a pity that you have to save you own settings on erasing existing ones.

I think it has already been said : the distortion and overdrive sound very bad. Even if it is possible to pre-equalize the distortion, it never has the sound you dreamed of. Delay is nice , reverb sounds a bit metallic, noise gate is not very good (a lot of noise is left even at high values). The chorus is allright but not very exiting.
You will soon notice that only the 25 presets sound good. When you edit and create your own sound, the range within you can vary is small and most of the time you are limited to slightly modify existing presets, otherwise you will have problems.

It has travelled a long way since I bought it 14 years ago.. Has fallen from the amp, out of my bag, down from the stage. It has seen of lot of beer falling on it. It still works, only the editing buttons have become tricky and I sometimes have to fight with them in order to modify a setting.
But, well , OK , I haven't been very nice to it.

Never used

Well, it does what it does.... it is very easy to use. Very easy to take it with you and it sounds not that bad.
Anyway, don't ask too much on these foot-multi-effects. They will never have the sound of rack systems.
But...look at the price man! You can have a used one for a few dollars only!

It took me exactly two hours to figure out what I was doing (Mind you I have no manual) but now I have it working and the sounds programmed where I want them. A 6 because the interface is a little crowded. There are no analogue controls on it at all. They get a bonus point for doing it all digitally with little problem to the user.

Setup: Danelectro DC-3 (And I like it) or a Lyon solid body through the ME-6 and into a Park 15" or a Carvin 25" (Tube/Solid Hybrid). The pedal is not as noisy as some I have owned. It depends a lot on how you have the ME-6 and your amp set up.

The effects: According to the reviews I've read there is some controversy over the quality of the pedals. Let me clear things up a little bit. Going from left to right, ignoring the compressor, straight to the distortion. The Overdrive settings are, as many have said, weak. But overdrive isn't meant to be overpowering. If you play with the equalizer (which I will get to) you can get the overdriven sound you want. The other three distortion settings are much more gritty, but you can infinitely vary the sound how you want it by using the equalizer. The equalizer is a really handy dandy effect, and I never turn it off. It does what it does very well, and if used properly, will get the distortion to wherever you want it. If you still don't like the distortion I suggest you invest in a DOD Death Metal (FX-86/B) and forgo multi-effects altogether. The noise suppressor is just slightly too slow. Even at the highest threshhold it still subtly 'fades out' instead of cutting out altogether. The delay effect was also nicely done, it delays up to a full second and with a little tweaking can be infinitely looped. Very dada. The chorus/flanger effect just feels like one of Danelectro's assorted mini pedals - well enough. The reverb works like any reverb, but can be 'reverberated' very thickly, rediculously thickly even.
One of the questions is 'can you get the sound of your favorite artist', and the answer is, yes, quite easily, as I am my favorite artist, and I sound damn good. I sound good with this pedal too.
The best effect? The delay. The worst effect? The chorus/flanger (the chorus is to hard too deepen without making it sound bad and the flanger takes too much time to find a setting that dulls the swish but keeps the effect - much like Dano's mini flanger pedal). It gets an 8, losing two key points: Good sounding chorus/flanger, and average distortion (It can be above average if you play with the equalizer though).

I was wondering how it remember the settings after I pull the plug, so I took it apart looking for a battery (I bought it used so if it had a battery it would prolly need replacing). Though I never found a battery, I did notice that the breadboards were solidly mounted, and inside a similarly solid metal casing under the plastic outside. Looks can be decieving. I don't trust the plastic pedals, but if you're not an ass with your equipment I can't see why you would have a problem.
I have gigged with it and it held up fine. My backup in case the ME-6 failed was a MetalZone. A seven because the soft rubber buttons have the potential to jam (They haven't and prolly won't unless I unintentionally step on them, which I might) and because there is plastic on it at all.

THEIR WEB SITE IS USELESS IF YOU NEED SUPPORT. Especially if you have used equipment, which means you have no manual to look for even an address on. Luckily I have the manual from my MetalZone, which has contact information on it. If you need help with anything Roland or Boss related, THEIR WEB SITES ARE USELESS!!!

