Dunlop Crybaby

Easy enough to use, but using a wah wah is a skill in itself...

I use it with a Fender Tele and Princeton. I had a Jimi Hendrix model before and I aslo tried Morley's, Voxs and - ahem - Ibanez's. This one is best for clean funky playing. I can get the sound from Prince's Kiss almost exactly. Also great for dry chucking, blaxpoitation stylee. Probably not extreme enough if you play heavy rock/metal though. Hard to rate it, beacuse it can sound a little tinny but that's the sound I'm going for so to me it's a 10 but to the average player I guess 8 .

Any wah has moving parts, and this one uses a pot rather than optical units, so I'm expecting some trouble one day. My Dunlop Hendrix wha DID break after many years. One advantage of Dunlop is that you can order spare parts. (Try that with your Ibanez!)

Don't knwo (still need to get thta damn JH wah fixed)

For funk this is the best I've heard. One of thje few indispensable effects I own. The range is wide enough to get areal chacka-chacka sound, like on Shaft or Son of Shaft or Papa was a Rolling Stone. It also does a pretty good Just Kissed My Baby with a little overdrive added. Not perfect for Voodoo Chile or Say Wha? though. This pedal is a great help, cause when I forget the chords I can always do some great dry wah-ing! :-) Oh I also played it with a Gibson LP and that soudned really good too. Not a good match with a Fuzz face (though the Dunlop booklet implies it is!) for some technical reason...

Straightforward enough, but I hate having to press my foot down to turn it on and off.

I'm using this with and Epiphone LP and a Peavey 100 Watt combo. Contrary to the way everyone else seems to criticise this, I love it. It is truly an amazing wah pedal. Not only does it give great sound clean and overdrivien, but the wah sweep is so smooth and slick. I can even leave it on to give my tonal adjustments. I love this pedal.

Ah, well... the stupid footswitch is a bit broke, it clicks when turned on and gives a momentary lapse in noise.

Great sound, I have used it to play metal to rock to blues and it sounds amazing, but it broke, so I can't give it 10. Still, this is my favourite pedal and when used in conjunction with flangers or detuners sounds amazing. Beats the Bad Horsie and Boss hands down. I would replace this if stolen and also kill however stole it. An essential part of my tone.

u step on it and rock it back and forth step on it till it clicks its off if u cant figure that out then your just really.the button is a little hard to push especially if u are sitting but this can be fixed by raising the button or cutting the little rubber feet

my setup is squire strat or jackson v >crybaby > ibanez compressor> peavey chorus to fender roc pro 1000 amp and this pedal sounds damn good.alot of people bitch about it sucking tone and it does take away some treble but i like this because i like the darker sound especially when i use the strat. this is a very good pedal for the money but its not really the sound i want i like it but i want that wah sound from the intro of the outlaw torn by mettalica and this pedall is to thin for that but is serves the purpose i use it for almost all of my solos for jazz band at school.i give this pedal a 6 because it dosent sound as fat as i want

its very dependable i got my pedal used about a year ago and the previous owner had it for a long time and i'm still not having any major problems. the pot is starting to go bad though but it should be able to make it through the end of the yr

never dealt with them

its a good pedal for the money and i'm happy with it it could be better but is serves the purpose so i'll give it an 8

Well, kinda easy... you know? ;)

Framus Panthera Custom - CryBaby - Jackhammer - JCM 800

Well, it's great. I tried several other wah's and I really took my time to find the best out of the bunch. I heard good things about Morley but to me they just don't have any range. They're shredding. wah's. And you pay twice as much for a Bad Horsie 2 as a CryBaby. I'm not saying I'm the great expert. I'm not the kind of musician who spends more time getting gear than actually playing. But to me it sounds damn great. I couldn't imagine my playing without it anymore. It's sweet and it's the only wah I was really convinced of. It's so much fun to play.

It's build like a rock. The salesman said I'm gonna have problems with the pot in a few years. Heard that from lots of people. Mine is new, so ok... can't really judge that.

Never dealt with them

If you like a really 'organic' wah, get this one! You get it for cheap money and it is definitely the best one out there. It has no true bypass though. I wasn't really out to get a CryBaby cause I wanted to set my sound a little aside. But such quality you just can't ignore!

