Boss PS-5 Super Shifter

I'll be brief, as this sort of pedal is amply discussed previously.

Overall, it's a good pedal, but am completely underwhelmed by the pitchshifter function.

The Harmonist is very good. The Trem and whammy functions are also quite good, and approach realistic.

I bought this hoping it may do shifting better than the little cheapy Behringer I was using. Didn't really care about the whammy and other sounds.

As stated the harmonist is quite good, and seems to track well.

Sorry Boss, but the pitchshifter sounded no better than the cheapy. In fact, the little plastic fantastic has about a 10ms delay at the end of the notes. On 12 string/octave it provides a very passable 12 string false 'shimmer'. The Boss doesn't. It has an audible flutter, throughout reproducing the notes or chords (you can't use the harmoniser on chords, just individual notes. Pitchshift and Harmoniser are two different functions on this pedal for those that are not aquainted with it).

Another use intended was easy 1/2 step detune, with the pitch all the way wet and no dry signal. I realise it's a digital signal, and have been around for well long enough to know its a digitised sound trying to replicate an E-tuned guitar to E flat through computing power. But I didn't expect it to be quite this underwhelming! Oh well, the harmonist is very good; I can at least play a few of the lines in the abyssmal Hotel California, or lots of Thin Lizzy songs, using it once a year! This is an expensive pedal folks......so it won't be taxed much!

It is typically Boss tough. No doubt. I still have my 1982 flanger, and a few others.

Never used them.

Underwhelmed. I had hoped pitchshifting had come some way, but it hasn't. The plastic fantastic remains set on 12 string/octave in my rig, and the PS5 keeps it company to be used equally sparingly. The other functions seem quite good, and if you didn't wanna put a Bigsby on your Les Paul it would be quite good. The chorus/flutter thing in it is as good as any.

Overall....underwhelmed, especially the pitchshifter. I know it's no Eventide, but was quite disappointed that the cheapy sounded every bit as good.

I am told the Digitech kills it, but I didn't want a large stand-alone pedal, just one that fitted in my pedal rig.

It's fairly easy to use. The knob writing is a bit small and with the split knobs it can be tricky to make changes on the fly. I found it doesn't require much effort to get a decent sound out of it, but to get a really good sound from it does require a little tweaking with the pedals settings, as well as its order in your effects chain.

I use this mostly as a substitute for the Digitech whammy pedal to do octave up jumps. It performs pretty admirably in that regard even without any expression pedal attached. I've also used the harmony settings to some degree. That can give a pretty cool digital sound, good sometimes but not something you'd want on all the time. It tracks well even with fast passages and the key settings do a pretty fair job unless you use a lot of accidentals. I've also used the detune mode to get an interesting chorus effect and found that to be pretty good for generating some spacey clean sounds. Overall, the sound quality is alright, although it is very digital. Like I said, it's good in spurts and can be an interesting effect when used subtly but it isn't something you're going to have on all the time. It's quiet, even with an AC adapter.

I bought it used over 2 years ago and it's not let me down since. I don't really use it live too much so it hasn't seen a lot of gigging. That isn't because I think it's fragile, but rather it's tone is not necessary to most of the live playing I do. Still, it's solidly built and the knobs are firm. It does eat batteries so I would recommend having some 9v's on hand when playing out. I mostly just use it with the AC adapter.

I bought this pedal to have a harmony pedal and it was a cheaper alternative to the whammy pedal. I've found it to be a good buy and with some tweaking, the effects have pretty good tone. It does take a little bit of getting used to and you have to make sure you're in the right key for the harmonies. Overall it's a good tool to color your tone and add a little spice to your sound on melodies and solos.

I had to give a 5 in this category, as depending on what you're looking for out of this pedal and what your knowledge of music theory is limited to it can either be quite simple to use, or it can be a difficult nightmare.

The main reason I bought this pedal was for the harmony feature, and for this purpose it's very easy for me to get this pedal to do what I want - select the key of the song, select your harmony interval and you're all set. However, I have yet to gig with this pedal and can't for the life of me expect to kneel down on a darkened stage and adjust the knobs for different songs...yet this is what I bought this pedal for - live work. If I want harmonies in the studio, I'll just track a second guitar line, but to reproduce harmonies live I need to use this pedal. I'll probably wind up buying another pedal or two to set to different keys, but at $150+ a pop, that's an expensive way to go about it for a few short passages in select few songs.

My biggest gripe is that there's way too much stuff crammed into this pedal which makes adjusting your settings live difficult and probably adds to the overall cost of the unit as well. However, unless you're willing to shell out a few grand on an Eventide there's really not much of an option for a single guitarists wanting to add harmonies to their sound - aside from trying to rock a Digitech Whammy pedal back and forth to get the right harmony intervals, which does not appeal to me.

Newer guitarists looking for alternate sounds will probably have a tough time getting what they want out of this pedal, and it will probably take a lengthy sit down to experiment and find something they like.

Overall, I can't give this a higher rating due to all of these issues.

My setup with this pedal is as follows:

(Using two amplifiers)
Gibson Les Paul Standard -> Cry Baby Wah -> Marshall JCM-800
Line out from the Marshall -> Boss PS-5 -> Epiphone Valve Jr

I cannot stress this enough if you intend on using this for harmonies - PUT THIS PEDAL IN EITHER YOUR EFFECTS LOOP OR AFTER YOUR DISTORTION. The harmonies sound absolutely terrible if you try and run them before your distortion.

Moving on to the sound of the unit, I'll address each mode:

HARMONIST:
This is the reason I bought this unit, and I have to say that it's certainly usable, but not without flaws. I like to harmonize in 3rds (think Iron Maiden and Boston) but our luck with finding a second guitar player has never panned out well enough, so I've been struggling to adapt some of the parts live. Previously, I had tried an old Digitech Vocalist II rack unit, which while it worked somewhat wasn't very practical in it's tracking.

The PS-5 handles tracking a lot better selecting either a third interval above or below to an extent. Low notes (from an open E on the 6th string to approximately the open A string) lose their tracking quite easily, and for some reason it sounds worse when the PS-5 is set to octave intervals (if you're looking for just an octave effect, I'd suggest trying out a dedicated Octave pedal). The next problem is bending notes only track so far (about a 1/4 bend) before the PS-5 abruptly skips to the next note. The positive thing about the PS-5 is that it handles natural and harmonic minor quite well, where the Vocalist unit I had used freaked out trying to harmonize a sharped 7th.

Two big disappointments I must mention is that there is an audible lag and volume drop when clicking the pedal on, and also the harmonies sound too artificial when you try and use the stereo outs on the pedal itself. Blending the dry signal with the effect masks some of the minor inconsistencies not as noticeable, but this sort of limits your options trying to run a stereo rig.

However, there really isn't many other options out there to replicate harmonies outside of having a second guitarist or shelling out the big bucks for an Eventide, and for what it's worth, this pedal is certainly workable, but not perfect.

PITCH SHIFTER:
For some odd reason theres a strange warble effect added to the shifted tone that really limits the usability of this mode. Turning the speed knob all the way down did not remove the warble.

DETUNE:
Although I doubt I will personally use this mode much, it's still a cool effect. The Pitch knob detunes by 5 cents up clockwise and 5 cents down counter clockwise, and with the delay knob can make a very cool doubling sound in close settings, or all out spacey chaos at wider settings. I don't have an expression pedal, but this effect can use one to adjust the amount of shift between the original and shifted setting.

TREMOLO ARM:
Without an expression pedal, this effect is a little limited but with a little tinkering with the delay setting could be useful to some. Basically without the expression pedal you've got to step and hold the footswitch to keep the effect going, and releasing your foot stops the effect.

FLUTTER:
A nice tasteful little vibrato effect, activated much like the Tremolo arm, but personally I like to add vibrato to my notes with my fretting hand.

Boss is pretty well known for making sturdy pedals, so I doubt this pedal will die from road abuse. However, this pedal sucks the life out of 9volt batteries quickly, so I'd advise using an AC adapter on the road.

I've never had to deal with Boss as their pedals are pretty much indestructible. This is a new unit for me, so only time will tell, but I don't foresee any problems.

Again, for adding harmonies in a single guitar band there aren't many choices available, and the PS-5 does an adequate job at a semi-reasonable price. I think this pedal could probably be a bit less pricey if they didn't try and cram so much into it, as it seems like it's more geared towards competing with the Whammy pedal than being dedicated to one thing or the other.

It has it's flaws, but until something better hits the market it will stay in my rig for a while. It certainly suits me better than trying to fight with the Whammy Pedal to harmonize a few guitar lines.

This unit isn't too hard to use, if you use the Harmonist function you'll have to dial in the key of the song. That's about as hard as it gets.

The sound quality is a mixed blessing, in that it fulfills the main function I bought it for (providing a harmony to a lead line) very well. But it does have a bit of warbling with lower pitches, and more significantly there is a volume drop when the unit is activated (the main problem I have with it). Other than that it seems to work well. As is mentioned in the manual an in other reviews, you have to keep your guitar well tuned so the unit can generate the proper notes in the scale. I'm vary particular about tuning so it hasn't been a problem for me at all.

The pedal doesn't do the harmony addition well with a clean signal, and it sounds BAD if you run the combined dry and harmony signal to a distorted amp. But if you run your guitar into a distortion box, then into the PS-5, and then into a clean amp, it works very well.

Boss stuff is very reliable; the PS-5 is currently sitting on my pedalboard beside a Boss CS-2 chorus I bought in 1982 or thereabouts. The chorus has worked flawlessly along with all the other Boss stuff I've had in the last 29 years of playing. I see no reason to expect the same from the PS-5.

Never dealt with them (Boss), but Roland is very responsive.

I play mostly R+B, old R+R, and Southern rock (have been playing for 29 years). I am the only guitarist in our band, and some songs need harmony leads, in particular our cover of Still the One by Orleans. I bought the PS-5 to add a harmony to lead lines, and it does this pretty well. Not as good as a second guitarist of course, but good enough for live work. My band was really surprised at how well it fattened up the leads. The other thing it does well is to mix in a octave up signal to the tone; with a clean tone you can do those great Allan Holdsworth chords and muted arpeggios like he did on his Metal Fatigue album. I tried out the whammy bar features of the pedal, and they work, but are utterly useless to me.

I would buy one again, but would probably opt for a used one. I might even buy a second used one to prevent having to switch the harmonies or keys during a live performance. I'm not aware of anything that has close to it's capabilities from any other manufacturer (the Digitech Whammy pedal won't do scale correct harmonization AFAIK).

Good points: it does the harmony lead thing very well in a small form factor, and it can make a nice octave up sound like Allan Holdsworth did in some of his albums.

Bad points: it's a little expensive, there is warbling in lower tones below the guitar range, there is a volume drop when the effect is engaged, it's hard to switch keys during a performance (very small hard to read lettering on the panel)

like mentioned before, this thing has a decent amount of controls but nothing too complicated. the only thing is the harmonizer which, if you dont know theory then you will not get much of a usuable sound using this preset.. i got mine used without a manual but they can be found online if needed. i found 3 or 4 sound settings i use often in a matter of minutes.. also have to note that this thing will suck the life out of a 9v in an hour or so worth of playing so use an adapter

i use this things in a few different ways.. i really like getting a 12 string sound out of it.. not as good as the eh pog or anything but still pretty good.. and the whammy like trem arm preset is pretty fun to use infront of a delay pedal. i just sit around and make noise with this for hours and enjoy myself, or use an octave up to add shimmer to a clean sound.. also sounds pretty crazy after a big muff.. this thing actually nails digital chorus and vibrato sounds pretty well using the detune and flutter settings. if used mostly wet you will get horrible tracking with this pedal but that can be avoided

boss pedals are built pretty damn well, so im sure this one will last just as long as my older boss pedals if not longer

never dealt with them but have heard boss/roland are easy to deal with

fun pedal, i got it used pretty cheap and probably wouldnt have paid $150+ for it but it can defiantly add something to whatever style of music you are trying to create.. add its fun for noise making.

Quite complicated initially. You will eventually get the hang of it after playing around with it for a while.

Epi Les Paul or Ibanez GAX into Dunlop Crybaby > boss PS5 > danelectro octave > Tech 21 Overdrive > Boss BF3 Flanger > Ibanez DE 7 delay > Fender Hot Rod Deville 410. This effect should placed as close to the front as possible, before distortion for sure, maybe only after wah.

The biggest thing that bothered me with this pedal was that in the tremolo arm (whammy) setting, there is a slight delay between when you play and when the sound comes out. about the same amount of time as a fast slapback delay. this happens even when the pedal is not depressed. You get used to it, but initially it'll bug the crap outta you. If you are just going up a few steps, it'll track well, at one octave it'll track decently for 1 or 2 strings (chords are out).


Detune gives you a decent chorus sound, but if you have the effect on full, there'll be a delay again. best to keep it about half where you can't notice it.

I do not use the harmonizer much, but if you are looking to use this to add a sub octave to your signal, get something else. My Danelectro Chili Dog ($25 piece of junk) gives a better octave down than this pedal does. get a boss OC 2 for that.

I would recommend spending the extra $50 if you got it to buy a digitech whammy. The delay experienced with the whammy is much shorter (barely noticeable) and there is a bypass switch, plus the expression pedal is built in on it.

boss pedals are generally pretty reliable, but for some reason, the thumbscrew that keeps the battery cover / pedal part down got bent on mine so I have to unscrew it on the sides to replace the battery. not sure how that happened, someone really fat must've stepped on it.

I got mine used, so no warranty. I've never had to deal with boss, so I have no idea how good they are.

I play experimental rock type music. I don't use this effect as much as I used to, it just got too complex and the delay between playing and processing was annoying, so I usually don't gig with it.

First warning; like so many other reviewers have said, if you don't understand scales and harmony, don't buy a Pitch Shifter/Harmonizer. Get an Octaver, it's hard to go wrong with those.

Good sound? The Detune isn't bad, and the Pitch Shift/Harmonist effects aren't any worse than you'd expect in a unit this small (not great), while the Trem Arm & Flutter effects are a waste of processing power.

There's no real editing, just some knobs. The manual isn't bad, and it will get you started, at least.

Forget about the 'favorite artist" thing; most professional players aren't using pedals for serious pitch shift/harmony effects.

The PS-5 sounds about like the notorious Hamonist pedal; not great. Flutter gives you a weird sort of Vibrato effect, while Trem Arm is sort of like the Dive Bomb setting on a Whammy pedal. It doesn't really matter what your set-up is, this is a cheesy sounding pedal.

I'm sure it will last forever, especially if you put back in the box and forget about it. I might use this thing on a gig, if I didn't have anything else.

Boss/Roland customer support varies; some folks are knowledgable and helpful, some of them are clearly out of their depth. Mostly, though, I've had good luck.

I play strange music, so I like strange pedals, but I also like effects that expand my musical range. A good Pitch Shifter is a real musical tool, but the PS-5 is just a pedal. Some of the choices for Harmony tones seemed worthless. Major & Minor 2nds? The Manual suggest you use those two settings when you need to tune up or down a whole or half-step, but the sound is so artificial, I can't imagine anyone really using it. It's hard to screw up Octaves, and 5ths are pretty easy to get along with, but it's still a lame set of tones.

I have to admit, I didn't buy the PS-5; a friend asked me to check his out, because he couldn't get the sound he wanted. I told him to look for a used PS-3.

The Trem Arm & Flutter effects are interesting, but limited, not worth $170. The Pitch Shift/Harmonist modes offer very limited options, and they don't sound that great. You can get a full sweep of pitches, using an Expression pedal, but you'll have to spend another $70 for an EV-5, bringing your total cost up to around $240. Ouch! Considering that you can buy a $100 multi-effects pedal that will have some kind of Pitch Shifter, it's really hard to justify the price of a PS-5.

