Dunlop GCB-95

What do you expect? it's a damn wah wah

im running this from Strat to crybaby to Crate GFX65 with the pedal full back it squeals and with it full forwards it hisses-sounds pretty good once you get a feel for it but theres way too much treble one way, no mids, and too much bass the other way- it gets a good sound played clean, pretty good fuzzed up but no sweep and no mids.

it was one tuff mutha**cka, but switch always acted up- had to take it back cause it just stopped workin cuz off Bullsh+t switch!

never dealt with them

Play Blues/Rock(SRV,Hendrix,Clapton)Fusion that doesn't fit into any category(Jeff Beck, Santana)and some porno/r & b
this fits well into those categories but isn't great at any. The Vox is better overall and if you look at the film of Woodstock/or Isle of Wright/ or Band of Gypsies, you can see that Hendrix mostly used this wah pedal for 70 bucks it sounds alright but tha switch is a P.O.S spened another 30 bucks and get the vox

Die-cast metal construction is the best choice. It's sweep rate is just on the inside of it's potentiometer's bandwidth, and the fact that the construction is die-cast helps keep out those annoying radio waves that cause satic to come out of your amp, but over all design there is really no difference between the vox, and dunlop models.

Electronicly looking a a comparison between the vox and cry baby, There is no difference in the circuitry design. Except the value of some components differ by about 5 percent or less. The main difference that seperates the two is the inductor. This component is the heart of the effect. In the dunlop version the core of the coil is a perfectly alligned inductor. Therefore, the component itself does not over heat as quickly. But in this case it a down fall for this wah. In the vox, the coil is slightly offset so the inductor over heats more quickly and there for reaching the saturation point more quickly, this is why the vox model has more sustain than the dunlop.

This is the easiest pedal to use. The foot pedal and thats it. The only way to get a good sound out of it is to find your place on the pedal and fiddle with the settings on your amp. Sooner or later you'll get your sound.

The sound quality is excellent. Not many pedals can match. I hear the Vox and the Danelectro wah wah are good but it would be hard to beat this one (my personal opinion anyways).
I run this pedal through a Fender Frontman amp. Its small but perfect for my size of room and sounds not that bad. It is a little noisy. If I have the distortion cranked up a little it will make noise but not to bad. On clean its noiseless. You can get pretty close to eric clapton. Sometimes he uses a Vox Wah Wah. But overall you can almost get his sound.
Overall, excellent sounding pedal

Reliability? This thing is built like a tank. I would not have any worries what so ever using this without a backup. It hasn't failed me yet.

I put no opinion because I never had to deal with them.

The overall rating is a 10. I play all sorts of music to classic rock and roll, blues, to jazz. Perfect for all. If it were lost or stolen I would definitily buy another. All though I would like to try out the Vox Wah Wah. My favorite feature is how simple is is to use. Just one pedal that it. No knobs no nothing. Simple. I bought this one because 1st, looking and reading about the Danelectro reviews in some places, not many people were all that happy. 2nd, i've played one before and fell in love with it. 3rd, easy to use. 4th, great sound. 5th, built like a tank. It would last a life time.

turn on, rock traedle, rock out

i absolutly loved the sound of this, best wah ever

ok the switch was a tiny bit aggrevating, sometimes. but i learned to live with it. unfortunatly i left on top of my friends car after a (really horrible) show, and he drove off. a few hours later i noticed it was missing and went searching for it. we found by the side of the road about a mile from my hose-those feet hang on really well-it was beat up badly. we took it to my house and found that one of the wires was loose and fixed it. it hasnt sounded the same since, but this is my fault for my utter stupidity. the switch was annpying sometimes though.

i am definitly going to buy another one of these because the sound it made was perfect

Its very easy to use, just press down to active.

I have a Kustom amp with a MT-2, an MXR eq and this wah pedal. I dont find this pedal noisy at all ,although I found it hard to find a good sound with dist, I eventually found a good setting though. I can immitate Kirk Hammetts sound pretty good with this thing, It does the Voodoo chile sound pretty decently too. When I have my eq set properly I found no volume depletion when used with dist, and the effect is just as strong as the clean channel. I`m very satisfied with this pedal.

I just got it so I cant tell you how reliable it is.

never dealt with the company.

I play Metal and Rock, this pedal fits my style like a glove, I`ve been playing for five years, if it were stolen I would buy it again without a thought. The only thing that would improve this pedal was to give it a bigger frequency range, it goes from low to high to quickly.

Very simple to use, just click the pedal on and away you go. There are no knobs just a straight forward plug it in and play type of pedal.