Not too bad, just lean your weight forward on it to turn it on/off. Stomping on it doesn't really accomplish the task as easy. I only weigh 180 lbs, so it doesn't take much weight. Then the fact thats you just rock it back and forth simplifies using it. However, it does take time to really learn how to use it musically.

The Cry Baby sounds so sweet. The only lost of tone is when the battery is low, then the pedal can't function well. I use it with my Crate GFX-212 and cab, along with my PRS Custom 22. Really helps to enhance leads, and it can give the player a new, creative way to create music. Seems to work better for fast, metal leads, e.g., Kirk Hammett's style. Not as effective for rocking wah sounds, works better as a slow filter.

The Pedal works great and is built very strongly.

Never talked to them.

The Cry Baby is a necessary addition to my soloing style. I can create much emotion during solos in which the Cry Baby seems to suit. I've never played a Wah pedal I like more, I've been playing my Cry Baby about 2 years. It may be nice if it was modded to have controls such as changing the range that the tone change be shifted, and a mid-shift control.

This pedal is too easy! If you can't switch it on, put a riser on the switch. I threw some hockey tape, a ball of it, it switchews real easy, sometimes I accidently switch it off if I push too hard.

I'm using a les Paul, a Nobels overdrive and my crybaby into a Peavey bandit, run into a peavey head and then finally a cabinet. It's not noisy at all, but depending on where I have set it up it will suck the hell out of my tone and lose some volume as well.

It's reliable. Built like a tank, as already mentioned and seems good overall. Who has money for backups? I sure don't, if something goes on stage, we always make the best of it.

Don't know.

I play in a thrash/punk band and experimental band, and I have found lots of really fun uses for it. I would buy it again if it were stolen. I enjoy it, but hate the tone drain.

Designed sometime long ago, technologies weren't too difficult. So is the way you should threat the baby. I bought one yesterday, after having used my friends one for a few years. Second hand, very cheap. I have had the VOX 847 reissue, which might sound better, but that thing annoyed me increddibly, sice I couldn't manage to built in a decent Adapter-input. The thing had an irritating hum, playes with the adapter. With bateries it sounded great, but I don't like working with them and so sold the vox and bought a Crybaby. The thing looks like my grandma: Old, ugly and repaired. That's what I like.
Now, I need to say, whoever says that it's not easy to activate the pedal, for you have to weight as much as an elephant, is not very smart...
Yust put the switch higher up! Take it easy, a small bit should be enough. But it'll make the difference.

As I said, probably not as sweet as the VOX, but it works fine! I play a sort of grooverock, kinda like RATM / RHCP, but with a lot of straight forward melodramatic melodies. For me, I mostly use the wah through distortion, and it does it well. Maybe it takes a bit of tone (not true bypass, but they say true bypass can be annoying too), but you can take care of that at your amp.

Setting: Ibanez Artist (AR100, super 58), wah, E.H. small stone, Carl Martin Hot drive 'n Boost, London City dea 130 MKV head, (or a JCM 900 head), ampeg speakercab with 4 x 12 celestions.)

Looks sturdy, try it and find out it is! Maybe the Pot... but only heard about the problem, never actually had problems.

Never dealt with them.

These pedals aren't so expensive, and go around the planet in large amounts. It's easy to find one for a good price. For me, it has worked well for about three years (I,m talking about my friends wah).
Maybe if I can find a not too expensive George Dennis wah, I will buy it. But never will do this away, since I'm satisfied.

Buy one, and have fun!

Well, you plug it in step on it and go wheeeeee.

(My Rig Explained at the bottom)
Ok, obviously its a classic so that can't be bad. My personal beefs? Well, honestly I hate the bypass on it. When the effect is not on, it really chokes the tone. You know how some guys really hate wireless units and will use a cable instead to get better tone (EVH, Joe Perry, Zakk Wylde on the new Ozzy Tour). Well, its because their wireless units (which are way better than you and I can afford) are choking their tone. Personally, the crybaby chokes the highs and it so noticable that my drummer even noticed when I wasn't plugged into it and said that I was sounding brighter. I give it a 6 because its sound while being played is great but I knock off 4 since the bypass sucks.