I really wanted to like this thing; I love Boss pedals, and I liked the two previous models the PS-2 & the PS-3. No one would ever mistake either of those pedals for an Eventide, but they were more useful than the PS-5. The PS-2 gave you one Pitch-Shifted note, and the PS-3 gave you two; both the PS-2 and the PS-3 had Delay effects built in, with up to 2 seconds of delay time.

I read the manual cover to cover for almost every product I buy, so 'having to read the manual' is kinda a non-issue for me. this manual was fairly clear, but very involved. The only tricky part is that a couple of the knobs (the nested ones) change functions depending on the mode, and it can be tricky to remember which is which.

It's a pretty involved pedal, but it does a lot in small space, so it's gonna be a little tricky to use. Also, a requisite knowledge of keys and modes and all that garbage is required if you want to use the intelligent harmonies correctly. I guess if someone didn't know that stuff before, there would be a pretty stiff learning curve for this pedal.

The effects you can get out of this box are used on plenty of popular recordings. Whammy effects a la Radiohead, Muse, Rage against the Machine, though it can't get all of those sounds without the expression, it can do many of them sufficiently as is. Intelligent and fixed harmonies that have been used in all kinds of recordings... recently in popular music, My Chemical Romance has some cool use of intelligent harmonies in the bridge of their song 'The Black Parade'. Dragon Force also uses this effect a little bit, though they use two real guitar lines just as often. Maybe you could cop some Queen type stuff like this, but Brian May normally just records like a million guitar parts all going in different directions, and this pedal ain't magic.

The Pitch shift mode (fixed interval harmonies) tracks in a very unusual way. It's kinda fluttery or something, and therefor it's kinda useless for making your guitar sound like it's tuned down. The octave down in the harmonist mode does a decent bass sound though. The good thing about the weird tracking is that it gives this great sparkling sound which is awesome for chords, and that's one of the main things for which I wanted it. The detune mode is pretty cool, but I haven't found a use for it yet (I don't really use chorus either). Same with flutter mode, though I have some crazy ideas. I got this pedal specifically to help me imitate an organ sound that I saw a guy do live using a Whammy pedal, a really long delay, volume swells, and phaser turned up to imitate a rotating speaker. I got this instead of the whammy because it seemed like it could do more for less money. I'm happy with my decision.

This pedal might give you a little 'digital' sound, but it's not ugly. I'm not the kind of guy who tries to make music that sounds like it's from the seventies, so modern sounds are just fine with me, given that they are good.

Boss. Good.

I actually broke a Boss pedal once, but that's because I was trying to wire it into my guitar. Use it like it's supposed to be used, and it will last forever.

Roland has great email and phone support. dealt with them a few times.

I mostly play guitar in church settings, but musically open minded churches. Mostly pop-ish rock stuff, and I tend to but a little alt rock spin on my playing. Very positive feedback on it so far. The bass player is jealous that guitarists get all the cool toys.

I've been playing six years. I own a Peavey Classic 30, THD Univalve, PODxt, Yamaha MagicStomp, Boss DD-3 and TU-2, some overdrive (Much love for the Bad Monkey) and distortion pedals. For guitars I use a Mexican Strat with Lace Sensors, and a Hwy 1 Tele with a Tone Zone T in the bridge (and some crazy switching options). It's a pretty good collection of 'The best of budget gear.' Nothing more or less.

If this pedal were lost or stolen, I would try to get the cash together to get a new one ASAP. Capable of producing a lot of signature sounds that set you apart from the pack. highly recomended. Uses batteries really fast.

If you know what scales are then this is super simple to use, as in g major = e minor once you can work that out the harmonys are easy to dial in the steps are controlledby 1 knob with the intervils marked on it. the invervils vari though between fuctions.
Fairly simple

only 3 of the functions I use regularly the, harmoniser, t-arm and detune, harmoniser speaks for it self as long as ur in tune and add distorion BEFORE the pedal it sounds great. T-arm divebombs are realistic and you can even bend 2 octaves up, because of this i prefer it to a floyd rose, the detune simply add a slightly detuned note so it sounds like chorus. here are the intervals for harmoniser and t-arm up or down -3rd, 4th, 5th, 7th, octave or 2 octaves (pitch shifer is similar but youl never use it)

Its a stomp box i droped it down the stairs by accident and it stayed unscathed so Its very strong

dealt with boss/roland in the past, they replied to my email within a few days so with a good solution (to other pedal NOT PS-5)

its a great pedal and i could not play live without it its essential so my setup, there are probbaly newer pedals out now but this is still well worth it. I bough it new for a large price GRRRRR but ive seen it on ebay for ??30 or so, its definity worth that!!!

not that easy to use unless you are a pro at 1) music theory and 2) having your guitar exactly in tune.

BE WARNED : the pitch shifted tone on the pitch shifter has a vibrato effect in it, that gets faster as the tone setting is higher. so your mix has to be like 40% effect for it to sound half-way decent (and only on distortion at that)

HArmonizer : really hard to use, it keeps skipping around tones. ive heard you need to be in tune then it works fine, but i can never get my axe in exact tune...

Detune : just sounds like chorus but is cool i guess

Tremolo and flutter: they do what they say basically. seem ok.

all in all i bought this because i have money laying around and i love tool so i just like buying as many cool effects as possible. if you want a neat effect to fool around with then this is a decent pedal. not worth 180 or whatever they charge in the store. you cant do much with it but it can make cool detuned sounds and temolo stuff so its kinda fun. definitely not an essential in any kit. i wouldnt pay more than 120 for one.

its boss. even pedals that suck at least dont break. hte PS5 i got is like 5years old still works ok.

only half-way useful. i bought one because i had money to blow. fun to fool around with but you cant be serious with it

Not that difficult to figure out. However, you need to experiment a lot with it to get usable sounds. The manual is just "OK"...

Harmonizer sounds good and tracks well if you make sure your guitar is correctly tuned. Flutter sounds good, but honestly i didn't find a use for that yet... The Detune mode is interresting, but didn't find a use for that yet either. The pitchshifter mode does NOT sound good at all: you have to be very careful with the "mix" knob, because the shifted notes have a very irritating vibrato in them. I find the T-Arm mode useful: It sounds very good with chords, so i use it to reach for lower or higher notes when we practice... I even use it to simulate a guitare tuned to Eb for some songs, even if a have to let my foot on the pedal for that (It does NOT sound as good as a guitare tuned this way, but it's close enough and I don't have to bring extra guitars at practices). I tried the pedal in the loop (series and parallel), but finally with my amp it sounds better in front the amp. I use it with a H&K Tour reverb stack or H&K Edition Tube.

Usually BOSS pedals are very reliable, but i don't know yet for this one.

Never dealt with them

This is not a bad pedal, but I think it's over-priced, and the pitch-shifter mode is VERY disapointing. I would prefer a T-ARM mode that does not require leaving the foot on the pedal instead of the useless "flutter" mode. I initially bought it for the pitchshifter mode, and at the end i decided to keep it anyway because of the t-arm and the harmonizer.

easy!

I think this thing sounds great.
the pitch shifter and harmonizer here are excellent for a stomp box in my opinion.

the trem arm and whammy effect are great noise makers too... but be warned.. THERE IS A SLIGHT MILLI-SECOND DELAY WHEN THOSE MODES ARE SELECTED. EVEN IF YOU'RE NOT USING THE EFFECT, EVERYTHING YOU PLAY WITH BE SLIGHTLY DELAYED. In this situation, I just have to kneel down and throw it into pitch shift mode when i'm done using those effects in a song.

..and now the real jewel of this pedal.. THE Detuned mode. SOUNDS GREAT!!

good so far

Haven't dealt

For what i do (experimental rock stuff) it's a great pedal. For those who say the harmonizer doesn't compare to the real thing or something.. get real it's a pedal! get a second guitarist if you want real harmonies.

Well, its the biggest manual Ive seen come with a boss pedal. But after you read through it, its pretty straight forward as far as what sounds you want. Its good to know basic theory to get a full grasp of how to use the harmonizor. otherwise it will sound really off.

I bought this mainly for the pitch shifting and trem arm sounds. They sound decent in mono, but if you can, use the pedal in stereo. The harmonist and pitch shifting do what they are designed to do, and I havent had any tracking problems. I have tried running the direct signal through my peavey stack and the shifted signal (down one octave) through a fender bass amp, and it sounds pretty good. The trem arm effects is very cool. I like to use the flutter setting with chords, and you can get some pretty varied sounds from it. I havent used the detuned setting very much, but it sounded good for when I tested it. I dont know how often I will use it, but its there and sounds good. I got hardly any noise when in the effects loop of my amp, but outside of the loop, it does add some noticeable noise, nothing terrible though.

This is my 8th Boss pedal and so far theyve been totally reliable. I dont see this thing ever giving me any problems. Ive dropped other pedals down stairs, theyve fallen out of my bag onto concrete, and it might get a paint scratch, but it still works just the same. Its built very solid and, althought I bought mine used, has hardly any wear on the paint.

Never had to talk to them.

This pedal is very useful if you want that "twin guitar" sound or just like getting some different sounds. I play at my church as well as just jamming with friends. I wanted to try to expand my sound range, and this pedal does that very well. I use it only for certain parts of songs, but it could be used to get some really "out there" sounds. Which I guess is fun too. If it were lost or stolen, I would most likely buy another, my only hesitation being the price of a brand new one.

this is the most sophisticated effect i have ever owned, so it must be a little hard to use. but when checking the ratio between the intelligence and the simplicity, you find it fairly efficient.
i didn't need a manual.

when tuning the pitch knob to higher levels, it might sound very digital. i find this option useless for me.
there are two harmonizing modes- the harmonizer (the "intelligent") and the pitch shifter (the "stupid"). the harmonizer will calculate the spaces between the notes, considering the chosen scale. for example- if you selected the harmonizer option, Am scale and 5th pitch- it would know to play G when you're playing C. if you selected the pitch shifter and 5 pitch- the H.R. key knob would turn off and it would play G# when you're playing C.(5 full tones). i prefer to use the "stupid" option- it sounds like another guitar is playing the same music in another scale, which is really great.
it has great "detune" effect- similar to chorus, but more "kicking" one.
the t. arm enables you to go from the played note to another note that you choose using the pitch knob with one touch on the pedal. the flutter is the same, but it would turn back to the original note afterward, and will enable you to vibrate it a little.

come on, it's boss.

this is great for progressive rock/metal, psychedelic and neo-classic.
if it were stolen i would but another one, or i might be looking for more "stupid" pedal, because i don't really need the t.arm or the harmonizer option...

This pedal gets a six simply because it is the only one which required me to look at the manual to get results. once the basics are figured out this thing becomes really simple: simply select key and interval and you're off!

Nothing is perfect, but this does come frighteningly close. People have slated this pedal for 'bad tracking' and 'muddiness', but they are either setting the pedal wrong or expecting this pedal to make them sound pros instead of the hacks that they probably are. this pedal provides great harmonies as well as a few extra bells and whistles, which although not the main feature of this product will surely be a useful and creative addition to any guitarists arsenal. The most important thing is to put this pedal on the effects loop. I
bought this pedal to try and emulate the sounds of great artists like Queen's Brian May, as well as the plethora of metal bands out there that use this effect, and this pedal copes without complaint. All it takes is knowing what key the song is ( if you dont know such basic theory, put down the guitar and back away slowly!), as well as a good ear for whats musical and whats not. This pedal is not designed to be used non- stop, just when creativity and musicality allows. I am using this pedal with a Line 6 Flextone III and an Ibanez RX40.

I own numerous boss products and not a single breakdown. (some of my pedals are 7yrs+ old and severely abused and still going strong!)

Never have, Hopefully never will...

I play anything from church music to Malmsteen to Gary Moore to Latin-Rock and everything in-between. This pedal is a must have if you are looking for a creativity enhancing as well as inspiring gadget. This pedal is perfect if stolen I would buy it again. Just learn to use the damn thing properly before you come up here and bad mouth a really awsome product. The only thing worse that ignorance is a guitarist who doesnt know music theory.

You have heard so many other people here complain. I think this pedal is brilliant. It's a digital pedal; i know that, it told me on the box. I wasn't expecting organic tones from the small box. It does a handful of other things and does them all very well.
The harmonizer- I think this is the best feature of them all and is so much fun to play with. But you have to be good to know how to use it, so here I say; GO AND LEARN SOME GODDAMN MUSIC THEORY! if you don't know what key you're in, then you're a useless guitarist, let alone musician. You think any famous players get where they are by not knowing what key they're in, and not knowing music theory? Think again. Get out of your ridiculous habits of using no more than pentatonics. Learn about majors, relative minors and the different modes. Learn what the notes are on the fretboard; music is not done by numbers. Get over it, and if you want to make the best use of this brilliant pedal, just go learn a little music theory and know your fretboard by notes. There are plenty of books on what I have said. Learning music theory improved my playing tenfold.

Pitch shifter is great.
Harmonizer is the most fun ever, and sounds so cool. Looking for that strange effect all your fave metal bands use but don't know what it is? This is it.
The detuning effects are also very handy. Divebombs away, for all guitars that have no floyd rose!.

SOLID piece of metal. its boss. Just dont smash the knobs or whatever.

Never spoken to them

Brilliant pedal.
Requires musical knowledge to get best use. Theory sorts this out.
Sounds great, good effects for Prog rock/Metal/Experimental/anything remotely creative. Good for guitarists who know how to use the instrument to express ideas with melody.
Doesn't work with chords. Not even power chords. It just sounds like a terrible mush and breaks up. Not a pedal for punk or classic rock, or black metal

This is an update to an earlier review. The harmonizer feature is quite limited, I've discovered, in that it doesn't harmonize notes in intervals, i.e. you're bending from the 7th fret to the 8th. It will harmonize along with the 7th, than quickly jump when you bend up to the 8th to note that harmonizes with the bent note. So, there's no in between sound, just one note, then BAM next note. This makes playing harmonized solos with bends (especially slow ones) impossible, unless you want them to sound like junk. I just convert them into slides and whatnot, and I still love this pedal overall, but it's definitly something prospective buyers should know.

Unlike some of the reviews, I have found this pedal REALLY easy to use. I mostly use the "harmonizer" function. All you have to do is select a key (CDEFGAB) and then tell it which interval you want as a harmony (3rd, 4th, 5th, 6th [my favorite], octave, 2 octave) it's that easy. The other functions are interesting. The only one that seems to be functional (something to be used more than never) is the detune function.

It sounds good, but sadly digital. I am actually using this on my saxophone primarily. Which is, of course, weird but I'm having fun experimenting with guitar effects on my horn and this one adds so much to my sound. (Effects set up--BD 2-->PS 5-->Dunlop Crybaby-->PH 3-->DD 3. All Boss pedals minus the Crybaby.) It takes my one horn and makes it two, which can be a lot of fun. However it does have a digital quality to it. The harmony tone usually sounds like a really good midi saxophone sound. When I play my guitar through it the sound is better but still has a digital quality to it. All things considered it sounds much, much better than the digitech whammy, not nearly as big, and you don't have to move a foot controller to make sure that the pitch stays on key.

I had no problems with this pedal for about four or five months. But recently it has started to "crackle and pop" from time to time. I don't know if it's just my pedal or if it is a problem across the board. The solution I found was to unplug the unit and let it sit for about five or six minutes and then power it back up. It seems to work after that. So I've been in the habit of unplugging it from my daisy chain every time I'm done playing. This seems to fix the problem. If it does give me trouble during a gig, I'll just remove it from the chain of pedals and let it sit for awhile, and then it seems to be fine.

Haven?t talked to them yet, but I may because of the reliability issue.

Considering I'm not using this pedal for a guitar this pedal meets my expectations. It tracks the notes really well and almost never plays a wrong note. If it does, it's because I'm out of tune. When I use the pedal with my guitar the results are even better. Definitely a good pedal at a relatively low price considering all that it does.