I play noise/art rock. This pedal does not match my tastes and needs to a T, but it is very portable, and meets the medium requirements (more than the minimum requirements) to be a peice of my equipment.

If it were stolen or lost I'd be very pissed, because when I spend more than $50 on something used I'd expect to hold on to it. If I couldn't find another ME-6 that cost less than I spent on the first one, I would save up and get an ME-30... but only after I played with it first.

I love the headphone feature. I hate hitting the wrong button and inadvertantly editing a different effect than the one I had just been editing. I don't have a favorite feature, because all of the effects are well done. None stand out as spectacular, but they all work at LEAST averagely. Metalheads may want more 'stortion but really, you won't be able to use the other effects if you that distorted.

I wish it had a built in tuner, but if I understand correctly the ME-30 does. I compared the ME-6 to a $90 Zoom and a $230 Digitech. The Zoom was underwhelming and the Digitech was too pricy. The Boss matched the distortion well enough with the MetalZone to replace it and it cost about as much as the metalzone, but with five effects to boot.

All aside, the effects can't make your music better. That's up to a quality guitarist. If you use it right, and use the 'exotic' effects (Delay, Chorus, Flanger) correctly you can really impress people. abuse the effects, and you'll just annoy your audience (...particularly flanger).

Overall, I find it is a solid pedal in every aspect. It is not lacking in anything, but it could be better everything. For what I paid for it though, it's a 10, but in reality, it's a...

Pretty straight forward, owners manual helpful for storing patches etc.

Really sucks. I think Boss tried to accomplish to much with this multi effects pedal.

Had it for five years worked fine, just sounded CRAPPY.

I got rid of this pedal a year ago. I have gone back to individual pedals. Seems like they do a much better job performing the single task they were made for. I am doing this review just so you will know that the reason this pedal is so cheap on the used market, is because it is not a very good effects pedal for sounds.

This unit is easy to use. The presets are decent but, there is a lot of stuff that you would never use. The manual is easy to follow.

I use this unit with a music man HD-130 tube head, a 2x12 cab, and a SG guitar. I've gotten good sounds for playing metalica, STP,and other modern rock. Doesn't have the greatest distortion. The flangers and the delays are pretty good.

The plastic box and plastic inputs haven't held up for me. Right now, it is just a piece taking up space in my colection of junk equipment.

Had it worked on once. It took forever to get the schematics from boss to the dealer. And the input jack broke again and again. I would not recomend this to anyone who moves around when playing.

It's an old unit. It dosen't cut the cake for playing some of today's music (Korn, Bizkit, RATM). Save your money and buy something newer and made of metal. By the way I purchased this about 93.

Using this stomp-box is incredibly easy. I bought it used, and I learnt using it without any manual within an afternoon.

Compressor: Quite good Over/Dist: It's just rubbish! They're neither powerful amp-simulating overdrive nor warm and fat distortion; the sound loses it's deepness, when using these (I use the overdrive of my Marshall Valvestate 4060, and a Boss SD-1 SuperOverdrive). Equalizer: I use it very few, but it seems very good... Noise Suppressor: Good for clean sounds (sometimes...); when using distortion or overdrive with a high level of Suppr., the sound is unnatural, it sounds like plastic... Delay: A bit noisy, only one second delay time, mono only; but it's good if you never had a delay before it. Flanger/Chorus: The flanger is not too bad; I don't like the Chorus (but I never used one before, and I never heard it on stereo). Reverb: As if it weren't there! I use the reverb of my amp; that's good!

I broke only one button once, but it was because a guitar fell on it!

Never met them. I bought it used.

It's good for weird sounds... Synth-like sounds, Experimental sounds... But only for that. Luckyly we play Noise (Sonic Youth...), so I use it with not-bad results. But I would never recommend it to anybody. I've been playing it for 8 months circa, but i'd like to buy a wah-wah, a Boss Metal-Zone or Hyper-Metal and a good Delay (not a Boss one: too expensive). I would never buy it again. Anyway, this is my first multi-effects unit, and it gave me the way to understand many things, and above all, what to buy and what not.