Well, I've had this unit for 11 years now and have used it every time I've plugged into a guitar. Just recently though, my unit died and I'm now currently in the market for a new wah wah. One night at a gig, I stepped on it to get some horrendous screetch when the wah was depressed and on. I immediately disconnected it and finished the gig. The next time I plugged my wah up I could hear an audible click and then the tone would drop but the wah wouldn't work. I replaced the tone-pot but it didn't work. Since its 11 years old and you can pick up new ones for 70 bucks online i'm not going to push it and spend any more money. I give it an 8 on reliability because its heavy and I used to think it was indestructable. It lasted 11 years and 3 wives so I guess its not that bad.

Even though I had problems with it, I didn't contact them. Too much of a hassle for something I beat up for 11 years.

I play southern rock/heavy rock and literally have to use a wah on 80% of my solos. I run Les Pauls (Customs and Standards) through the wah, Boss Super Chorus, GE7 EQ pedal, and Line6 DL4 Delay through a JCM2000TSL100 and 1960 cabinet. I'm going to purchase a new wah and I will test play everything out there but I'll really seriously consider buying this again if they've updated the bypass since my model if not, I'll purchase something else. 8 for great sound but crap on the bypass.

I am writing this review to stick up for the damn button. People here are slagging the button because it is hard to press and saying things like "You need to weigh as much as an elephant to press it". I disagree. I have used a crybaby for years and have successfully turned it on every time!! If you are having problems turning in on and off it is because it hasn't been rocked back before you push it hard to click the button and the button hasn't been allowed to go back up to catch again. Just rock it back and then forward again. THE BUTTON RULES WITH ULTIMATE AUTHORITY!!

Cant go wrong really, forward is treble, back is bass. Sound quality is what you get out of your guitar with a pot between it and the amp, what do you expect?

You can make it more trebbley or more bassy by slackening the screw on the saw, moving the pot round, sticking the saw back on and tightening it up again.

Never let me down. I have encountered one that hasn't been played in a few years with a scratchy pot but that is lack of use rather than breakdown.

Never needed to, never had a problem with it.

I play Rock/Metal in the traditional sense of the term (not 'nu-metal') and use a Les Paul Marshal TSL 100 head 4x12 celestion loaded cab. Effects, ancient MXR Dyna Comp, Boss chorus, an ancient analog delay (can't remember who made it now), wah, and A/B box that goes to the Marshal or to a Vox Cambridge 15 with Heil Talk box fitted. I usually leave the Chorus and Delay out of the loop unless I am using them as they eat batteries and I only have them to *play* with rather than for gigging. What can I say, I am a waliking cliche with a Marshal, Les Paul, Wah and Talk Box....

Pretty dadgum easy! Step on it, and start crying the blues.

It's actually a little trickier than you would think to work this thing.If your gonna have a wah wah,this is the one to have. There is only one complaint, and that concerns all this modern day crappola about true bypass. LOL!!!!!This is the only pedal that I can think of where you would need to pay somebody to make it true bypass. Just about everything else out there sounds great when not engaged whether its true bypass or not. So stop believing all the B/S these companies are trying to sell you about true bypass. All ya need is a great guitar, a great amp, and lots of practice.

I've heard of these things breaking easy, mine has been known to get scratchy pots so theres gonna be some maintenance involved.

N/A

Again, if your gonna have a wah wah, then get this one.

10. up then down then up again. Want to leave it in one spot. go ahead.

I didn't think about it but after reading negative reviews I remembered that my Crybaby is HEAVILY modified. I bought it new in 1990 and after two weeks took the rubber button sheath off so it would be easier to press on and off. the made the button low so I sliced through the rubber feet under the rocker, and took them down halfway so there's still resistence but I can turn it on and off. Finally there was a clacking noise when the pedal hit the button so a band aid padded it enough. This was all in the first MONTH of owning it and after 12 years, I forgot they didn't come this way.

a little too trebly. Once again, it was mod time. I read recently that if you remove the saw that rocks the tone pot, you can roll it back and make it bassier. Then replace the saw and your sweep is lower than it was. Loses treble but you don't need it. Works perfectly but I have to retrain my foot to my ear.