Says right on the unit what all the knobs do and it seems obvious what all the functions do. If anything on the unit itself isn't completely obvious at first, the manual describes well enough how to use the pedal.

This pedal sounds amazing. I love it. I bought it primarily for the harmony effect, but all of the modes sound very good. However, I was concerned when I first used the harmony mode. I plugged the PS-5 in between my guitar and my amp (Peavey XXX), and when using distortion the harmony would sound fine except for one note. There would always be one note in each scale, varying depending upon the interval selected, that would just create horrible, boomy, digital noise. I thought that I might just have to avoid the one note causing the problems. But then I put the PS-5 in the effects loop. Problem solved! I really can't believe how good it sounds. The harmonies are perfect. Of course, when using distortion the pitches shifted two octaves up sound "fake" or digital, but even those sounds are still useful and don't necessarily sound out of place.

Seems dependable so far. Never had a problem with any other Boss pedals.

It is perfect for metal lead harmonies. The harmonies also sound beautiful when used on a clean setting for jazz and classical type stuff. The detune mode sounds very thick and nice; sounds like a good chourus pedal. The tremolo arm and flutter effects sound very good and are useful. A Digitech Whammy pedal probably does a better job of taking the place of an actual whammy bar. Of course, an actual whammy bar generally does a better job than that.

It's a tweaky box.
I can get it to do all the stuff it's supposed to do.
I like it But apparently for different reasons than many.

It sounds ok.
You have to tweak the relative levels and mix to get each thing just so.
You can maybe get two or three effects in the course of a set if you are swift.
Having used HArmonizers of various kinds for years, one that sits iin a Boss box is
very great.
I really don't use the intelligent HArmony because I don't play like that annd am liable to do double stops and drones without thinking about it.
But getting a faux twelve string or bass or some oomph or some weird harmonies polyphonically sounds good.
The detune chorus sounds just like an old eventide.
And the pitch shift is "the shit".

I love it.
You can set it for nice melodic slides , up down whatever. Precise and toneful .
Or speed it up for synthy sounds.
Does the Tom Morello thing without having to get good wwitgh a rocker pedal (tho you can add one. You can set it do B-bender tricks and all sorts of fun.
Add delay after or even before or both. Put it after your distortion or before ....

Legendary Boss pedal construction takes a touchy technology and packages it like a tank.
Eats a battery in ;like 20 minutes tho'

We don't need no stinkin support !

This is a tricky, tricky pedal to get the hang of. But, considering how many things it can do and the small size of the unit, this is understandable. I prefer this tiny box with a few tiny knobs to a big clunky Whammy anyday. (Granted, this doesn't have a footpedal.)

My setup Ibanez>Dyna Comp>Big Muff>PS-5>Dano Delay>Fender Princeton 65. No noise that I can tell. Slight volume boost when you harmonize, but hey, you're essentially adding another guitar when you do this. Slight, slight loss of tone (warmth).

Ok now- this is an effect pedal- not an extra guitarist in the room with you, not a tremolo arm, not a detuning machine- it's an effect. It sounds like an effect. You should have no problem discerning a solo harmonized with this and harmonized with two actual guitars. If you can't, you have hearing problems. Given that, it sounds very good.Harmonizer-
It HARMONIZES IN TUNE. But you must play in tune, fairly cleanly, and select the right key. If you don't know how to do this, don't buy this pedal. Running it after my Big Muff produces suprisingly good results, with little tracking problems.
Pitch Shifter- Nice. I use it mainly for a simulated bass sound, which it does far better than the OC-3. Also use it for a few tunes where I need to go up to the 24th fret or so, but I only have a 22 fret guitar. Works well, sounds good. Not perfect, but perfectly acceptable.
Detune-
Don't know why this is even included. Sounds like a shimmery, fairly bland chorus. I hate chorus, don't use it.
Tremolo Arm-
Nifty novelty effect, though without the expression pedal it's hard to give a good analysis. Sounds pretty realistic, except for its unusual precision given that tremolo-type activity has a natural sloppiness to it . Probably will never use it.
Flutter-
Very cool. Again, because of it's precision, it sounds like an effect. But it is passable for surf-type trem action. Just be sure to hit the pedal right BEFORE you hit your note/chord. Otherwise you get a very unnatural shift into tremolo mode that ruins the effect, making it sound very fake.

It's a BOSS. Never owned one, but from what I hear they are built to last.

I play mostly classic rock. I use a looper as well, and like the PS-5 for it's bass-simulating features. I'd buy another if stolen or lost since it works well and there's nothing else quite like it, except maybe a Whammy, but I like its compact design.
I tried the OC-3 out as a bass simulator, and good god- that thing was junk. Not just for simulating bass, but for anything.
Overall this pedal had all the features I wanted, plus a few more, and performs as I'd hoped.

for a stompbox, it can be tricky. reason it gets a 4 is because i consider something with 3 knobs (volume, tone, and gain) to be a 10. this has numerous settings, and if you dont know what you're doing, it could very easily be used improperly.

id like to start by saying it is a pitch shifter. there is no reason that this should be getting a rating of 1. i can see if its a distortion and it all boils down to personal taste, then give it a 1 if its not your cup of tea. but a pitch shifter CANT sound bad unless you aren't using it right.

anyone giving this pedal a rating of 1
a)is out of tune
b)has it in the wrong spot in their chain
c)is sloppy and is playing more than 1 note at a time
d)is under the impression that harmonizers can track chords
e)got this pedal 10 minutes ago, and didnt take time to learn how it works
f)doesnt understand basic music theory of keys and intervals.
or
g)is a drummer

now lets get down to a review. firstly ive been playing for 8 years. ive owned oodles of pedals, mostly by boss. i have an Agile Hornet, and a Jackson Soloist SL-1 running through many other pedals to a Kustom II Lead.

the first option is just a regualar, straight up pitch shifter. nothing special here, fun to play with.

then we have the harmonize mode. here you can get a second voice from -2 to +2 octaves or anywhere in between. the harmonizer must be used with single notes only. if you play chords, all you will hear is scrambling. ALSO, YOU MUST MAKE SURE THAT YOU SELECT THE CORRECT KEY!!! if not, it will sound off, and you will come on here and give a crappy rating. WONT YOU!!

then we have the detuner mode. i rarely use this, but it sounds neat when i do

then theres the T-Arm. this is fun. it will shift up or down to the selected pitch when you depress the pedal. it even has speed control so you can make it shift fast or slow. think Tom Morello on Know YOur Enemy or Killing In The Name Of.

finally we have the flutter. like the detuner i rarely use this. ive never used a Boss vibrato pedal, but i imagine the flutter mode sounding a lot like a VB-2.

i should also mention that this pedal IS stereo! and really quite digital.

i dont think its true bypass but im not a tone junky on a magical quest to find the "perfect organic tone." try looking in your garden.

i now own 16 boss pedals, some new, some used. i have never had one die, spit, sputter, gurgle, gargle, deny, or disobey me...EVER. 100% quality.

ive never had to contact the company ...n/a

i bought this pretty much for harmonized metal solos a la Dragonforce and A7X too. it sounds perfect, but like i mentioned above, it is crucial that you take the time to make sure it is set up correctly. it is quite the hefty price tag for a single effect, but youll understand when you plug this beautiful sparkly, turqouise baby in. The manual has handy suggested settings that sound nice. it also has expression in option, although i have never used it. enjoy

It's pretty simple. My only qualm is that I'll have to start carrying a flashlight to gigs to change its settings between tunes. The knobs are small and there are a *lot* of settings. Then again I would expect that from a pedal with this much capability. Other than that, I am surprised how quickly I am able to switch between radically different settings with this thing. It's not brain surgery...

Look, I can see how operating this can be overwhelming for some. What you have to understand is that the "mode" control basically gives you 5 different pedals in one. Once you understand how the controls work for ea "mode", it's really pretty easy.

I mainly got this for the stereo chorus "detune" function. It is the best chorus I have ever heard in a pedal. There is no wobbly pitch modulation (except in extreme pitch shift settings) and no perception of "speed". Instead it is just a very wide, deep, and lush stereo-expanded chorus sound that works well for clean or dirty tones. The delay and balance controls are effective at adjusting the depth and "wetness" of the effect. The pitch shift can go from subtle expansion through "police-like" sounds to exaggerated queasy "plastic" chorus sounds. For me, it was worth the $150 for the detune function alone.

I have been playing with the harmonizer and starting to love it too. It was startling the first time I fired it up in stereo- one guitar on one side and one on the other. The timbre of the synthesized guitar is less than perfect. But the balance control is effective for mixing the dry sound in the foreground and the harmony in the background. Used this way, it sounds very natural. The tracking is flawless and it works well with distortion pedals in front of it - nice clear harmonies with 2 distinct voices. Dialing up major/minor modes with the "H.R. Key" control is a breeze. Set it where you want, pick your interval and go. To harmonize in other modes (mixolydian e.g.) you will need to understand how mode/key relationships work. A little basic music theory goes a long way here. Yes, your guitar needs to be in tune for the harmonizer to work correctly, blah, blah, does anyone really need to say that? Other fun things to do with the harmonizer are to dial up octaves, balance it 100% wet and there are "guitar synth lead" sounds galore.

The pitch shifter is a blast too. In addition to the typical octave-dividing and fixed interval fun, you can dial up a nice 12-string sound or bell like overtones using 4ths or 5ths and use it all with chords. Again, prudent use of the balance control will allow you to dial up "natural" vs. "alien" type tones, depending on what you want.

I don't really use the 2 whammy bar functions on it although I have played with them and they work well.

I have some Boss pedals that are nearly 25 years old and they still work well. I expect this one will last at least as long.

Like I mentioned before, for the chorus alone this was well worth the price. Everything else is icing as far as I'm concerned. What I love about this pedal the most is that every day I discover something new to do with it. There is a lot of depth to it and I'm sure I'll be learning new things to do with it for a long time.

Look, I don't really know what people mean when they say something "sounds digital" other than there are a lot of misconceptions about sound and how it relates to technology. Bottom line is if you want "natural" or "normal" sounds out of it use the balance control prudently and judiciously. If you like making noise and funny sounds, it can certainly do that too. Take your time, learn how to use the tool. There is a lot to learn with this guy.

I'm glad I got this and would easily buy it again.

Oh dear, how do I put this. Boss couldn't have made this thing anymore complicated. You should be able to tell how it works just looking at it. Fail

If you want a pitch shifted hamony than this is the pedal for you. However if you want it in tune then look else where. It sounds like a cat being drowned (not that I've heard a cat drown I'm just guessing). Fail Hardcore

No, unless you are reallying on it to sound bad.

Awful sound, extremly over priced and overcomplicated. I have never sen a worse pedal.

Simple. Point the knobs in the right directions and its away. If you are like me and don't really know one scale from another when you're playing, just fiddle with each different scale setting and you will soon find the right one. Each of the other effects are straight forward.

Like many, i have found this box to alter the tone ever so slightly but c'mon what do you expect when the poor little thing especially when its got to put up with the likes of fuzz boxes and distortion galore. (put this unit first in line for your effects if the trackin is a little off.)

One thing, when this unit loses its power it will let you know about it. It causes alot of extra noise!. I have it powered with the DC brick now and no probs.

You could lob this thing into a herd of oncoming wilderbeast and it'll survive. The army should make their tanks out of boss pedals!

Took it to shop once cos i thought it was faulty. turns out just wanted a new battery. (Dumb i know)

Very nice addition to the effects collection. Not something i would use regularly but can certainly add an extra something to those solos!

I'm only reviewing this for the harmonizer, as i rarely use the other settings. This really is NOT rocket science here, if you're playing in C#min, set the key to C#min, and choose which interval it is. I'm sort of braindead when it comes to complicated things, and i was doing some nice harmonies in a few minutes without reading the manual.

Like I said, i'm pretty much only reviewing the harmonizer. I didn't buy the expression pedal, so the other things are of no use to me. I was really nervous about buying this pedal after all the crap reviews it got. Here's the deal. I'm not some vintage tone seeking snob who badmouths anything that's not hand built, doesn't have true bypass, or comes from some company i've never heard of. I'm just a regular guy who plays regular equipment in a slightly abnormal band. I play a Fender Mexican strat with dimarzio HS-3 pickups into a marshall VS100 half stack with some other pedals, and i sound fine. I put this thing in the fx loop and to my ears, it sounds good. I don't understand how people can have problems with this thing. Like i said, i got nice harmonies after a few minutes of playing around with it, and upon looking in the manual, found that EVERYTHING that people had problems with is clearly explained in the manual. If your gear is in tune (and set up properly), you don't play sloppily, and you understand the basics of keys and intervals, you should have no trouble with this pedal. Also, i downtune to Eb, and there's absolutely no problem. This was one of the big things that worried me, as people said that they need to be in A440 for it to work right. As long as you're in tune it'll track fine. If i play fast it tracks fine. if i do big bends, it tracks fine. But don't take my word for it. This is a video of me test driving it.

http://www.acidplanet.com/artist.asp?PID=590984&t=2190

Like i said, this is only in regards to the harmonizer. The other effects are ok, but i don't use them much. The whammy and Pitch shift are also in the video, if you are interested. I like the harmonies and they sound quite good for riffing and soloing.

I'm also using a several year old beaten to shit boss Noise Suppressor. I've NEVER seen a boss pedal die on me.

I would not have bought this based on many of the reviews here. I bought this because i got it so cheap from a sale at Sam Ash, and believe me, it was worth every penny. I play proggressive rock/metal a la Dream Theater, Frank Zappa, Death, Opeth, Rush, Pink Floyd, etc. and am also influenced by bands like Iron Maiden, Metallica, Yngwie Malmsteen, Jimi Hendrix, Rage Against the Machine and Radiohead, a combination of heavy shreddy shit, pretty ballads, and experimental slop. There aren't many guitarists out there that play in that vein of music around me, so i bought this just for playing harmonies live. This box does that for me. I like it for a few reasons, the obvious being that it sounds good. Also, it gives me inspiration to play more and come up with new parts. There's just something about the way a nice harmonized lick sounds, and this pedal does it.

Although this is quite a small effect unit there's lots of knobs and settings you an change.
But don't worry, after a short time you'll understand how it works, what the knobs are for and how to get cool sounds with it.
I agree with what other reviewers said: it's kind of tricky to get the right key for the harmonizer, but that's okay.

No matter what guitars or amps you're using this with, it sounds very good. You can get some strange sounds and effects with it, and some nice harmonies. I really like the PS-5's sound and don't think it sounds TOO digital.
But don't expect to use this instead of tuning your guitar down or something like that ... it doesn't sound the same. But that's nothing but normal for a pitch shifter.

I've had mine for 3 years now, using it a lot, and there were never any problems. I think it's very reliable just like most or even all Boss products.

If you're looking for a pitch shifter/harmonizer for strange soloing (like Tom Morello of Audioslave / Rage Against The Machine does very often), classical guitar harmonies, bizarre sounding dissonances, strange dive-effects, etc. this one is for you.
It will probably work as long as you wanna use it and will always sound good.
There is nothing I'm missing about this.

As easy as any Boss pedal you own, that says it all really. The only thing thats tricky is making sure the harmonizer is in the correct key :-) - which means you have to know what key your in!

The reason why I wrote this review was I was completely wound up by the people who had said this pedal sounds "digital" and is therefore crap! OF COURSE ITS DIGITAL ITS A PITCH SHIFTER!!!

I've tried a lot of pitch shifters, including the digitech whammy and multi effects boxes and this is by far the most "musical" pitch shifter on the market. In particular the "T Arm" and "Flutter" settings are excellent and give a totally unique effect which makes you write great riffs around the sound of this pedal. You can also plug in an expression pedal to manually control the pitching which is useful

The "detune" setting is also great for producing a very non-cheesey chorus, which you can fine tune really well.