The biggest problem that I would with this pedal is that there was to much bleed through. Since that it is not true bypass even when the pedal is off it still influences the sound that comes out of your amp. The pedal also has to much treble and the frequency sweep on it is not long enough. I found that the pedal would go straight from bass to treble with nothing in between.

The footswitch on this pedal sure doesn't work as well as it used to. I find that sometimes when I am playing that the footswitch doesn't activate the wah as well as it did. Reliability in pedals is very important and when the switch starts to go on it then you know that it should have been consturcted better. Other than the footswitch the rest of the pedal seems fine.

N/A

I think that I should have spent the extra money and bought a pedal with true bypass switching and a steadier footswitch. A Fulltone Clyde or the Tech 21 Killer Wail would be what I would pick now. I want something with some good middle range and a larger sweep because it gives me more to work with. Before you go and buy this pedal I definetly think that you should explore your opportunities and there are a ton of them to choose from. If money is an issue than hold on and save up because you want to get the best bang for your buck.

This pedal is extremely easy to handle. Push with your toe, rock your foot forward and backwards. Does it get any easier? And for really stupid people it has a manual

I use it with a Fender stratocaster 70's reissue and a Vox pathfinder.
You can get some really nice sounds(Hendrix). This pedal gets noisy when you put it in treble position(only then) otherwise GREAT!

I can depend on it... but I wouldn't. The day after I bought this pedal the switch became stiff and really hard so I couldn't turn the wah off. Then after a a week or so the switch stopped working. It was on warranty so I got it fixed. Now I would use it on gig(cuz it's been wahing for a year now. And it seems that i doesn't use battery(maybe it uses hidden solarcells?)

I got it repaired. It only took 'em like two weeks to send it back. great peeps!

IT's GREAT! GO BUY ONE NOW!!!!!!!!!! It's a bit pricey but worth it

easy to use, no questions asked, just like a normal wah wah pedal....

good sound quality, original wah sound, nice with distortion... i use this pedal for solos, cuz my favourite guitarist is kirk hammett... and he uses this often to solo.... so thats also the reason y i bought this pedal, joe satriani and steve vai also use wah wahs... and this can easily create their wah sound.... pretty much a good pedal... it also doesnt consume alot of battery power... jsut take of the input and the output plugs wen not in use....

totally reliable.. built like a tank, hard casing and everything, doesnt suck that much battery to...

good wah wah pedal, simple, easy to use, no need for those special knobs to increase intensity, worth the price u pay and the only wah wah pedal ull ever need.....

Duh. It's either on or off (and no mistaking which), and you just rock your foot back and forth. Docked one point for the bypass switch, which is not only dependent on pedal position (you can only switch it in with the pedal full forward, so you suddenly get biting treble when you do), but depending on the switch and its alignment it can be a workout to get it to click--not good if you need it to switch in/out precisely when you want it to. Otherwise operation is idiot-proof.

The main thing about the Cry Baby is that it has a very nasal, resonant sound, like a synthesizer VCF with the resonance knob turned up. This sounds great, for sure, but isn't always what is desired. It's more '70s than '60s, if that makes any sense--great for funk and discko, but too trebley and harsh for groovy rock and soul. If you're aiming for a '60s rock sound, I've found it's best to stay within a rather narrow wah-wah range, which isn't the easiest thing to do on this pedal when you're wailing but it does tame the sound a lot. Also not much bass response, and there is some volume loss when you switch it in, which might be a pain in the butt if you're playing live. One of the most unfortunate things about the Cry Baby is that it all but obliterates the subtleties of whatever comes before it, especially distortion boxes. Different distortion settings all lose their differences when run thru the Cry Baby. Summary: great wah-wah sound, but not particularly versatile, and has some definite limitations. If you can afford more than one wah-wah, try augmenting your Cry Baby with another one with a different sound (Vox, Morley, etc.) so you have a palette to choose from. Just so long as you stay away from those digital turdbuckets.

One thing I forgot to mention, however: this pedal is also useful as a regular bandpass filter. Nice way to get that oh-so-trendy distorted telephone sound on a vocal mic, or to get odd feedback effects in combination with other effects. Remember, no one said you had to rock the thing with your foot with a fuzz guitar going through it!

Mine hasn't failed yet. Built of nice, thick metal and nifty rubber tread material. Plus, at least on mine, the battery lasts forever. However, you may have to add some novel new maintenance items to your toolbox, like spare rubber feet and a can of 4-In-One for the pedal pivot (mine got stiff and squeaky relatively soon after I bought it). In the even that the extremely simple circuit goes bad, you could probably find all the parts in any junk radio and fix it yourself.