Had it for 12 years and it's built like a TANK. The pot got scratchy after a few years but some contact cleaner makes it as good as new.

don't know em

I play heavy rock. I've run it thourgh a tele and an SG into a Marshall and it sounds great. There's a lot of debate on where to put it in your chain but when I do, it's alone. If it were stolen, I'd probably try a Vox because everybody raves about them but I wouldn't throw away my crybaby for one.

unless you weigh about 450 pounds, or have a very strong big toe, your gunna need to jump on this thing to get it to turn on. After that it's like riding a see saw

I use a gibson gothic les paul, through a mid 70's kustom head and a 4x10 cab, along with a bunch of pedals (boss ce-2, bf-2,dd-3, creamy dreamer,octavia, ibanez fuzz/distort.) and it's always sounded great. the only thing I've noticed is that it can cut, or boost your tone depending on what effects you use with it.

is it dependable? no! 1 out of 10 times the thing will just shut itself off and not make any noise besides a loud hiss. I then proceed to jump on it a few times and it kicks back into gear. Dunlap uses cheap as all get out components, besides the solid steel housing, this thing is a p.o.s.

never delt with it

I play mostly industrial/electronic grunge with this thing. three times now at shows, on the same song, this thing has cut out completely after a guitar solo. It makes me wanna throw it at my dog. I use it in almost every song, which is why it pisses me off so much. I'm selling it pretty soon and gettin a vox wah reissue. If it were stolen, I'd laugh in pity of the poor moron who took it. Dunlap isn't much use for any decent products besides their picks.

Engaging the Crybaby requires a very hard stomp. Unless I slam my foot down violently on the toe end, it's 50-50 proposition that the wah will activate. If you're gigging, your best bet is to "set and forget" between active wah parts and forego the frustration of the tempermental switch.

While the Crybaby has a nice sweep at the high end, the heel of the treadle produces a disproportionate frequency "jump." The skip is less noticable with fast passes, but on slow ones, the low end belches instead of bawls.

Even worse, the Crybaby sucks tone like a cheap groupie. Back when I had low end gear, I didn't notice the signal loss that much. But now that I've upgraded to mid-range equipment, it drives me crazy.

I'm going out to buy a Fulltone Clyde Deluxe. I don't care if it costs as much as 3 or 4 Crybabies. It has 10 times the sound and true bypass so it won't suck tone!

Great and easy to use, u gotta work at the foot switching thing , get the rocking motion

Its got nice sound when you play it through the clean channel but if you distort it its high pitched feedback really high treble noise its good for what i play tho , I play that Kirk Hammet Style Lead stuff (Off of albums Like Kill em all lots of wah and the load reload albums to), i also play blues (Clapton rules) I use some Memphis Strat Rip off and a Crate Amp

I'd Depend on it but you never know man

never need it

Its a good match for Metal style leads in my opinion and good for some Improv while jamin out with some buds to the blues good shit overall , I also own an ANJO classical guitar

This thing is easy to use. No knobs, just step on it and rock it fully toe down to turn it on. It probably won't click on the first try. If it doesn't click on by the third try reach down under the platform and push the switch in with your finger... there, it's on. Now rock it back and forth, heel to toe, and wah away. No options... I can't imagine anything easier. Well... if the switch worked I guess it would be easier. -1 point for the P.O.S. switch.

I'm playing a Stratocaster into a Maxon OD-808 into the Crybaby. My amp is a Peavey Delta Blues 210. I'll hit you with the good side of this thing first. I like the way this pedal sounds. No problems getting the classic Jimi Hendrix/SRV wah sounds... which is what I was after. Unfortunately, this thing REALLY alters your tone when you arent using it. I love it when I'm using it, and I hate it when I'm not. The tone sucking brings the sound quality rating DOWN! Matter of fact, I've found a guy who will get rid of the tone sucking and true bypass this pedal for me. I'll be shipping it to him this week and will post a review after the mods have been performed. I would probably give this thing a 8 for sound quality if it didn't suck tone so bad when turned off.

Reliability? Ha! The first one I got broke after about 10 minutes of use. It refused to wah, click, or sputter. It died. It had not been abused by any means... in fact I clicked it on and off with my finger because it is so hard to get it to click on by rocking it fully forward. Maybe it was just a fluke... the one I got to replace it is fine so far. I do baby my gear. One lesson I have learned... if you take care of your stuff you will have it for a long, long time. Just like anything else, it WILL break if you abuse it or try to break it. I'd give it an 8... but I have to deduct some points for the first one's amazingly early demise. Let's call it a 4... split the difference between 8 and 0!