The harmoniser I dont really use so maybe thats what people are complaining about with the tracking, but when I've tried it it seems fine to me

I play indie/rock original stuff (www.revealonline.co.uk) and gig regularly, and this pedal is used in a couple of songs in the set, and really turns heads. Oh and noise isnt an issue as far as I've noticed

My kit is a Vox AC30 CCX using a Epiphone ES355 with P90's in it. I also have a Fender Jaguar I use it with too

Its Boss, its never broken ever. In fact none of my boss pedals have in 10 years

Dunno never needed them

I think this pedal is great if you are after a unique modern sounding effect to make a rock song stand out. If you're some old geezer playing through a tweed amp doing 60's covers, looking for the ultimate "analogue" tone, why are you buying this pedal?

Pitch shifters are by their very nature the most digital effects out there, so dont be suprised that the pedal warps your sound into something from another planet :-) but if your after some weird radiohead sqeaks and wails this will be right up your street

I guess folk should try before they buy, I immedialtely loved it. If it got lost I'd have to get another as I couldn't play some of our songs without it - I havent come across another pedal that sounds similar. The only negative is at over ?100 its a bit steep for a single pedal

Not very easy to use at the first time, but after spending some time in front of it you get the features. The manual is very good.

I am using the following setup: Yamaha RGX121D -> Onerr Wah -> Boss DS1 -> GT2 -> AMP Send -> Danelectro chilidog -> Boss PS5 -> DOD FX75 -> Boss CE5 -> Boss DD20 -> AMP return. The amp I am using is a Warm Music 112gt. There is no noise coming out of it.

Sometimes the harmonizer mode doesn't sound very good... I dont know if it is my guitar or something else, but at 90% of the time the unit works very well.

Very well built..

Never dealt with them

I think this pedal does it job very well. Sometimes there are some strange sounding coming from it but it is not always. Maybe it happens because of a string out of tune. If it were stolen I think I would buy another one, ore maybe the Whammy... but I still think the PS5 beats the Whammy anyway.... Maybe it should come with the expression pedal to control it, but it doesnt... and it costs 50 US$

Not very easy. If you want to adjust it: get on your knees and put your glasses on.

I work in a music store and a custumer orderred this pedal. I never played one so when it arived I tried it (like with every new thing that comes in to my hands). This is the most crapy sounding boss pedal I ever heard (and they have some). The harmonist doesn't even stay in tone. I put it in C and had it play a third above. Then I tremolo picked the C note and I heard the third (the E) drop in pitch. The setup was: guitar into the pedal, pedal into the amp. So there was nothing to interfere with the sound

It's a boss pedal. Good for replacement parts.

No complaints here. they give an exelent service

Sounds great.

I've toured around the world with this pedal for 3 years, and it works as well today as is it did when I bought it.

I make a living playing spacey MBV/Johnny Greenwood type guitar and the Supershifter is by far my favorite pedal. It can pitch my guitar a full 2 octaves up or down and everything in between. The tracking is not perfect at all, but I think that it tracks notes better than the digitech whammy (although the whammy does have a really unique sound that I like). One of my favorite settings is the "T.Arm". In the "T.Arm" mode when you play a note and then step on the footswitch, the pedal will glide up or down to what ever interval you set it to. The end result sounds like a moog with a lot of portmento on it. Another great setting is "Flutter" which is really vibrato. The flutter on the Supershifter sounds almost exactly like the vibrato on the dicontinued and really pricey Boss VB-2. The only problem with the supershifter vibrato is that you have to hold down the footswitch the whole time you want it on. If you lift your foot off the switch it shuts off, but it still sounds great.

Just a comment on the bad reviews below. this pedal is digital sounding , and alot of settings will totally change your tone , some for better some for worse . As for terrible tracking it tracks ok for me , buts its better the newer my strings are for sure . I'm suprised some hate it so much , everyone I play with think it pulls some great sounds . It is definataly for the crazy scientist inside you . If you enjoy getting weird you'll like this pedal . If you want to play classic rock and blues then dont waste time trying it out .

Black panel behind knobs is hard to read and overcrowded. Don't lose the manual with this one, until you've taken the time to get to know it...

...but once I got to know it I realized I had wasted my money on a chemical sounding, tone destroying, gimmicky piece of crap. This pedal tries to do too much, and as a result doesn't do anything well. If you want to lose all your tone and sound like a Japanese cartoon buy this. No don't buy this. My set up? G&L Legacy > PS5 (not anymore) >DS1 >OD3 >CE2 >TR2 (modded) >DD-20 >GT3 >Laney VC 30 or Hughes and Kettner Vortex. I'll give it a 2, coz it was funny for a short while. But totally digital sounding, plastic. Terrible note-tracking. God, and expensive.

You can rely on it to sound bad. Usual sturdy build.

n/a

I play ska punk, country, whatever. A whole bunch of styles. thedrugsquad.net. I like effects, but ones that augment an instrument and make the most of your set up, not totally ruin it. All I could use this for was an octaver. A poor one.

Most of the settings on this thing are dead easy. A couple of them require some musical/scale knowledge to take full advantage of, but everything does what it should.

I'm not sure why people are down on this unit. Actually, I am. If you are a sloppy player, this will not sound its best. Things like the PS-5 and guitar synths get bad raps by people who can't play clean and tight. The little CPU is doing a ton of processing and it can't take into account all those open strings and harmonic clams a lot of people have. Mine has tracked FLAWLESSLY and sounds amazing at what it does... every bit as good as the digitech whammy. All the Radiohead/Audioslave sounds are in there and it can be very sonically pleasing when used tastefully. Didn't appear to effect my tone when it wasn't activated.

It's Boss.

N/A

This isn't for everyone, but if you want those wacky high-pitched sounds or some cool bass sounds this it it. It is surprisingly usable even without the EV5 and all sorts of ambient sounds are available. If you buy one and it doesn't sound like it's tracking well... ask yourself if you are really playing clean, tight, and in tune.

Fairly simple, but you DO need to have a knowledge of scales and modes (and keep your guitar in tune) to use the best feature, intelligent shifting.

DIGITAL. Doesn't do one of the things it's supposed to; that is, make it sound like you're playing in dropped tunings when you're not. Maybe I should have figured that -- how would you take out the original tone and replace it with one 1/2 step lower in real time without leaving some of the original in there -- but it doesn't do what it was advertised for.

That said, the whammy effect is cool (sounds great on the solo to Audioslave's Like a Stone) and the intelligent harmonizing sounds great if digital.

Boss. Built like a tank.

Way too expensive for what it does, unless you're really into shifting.I wouldn't buy it again. Good whammy and harmony effects.

appendage to previous review

just a note, if you want high quality shifting (best for single notes) with the expression pedal, it's best to use the harmonist feature. Basically just set it so it's only the harmonized note, not the original, and you get the sound quality of the tremolo arm effect, except for use with expression pedal. Some guy complained that if you want to use the exp. pedal w/ tremolo arm, you'd have to keep one foot on the PS-5 and one on the exp. pedal. That is true, but you don't have to do that. Just use the exp. pedal with the harmonist, mix 100% shifted, and it's the same thing, one foot operation. No problem.

Haven't had it long. A few options to get through, but I tried it out in the store and found what I wanted pretty quickly. If you're using the harmonize function, it does help to have a bit of theory under your belt to understand how the intervals will react, or you can just experiment and see what you get.

Some "ring modulation" when you go to the lowest notes on the lower strings.
Definitely a bit artificial sounding, but that's part of the game. While Pitch Shift an allow you to play chords, the "zippering" distortion to the tone made that option unusable to my ears. The tremelo arm effect sounded good to my ear (attack set to its slowest). With the 2octave setting and the dry signal mised in, you could get an approximation of an Octavia sound. At one octave, mixed underneath the dry signal, the tone comes alive, almost like an exciter. Nice sound, but you could get a dedicated exciter pedal to do it better, but it's nice to have the option if you find you need it in the studio. Liked the detune function also set to fatten out the dry signal.

I only really use the Harmony setting at 1 or 2 octaves set to the comletely wet signal only. I was surprised at how strong the tracking was, and there was almost zero "zippering" effect to the sound.
I run it just after a compressor set to moderate volume boost, low compression, and kick that in to fatten the tone of the shifted sound whenI want.
From there, I run it into a PedalworX Tour Pro Toggle (no compression) and into a Barber Direct Drive SS. The main guitar is a Brian Moore i21 with a Duncan Alnico2 Pro neck and Pearly Gates bridge combination, tone rolled down mostly on the bridge pickup.

With this setup (only into the POD set to a clean amp sound so far) it does a very good job of emulating a Roland G 303/Pat Metheny synth solo tone. I found that the neck p/u sound had a bit of a "honk" to the tone. you should expect that from transposing the Alnico 2 Pro up an octave (it's not a bad thing, just something to watch out for). The Pearly Gates bridge with the tone rolled completely off came the closest to emulating the Roland tone. Pick articulation and judicious use of a trem bar will get you very close to that sound.

Also tried using the Roland Expression Pedal. A good trick is to set the the pedal to a 2 octave shift, and with a tuner, set the lowest end of the pedal with the trim knob so the rocked back position yields a 1 octave tone and that will allow you to have the original tone, kick in the pedal for one octave jump and rock the pedal forward to sweep up to the 2nd octave. Note, the olwer octave setting wil not necessarily be exactly on pitch and will most likely drift sharp or flat (just like a real analog synth used to do). Does a nice whammy effect.

At 2 octaves, volume rolled way down, no overdrive, ot does a pretty good fluty, "piccolo-ish" synth lead sort of tone, very touch dynamic.

It's a Boss, built like a tank. Should last

It doesn't do everything "great," but it does some things well. As a pseudo guitar synth, it does a good job for me for a whole lot less than it would cost to try and track down one of those old Roland Synths on ebay or the like. I went for the Super Shifter because space was an issue. If lost or stolen, I might try the Whammy 2 reissue the next time and see how that one fares.

Fairly easy to someone who's used these kinds of things before. Otherwise, you'll need the owner's manual (which is good, by the way).

Well, it all depends. You have to set it correctly. It can sound good, or it can sound like crapola. I traded this for the earlier version, the Boss PS-3. I liked the PS-3 for the synthy sounds it could produce, but the actual pitch shifting, especially at radical settings (one octave above, below) wasn't quite up to my standards. Basically I like the PS-3 as much as the PS-5, but the PS-3 is better for synthy sounds (reverse pitch shift), and the PS-5 is better for classic pitch shifting tones, ala Rage Against the Machine, The White Stripes ("There's No Home For You Here"), and early Radiohead ("Just").

My favorite setting is probably Tremolo Arm, as it provides realistic, single note shifts, even at radical settings. It will work with chords too, unless you want to hold the chord at the shifted tone... then it tends to waver between the target pitch and one close to it like a teenage boy whose voice is cracking. Basically, it will give you the sound of a chord diving or climbing to a set interval and returning, as you would with a real tremolo arm (but with more radical interval options). If you want to hold that interval, though, it's best to do so with single notes on this setting. You can also control the speed of the shift, so that it can either zip up or down right away, take its sweet time, or any speed in between. Nice.

The pitch shifter setting is better for chords, though not as realistic at more radical setting, especially with single notes. I have the optional Roland EV-5 expression pedal, which is nice for on the fly control and gradual shifting. Highly recommended.

The harmonist is kind of cool, though not the reason I wanted this pedal. It can give some pretty harmonies that track very well, provided you are in tune (single notes only). It's fun to play with. I might be more likely to use this with vocals. Nice quality effect.

The detuner basically doubles your sound and gives an interesting chorus effect. I like it, but I doubt I'll use it much. I use an Electro Harmonix flanger for that kind of thing.

The flutter effect is interesting. It dives or climbs to a certain interval you set, then goes into a vibrato, similar to SRV's "Lenny." I probably wouldn't use this a lot, but it's not bad. Not as good as the real thing, obviously.

One thing that this pedal has over the PS-3 is ability to adjust overall volume. I found that with the PS-3, going from regular pitch up an octave (via expression pedal) would result in a volume drop. No drops with the PS-5, therefor making it a good candidate for more professional pitch shift sounds (ala the artists I mentioned previously). You can get pretty high quality sounds, but you have to have the right setting. The wrong setting will sound like crap, which I suspect is the beef of all the reviewers who gave it a "1".

By the way, the reviewer below me who said you can get higher quality pitch shifting effects via computer was correct. I have a $70 program called Audio Studio Delux, which can really make a guitar sound exactly like a bass. Very real-sounding at various pitches. But that's after the fact (ie you apply the effect to an already recorded track). You can't exactly use that live, can you? There is a bit of digitalness to it at extreme settings, but all in all it is convincing.

So, as far as pitch pedals go, the PS-5 is a good one. Similar to Digitech Whammy as far as I can tell (just from listening to the sounds of Rage, White Stripes, and Radiohead, which all used the Digitech pedal). I've never tried the Digitech Whammy, but I can get similar sounds to what those artists have done using it. Hopefull that all made sense.

Never had problems with other boss pedals.

This is a good match for various styles of music... it's a fun toy. Very expensive, I wouldn't have bought it because it's prohibitively expensive for me, but since I found a guy willing to trade, I thought, why not? It's a good pedal with limitations. Find the right settings or you will be disappointed. I'd suggest trying before you buy it. It's probably not for everyone.

A bit difficult because pedal thinks that it is smart. :)

It sounds worse even than simple software "stompboxes" such as Guitar FX Box! Toy "digital" FX kill sound of any guitar.

BOSS pedals never break.

not needed

Thanks to God, i've tried this nasty blue pedal for a week before buy it! Full s**t!!! It costs about 180$ but it sounds worse than any software FX. Worst stompbox of the century! If you want add to your guitar some "synth" sounds, buy CH-1, OC-3 or any others chorus/octaver/delay pedals. But if you really like such nasty "digital" crap, better buy for 20$ used SB Live! sound card and use it for digital FX.

Easy to use once you understand all the controls and functions . Getting good sounds is easy , you must be careful with the amount/level of effect that you dial in ,this probably why some people do not like the sound of this unit. Editing the sounds is easy however the small size of the unit makes it hard to see what functions you're dialing in. The manual is brief and straight forward .No PHD required to navigate the manual or the machine.

I have been using this unit usually in conjunction with several other Boss pedals ( delay , eq and tuner pedals)through the effects loop of usually a Rivera duo-twelve or Bogner Shiva combo amp , primary working guitars used are usually contained to a Godin LGX or EC model Fender Strat (both set up to accomodate a roland synth).

I orginally bought this unit to create little diatonic harmony parts .I play with a variety of different singers and artist so having a little versatility with harmonized parts is a great bonus . This aspect of the unit works quite well . Obviously you must know what harmony interval you want to achieve (thirds, fifths,etc. ) before you can expect to possibly achieve a usable/musical harmony part . You must also play accurately and in-tune( sloppy playing habits will not work here, it will not track crap!) .Also it helps to keep the primary ( un-effected) part in the foreground of the mix balance ,this keeps the aliasing/digitizing artifacts of this technology from sounding readily apparent in the overall mix, a common complaint voiced on this review site. Use it tastefully it will sound tasteful.

As written by several other reviewers it does a great job a copping an Allman Bros.'(think: Jessica, Ramblin man) third or fifth interval harmony part.Also if you know how to apply other modal harmony transpositions you can also set the key range switch in a key other than the key you are playing in for other harmony applications. This box is not a do-all "expect to hit a switch" and start jinnin',bad ass harmony machine , Like Bush said, "not gonna do it" . You must do some planning and careful calculations.This is probably why this feature gets low approval ratings .

I find that the detune feature is absolutely awesome and as good as some of my rack boxes when used in conjunction with two amps to create a lush stereo spread( on amp # 2, use the power amp only section of the amp, bypass the preamp it will sound and work much better than plugging into the "front-end" of the amp". As with the harmony feature you must use taste and discretion,when dialing-in the amount of "bend" and level of effect . Too much effect sounds very harsh /strident and uncomplimentary .However I find this particular application to be true with any piece equipment regardless of price or popular status when used in this manner.