Ok, there is nothing difficult here, this unit is relativelly easy to use.

I play a japanese Fender strat wired into a cry baby and then the me6 leading to the amp (CARLSBRO scorpion lead). Noise is acceptable, not too much but still there when you are using distortion. Nothing noticeable when you are not using distortions. Unfortunatelly the sound quality of the whole thing is bad. The distortions are crap. Especially mode 5 (pre equalised distortion) sounds bad. Not recomended for blues or heavy metal players. THERE ARENT ANY BLUES SOUNDS COMING OUT OF IT WHATSOEVER. Delay is muddy and i guess if you have crap delay and crap overdrive/distortion there arent much to talk about. Good for weird sounds though, you can come up with very weird sounds

THIS IS A TANK, you can kick it, step on it and it will still be ok. I 've used it for 4 years now and i can surelly say its one of the best designs i ve seen in floor units.

never dealt with them

Overall i wouldnt recomend this unit to anyone into blues or heavy metal. There are so many better units out there. Just avoid it.

Sounds great with some fine-tuning. Effects settings are easy to edit, both in Play Mode and Manual Mode. The ME-6 features a row of six large footswitches labeled 1 - 5, and B. B = Bank, so players can easily select a patch from another bank with three quick taps -- no scrolling through banks. Players can concentrate on their playing instead of watching the scrolling numbers on the LED. This feature kicks Digitech's ass! The ME-6 is out of production; Boss's newest offerings are the high-end GT-5 and the competetively priced ME-30. I haven't tried the ME-30, but I know I don't like the footswitch layout.

The modulation effects (chorus/flanger) are lush, but the flanger's master level must be kept under 50% to keep the sweep from drowning out the guitar's tone. Stereo and mono choruses are good, but nothing phenominal. Delay provides a natural-sounding echo, and you can even make infinite loops with some tweaking (very cool!); I wish delay time was longer, as this only goes up to 1,000 miliseconds (ms). Four Reverb modes are okay, but too bright; you'll need to turn the delay tone down. I really like the compressor because you can get a very even string response and boost your sustain. Compressor really enhances the overdrive effect. Distortion modes 1-4 are good, but mode 5 is too fuzzy; it might be good and grainy enough for grunge rock. Mode 1 = soft tubelike overdrive; mode 2 = crunchy tubelike high-gain overdrive; modes 3 and 4 are differently voiced solid-state distortions (4 is good for '80s hard rock/metal). The noise gate is always on, but features an adjustable threshold; I like to keep it low so I can get controlled feedback when using distortion. Finally, the equalizer: it rocks, but the Mid-Freq selector can be tricky. I try not to mess with it too much; it really depends on the characteristics of your different guitar + pickup + amp combination. I've finally found a good Joe Satriani sound (after five years!). See Tone Depot Web site. Not 24-bit, but clear enough for good tone on a budget.

I've been stepping (not jumping) on mine for five years. I've left it in hot and freezing extremes in the back of my car. I've sweated and spilled drinks on it. I've gigged with it only once (the only time I gigged), but it's roadworthy. Just be careful not to unplug yourself from it. The input/output jacks don't have the strongest grip in the world on 1/4" plugs.

Great value!

25 patches directly programmable, very easy accessable, for quick editing (even during gigs). However, in manual mode, when you disable a certain effect and you keep the (blinking) cursor on that position, you can hear the blinking through your amp...sucks. I found out after playing 2 songs....while we were taping a demo! Manual is good enough (you don't really need it).