I've never dealt with Dunlop, I have no idea how helpful they are. I took the first one back to the local store where I bought it and they presented me with a brand new one. No problems.

This wah sounds good, just like a good wah should. Unfortunately is sucks tone like a fool when you aren't using it. Like I said before, I'm sending it away to get it modded to true bypass, have the buffer removed, and modded for a more "vocal" sound. If I had it to do over again I would go across town and buy a Vox... or better yet I would order a Budda. That's what I would do... order a Budda wah. I'm 109.00 into this thing now though... the mods are going to cost me another 40.00... I coulda bought a Budda wah. Too late now. I'll post a review of this Crybaby after I get it modded... if any Crybaby or Vox owners are interested in similar mods email me and I will put you in touch with a guy who does them.

Plug in. Step on toe to turn on. Rock back and forth to make wah-wah sound. Got it? Good. Next question.

I bought this one second hand. It was made in either '89 or '90 and has the old Vox board design (2 transistors instead of 3). Jacks are not board mounted...pot and switch have been upgraded. The wah was re-calibrated to have less treble and more bass sweep. Jest the way I like it. I am seriously in love with this wah! A friend has a '69 Vox and is green with envy at the slightly wider tonal sweep I get. Our singer REALLY likes the Chucka-Wucka rhythms that I get out of it. I REALLY like this wah. REALLY like it. It DOES get a little hum with the toe all the way down, but that is its only fault.

Change battery or plug in to power supply. Where am I gonna find a backup?

I play blues, R&B, swing and improv. Been playing since 1976. Standard Strat with EMGs into Dyna Comp into TS-9 into this into chorus into delay into classic 50 4x10. If it is stolen, I will hunt the bastard down and beat him to death with my wah. Read above for what I love about it. I hate nothing.

What's there to say? There are no controls, just the wah itself. You have to wark it for a little while to get a feel for it, though. I bought it used, so I never got the manual, if there is one. I haven't caught on to how to do the mad Clapton/Hendrix wah thing, but hey, I couldn't ask for more in a tone filter.

I run my mexican Fender Stratocaster through an MXR Distortion + and a Boss DS-1 into it, and send it out to my Ibanez DM-1000, to my Peavey Classic 50 VT, and a Marshall Solid State. I really like the sound, but never use amp distortion with it. The wah gets drowned out when you do put the distortion after it. If the distortion gets to be too much, it makes this terrible high-pitched feedback at the bottom (all the way down). Other than that, it's perfect. My setup really wouldn't be complete without it.

It works as well as I could hope. The pot is a bit scratchy, and if I work it too much, it starts to squeak. Other than that, I can't complain.

I've never had any trouble with the pedal, so I wouldn't know.

I play "blues-metal" (some combo, huh?), and listen to Hendrix, SRV, Sabbath, Deep Purple, that sort of stuff. Life wouldn't be complete without my wah. If it was stolen, I'd buy an upscale version, like a 95Q because I love the sound of the original, but want the Q dial and 15 Db boost. Rather not lose this one either way. I like it plenty.

The only thing difficult about using a wah-wah is perfecting your foot controlling vis-a-vis what you're playing. This Crybaby doesn't have the 'Q' option, and thus there are no buttons or knobs to play with. While the 'Q' is a cool feature, in Australia pedals are expensive and so I had to 'settle' for the standard Crybaby. That said, I love this pedal. It is a reissue of the late '60s era wah, and it sounds great, but I don't know how accurate a reissue it is.

The manual is short and scant on information, but for those of us who have no idea about the technical side of guitar effects, it states that while most players prefer wah before distortion, Hendrix had wah after his Fuzz Face. Both ways are cool and have their advantages, but if you try the Hendrix method, make sure your amp can handle the volume and treble gain when the wah is depressed at the trebly end. The manual mainly contains promotional material for Dunlop's other effects.

You can really tweak your effects to get the best out of this wah, but I'll discuss this in a minute.