To me noise has never been an issue with any of the Boss stomp pedals I've used throughout the years ( I have a suitcase full). Most objectional noise comes from gain stages accumulating between other pedals causing a "gain stage mismatch". Of course most time -based pedals( delays, chorus, flange,etc) will usually be much quieter in the effects loop of your amp because the signal to noise ratio is much much better.....Learn more about this concept, it is the reason some players will rate a pedal as dead quiet and another as a buzzing mosquito from Arkansas . I run any overdrive pedals that might be used ( tube screamer, tonebone, etc) into the frontend of the amp and everthing else in the loop with negligible noise issues.

I find most of the features on this unit useful and musical , Chorusing effect can be acheived easily, the whammy stuff works as good as my old diditech whammy pedal. Swithing back and forth between the different functions can be a daunting task however especialy when playing live and under the gun. But all-in all it'a fun little pedal and a good bit cheaper than an Eventide harmonizer.

I'll give it a 9 rating, it's a great compact and versatile little pedal and a good bang-for-the buck investment . Is it the cats-ass?No it is not, but nothing ever really is....... . But for mature responsible pickers that are already familiar with Boss stomp-issue products ,I'm sure you can dig something you'll like about this pedal

I've been playing on Boss stuff ( I'm also a Roland Synth user ) for years professionally .This stuff has had rain , beer, coke, etc. poured into and onto it, Stomped to hell and back and I can say that NONE of the stuff I've ever purchased with the Boss name on it has ever given me any doubt that durability/dependability is a concern or issue.Don't lose any sleep over this stuff folks , it's tough .

Except for dealing with some roland synth issues I have never seen or had the need to have a repoire with the Boss folks.

Boss stomp box designs have led the industry in innovative , inexpensive , musical and dependable merchandise for decades ( many pros use this stuff on the road for good reason )

I buy this stuff, use it, and usually forget about any further corporate involvement . Only dealt with Roland Corp a few times on some synth parts that I needed for a repair job on my personal stuff . The process seemed pleasant, the staff was friendly .

I own an electronics remanufacturing company myself , I can tell you that usually the quality of support and friendly service you get from your vendor or manufacturer is in proportion to the attitude and professionalism that is given ......

I have been playing for years and like many guitarist out there own a ridiculus amount of amps, guitars and fun boxes to numerous to mention .

Concerning this particular pedal, and like any other piece of gear that I own( I own some nice stuff ). I can tell you that the real magic is within yourself . A great amp, stomp pedal,slice-o matic, guitar, whatever.... will not make YOU great. You and only you can make you great. Don't get caught up in the hype. Believe and be true to your music. Use the gear that will compliment you and don't worry too much about it .Get some rest, someday you'll need it .

Like the old man said to me years ago, "how bout spending some money on some lessons! "............

This is why I bought it from the firt place.
The access to the playing key is right in front of you and by dialing a knob you change it (in compare to a multi effect that you need to enter to a menu and change it).

The manual is very good (and now it is on the web).

I have the TC-Electronics the G-Force that can do two pich shifting at once (in compare to just one in the PS-5), and I'm telling you I use the PS- much more then the G-Force PS, the sound is amazing, set to Harmomnist, set the Pitch one step to the right, vol balance at the mid (50%) and set the playing key, and you have a two lead guitar playing.
(place a distortion before and stereo delay after).

Never place a distortion after, it sounds disaster.

It is a Boss effect, I have more then 22 of them in my rig and no problem so far.

I give them 6 becuase now they are starting to place the manuals on the web.
Otherwisethey would get 0.

They should place all the manuals on the web.

Go fot it, this is the versatile effect that I have.
A shifting in a foot press.
I wish I had several one for each function (Harmonist, T. arm .Detune)

More complex than most , A little theory (keys and modes ) will help alot. But not hard to get your head around at all

All the features are well covered below . So I'll keep mine short and sweet . I eyed one of these of for a while but wouldnt consider it at $600 , which was retail. I got it at a sale half price, which is still not a cheap pedal . I'll break it right down . This is a digital pedal, dont expect it to sound perfect . It does what is says it does and does it pretty well in my opinon . If you like wrestling alien mutant noises out of your guitar then it's a solid and fun tool . If you worry about your tone so much that you lose sleep because a pedal doesnt have true bypass and you cry because you can tell an effect is on then you will hate it . I care about my tone and keep my effects chain to the minimum of pedals that can acheive sounds I want to make . I love this thing . If your playing is a little outside the normal thing and your prepared to lose a little of your "natural" sound then you will probably love it too .

its easy if you understand what function your are using. Some theory helps understanding which key/pitch to use. the knobs themselves are easy to use.

ok - everyone who complains about the warble and inconsistent harmonist.... true its not perfect, but the manual explicitly states that you need to make sure your are totaly in tune. Also, you really have to hit the notes dead on, if you have perfect technique then this thing will work great. If your a sloppy player, then forget about it. Also, if you set the wrong key youll get tones you dont think sound right. The DETUNE is great, and the Trem is fantastic too. I havent tried to Digitech Whammys, but the PS5 will give you the expected Boss/ preocessed sound. It not tube driven, but its sound as good as you rig will. If you are anal and criticize tone more than you are talented, then you wont like this.

boss, no probs.

if you know what you are doing, then you will be able to get the sounds you want. Its very versatile and will add a lot of color to your rig. If your a sloppy player or have a guitar with bad intonation /stability then dont buy this.

Rule one, read the manual. Once read everything is rather straight forward. If you can't read, you're in trouble. Some basic music theory helps. None the less it's relatively simple to get cool sounds, just be prepared to play with it for a while.

If you want realistic guitar sounds, forget it! For harmonised leads, you're better off getting a second guitarist. For every-day 'normal' guitarists who want sweet tone, it's better used as a weapon for throwing at hecklers at gigs.

For weirdos, such as myself, who want to make their guitar sound like it's been fed on Owsley's finest acid - it's a winner! To quote a previous review: "two octaves above sounds like your guitar's had an accident and breathed in tons of helium" - how cool is that?! You can make it squeal, sound like a chewed up tape, and much more! A very necessary pedal if you want to achieve psychedelic bliss.

Being a Boss pedal, it's strong enough to hammer nails with and still work as expected. Extended use as a hammer would void the warranty and chip the paint to buggery.

Never used it, and probably won't have to.

Let me start off by stating that I play heavy acid rock, the aim of which is to do people's heads in by smattering and befuddling them with sound. I play through an arsenal of pedals, and the weirder and more blatant the effect is, the better. Effects these days are way too civilised and this isn't one of them.

I work in a music shop and, in a fit of boredom, plugged it in and gave it a whirl. Almost immediately, heads turned as if to exclaim "What the f*** is that?!" I immediately fell in love. I bought one days later. If it were lost or stolen, I'd definitely buy another.

I've been playing for over 10 years and mainly use a Les Paul Deluxe with P-90 pickups into a Laney VC-30 class A tube amp. I own a heap of effects by Boss, Electro-Harmonix, Jim Dunlop, Ibanez, MXR, and a few I built or modified. The road to psychedelic bliss is paved by pedals.

Basically, if making your guitar sound twisted and bizarre is your thing, this pedal is a must.

I researched the product before I bought it, and mostly understood what it offered, so I have been able to dial in most of what I wanted. There's a decent amount of customization which always means complexity. It is not a device to be tweaked much during performance unless you have night vision goggles with a zoom lens. Although I am giving a 5 rating, this is a good thing as I expected and wanted a 5-type of pedal.

The only way to appreciate what the PS-5 can do is to run stereo out of the PS-5 into two different amps, separated by at least 6 feet. I have it just after the compressor in my chain. Got that in place? Ok, it is the absolutely most fabulous sound fattener in the Detune mode. Leave the pitch knob just left of center, and center both of the balance knobs. That "just a tiny bit of pitch shifting" running into the second amp works miracles. I run one amp clean and the other in clean or scooped grind. I also add effects into individual amps post PS-5. Tremelo on the grinder, but not on the clean, for ex.

One other use: I put the thing in pitch shifting mode and select one octave down, so I have a bass doubling my lead. I like this for boogie woogie things. The harmonizer is amazing, but I have not found a real use for it. BTW, don't use the harmonizer for the one octave down work, as it has a tracking problem compared with pitch shifting mode. Not surprising because harmonizing has got to be a load on that little cpu running the show. Also, importante, always use a power adaptor, as this thing inhales batteries; that may be the source of some of the other people's comments about crappy tones. I don't use any of the other settings. 10 rating for the settings I do use.

Rock solid.

Never had a reason.

My music selection is eclectic. But whatever I'm playing, I run the PS-5 in detune, as described above, continuously. I plan to buy another one or two or three. Boss/Roland has created another great modulation product, in my opinion, which has entered my permanent collection.

Requires a litte reading, but you can also experiment with the knobs to figure out what each one does.

For the most part this thing sounds like shit:

Pitch shifter:This is the main feature that they sell this for and it sounds horrible! What the hell are they thinking??? You get a wide range but no matter what you set it on, you get these "warble" noises, sort of like a tremolo or a chorus but unfortunately this warble sounds bad too! It sounds horrible for power chords or even any chords and sounds bad soloing too. the ver high notes sound like a robot or a computerized violin. Good for making robot/metallica sounds if that' your thing. And no its not where I put it in my chain or how I use it; I read the manual 20 times and tried putting it in every spot in the chain and no change at all.

harmonist:I don't use it and never planned on using it. It's pretty stupid to me cause even the harmony notes sound like a horrible computer midi sound. And you can't even play more than one note at a time.

Detune:I read "detune" in the pitch in mag's for this and that sounded cool cause I like to play stuff in keys of e and Eb. But no, this thing detunes the note not even half of a note down! Its stuck somewhere between E and Eb-what's the freakin point? It just pisses people off

tremolo effects:The only saving grace of this pedal. I use these sometimes. Its fun to hold the pedal down and solo one or two octaves higher than normal, but it sounds like a midi computer sound like everything else. And one octave below sounds worse than a digital bass used in cheesy techno music. Fun to play around with but not worth 150$.

Can I depend on it? Sure, its boss. But don't depend on the paint job they used on this pedal. The FIRST day I got this and was fooling around with it, my guitar head lightly hit the pedal and off went a little ding of the creamy paint they used. The paint DOES NOT stay on good at all. be careful.

NEver tried, prolly never will.

I play any music but write alt/rock/psyechelic/spacy/grungy music(think radiohead meets alice in chains meets smashing pumpkins meets weezer). The tremeolo effects on this can create some very orgiinal stuff, especiall combing with delay. But otherwise this thing is useless and I'm prolly gonna sell it soon. DO NOT BUY this unless your rich and want every possible guitar effect you can get ur hands on.

Very easy to understand, but sometimes gets annoying when using it just with your feet. If you want to change just a little thing, then you have to bend over and do all the neccessary adjustments. But for figuring out how to use it, it is like a high schooler trying to do 4th Grade math(althogh that is hard for some High Schoolers)

They suck. this product is terrible at everything. u cant do much and when u do u get a shit sound. I run ESP KH-202>Boss MT-2>THIS>peavey transtube studio pro. This doesnt emulate a bass, even when the balance knob is set all the way to an octave down effect. I get a crap sound than emulates a dying donkey.

It wont break-duh-its a boss. I threw it on pavement(which was stupid) and it still didnt break.

duh what?

It is kinda fun, but it is shit everything. Im takin it back to get a pedal worth having. :(

I'm no pedal expert, but I had no trouble figuring out this creature, even though my manual is all in Japanese (only because I bought it in Japan, of course!).

I think here I'd better address some of the 'problems' some people have had with this pedal.

I can't stress this enough:

*** PUT IT FIRST IN YOUR EFFECTS CHAIN! ***

This is important, and I think it's mentioned on the website. If the pedal comes after distortion, it will have to work doubly hard trying to process the different harmonies.

*** USE THE HARMONISER FOR SINGLE NOTES! ***

This makes a hell of a lot of difference. It's not that important to choose the correct key - it is intelligent, after all. Just choose the interval (3rd, 4th, 1oct etc). I only use the pitchshifter mode for chords or if I want a more electronic sound. You can get a great 12-string emulation using the pitchshifter, but only if you pay attention to your settings (a bit of chorus or reverb helps, too!).

As with all pedals, how you use this thing makes all the difference - if you say the sound is poor, then you aren't using the settings right, your setup is wrong or you simply haven't understood the limitations of a pitchshifter. In terms of sound, this thing is the equal of the Digitech Whammy (I tried them out, side by side). I think the intelligent pitchshifting (there's nothing intelligent about the heavy-handed Whammy) makes it a better pedal, providing you're not too hung up on the expression pedal.

I expect it's indestructible

My Japanese isn't so good, so hopefully I won't have to test that. Though I'm sure BOSS UK would be happy to take my call if neccessary.

Considering the size, price, amount of features and above all the funky metallic turquoise colour, I can't give this anything other than 10. The best pitchshifter for the home user.

This is a box you HAVE to read the book to use. Once you have, theres no problem. Very versatile but I have to make an enlanged scanned image of the front panel from the minute manual in order to know where everything is for stage use.

I use a number of guitars through Peavey Stereo chorus.
Sound quality seems better when I use a distortion pedal & clean channel, using the Distortion in the amp, the harmonies sound a little "muddier"

I've never had any reliability issues with Boss or any other effects for that matter.

I bought this primarily for the harmonist mode...the need for a second guitarist in the band has now been "replaced" by this unit...need I say more.
The whammy setting is a revelation (our drummer couldn't beleive his ears when my Les Paul did a Van Halen dive bomb !!

Overall a brilliant piece of kit but you have to put in a bit of homework & make some "stage notes" to get the best out of it.

If you dont know anything about REAL music... (scales EFGABCD minors majors ect) then this pedal is semi-difficult. It took me some time to fully understand it even knowing all the above. The style is simple, as all Boss is, but 13 year old garage bangers... i don't suggest you come near this thing.

The pedal is absolutely awesome... assuming you play one note at a time... try a chord.. get some freaky action. I'm not really complaining, i've used this glitch in a song or two, its a really nice effect if your band is like mine. By glitch i mean, it jumps amongst the notes your playing all at once, it cant shift more than 1 at a time.

Boss... need i say any more?

Never had to use it

Once you learn how to make it, this baby whales. it can make all sorts of nice tones and noises... It gets a 9 only because the shifted tones arent as good as a second guitarist playing by your side. The shifted notes are very obviously fake. But i like that anyway so....

easy to use great can't complain, but you have to know scales and stuff too learn how to use the harmonist setting.

very good, except for pitch shifter/t.arm when you go up +2 octaves sounds kinda screetchy and when you go down -1 octave you lose tone and clairity, i think the Digitech Whammy would be more clear for that kinda of stuff, but i'm on a tight budget so yeah, put it sounds fuckin kool with the expression pedal hooked up

like ive said before it's a Boss

none

for a substitute untill i buy all the other pedals i want and then i'll get the Digitech Whammy, this is very good pedal i might still even use it once i get the Whammy

I tried this in the shop first to hear what it sounded like and I couldn't work out how to use it at all. Too many knobs, too many modes, to many ways to press the pedal for it to work. I had to read (browse briefly through) the manual to understand. I've NEVER had to do that before. But after that if you play with it for an hour or so it becomes clearer. Some modes have different ways of turning on so it takes time, but all the good things take time... Right?

I'm using this straight after a RAT2 set to a VERY mild overdrive, and before 2 other distortions and a delay. This pedal has varying degrees of sound quality, each mode has good and bad points, so I'll take them one by one...