At rehersal time I use it with a peavey 50W amp (if you like good sound don't buy this either). I play metal, rock and a bit of grunge playing on a Jackson Dinky XL. I prefer a warm overdrive sound (like Marshall), but this sound CANNOT be achieved with this unit. Distortion and overdrive sounds flat and definitely NOT tube-like. So don't buy this unit if you're looking for a reasonable or even good distortion. At home I'm using the unit on the effects loop of my Marshall valvestate 8080 (now that's an overdrive!), which works pretty well. Noise surpressor 's good, but I ALWAYS need it, 'cause the damn thing is too damn noisy. Compressor is good, EQ can not satisfy me, Delay is pretty good, (mono) chorus sucks,(I haven't tried the stereo's on amps, but through headphones they sound pretty good!). Flanger isn't warm enough. Reverb is reasonable but not great.

Allthough the all-plastic-case suggests otherwise, this thing's quite strong. Inside there's a metal case in which the electronics are. So it's stronger than you think. I have it for 5 years now (or so), and I didn't have serious problems with it. Some (edit)buttons now broke down since a month, so I'm goin' to fix it for the first time next week.

I will find out next week!

This thing great for your first effect processor, if you don't have much money to spend. It gives you reasonable sound (except overdrive/ dist) for little money. I wouldn't buy it again though. advanced players (I'm not saying I am!) should spare some money and buy something better (= much more expensive). And remember: listen before you buy! Don't take shit from salesmen.

Very easy to use. It's laid out like a chain of stompboxes. You don't even need the manual, because a quick reference is printed right on the top of the unit. The documentation's nice, though. There's a manual mode, so you can tweak it like pedals, or you can do presets, which provides a nice level of flexibility.

I use this with a Randall half-stack, and a Peavey Stereo Chorus 212. I also use it as an all-around processor in my home studio. I'll give you my take on each of the effects. Here goes:
Noise Gate: Always active, very effective. Compression: Good. Can even use it for vocals. Distortion: Hrm...not tubelike at all, very fuzzy. Not enough "gain". EQ: Flexible. I like it. Chorus/Flanger: There are 3 chorus modes, for different stereo effects. These sound pretty good. The flanger can get a bit wild at times, but you can tame it. Delay: It's a fairly quiet, flexible delay. Reverb: This is where the unit falls short of my expectations. The reverb is pretty thin, regardless of mode. It's no substitute for the lush reverb sounds I have heard in more expensive gear, but from a utilitarian perspective, it'll do for gigs. You need better in a studio situation. Sounds like low bit resolution on the DSP.

Very reliable. No problems whatsoever, even after our practice room flooded and the thing was SUBMERGED IN WATER for TWO DAYS. Pulled it out, dried it out, and it worked like I'd just pulled it outta the box.

Haven't had to deal with them.

This is a good entry-level effects unit. I believe it's not in production anymore, so you can probably get one used. It's good for live applications, because, let's face it, the sound quality doesn't have to be perfect. I wouldn't haul an Eventide to a smoky club even if I could afford to. For recording, it's usable, but I'd recommend getting my distortions and reverbs elsewhere.

The factory patches are way to reverb for my tastes. Very easy to tweek however. Editing is easy as well. Manual was very helpful. This was my first multi-effects unit and I learned alot about what not to buy.

I run my unit through a 65 music man amp so I can get some good od sounds fromthe amp and use the digital sounds on the unit. The flanger sucked till I found that if you turn the master Volume down it tones down all the crappy swish. This applies to the chorus and the delay as well. I just started running two amps through a cabinet with two twelves. I send the left channel into a crate and the right into the Music man and I've gotton some cool sounds from the combo. Unfortunatly my back is killing me from lugging all the gear around. I'm looking at an RP unit or a Zoom.

Very dependable even when drowned in beer.

Na

I am looking forward to upgrading. I play every thing from jazz to metal and this unit almost hangs in for the transitions.

You don't have to be an engineer to understand this one

Very good dist, but too noisy flanger. Delay section is a little too undeveloped for my needs, as I play Pink Floyd - kind of music

I suppose one could do with this board, and nothing else. I would rather have this one than dragging all those pedals around on a gig. But it's made of plastic, so be careful.

Never needed.