I am a rock/blues/metal guitarist. My favourite artists and songs to play are by Hendrix, Clapton (esp. with the Bluesbreakers), Slava Grigoryan (although he's more of an influence on my classical playing), Van Halen, Pantera, Sepultura, Neil Young, Nirvana, Dinosaur Jr., and most of all Led Zeppelin. I've been playing for six years and have owned and sold quite a few pedals. The Crybaby, like the MT-2, is a modern classic - at least in my opinion.

My guitar setup begins with my Squier Standard Strat or my Samick Ibanez RG copy (someday I'll be rich enough to buy a Les Paul DC Standard!!), then into the Crybaby, into a Boss NS-2 Noise Suppressor and then into my Fender Deluxe 85 (65W) combo amp. In my NS-2's noise suppression loop I have a Boss MT-2 Metal Zone and an FZ-3 Fuzz. Through my amp's effects loop I run a Boss OC-2 Octave and hopefully soon also a Boss or MXR Flanger.

This wah works brilliantly with the clean and overdriven channels of my amp, and it has taught me much about effects. I've heard gear boffins speak of 'transparency' in the sound of an effect. When I first tried my two Boss distortion pedals (I use either one or the other, never both simultaneously - uurrgh!) with the Crybaby before them, the wah signal was weak and barely audible (although the FZ-3 before the wah sounded great - to my ears I could approximate 'Voodoo Chile' quite closely). When I ran the two distortion pedals through the NS-2, however, I was able to clean up the pedals' signals to the point where the wah came through loud and clear! With the MT-2 I was able to get a sound closely approximating Kirk Hammett's in 'Nothing Else Matters'.

The transparency problem was more of an issue with my single-coiled Strat than with my humbuckered Samick, but then on the Strat with a clean tone you can get great 'chucka chucka', funky wah sounds that would make Barry White blush.

The wah is also useful as a filter. Some artificial harmonics are harder to produce than others, but if you tap the wah on, and depress it all the way in the treble position, you can easily get any harmonic. Also, in some of the middle and lower order positions, the wah can get some of those out-of-phase sounds that Jimmy Page made famous, such as on the song 'Houses of the Holy'.

The wah is a little more noisy when at its trebly end, but it's no big deal and is hardly perceptible. Hey, J. Mascis and Jimi Hendrix both have incredibly noisy rigs and most hacks can't play like them.

Finally, it doesn't work well with the OC-2.

Well, unfortunately I had to grow up and go to university (which I love, don't get me wrong) so I no longer play gigs. I do, occasionally, play fills and leads on my friend's recordings (he owns a studio). While his playing is more in the vein of Crowded House and the Go-Betweens, I find that with the Crybaby I can alter the tone subtly like you would if you were using subtle volume swells - just to add to the drama of the song. It comes up nicely on the recordings (digital) and there's no pot noise (I look after my pedals very meticulously, clean them after use, etc.) I never, ever, ever use batteries in pedals - for two reasons: 1) They go flat and let you down when you're aching to play; and 2) They go flat and leak and ruin your pedal. My friend ruined his DS-1 Distortion by leaving a battery in it... what a fool.

Seriously, this pedal seems tough. It's made of an alloy and has thick rubber on the foot pedal rocker and sturdy rubber feet. The only qualm I do have is that the pot is quite open to dirt and so forth, so keep this baby clean!

Never had any problem with it, but my friend owns a guitar store which is a licensed Fender, Ibanez, DOD and Dunlop dealer and repairer, so I guee he could fix it. He says Dunlop provides excellent customer support.

I really enjoy this pedal. I love the sound it can give both as an effect and as a filter. I really overused it at first because it sounded so good. Now I'm a seasoned wah-ist, I know to use it with a little more taste. This is the wah. Think about it: Crybabies are or have been used by many great guitarists - Hendrix, Van Halen, Jerry Cantrell, Dimebag Darrell, etc.