Flutter: There's a definite volume jump when in this mode, the level goes up quite a bit even when the pedal isn't depressed. But as a vibrato it's alright. The rate can be set from slow-ish to super fast, depth isn't too extreme. I've needed a vibrato for a while and although this technically is supposed to emulate the bending of a Tremelo arm, it's a vibrato. It's just a shame that as you start it, the note changes really slowly before the effect kicks in properly. I don't know why this is, but it can be irritating. (7)

Tremelo Arm: Again, a volume jump, only this and the flutter effect have this problem, but it's not noticeable when I have the other distortions on, only a little when I'm playing clean. This is the fun effect, set the rate for slow and the pitch for 2 octaves up and hold the pedal down. It's crazy, really surprises everyone. It can only really do one note at a time though, but it's enough. It doesn't sound to digital either, I've heard some pitch shifers that go really metallic at higher pitches, but this retains some width to the note. It can't be that useful, but it's certainly fun. (8)

Detune: I've not really found a use for this at all. I've noticed the tracking can be a little weak too. It's just thrown in because the technology's already inside the pedal, but It's really a bit unnecessary. Is that how you spell unnecessary? (4)

Harmony: Nice, fairly accurate and versatile. I don't have much need for a harmoniser, but it's pretty good at what it does. I use it as a pitch shifter with the expression pedal because it sounds better than the actual pitch shift option on single notes. It can't handle chords because it's brain's trying to harmonise, but on single notes it's great, no metallic sounds, smooth steps all the way. It's very impressive. (9)

Pitch Shift: Very metallic sounding at one octave up, 2 octaves is just insane, fast warbling on any note. Not good, but it can shift chords no problem, and the metal sound isn't so noticeable with so many strings being played. So I use this mode for chord shifts only, no solos. (7)

Overall rating for sound quality? I don't know... what's the average of all the numbers above? I bought it as a pitch shifter and everything else is a bonus really, so I think 8. Is that reasonable? Not perfect but keeps me happy.

I would think so. I'm not going to deliberately try and break it. What would be the point in that? I've got other Boss pedals and they've never betrayed me.

I have NO idea.

I play weird non-rock rock. This is great, just when people get use to what you're playing you suddenly change from Skraaang to BwooOOOOP. Ha ha! Delay after this pedal is like being a commander on a space vessel travelling through sound. Almost endless possibilities for aural chaos. It fits in well with my pedal board of (wait for it) mostly boss pedals. Better than a whammy because it takes up half the space. If it were stolen or lost? What kind of question is that? I would kick the thief in the face and demand my pedal back. It's a great toy, like the DD3, the day can just drift by as you tweak insane noises from it. Lots of features, lots of potential and all in this tiny box. It can sound digital, it can cause volume anger, but it can also make some really good sounds and I think it's worth the tiny problems for the overall effect. It makes my bandmates jealous. What more could you ask from a pedal? I want to give it a 9 but so many reviews give high marks for pedals that aren't perfect, so I'm giving it the 8 because I'm a realist.

I give this pedal one thing: it is easy to use. Typical boss style - selector switch to choose what mode you want (ie. pitch shift, harmonist, flutter etc.)and then use the other knobs to control pitch, effect level etc. However, there are so many different options with this pedal that it takes some time to coax sounds out of it, you definately need the manual with this one.

I'm using a epiphone LP Black Beauty (3 pickup) and ashdown peacemaker 40. I'm sorry, but there is NO WAY that this pedal can score highly in this category. The main functions of the unit (the harmonist and pitchshift)are PATHETIC. The flutter and t. arm modes (see boss website for details) sound alright, but are pretty much useless for most songs that I play (my tip: you want whammy bar effects, buy a guitar with a double locking tremelo rather than this piece of crap). I CANNOT EMPHASISE ENOUGH THE LAMENESS OF THE MAIN MODES - two octaves above sounds like your guitar's had an accident and breathed in tons of helium (I know some will say thats the idea, but believe me, it sounds bad) and two octaves below produces a indistinct pathetic rumble from your amp, unless you regularly play at the 20+ frets. The levels in between sound mediocre at best. POOR BY BOSS'S STANDARDS.

Fairly reliable - typical bombproof build by Boss. But i would never gig with it cos it sounds so poor.

Dunno, took it back for a refund at the shop within 5 days of owning it. I've dealt with boss before though (about 6 months ago), and they were very helpful then.

This doesn't warrant the price tag or the Boss name. It does not deserve to be sold. The best thing about it is the fact that it is well constructed. But it sounds bad. SO SO BAD. I can't see how people rated it so highly. Trust me, if you're looking for a pitchshift/harmonist pedal try the Digitech Whammy, the extra few pounds (or dollars) spent will be well worth it. This is a total waste of money and I urge you not to buy it.

As it's Christmas I thought I'd make a useful comment on using the PS5 as a Whammy pedal (I already reviewed this baby on 08/18/2001).

I've been using the PS5 with a EV5 expression pedal with the pitch tuned an octave above and mix set to maximum clockwise (wet). I noticed 2 problems when trying to get that Vai/Satriani fluid pitch shift 1) a horrible warbling on high notes 2) a general lack of tunefulness. I had it set on the most logical mode - Pitch Shift - and no matter what I did it just came out wrong. Tonight I put it on Harmonist mode, still with an Octave above shift, and WHAM! No warbles and great sounding intervals throughout the pedal sweep. Is there no limit to what this little gem can do. I can't praise this beast enough!!!!! Now why can't Boss make more multifunction pedals like a Chorus/Flanger etc??

buttons of tonality to much small

the volume came down with tremol bar effect and then its going up.sad.i have 12 pedals with it. chorus ensemble,ds2,metal zone,boss blue compressor, dod grunge pedal, dime crybaby,ax 1500g,phaser(3),flanger(bf3),equalizer boss,danellectro tremolo,volume pedal proel.so the problem with this effect is the volume when you affect it and the little delay she create when she turn on or off.strange,i m sure its not my guitar or my pedals when i dont use it , there is no problem so the delay is created by the effect.

good.

i play grunge metal with my french band N.O.M.A. i work in a music stores.

For a little gizmo, is pretty amazing, I use strictly for the harmony feature.Down side is adjusting the key with a tiny knob,small markings on pedal while in a performance setting, you need good lighting to see what you are doing. Follows pitch as fast as I need to play.

Excellent quality for my use as duplication of an organ sound. Guys tried to copy this organ sound, with MIDI, and haven't found one I like yet. This is great to use with a vintage instrument.

This has been working fine, Do not care for the cheesy DC adaptors they all have, a guy would make alot of money if he made a rugged one. (without the 20 gauge wire and 1/32" insulation,and 3' cord length.) So far so good.

Will not need any as I see it.

I bought this to duplicate an organ tone for a monophonic organ called the Solovox....I haven,t looked at Digitech yet, would like to switch from 3rd's to 5th's quickly, Tried the EV-5 pedal, didn't work too well, maybe Digitech has a better feature, hoever for now. and for the money, is working for my needs.

Wow first look at this thing and I go what the ****? but now it seems a lot easier, but I am still figuring out things day after day. For what its packing, and all the effects and features, goddamn do they make it really easy. Works quite well after a couple of days of getting used to everything.

I use this pedal after a metal zone before a blues driver a phase shifter a flanger a Distortion (all boss, hehe) and then a morley wah. First off you may wonder why the hell do I have 3 distortion... well I have them each placed there for a reason... I will let you all figure that out if you honestly feel like it. Let me tell you is it a dream to play with a phaser and a flanger. I dont own a chorus (yet!) but I can imagine it would sound beautiful too. I have got some nice sounds out of it. Really enjoy the quality. Detune seems to add a delayish thing to the package. all of sounds sound great. Distortion is an interesting mix with this... it all matters on what kind of sound you are going for. all in all its great sound.

the term boss pedals and breaking down never ever seem to come into the same sentence... =)

Never ever had to... hope I never need to either!

I play odd music... kinda progressive rock, but with a definite knack for creating new sounds to play over decently basic stuff, done with complexity of playing styles. If you didnt get that I just make crazy noises. The super shifter seems to help a lot, a whole lot. I have been playing for 5 1/2 years around there, just recently got it and never want to lose it. I own an epiphone les paul, a whole slew of amps ranging from a fender twin amp (I believe, forget off the top of my head), a very annoying crate, and an old no name amp which sounds fantastic. I use all boss pedals and hope to get more, very soon. If this pedal got stolen I would be very angry and then get very sad... I would definitely get the same pedal. I love so much about this pedal. Pitch shift is the main feature I use, for transforming your sound into a sort of 12 string guitar, tremolo arm and flutter I like too, good effects. nothing really I dont like about it. I dont compare it, cause I havent really tried anything but I have heard that others dont really compare to it, or if they do this is a little better. This is a definite helper in creating sounds. I have a lot of fun with this pedal day after day. The pretty turquoise color also is very entrancing.

well.....given a manual to any effects product always pretty much helps you through any of it's directions, but in this case, for this pedal, read the manual once (for somewhat useful settings) and you'll never probly look at it again! It's just that fun to expeariment without any guide unless you are mentally challenge in the area of turn little tiny knobs to get the perfect sound out of it.(i'm somewhat guilty in that area!)

Oh man what a sound this product can hold! I'm serious to, the capability this effect gives off, you would be shock! If you are looking for that high scream of a single note (jonny greenwood(radiohead) on "just") here it is. i mean sure the digitech whammy is your orignal pitch shifter, but this shifter has more, running from a "flutter(a patch sound to a rotatary speaker mix with a chorus effect sound.), t.arm( the effect i mention above, good for the basic octave shifting.), detune(a somewhat off key chorus sound, hints the name.), harmonist(great for that late 80's, early 90's metal/grunge solos stage(ranging from metallica to alice in chains.), and the pitch shifter (which is more of a t.arm for chords, also good for octave uping or downing.) And if you want it, you sure can produce a noisy as hell psyhcadelic effect if you set it to the right setting! Other wise noise is not a problem unless you choose it. Works terffic on Acoustic(get a really space age sound), as well to clean or distorted electric. Really spruces up the solos!

HEY...........SO FAR SO GOOD!(knocking on wood though!) plus it's Boss, but that doesn't mean nuttin'.

No need to yet...but if it comes down to that point i hope their helpful.

Man, Man, Man ,Man!!!!! what a great and yet spectacular little stomp box this puppy gives off! If robbed from my belongins or mutalated alive, i would replace in a heart beat, after a knock over a few 7-11's!

This unit is pretty hard to use since it contains so many effects, but after a couple of hours' tweaking the old Boss knobs it seemed a bit clearer. I was so impressed with the first results that I didn't even bother to consult the manual, as I was basically trying out the pitch shifter and detune modes. The harmonizer (I have no experience whatsoever with those babies) will take some time to unravel, but it's pretty easy to figure out the pitch shifter.

This thing is heaven, if you ask me. I used it with a Yamaha sv200 electric violin (their top of the line product with dual piezos) and a 50 W Marshall Valvestate. I must try it with my Fender Hotrod Deluxe (which is currently being repaired) - I'm sure it would sound even nicer (Marshalls are fine for guitars and heavy metal, less so for electric violins, they just sound too harsh). As the violin does not have a low C string, I missed the low end to play rhythm, say in E. This thing takes care of the problem, as its pitch shifter (set an octave below) produces some fat low sounds. If you add amp's own distortion, it can sound like a blazing guitar, so all you rock guitarists can forget about your preconceptions about violins being used for country...no way Jose, now I can play distorted 5ths and you can solo if you like. When played clean, 1 octave down it can make my violin sound like a cello. True, the 2nd octave is a bit muddy. People are complaining about it sounding synthetic. Well, it does not reproduce 100% of the natural sound, that's true. But hey, it's an effect, a digital one at that. That said, it's still pretty close to the real thing (at least with the fiddle) and I don't mind sounding a bit synthetic. This thing sweeps with the OC2 octaver, because it can track more than just one note. And it tracks extremely well (maybe because the violin is bowed so there is a constant signal input), I had no problems whatsoever. The OC2, on the other hand, seems pretty useless, doesn't sound very good and gets jammed if you play intervals. I think it's worth paying almost three times more and get a decent sound plus other bonuses like the whammy, tremolo, harmonizer... Simply great.

It's built like a tank, seems reliable. I hope I won't regret saying that. It does devour batteries, though, better get an adaptor (which are a pain in the ***, I admit).

I have no experience with those guys, so I can't really say.

I play pop/rock/psychedelia. This will have the audience go:"What? Come again? What's this thing he's playing? A stick? A violin? A guitar? A cello? A synth? He kicks ***!" And I'm not that good a violinist at all, I've been playing for 10 years now, but with seriously crap equipment. This thing will take care of my octave, harmony and chorus issues, the whammy thing is not that useful because violin is fretless so sliding is a piece of cake. It would be nice to be able to drop octaves in real time, so I'm going to have to buy an expression pedal. I would buy it again and again, although it costs about the same as an average Zoom multieffect. But the thing is that all multieffects (except the $1500+ studio ones) have worse pitch shifters than this little box, and it's good enough to fool the audience. To record...well you just use the equipment the bastards charge you so much to use, right? Of course it's gonna be better. I would like a more versatile chorus, but that's all right for now, until ?i start making some dough with my sound... I think the only thing I need to buy now is a nice wah and a decent delay.

As others have said, it might take a while to get the hang of this sucker. There are so many features..and all are pretty versatile...specially since every knob does something different on every setting, it gets confusing (don't forget about the first two knobs!)...yeah it'll take you a day or two to get the hang of it.

Set up is:

SG (with Invader and SD '59) - Vox Wah - Boss RV-3 - Boss TU-2 - Vintage EH Small Stone - JCM 900 4100 half stack

It's not really noisey at all, cept when you get up to the two octaves setting, but it doesn't bleed through when you're not playing. I bought this pedal to replace my Digitech XP-100 Whammy...mostly to save pedalboard space. It turns out this sucker SOUNDS WAYYYY better then the Xp-100. Maybe it's my setup, maybe it's not but it sounds quite a bit better. I find there are more useful harmonizer settings on this pedal than the Whammy...and you can even hook up and expression pedal to the PS-5...so it's all good. The Detuner sounds much better...and the Xp-100 has a delay between patches and signals which bugged the hell out of me. This one has none. I am quite happy with this pedal. I especially love the Trem arm.

I tried putting it in my fx loop..but it made my distortion and pedal sound WORSE...so I put it in front and it sounded much better...no volume or distortion drop either. Which is very good.

BOSS. yep.

I play spaced out rock/emo..so I do alot of ebow/delay/pitch shifting work..and it does the job well. And it doesn't take up any room like those Digitech bastards. a great sounding pedal, very versatile, very reliable, and it looks cool. heh. It was definatly worth the money.

Well, it took a while.........it sounds absolutely awesome, harmonies and all.......but please read on as I'll tell you how, after 2 years, I have solved the problem of the "volume drop" of using this in a loop where it belongs.

Amazing.......sound like Steve Vai instantly,,,,harmonies from hell and they sound awesome. But, you must use a valve amps gain, so you have to put this in a loop. I use a Marshall Tsl 100 head for live with a 1960A cab, and a JCM600 1x12 combo when I practice. I love the gain I get from both amps, and therefore, this effect should be in the effects loop. BUT< TO avoid the horrid volume drop, set your loop to series, or , like on the TSL, turn your parallel loop level all of the way up. NOW<<<<<YOU CAN USE THIS PEDAL IN THE EFFECTS loop and use the awesome gain of your amp, and there will be NO VOLUME DROP.

It is a BOSS. It will outlive you!!!!!

Cool staff...I've only called there once,,,,,,,,,but they take their time to listen, and are in no hurry to rush you off of the phone.

Once you put this in the effects loop of a valve amp, and set the loop level to max for parellel, or use series.......it will amaze you. The guitar harmonies alone give me serious chills. Awesome. (((when you max a parallel loop, it usually becomes a series loop, like on the TSL)))) On my 600, I just choose the series loop. You may have to re-adjust your delay effects, but the chorus and flanger will sound awesome in series also.