I play Pink-Floyd-kind of music, so this one produces almost all the sounds I need. But if I get the money, I will buy something "fatter" the next time. I need something that is just about nioseless, and this unit is not.

If you have half a brain and five minutes, you can figure out how to use this easily. The main problem that people have is changing the "channels" during a performance. But you can easily program up to 5 needed effects to one channel which makes changing from heavy distortion to a light acoustic sound easy.

I love the sound quality on this pedal. The distortions are great, and the effect can be varied easily. If a decent amp is being used, the pedal can produce great sounding distortion and other sounds well.

This product is not the most reliable I have ever seen. The buttons, (not the stomp pedal) get stuck somewhat easily after a few years of use. Overall, not the most reliable piece of plastic, but it still produces great sounds.

Not much customer support. More customer support is needed because of the low reliability of the pedal. I haven't directly been in dire need of customer support, but it would be nice.

I would buy it again, and again. Great pedal, great sounds, great product.

The ME-6 is very easy to use and program. Changing effects on the fly is almost imopossible. I puchased the EV-5m volume pedle to give me better control

THe sound quality is average almost all of the factory pesets contain some sort of destortion. The ME-6 is a little on the noisey side and some of the decays on the digital side sound fake

It is plastic but it seems reinforced and is sturdy with a metal base.

Never had to use it but would be neet to get a book or sight that offer patch settings Anyone that would like to e-mail some patch settings I would greatly appreciate it. Who knows maybe I will change my opinion of this thing.

Boss does not make this any more it is replaced with ME-8 and the reviews on the 8 look much better than that of the 6. Needless to say I, in the market for another effects system and looking at the RP-6 and the AX30G

It takes 15 minutes to understand it.

I am a Heavy Rocker. I'm very confident to the Boss Distortion. ME-6's Distorion is good. Delay works well. But its noise gate, compressor, EQ section have noise. Somewhat it makes sound cheep. Now I'm using it with more heavyier and sticky setting.

The plastic case might seem to be broken.

Here in korea, I think there will be no Customer Support here.

I will buy a higher level Effect Processor like GT-5, ME-10 next time if my budget allows. But, if I have only money that can buy ME-6, I will buy it again. I think there is no other choice. ME-6 is enough. (It will be better choice than buy a series of Combo-style foot pedal effector.

The effects on the ME-6 are average,(that means Stompboxes are better.) It's easy to operate. average Manual

It is noisy when using Flanger and compressor. These two things THE WEAkest the TouchWah (Under the Bass Synth) is good enough but I would like an Envelope filter from DOD instead

I depend on it BUT I'd rather use Stompboxes at gigs

No, I would never buy again. Give me the damn Stomps( goddamnit)

As a Boss fan from the 80's I thought I had a great deal by buying one unit with all what I need in one package. I was wrong. It is fairly hard to pine point a sound that you are looking for. It doesn't communicate well individual taste and to transistored sound for me. But it is something that is affordable for someone that doesn't have the dough to buy separate unit. the patch are fairly easy to tweek. But you have to get on your knee every time you want to adjust something banging your neck all over. The manual is alright I guess. I never been one to use manual unless stuck or looking for new features. As far as I know, it a toy not made for serious musician.

The reverb sucks. I like the distortion. have a choice of overdrive 1 or 2 and then distortion 3,4. The flanger needs help and cannot be used for more than just a touch of it. I always had problem with digital EQ. I find it so much easyer to let my finger push sliders up and down to find the perfect tone. Although it's not bad EQ.

Don't get it out of your bedroom. Use it as a practice effect only. Its made out of pure plastic and if you are like me you are gona crash it the first night. You will need to make yourself a box of somekind, (You have to) otherwise if you step on your wire: By bye female conectors. everything is made out of plastic and not geared toward the road. but for a bedroom effect, it's great.

na

I wouldn't buy it again. I like only a few things about it but can only use it in the bedroom. Next time I buy an effect processor all in one kinda thing I will get rackmounted. You need metal on the ground and electronic on a rack simple as that. anything close to plastic on the floor will get dammaged and you will poor water on it one day or another.