I have since tried out the Morley Bad Horsie Steve Vai signature wah. I prefer the switch on my Crybaby, although the sensor in the Horsie is cool. The Horsie is a shredder's pedal, and while I love a good shred at times, I'm more into playing songs and my tastes seem to be drifting more and more towards the late 60s and early 70s, and the Crybaby fits them like a glove.

easy to use.

marshall 50 watt, ts-9,and a marshall footswitch for clean/dirty cahnnel. I play blues, it works awesom. had it for about 7 years and it sounds abit scratchy.

a seven yr. old pedal thats been touring and beat to hell, spilled beer on it, kicked it around, dropped it out of trucks. ect. ect.

dont deal with em.

blues, great. around 10 years of playing about 7 on this pedal. had a morley before, not comparable. i would buy it again if it were lost or stolen. just to let everyone know, about the guy who said no famous guitar players were related to crybaby, there are actually several. BUDDY GUY! cmon people are you frickin stupid, buddy guy is the man.

Erm... you step on it!

Epiphone SG/Marlin Sydwinder/Squire Strat/Tanglewood Oddysey --> Zoom 505 --> Zoom 510 --> Arion Metal Master --> Dunlop Crybaby --> Marshall AVT 50W Stack

Dead as a doornail! No noise at all.
Sounds great! Especially for Chili Peppers style rhythm sections.
Recently shelled out for a Marshall ATV stack. 50W head with two 4x12 cabs. Don't know what the unit sounds like on a combo but it sounds gorgeous on my amp.
Not really for the sort of stuff my band generally plays (Manics meets U2 meets Muse) but we do sometimes have a little fun and cover old blues songs ;) Loads of wah for me to fiddle about with then.

If you attach a gun to the top people might mistake it for a tank! I was sceptical when the chap in the shop told me it would last forever, so he told me that I could jump on it as hard as I could. He told me that he would give me the money for it if I broke it. I didn't manage to break it and I weigh fourteen stone! Get the idea?

I haven't had to deal with them yet.

My band plays alt. rock and it's nice to fiddle about with a wah behind the overdrives.
I've been playing for five years. I used to have a Morley Wah, but I sold it to get this toy!
It wouldn't be a priority to replace this if it was lost or stolen as I just play about with it really, but I probably would get one at some point anyway.
I particularly like when the wah is set to low and you can get harmonic-type sounds out of it.
If it had an LED this thing would be perfect! Hense the nine...

No problemo here.

I have used this one with following set-up:
Fender(Mexican)Strat Deluxe->Crybaby->Vox distortion Booster->Boss Stereo Chorus->Amp (Before Marshall Solid State 50W, now Fender Roc Pro 1000).
I have experienced no unneeded sounds, hiss or scratching. It seems to change your guitar signal even when it's off (adds some treble, maybe) but that's hardly noticeable.
When the rocker pedal is up, the thing seems to take down some level of your volume (as happened with my former Morley), but not too much. Anyway, for best effect on this one, try to rock the pedal on a small space around the pedal's mid position, not just up and down with the beat!
The sound is pretty good and classic.
With a lot of distortion it seems to loose it's edge, and you can not vary the effect it creates so much. (For a wah that works well on high gain settings, check out "Bad Horsie".) But with clean and slightly overdriven settings it shines!
And to the discussion whether wah should be before or after the gain, I'd say it's for everyone to choose. I've heard that Jimi used it after the gain, I prefer it to be the first one in the effects chain. Both ways it works, but the sound is definitively different! Try it out!

I've had it for two years, and hasn't broken up. My friend has had it about 7 years, and no problems. It just needs some cleaning inside.
And remember to leave it in down position after playing, so that dust won't crawl in.
Really dependable. Well covered in steel.
In- and outputs and power in have worked without problems.

I can not comment on this one, cause it has worked out just fine.

I play hard rock and blues sometimes, and Crybaby fits in nicely.
I have played for what,..., eh, seven years, and had a Morley Wah/Volume Pedal before. This is superior to that.
I just wish one could somehow change the sound on this, to make it more personal. But that's for those who wanna pay more!
It gives me a way to add "vocal quality" on my soloing, and really helps to hide my mistakes! :) On comping it can make the whole rhythm change it's character.
Nice peace of an effect we have here.

extremely easy to use if you have even a semblance of rhythym and ear for phrasing. Dont remember if it came with a manual, No upgrades.

I've used this with my Fender US Strat, Epiphone Sheridan II, DeArmond S65, Harmony REbel through both tube and SS amps. Currently I'm using a Fender Stage 100 and small 1950's Danelectro tube amp and this pedal sounds like crap with all of them. Extremely noisy and scratchy since the day I bought it new. DON'T BUY THIS PEDAL-IT'S GARBAGE! Buy a VOX! I've heard other Crybabys and they sounded the same as mine.