Read the manual, which covers all the modes in sufficient detail. It also has some amusing typos. If you don't read the manual (including the part about placement in your signal chain), you'll be lost. Once you figure it out, use of this pedal is about the same level of difficulty as the Boss DD-5 delay.

Using this in the effects loop of a Mesa Boogie Nomad 45, playing an SG. Placement is critical for this unit. When I placed it in front of the amp, the harmonies sound (as others have noted) tinny and artificial. When it's in the loop, it sounds a lot more like two guitars, particularly when using distortion. Since the signal is distorted before reaching the unit, the original and harmonized part sound clearer and more distinct as well. Correct placement of this unit can make the difference between loving it and tolerating it.

5 Modes total:
1)Pitch Shifter. Works pretty well. Allows for playing more than one note. Similar to the Digitech Whammy. Since it allows multiple notes, this can outperform pedals like the Boss OC-2 and the Dan-o Chili Dog when it's in octave mode.

2)Intelligent harmonizer. You have to know a little music theory, or you're hosed. Set your interval and set the key and you're set. E.G., set the interval to a third up, key to Dm, and you can nail "Dogs" by Pink Floyd.

3)Detune. When the interval is set close to center, functions as a decent chorus type effect. Settings closer to the ends of the spectrum are basically useless.

4)Whammy/dive bomb. In this setting, the interval knob controls the amount of drop, and the delay time knob controls how long it takes to get there. You actuate it by holding the pedal down. Sounds like a Steinberger trans-trem, good for pseudo-slide and "Stigmata" by Ministry. Similar in sound again to the Digitech Whammy, but without real-time control of the pitch.

5)Flutter. Simulates a trem-arm drop or rise and return with a slight flutter at the end. Kind of Duane Eddy-ish. Might be useful depending on your style of playing.

The only thing that prevents me from giving this a 10 is, as some have noted, a digital tinge to the harmonized sound when the pitch shifter or harmonizer is set very high. But hey, an old eventide sounds like that too.

It's Boss. If it works out of the box (some have reported probs with this unit), it'll probably wind up in your casket with you.

I would gig w/o a backup because this effect is not a core component of my chain.

I play loud fast rock. Using this pedal with distortion and in the effects loop makes me grin like an idiot.

I would replace this ASAP if stolen or lost. I've had it for all of a week and I love it to death. It would be priced right if it only had the pitch shifter and harmonizer, but the other functions make it a bargain.

Having tried Boss' previous attempt at an intelligent harmonizer, I can happily report that they got it right this time.

This has lots of knobs for a stompbox, and it's a little tricky to get it to just the right setting. I was using it without an expression pedal, so maybe that would have made it easier. There are a lot of options with this thing, it's almost hard to decide which setting to leave it on.

It sounded alright. The whammy and flutter sounded really decent. The pitch shifter and harmonizer only sounded good if they were used very sparingly. If the level of those effects was up too high, it sounded really "tinny". I could find no practical use for the Detune function. Overall, it's not too bad, but it depends on what you want to use it for.

I had it for over a year and never had any problems with this or any other Boss pedal.

Never dealt with them. Never had to.

Sounded good, but if you are seriously looking for a good pitch shifter/harmonizer, I would look at something rack mounted. It sounds really good for a stompbox and really good for the price, but I think it's more of a novelty than anything. It can add a nice depth to the sound, but it can't do any serious work.

Since it was stolen (along with the rest of my pedalboard - any information, let me know), and I'm not thinking about getting another, I guess I wouldn't replace it. I never used it enough to make it worthwhile anyway.

You need to spend some time with this unit to get the most out of it. Very versatile. Read the manual...you'll need it.

Ibanez rg-320 Prestige > Vox wah> Boss SD-1 (analog man custom)> Boss Ns-2 > Mesa boogie Dual Rec> (fx loop)>boss BF-2> Boss Ce-5> Boss DD-5> Digiyech xp400 reverberator. Tried Ps 5 in fx loop and in front of amp. This pedal sounds great in the fx loop but it dropped my volume! I even disconnected all my other fx and just ran the ps-5 through the loop and when I turned the pedal on my volume paid dearly. The unit did not lower the volume in front of the amp but it sounded lame. Unit is meant for fx loop as are all time based fx. I loved this pedals sound but had to return it since I killed my volume big time.

can you say Boss ?

Great pedal....I have never heard of anyone else having the problem I had. Plus, with high gain amps this sucker "warbles." The harmonist function can hop in and out of tune if you use a bunch of gain.

I'm not going to give an exhaustive review but try to add to other comments. For a compact pedal this is something of a milestone. In fact it would be THE milestone but the PH-3 has just inherited the title. The only "problem" with this unit is that it does so much. So much that you could easily have 3 of these set to different modes. I haven't read every review in detail so sorry if the following comment has already been covered. Some people have mentioned that you need an expression pedal for the Whammy mode. Well I'm not going to disagree but people should be aware that they have incorporated a sweep adjustment so that when you step on the pedal it goes up, or down, to pitch at a certain speed. This is good enough to at least play with the Whammy setting to see if you like it. This unit is only difficult to use if you do not understand the principles of what it does. If that's the case then you're the problem.

Anyone who has played around with pitch shifters will confirm that they cannot sound entirely natural with a clean signal, so I use this with an MT-2 in front of it (that's all I use it for as it's no match for a real amp tone), and sometimes with a CE5 or HF2 behind it. With the MT-2 treble down low you can avoid getting that sqeaky mouse tone when you harmonise at a 3rd above and can play The Allman Brothers - Jessica all by yourself. The tracking of the harmoniser is for me flawless (I'm told it is a significant improvement on the Harmonist). So much that I sometimes forget and start playing chords through it. I was originally troubled about not having 2 harmonies but I've noticed that even with one harmony if the effect is mixed too high you soon wonder what note you're actually playing. I haven't been through all of the high end rack units but this unit is certainly a lot better than my old ART unit.
Of all the fantastic things about this unit there is one thing I do not like. When it's in the Whammy mode the effect is on all of the time. This means that it sits there with a pitch shifted by 0 with it's artificial tone and you just cannot bypass it without reaching down and switching to another mode. I think this is a great oversight for a design that has been otherwise brilliantly executed. I'm giving it a 10 because I'm not aware of any better sounding units.

Never had a Boss breakdown yet.

Fun, fun, fun. 30 out of 10.

Takes a while to figure out everything what this beast is capable of, it replaced about 3 other boss pedals because it does their job better... at the cost of having to remember all the various settings to change to in between songs

hmmm, pretty mixed here... i bought this thing for the pitchshifter function, and this is the worst thing on it... i bought an expression pedal at the same time and was going to be using it for tom morello-esque work, but it sounds thin and very metallic, even when it is on a minimal setting. the built-in harmonist is fantastic...i also own a boss HR2 harmonist, and it wipes the floor with it...the sound is incredibly smooth and remains that way even up or down 2 octaves. i use this as an octaver by setting the pedal to harmonise either 1 or 2 octaves up or down and setting the mix to full (100% wet signal) which is just the jobby. as for the pitch shifter, the pedal comes with a whammy function which you can set rate and depth, so you can get it to sweep right up to 2 octaves, and this must use the same circuitry as the harmonist on this thing, because again it is very smooth and natural sounding...just the jobby for 'killing in the name' solo, or set it slower and combine with a wah for a very vocal effect. the tremelo function is pretty funky, but i don't really use it much, and it also has a really cool detune function, whic on it's minimal setting can be used as a chorus pedal, which has replaced my boss chorus, or you can use 100%mix to change the tuning of your guitar slightly (useful for playing along to different bands who's guitars are slightly out of tune with each other) it also has a delay function, which is incredibly short, but useful for clean chorus sounds with an 'underwater' effect, think 'the warmth' by incubus. I use this last in my effects chain after much experimentation and i don't use the effects loop on my amp, simply because it sounds the best. i use a gibson gothic SG with vox wah, boss metal zone, boss overdrive/distortion, boss super overdrive, boss acoustic simulator, and this thing, running into a laney Tf320 mod'd amp and marshall 2x12 cab, and it's just the jobby. niiicce

well, most of my boss pedals have come from pawn brokers/second-hand shops and are battered and unboxed, but i still trust them %100. i bought this thing from new, and as soon as you pick it up, you know it's quality stuff

never had a problem with any of my boss pedals ever.

i play a mix of blues/rock/metal, mostly the latter, and i use this for just about every song i play, in some form. if it got pinched, it'd probably go along with the rest of my pedal board, and i'd sit down and cry. after that, i'd count my pennies and go buy a new one.

Theres a lot going on and all of the knobs are used for multiple functions depending on what mode you are in but after you get used to it its not that tough. You might have to write down your settings if you change them from song to song. Overall the 4 knobs get the job done and keep this a compact pedal instead of a huge processor with tons of buttons for all the parameters.

The digitalness of the harmonies doesnt really bother me at all. If its a real problem for you them you either shouldnt be using effects to begin with or should have another guitar player harmonize if you do it all the time. If youre like me and have a couple solos that you think would be cool to harmonize and dont want to spend time working it out with the other guitar player then this thing is great. The first thing i did with it was try to nail the perfect 4th harmony on the intro to slayer's raining blood and it sounded great. The thing that might throw you is that you have to know what key you are in and if you are using scales other than just straight majors and minors it might not harmonize correctly so you have to pick a key with all the notes you are playing in it. Before this i had a boss hr-2 harmonist and never thought it sounded good enough with distortion to keep it. I always thought that you had to put the pedal before the distortion to give it the purest signal but with the PS-5 i put it after the distortion and it sounds MUCH better. I think all the cheesy whammy effects are cool and they sound ok too which is good cause i hate messing with trems (esp. floyds, yuck) on guitars.

Yeah

boss has the worst customer support of almost any company ive ever dealt with. They dont have a customer support email address and their automated phone line sucks. 8 bucks for a manual that you didnt pack in with the pedal to begin with? Fuck off boss.

This is as good as its going to get as far as harmonizer/pitchshifter pedals go. I have had a Boss Hr-2 and an Original Digitech WH-1 that i sold for $400 and this thing sounds just as good as either of them. Some would claim the digitech is more versatile because it has the expression pedal but by having that pedal you have to perfectly move it to keep it on pitch and sometimes it just didnt work like i wanted it to. I like the set it and forget it aspect of the boss as opposed to the pedal on the digitech. While im sure rack processors can sound better than this pedal you cant beat the value you get for the money even if it is a little pricey brand new. I wish there was just a few more options over which intervals you can use in which mode. I dont think it lets you choose major or minor thirds or tritones or other crazy and probably horrible sounding settings but whatcha gunna do. The only problem with it is that i would need like 4 or 5 of these so i could leave the settings and not have to mess with twisting knobs between songs.

It definetly takes a while to get used to the controls on this pedal. I don't really care how hard an effect is to use, and I think that people complain too much about that factor when reviewing products. Just sit down with the manual (which is pretty concise), and play with it for a while; you'll get the hang of it sooner than you think.

I run this pedal through my Line 6 POD 2.0 and my Line 6 AX2 212. I originally had an original Digitech Whammy II, but hated the fact that it was such a tone hog. To me, this pedal blows the whammy (even the reissue) out of the water. The harmonizing is better, and the pitch shifting is MUCH more accurate. With the Whammy II, if I tried to shift more than one note at a time, the pedal would get "confused" about what note to shift. Thus, it sounded like a wall of incoherent noise when used that way. This problem has apparently never been addressed, as it is still present in the Whammy reissues. This pedal can handle shifting entire chords accuratly. The only reason why I give it a 9 is because when you're amp is too distorted for the pedal, the harmonies will sometimes slip out of tune.

Boss support is awesome (except no 800 number). Boss pedals have always had a reputation for being incredibly durable.

Great tech support, but needs an 800 number.

Look. This pedal is cheaper than the Whammy, and it sounds better as well. If you REALLY want to experiment in different sounds, GET THIS PEDAL. I would buy another in a heart beat.

This thing can do alot... almost too much for any kind of useful purpose. This pedal has so many options, once you get one effect sounding good its hard to remember the other settings. Its easy to find out what does what, its just hard to make it sound good.

There are some very cool sounds on this thing! The pitch shifting is right on and very cool sounding. The tremelo settings are nice if you have a stop tail or don't like retuning strings. The detune option is pretty useless as is the flutter, but I am sure somebody could use it.
I use this thing for a bagpipe sounding effect. I let my guitar feedback on open strings and use the pitch adjust to change notes. It works great for any atypical use like that.

Its a Boss. If you have ever used one, you know what I mean.

Never contacted them.

For what I use it for (crazy, analog synth sounding stuff) it works great. If you want a real natural guitar sound, expect to spend a fair amount of time tweaking knobs.
I would get another one if it was stolen but I'd try to find a used one first. (thing is damned expensive!!)
I've been playing for about 10-11 years which isn't very long, so take my advice with a grain of salt. If you want crazy sounding stuff that your band will tell you is "different" buy one.

Too freakin' much for one effect pedal.

Not at all a good-sounding pedal.

Mine didn't work brand new out of the box. All of the effects worked except the pitch shift. It would warble out of control even though I put the knob to 100% effect and 0% direct signal. Very stupid. This was true of anything more than 1/2 step up or down. The tremolo arm function, however, did it flawlessly.

Never contacted them--just got my $ back from the store I bought it from.

What good is spending $160 on a pedal if it doesn't work correctly? I've played other PS-5's, and some have the same problem as mine did and some don't. I couldn't believe Boss would be this inconsistent, but I bought another pedal once (GE-7) that also didn't work right out of the box. Boss is not good as people claim. Their pedals are built in indestructible housing, but what good is that if what's in the housing isn't any good? The only Boss pedal I own now (I used to own several) is the TU-2 tuner. Boss isn't that great.

This is probably the first Boss pedal I actually had to read the manual for. After that, though, it's pretty straightforward.

My setup is a Strat w/Texas Specials -> Crybaby -> Boss OD-3 -> DS-1 -> BF-2 -> PS-5 -> Fender Princeton. If you're a real tone snob, you'll hate this effect, as it is most obviously digital. Once you're willing to accept this fact, however, it sounds pretty good. My overall tone does sound crisper if I take this pedal out of the lineup, though...

I imagine that it's as reliable as my other Boss pedals. However, this think eats 9-volts faster than any other stompbox I've ever seen. Get an adapter unless you're prepared to replace the battery every hour, on the hour.

Me and Boss, we don't talk much...

The big caveat on the PS-5 is that it's really expensive for an effects pedal (if you ignore the fact that people do tend to spend $500+ on old Ibanez TS-808's). Is it worth it? Well, it's pretty dang cool. This little monster is capable of some really nifty effects and it can do the job of 3 or 4 other pedals, so, yeah, I guess it's worth the dough.

It takes longer to learn that a lot, but I got it down the first day, the manuel helps.

ESP f-205 bass to PS-5 to AW-2 to MT-2 to BF-2 to PH-2 to Peavy (crappy amp).
Pitch Shifter: Pretty good, the up octave is good, unless distorted, the 2 octave gets wierd, but can be used well. On the bass, the down octaves work well, but gets real muddy on The E and B strings. Get the expression pedal for the octave effects, its sick.
Harmonizer: If your in tune, it's really cool, but you do have to be in tune... exactly. That's the drawback.
Detune: Sounds kinda like a chorus, I like it for slap-back echo.
Whammy: Almost useless if you have an expression pedal.
Flutter: Kinda cool, don't use it much.

boss

Pretty good.

well I actually had to read the manual to figure out everything it does, a few reads in one night and thats it. Does take some experimenting

Excellent IMHO but I always put it before a distortion/fuzz/wah/etc. who's to know? Especially the flutter. Used clean maybe a little brittle. Havent tried a bass yet... but that would be interesting.

well hell it would take a pretty substantial beating to affect the boss pedal

Im keeping it if it were lost or stolen I would sure miss it.