Never dealt with the folks at Dunlop. Doubt I'll ever have to, either.

As said elsewhere I'm all over the map musicwise, usually retro-flavored, and I prefer pedals that sounds great but can be used in lots of situations (read: versatile). The Cry Baby is of course the quintessential vintage wah-wah and I love it to death, but I won't tell you that it's perfect and that it's great for absolutely everything, and that you're an idiot if you think it has any deficiencies whatsoever. It has limitations, and as long as you realize that you'll have tons o' fun playing with it. I would certainly replace it if mine were ripped off, but to be honest I'd be more tempted to build one of my own (maybe $10 of parts in a circuit not much more complex than a crystal radio!) or pick up an old used unit than to pay Dunlop $100+ for a new one.

Cant get much easier
sweep it back and forth the make it waaaaaahh
and step on the top to turn it on/off
no tweaking

I play a godin radiator through the cry baby into a laney halfstack
its all i need
I get the sound i want
and can play nearly any song that has wah in it

Its built like arnold shwartzneger
its solid
I use it on gigs
and i trust it with my life
id never think about needing a backup

i thikn this one was made in the
80's sometime
so i guess it aint under warranty

i play all kinds of music
and this wah helps me with all of them
if it were lost/stolen id get another one second hand
dont care what type as long as its a cry baby
its got everything a wah should have
go buy when
there F.U.N

How easy can you get. You move your foot back and forth changing the treble as you go (I think even Korn could figure this out). There's a manual with it too.

I'm puttin' a Maverick F3 into the Wah and then into a Flextone 2. I know people say it's noisy when in the toe position but this is't a fault of the pedle, it's just that you're using soo much treble that your guitar becomes extremely sensetive. The sound is cool. A lot of people say the sound is crap but a guitar nerb can find fault with any piece of equipment. These are the sorts of guys that piss me off with there (and I quote from this review board) "The feel produced by the pot's taper and sound of the anemic inductor...sucks!". Get a f*****g life. It either sounds good to you or it doesn't but I can get great sounds out of this, both using it to "wah" or leaving it in a position (experiment with this).

Hendrix gigged with it so why shouldn't you. It can withstand heavy use.

This is a bit overpriced, I will admit, but it is the pedal with which all other wahs are compared with. If it was lost or stolen I would buy another, sure! compared this with a Snarling Dog, which was an absoloute piece of crap and more expensive. The only complaint I have is that it seems to make my mouth move with the wah action, or am I just retarded.

About as easy as you can get. Plug it in and stomp on it then wiggle your foot around. It's almost too easy to use, which is a detriment to its sound. No volume/tone control.

Okay, here's the bad part. When I first played through this wah, I was blown away. Well, it was more like "Cool, I'm playing through a wah." Then after about 10 minutes of playing I found this pedal to be extremely bad sounding. It was suprisingly quiet for a wah, which was good, but it was much to trebly with toe forward, and virtually no bass with toe back. Also, the midrange is incredibly scooped. So much, that if playing with a live band, this pedal would make my sound disappear. Also, at first I thought the pedal was the same volume when on as it was off. But I actually found this pedal cut volume a tad when on. To make a long story short, this wah basically acted like a volume/wah. Lots of treble, no bass, no midrange. This equates to bad. A lot of people say that due to the fact that this pedal is 40 bucks cheaper than higher quality wahs, this is a good pedal. I have to disagree. If you want a good wah, go with the tried and true Vox or equal. You get what you pay for, folks. I found a used Fulltone Clyde at the guitar store for 150 bucks. I know I could have gotten it for cheaper. Probably a hundred, and I would have had what is considered by many to be the best wah in production. Do some searching. If price is a problem, get something used.

Don't know, returned it after 3 days.

Huh?

One word: Yuk. If I cranked the midrange on my amp, it started to sound more alive. Can't do that when switching to lead in mid-strum. Virtually non-existent in the bass frequecies. You can definately do better than this in a wah. I did get this as a gift, and I definately appreciated it. I would have gotten another wah, but I am going to get a Vox Valvetronix amp that has a wah built into it. If you're in the market for a wah, look elsewhere.

This thing is very easy to use althogh it takes some getting used to switching it on and off. It might also be difficult to get the right wah sound if you have never used a wah before.