What could go wrong with it- I never use it! I couldn't rely on this thing (at least not soundwise) since I bought it! I wouldn't use this piece of junk WITH a backup!!!

n//a

Play blues and classic rock. This pedal isn't a match with anything other than the back end of a garbage truck. If someone stole this pedal I'd hunt them down, give them a battery, and wish them luck. What a waste of metal and cut rate components. I bought it becasue I've been playing for 35 years and trusted the Dunlop name-but what an utter piece of pure unadulterated CRAP! Spend the extra fifty bucks and buy a Vox-there's NO COMPARISON!!! Is there anything I wish it had? Yes! I wish it came with it's own mailing box and postage so I could send this piece of dung to some other unsuspecting sap and let HIM deal with it! If this catagory had a "0" option that's what I'd use, but since it doesn't- I rate it....

I got this for christmas & had been wanting one for ages. Having never used one before I excitedly unwrapped it, stuck in a battery, plugged it in & straight away making all the sexy wah sounds I wanted!
It even works when Im drunk.

I run this pedal into a 50watt Marshall amp from either my Ibanez delux '59er classic, or my Jackson RR1 'flying V' superstrat. It sounds perfectly clean through both these guitars and just enhances their tone. With the gain turned up the sound quality gets lost but thats expected, but I never want hi distortion anyway.
The sounds I want I can always get so far I use it to get the classic wah sounds for Guns'N'Roses & Hendrix; clean,funky sounds like in all the '70's films; envelope filter noises if its slow & feeds back; slow moogs like in dance music and fast riffs like Pitchshifter & Prodigy. It's capable of so much.

Dont see it breakin soon as its like a brick & weighs a tonne. Its had a lot of use already and has a quality,lasting feel to it. I'd use it no problems at any gig.

This is the perfect wah pedal for anyone. Its built to last, has a perfect sound capable of so many funky noises and has uses in all music.Ive been playing for 2 years and this is my first pedal, Im definatly glad i own one. Cant find any hates about it and it definatly has a use in guitar playing!

You click the pedal on, rock it a few times, and click it off. Not hard at all to find the sweet spots.

This wah sounds incredible with my daddy-O as well as clean. It also makes my fulltone Fulldrive 2 sing, in the od channel at least.

"But if it sounds great, why the 6?"

The problems all started when I first tried the wah with a heavier distortion/overdrive. When I play it through a DS-1, it doesn't have that sweetness/smoothness as with the lower gain daddy-o or fulldrive. It sounded like it was positioned after the DS-1 instead of in front of it. So I get this rancid kind of tone when I sweep it back and forth. And it does the same thing with the boost section of the FD2.

MUCHO BUMMER!!!

Other than that, this 9 year old wah hisses at the toe section and pops on and off. This isn't too big a problem. It's just that I like to use it to accent parts of the quiet songs. And the "POP" stands out!

9 years old and still kicking.

never dealt with them.

Overall, this isn't a bad pedal. I really like the tonal spectrum of this wah. I would however like to have one of those Fulltone Clyde wahs because they supposedly have an even broader and sweeter bottom to their ranges (which is where I like to play).
Buy this as a first wah off eBay, then if you decide you like the wah effect, save up to buy a dunlop 535Q or fulltone clyde. You can't go wrong

How easy is it NOT to get a good sound out of this?!?!? No knobs, just a rocker pedal. Choice of AC input or 9V battery. That's it. Simple and effective.

The manual is only helpful in that it tells you that Jimi Hendrix used Fuzz before the wah. Try this - it sounds like your channelling some spirit of Jimi haha!

Here's my setup: Squier standard Strat into Boss NS-2, OC-2, MT-2 and FZ-3, then into a Fender Deluxe 85. Wah is after the Fuzz and the on-board distortion and sounds fantastic. Wah is before the Metal Zone and sounds like Kirk Hammet or possibly even Dimebag off Trendkill (Think 'Thirteen Steps to Nowhere'). Sounds good with clean too... bridge pickup and a hint of reverb... wow funkadelic!

Looks strong, although the pot looks prone to getting dirty.

No comment.

Get one!!!