I traded a brand new Boss DD-3 Digital Delay in for this, and I am very glad I did. It is a bit tough to use at first, but once you experiment a bit it is much easier to use. Writing down settings helps a lot.

The sound form this unit is extraordinary, IMHO. I can get a multitude of different effects with it, and I got it just today. The effects I have gotten so far include 12 string acoustic simulation, guitar doubling/harmonizing, ring modulation, short delay, chorus-like effects, guitar synth like effects, and simulated upper and lower tunings. I am sure many other sounds are possible with this unit too. It 's almost like a multi effects unit in a stomp box. I use it mainly for simulated guitar harmonies with only 1 guitar, and it works perfect for that. I give it a 9 only because NO piece of equipment is perfect.

I would defenitely gig without a backup. None of my Boss equipment has ever failed on me.

Never had to use it.

I play black metal and death metal and this is perfect for laying down a simulated harmonized solo over a chorded rhythm. If it were stolen I 'd buy it again, after mauling and maiming the person that stole it.

I like others don't like the fact that you have to stand on it for the trem effects. I bought a Boss EV-5 to go with it, but it looks like I won't need it. That's ok, cause I can use the EV-5 on our new Boss mulitrack recorder (BR-8).

I just got this pedal a few days ago, and this weekend is it's first test in battle. I've worked with it quite a bit though in the last few days. It doesn't seem noisy at all. Both the pitch shifting and harmony sounds are pretty good. About what I expected from a pedal like this. It tracks pretty good, not excellent though. There is some warble as you go up in pitch. As the manual says, make sure you are in tune at all times. You also have to play very precisely. Butthe PS-5 tracks much better than the harmonizer and pitchshifter I used to have in my Boss GX-700. The GX-700 ones were unusable. My main gripe with this pedal is there isn't enough control over the intervals for pitch shifting. The pitch shifting intervals are, 1(m2), 2(M2), 5(P5), 7, one or 2 octaves. I wish they let you control the major and minor thirds with pitchshifting. Immediate thick dim and aug type of chords. We do a shania song that has an aug chord in it. I wanted to set the unit a M 3 Lower, then play the part for a cool aug sound. Unfortunatly the unit doesn't let you do thirds in pitch shifter mode, so I'm stuck with an octave below. Still sounds ok, but not as cool as it would with M and m thirds. Most of these people who design these pedals aren't musicians I guess. Just computer whiz kids with no dim and aug knowledge.
As far as the harmonizer It lets you do 3rds 4ths 5ths 6ths one and 2 octaves higher or lower. Not bad, except I was wishing it would let you do stuff an octave and a 3rd higher. There's another part on a tune where that would have sounded nice, but I was stuck going just a M3 higher.

Seems ok for this catagory. Being a Boss Stompbox, built for anything.

Never dealt with Roland. Their gear seems to hold up nicely

Mostly country with some rock thrown in at the end of the night. At home, I like to play Jazz and some of the more progressive rock. I love Eric Johnson and Steve Morse.
I've been gigging since 84 in both road bands and in weekend warrior bands. I also played in school (University) ensembles, Jazz combos and ensembles while pursuing a degree in music.
I wish Boss would make a pedal called the Super Pitch Shifter Harmonizer. Combining stuff from the Harmonist pedal (Letting you have more than one harmony line). Also on the pitch shifter letting you have more intervals. Boy if you could have the Major and Minor Thirds it would be awesome. Also on the Harmonizer, letting you have the M2 and M2 and M3 in the next octave. I realize there is only a finite amount of stuff you can pack on one pedal though.For me they could can the tremolo and flutter stuff if it meant I could have more intervals. For the most part this seems like it is going to be a great addition to my pedal board, and if I get to picky about harmonizers one could argue that I should have a rack mounted one, which I most certainly don't want to have. I like Stompboxes for live playing the best by far. More control over the sound. As every gigging musician knows, the sound changes in every room you play in. This will probably be the only review I will post on the PS-5. After I gig with it for a few months and I have some supplemental info, I'll post a follow up.

You might actually have to read the manual for this one, oh ye knights of tone, level, drive.

For y'all who think that an effect can never sound too "organic" or complain from time to time that your acoustic guitar sounds "a little too digitized", you'll hate this. If you accept this for what it is (a digital effect pedal), you'll like the sound.

I use an AC power supply because this thing will eat a 9-volt in about two hours or so. If you're using it in a gig, it's basically unusable with a battery as a power supply (that is, unless you like the sound to randomly cut off...maybe that increases dramatic tension or something, I don't know).

If it ain't broke...

My biggest gripe is that it's too expensive. Yes, you are getting the best pitch-shifting effects I've ever seen in a stompbox, but keep in mind that the adage "you get what you pay for" works in both directions.

This pedal is not very easy to use at first--it definitely takes time to get used to all of the different settings.

This pedal sounds very good with one exception--the pitch shift is not very useful for simulating more than 1/2 step down or up. I like setting it for 2 octaves up and making weird sounds, but I would like to be able to shift down more--this pedal makes a warbly sound when you try to make it go lower than 1/2 step which disappointed me. However, all other features--flutter, tremolo arm, harmonist, and detune are excellent.

Seems indestructible, like all Boss pedals.

?

This is a very good pedal, and I am happy I bought it. My only complaint is the pitch shifter, and how hard it is to switch from one effect to the other. Like I said, it takes getting used to, but I believe it is worth it.

This pedal takes some getting used to. I played with it in the store and liked what it sounded like and figured I'd really get it nailed at home. wrong. i lost my inspirationafter a couple days. a month later, i dragged it out to tool around with it. the detune is straightforward, but a knowledge of scales and modes will help with the harmonist. it also takes some deft manuvering in a live situation.

I play a '69 Fender Tele Thinline through a Princeton Chorus. i run this effect through the effect loop. The effect is digital. Upon first hearing it, you will say to yourself, "This is digital." i guaruntee it. I got used to it and now actually like it. The "flutter" effect just messes with the tone and is essentially useless to me personally. but the pitch shifter is nice, harmonist too. there is a little lag and warble in the harmonist if you play really fast (i.e. tapping). and if you're out of tune, the pitch will slip in and out. The detune is a wonderful little chorus-y type thing.

It's a Boss. never had a problem with their stuff.

never dealt with them

I'm a keyboardist/percussionist/guitarist/noise maker. I just add depth to whatever songs we're doing. this effect is nice for making noise, but it also helps me make sounds that are more musical. it does both well, as opposed to the digitech whammy. which is pretty one dimensional. (i'm not comparing the two, just using that as an example). it took getting used to, but i love it now. i also have a Ibanez DE-7, Dunlop Tremolo, SoundTank distortion (i use it for one song where i want the "crap-tone") and a Cry-baby. running this then the delay/echo, makes for some real neat soundscapes. (Just a side note: i'm a huge radiohead fan, and spent two months trying to get the intro to my iron lung to sound the same. borrow a flanger and try it out) This is a wonderful pedal because it is a fairly good harmonizer and pitch shifter and lots of other things. playing with it is fun. Even if you don't use it all that much, it's a great toy

Any body that's used a signal processor and a wah should have no problem
with this pedal. All I needed to do was take a cursory look at the manual
and I was off. A preveious reviewer said to the effect that the expression
pedal function was useless not so he obviously didn't refer to the manual
or got frustrated too easily. I don't even have the pedal on the floor
it's at eye level I use the exp. pedal to control the pitch changes et al.
Also having owned a Digitech whammy wh-1 pedal the boss ps-5 is easily as
good feature-wise, but in my opinion there's much more offered.

I've used a Telecaster, Fernandes Monterey elecoustic A/E and frankensteined hollow-body for guitars.
For distortions I used Boss blues driver and super distortion and a rfx shockwave preamp pedal both before the super shifter and after.
plus the tube pre-amp section of my hughes & kettner 100 watt head with clean, crunch and lead channels
With the distortions before the ps-5 gave less "splatter" of which is minimal.
The noise isn't even an issue.
In conjunction with the detune mode; there's a slight delay effect but if you have the detune mix control off you have a sound sort of "Money for Nothing"-like, not quite a slap-back.
In the "flutter" mode [simulates trem arm vibrato] holding the pedal down and adjusting the speed dial you have a poor man's leslie.

It's made by Boss, nuff said!

never had to call Boss support, EVER.

I play "Classic Rock" stuff; Gilmour, Page, Santana, Hendrix etc.
I've been playing for 12 years.
I definetly couldn't do w/o it.

This isn't the easiest pedal when it comes to intuitively knowing how to utilize the sounds of each mode, but the manual gives some good examples to follow. One major ease-of-use gripe I have is in regards to the "Real Time Control" via an expression controller -- basically put, it SUCKS! I actually returned the $70+ Roland expression pedal that I bought to accompany the PS-5 since it seems the *only* parameter control it provided was for Pitch, and even that it didn't do all that well. I had hoped the PS-5 along with an exp. pedal would be their answer to the DigiTech Whammy, but apparently it wasn't designed to be, and the expression control lameness made me realize it all the more. Besides only controlling that one parameter for most of the modes, get this... in order to use the exp. pedal for the TREMOLO ARM and FLUTTER effects (which are "unswitched", i.e., the pedal must be held down to be 'ON') you literally have to use one foot to stand on the PS-5 and keep it depressed while the other foot is to somehow manipulate the exp. pedal!!! Talk about a *MAJOR* design flaw, this is the first one I've experienced with anything from Boss.

Like most Boss units, this one sounds great as far as what it was designed to do, but I have noticed that some modes make your tone sound a little more "digitally processed" than others. For example; when depressing the pedal in it's unswitched TREMOLO ARM (T. Arm) mode, I can hear the tone go from it's analog warmth to a digitally-processed one to achieve the desired pitch bending effect, and then upon releasing the pedal I can hear the *pitch* return to normal, but it takes a second or two before the pedal "reliquishes" the digitally-processed tone and lets the true tone come through. Don't get me wrong, for I do love the many cool effects this one pedal gives, but you'd think with 24-bit Analog-to-Digital (AD) conversion (only 20-bit DA conversion, though) that the tracking and "digital" overtones would be a lot better than most earlier pitch shifting units. Those qualms aside, the unit does sport some awesome effects nonehteless. My fave modes are the DETUNE and PITCH SHIFTER since I'm a sucker for the kinds of killer tones that chorus pedals and octave pedals produce, but the TREMOLO ARM and FLUTTER effects have found a place in my heart as well since I abandoned using whammy bars back in the early 90's and miss some of the things you can do with them. While I don't think this unit will ever be able to match the expressiveness of the real thing, it does a good enough job of emulating these whammy effects to make you and your listeners smile. I'm using the PS-5 in my live rig, which at the heart is a Rivera BoneHead half-stack w/ the Los Lobottom subwoofer system, but I found that the unit sounds best in my situation in the Effects Loop of the amp -- along with my Dano Chorus and Dan-Echo pedals. I tried it at the beginning of the chain (before the amp input, followed by my Rotovibe and Very-Tone stomps), but for some reason it didn't sound as good with the effects that followed. It seems that my digital effects always sound better in the Boner's Efx Loop and my analog ones at the front of the chain, but this may not be the case for everyone so definitely experiement to find where it works best for you.

Boss usually makes solid gear, and this unit is no exception. However, I dunno 'bout the other PS-5 users, but mine ate through a brand new battery during the course of a 2-hr. rehearsal, so do yourself a favor and buy the wall wart for it. I hate using wall warts unless I absolutely have to, and here lately it seems that the majority of the new pedals I've bought can't cut it with batteries alone (including the PS-5).

Never had to deal with them.

Overall I give it a '7' since I feel that with a tag sporting $199 the (for the most part) 24-bit unit really ought to be much better with it's tone and tracking, and of course it should also be true bypass (Can't all effects companies adopt a True Bypass philosophy?). However, those couple of gripes aside the unit is definitely everything it's cracked up to be and then some! It's Detune mode has already paved the way to a new song idea and new uses in the other material we perform as an alternative to using my Dano Chorus all the time. This stomp isn't for everyone, and I don't recommend it to anyone who thinks this is Boss' answer to the DigiTech Whammy pedal ('cause it isn't), but for the player looking for some cool chorus, pitch shifting and whammy-like effects in one compact unit then the PS-5 is probably the tool for you.

This is a pretty cool unit. I've been wanting a good, cheap pitch shifter for a little while, and this fits the bill. It actually does a lot more than pitch shifting (find a complete list of features at the Boss web site http://www.rolandus.com): tremelo arm and trem "flutter" simulations; harmonization; detune; and pitch shifting.

The two trem functions take some real getting used to. You can pre-set the magnitude of the trem effect, which is nice, but I think you'd really have to work with it to get as much control as you do with a good trem on a guitar.

The harmonizer tracks surprisingly well, and the pitch shifter works well also. The detune function is "OK."

You will need to learn how to put this effect to best use. It's not really plug-n-go unless you're the kind of player who likes to introduce random chaos into your setup (hey, some types of music are better that way).

Using this in a DMI switching system, so it's in a bypass loop.

When engaged, the unit itself has a slightly metallic sound to it; brittle and not extremely warm. It's a digital unit, and it sounds like it. That's OK by me--the effects themselves seem well enough done to make it worth while.

Boss effects are rarely the top-of-the-line, but they always seem to be built like tanks and give an excellent value for the money.

The PS-5 seems to maintains that tradition.

No idea.

This effect is perfect for what I need it for--occasional "spice" to solo and melody lines. While it's so versatile that I think different people will buy it for different things, I leave it set up for pitch shifting and really don't diddle with it very much.

The trem arm and detune functions don't bowl me over, but I believe that's more because I haven't spent enough time trying to get the most out of them. I've got a perfectly fine trem arm already. I had hoped that the unit would sound so good that I could pull out a fixed-bridge guitar for a gig, but that slightly metallic tone I mentioned earlier would be unpleasant if I dealt with it all the time.

I'd buy it again--for the small amount of space it takes up on the board, and the bang for buck, it's hard to go wrong. It's a good value, in my opinion.

This category gets a middle rating and that's not a bad thing. It's just a hard pedal to plug into and get what you want because there are tons of options crammed into this pedal. The manual will help, but you'd better have a good knowledge of how scales work in order to maximize the use of the harmonist feature.

I'm always wary of running through a digital pedal with all of this circuitry, but the reason you get an effect like this is to AFFECT the signal. This pedal is probably not true-bypass, but the tones it gets are very cool and the truly creative guitarist will have a blast experimenting with this unit.

Nine here because this is a new model just released at this writing by Boss, but Boss is known for workhorse pedals so I'll give them the benefit of my past experiences with Boss units.

No opinion. Never dealt with them. That might be a good thing.

So how does a pedal that didn't rate a "10" in any of the previous categories get a "10" overall? Because this pedal does what it claims to do. It's loaded with an amazing array of features in the traditional compact Boss pedal format. You can use the pitch shift mode to get really cool transposing effects, especially with a 100% wet mix, though the tone will warble a little as all effects of this nature seeme to do. The harmonist mode is cool, and I would guess it's similar to the previous harmony pedal Boss has made. The detune mode give a very usable chorus-type of sound and is clear and chimey, unlike the "warmer" and "thicker" pedals of old, but sometimes you might actually want a sound like this. It's unique and functional. What really intrigues me are the whammy type of effects here. I've never played a Digitech Whammy pedal, but I suspect these effects on the Boss are somewhat inspired by those. Better yet, this pedal is much more compact than the Digitech. You can also get an external expression pedal to connect to the PS-5 which would allow even more options. This pedal also has stereo outs.

Bottom line: I give this pedal a 10. I still hate to pay this much money for a pedal, so the "Fantastic Value" thing is a little iffy to me. However, this pedal offers so many options in such a small size, all with traditional Boss sound (if you like that), that I find it hard not to really like this unit. I'm keeping it.