The manual wasn't that helpful, but I didn't need it. In three minutes, I figured out how to program everything. A nice touch, but personally, I don't like this whole "ease of use" thing: I'd prefer editing parameters on a faceless rackmount unit, myself.

This thing's quiet. The compression for me isn't exceptional, but it does get the job done. The distortion is OK, although I still prefer my stompboxes. What really knocked me out, though, was the chorus - plug this baby into two amps, and the stereo chorus effect was unbelievable!

The power supply does seem kinda flimsy, and the whole shebang is made of plastic. I'm kinda hesitant to give it a good pounding, and would always use a backup, just in case. Other than that, it still hasn't failed me yet.

Never had to deal with them.

A very good value for my dollar. It helps me make music, though next time, I'd probably prefer something with an effects loop - I have to chain my stopboxes BEFORE this thing, which kinda makes the compression useless.

Very easy to use. Not that many buttons to confuse yourself with. All that you need to know for configuring is organized right on the unit

The distortion is mediocre. I recommend getting a separate distortion unit. Otherwise, the effects are great for the price of this unit. Not as high quality as some of the Alesis products, but good enough to cover all the 'essential' effects.

Haven't had a problem with it yet. However, since the unit is encased in plastic instead of metal, much more precautions are necessary.

N/A never needed it

Great for those looking for their first multi-effects unit. Easy to use, and very inexpensive. The big negative part is of course the distortion, however, the chorus, delay, flanger make up for it.
You can easily find one for around $200 used these days...which is a great bargain.

Editing is a breeze. Good manual, too. Dialing in a sound can take some time, though.

The 4 distortion sounds are terrible, and the reverb is weak. EQ, delay, and chorus/flange are pretty good.

Never really had a problem with it.

I'd probably get an RP-1 if I had it to do over. I do like the EQ and delay-based effects, but the distortions suck dead bunnies through a straw. I sort of wish it had a harmonizer (like the ME-8), though I doubt I'd know how to use one...

I believe that it is fairly easy to get a good sound out of the ME-6. All you have to do is read the small manual to get an overview of how each effect works, and just combine some of the effects until you get a sound that is good for you. It is also very simple to edit patches. Just hit the edit button, and you can configure any of 25 presets. Each patch has ITS OWN manual mode also, so for instance, you can program an effect with a volume of 40 into patch 20 for concert playing and have the manual mode of the same patch with a volume of 10 for playing around the house. All you have to do is hit the manual button...

The only problems I've had with feedback or interference has been with distortion. There's not much at all, especially if you put a high setting on the noise supressor. Overall, the effects sound great. Chorus/Flanger, Reverb, Distortion all sound good to me!

I haven't had any problems so far with the ME-6. Since the effects pedal is machinery, it can be unreliable at times, but I haven't had any problems. I would definitely do a gig without a backup as long as I had my ME-6.

Sure, I would buy it again. When I bought it, I knew that it was a lot of money, but if you're a musician, you probably will agree that that is the case with most equipment. I can't imagine playing without my pedal. While other musicians are playing on their amps with a little distortion, I can blow them away with features like reverb, distortion, chorus/flanger, digital delay, a noise supressor, and an equalizer. It certainly helps me!

The easiest programming of any multi effects prosessor I've used. Full editing of all parameters. Good Manual.

I never used the compressor or distortion because I used the unit in an effects loop of a tube amp, but the effects quality were mixed. If grainy digital effects are your thing, than this is your box. None of the effects are really excellent nor are they bad.

First, the unit is plastic. The buttons are plastic . . . The pedals are plastic. We're seeing a pattern here. I have had my unit apart many times fixing buttons that wont work. Especially important ones like the EDIT and WRITE/COPY buttons

Save your money. Throw in an extra $100 and get a higher quality unit like the ART E.C.C.(IF YOU LIKE IT ON THE FLOOR) Of a quality rackmount

10

6

8