My setup is Guitar>>>>Crybaby>>>BD-2>>>DS-1>>>BF-2>>>PH-3>>>DD-3>>>GFX-707>>>Fender ultra chorus 212. The crybaby sounds good with all the boss pedals but causes some fuzz when used with the Zoom GFX-707. This pedal gets great jimi hendrix sound.

Looks solid enough but I havent had it for very long so it hasn't being an issue yet.

Havent needed them.

I play every thing from jimi hendrix to Rage to original stuff and this pedal is perfect it has very versital range and can be used in all types of music.

It's simple just plug it in and you will get that classic Hendrix wah in seconds.

If you wan't a good wah this is a must but if you want a wah that does a million things also you might as well get a piece of crap morley or somthing but this thing rocks.

Its a Wah they don't break unless you smash the switch in like i did with th first day of having it but in a week they sent me a new one. yes i would gig without a backup and i have done it many times and it holds up, this is one of those pedals that lasts for ever

Yes i broke the switch and they sent me a whole new one and i have not had any trouble since

Well i play wwhat ever classic rock, surf you know anything that comes my way and this works for it all My Home Setup is
62'SG-TS5(treble boost)-Crybaby Wah-Danelectro Dan Echo-Marshall VS15
Live Setup is:
62'SG-TS808-DOD Grunge-CryBaby Wah-Boss Chorus-Peavy 50 with gain cranked

Simple, you just _feel_ it... I have noticed that many people have said that it is to hard to get the right sound they want... you know, it is very hard to do a flawless 6-string sweep and a fast speed within minutes of first picking up a guitar! YOU MUST PRACTICE A LOT WITH IT AND YOU WILL GET BETTER!!!

The simpleness of the design makes it simple to use. The only flaw with it is the notorious on/off switch. But if you have any decent level of neurological activity in your brain you wouldnt whinge to the world about it, you would 'fix' it (work around it)

HINT: if you look on the underside of the moving 'pedal' part, where the swtich presses against to get turned on/off you will see that the pad is very soft... make it harder by firmly putting something else there...

As I said above, you need to PRACTICE with it to get the right sound out of it. Freq. range is good and sound quality is excellent.

I use it with my Aslin Dane AMM-211 guitar and depending on how I set it, my amp, and my stereo (i run my guitar thru wah, then amp, and finally my stereo - gets a much better sound and EQ) I can get the sound of Vai, Satch, Hammett and Hendrix.

Very solid. The thing is built to last.

It hasn't been an issue.

I play many styles of music, mainly: blues, metal, rock, classical, jazz. Bloody oath it suits my playing!!!

It is an excellent unit. If you are thinking about getting a wah pedal (that's why you are reading this isn't it?) then add it to your list.

This is jason again like I promised to get back to you about the customer service. It is easy to use.

I used another of the same model.

I used another of the same model

Very good. My pedal is 5 months past warranty, so I explained my situation and they agreed to fix it for me. All I have to pay for is shipping it to them.

I used another of the same model.

The switch sometimes is a problem, but otherwise a beginner could use it.

The sound quality was terrible I could barely tell a difference in sound (even playing clean). I use a peavey bandit 112s, A Marshall valvestate, and a fender amp.

I would not trust it. I bought mine new, and the potentiometer was bad. Also the gear was jammed. I repositioned the gear (easy to do) and that part worked good. The switch is also not very dependable. I would really give it a zero!

I am currently talking to the customer support. I will notify everyone of the outcome.

I play all kinds of music (except country and rap). I have been playing for over 10 years. I would not buy this again. I have used many Wah pedals, as well as other gear. I run a small record label so I get my hands on a large variety of gear.

It only got 1 switch on/off and a back and fort mouvment. Anybody could make it work

Only the real musicians will tell you that its the best pedal ever. And its truly is...

There's alot of people that the on/off switch broke off easaly... It just take 5 min to repairs it!! after that your good for another 10 years! It happend to mine, I've repaired it, its been 2 years. So stop complaining about it!!!

I nerver had problems

Like I said, only the real musicians will tell you how good it realy is!!!!

Yeah, it's a wah, it should be easy, but it isn't. It sounds simple enough. Rock it full forward to turn it on, then rock it back and forth. The trick is turning it on/off. The switch wears out after about a month of use and it is very hard to turn on/off especially if you only use it for quick wah parts and then want to turn it off. On top of that, having the switch on the expression pedal, rocking full forward is a stupid idea. The only position that you can turn it on in is toe down all the way. That's annoying. What if I want to turn it on heel down? You get another wah that's what or modify this one.

My setup was guitar (Washburn BT-3) to DOD Fuzz, to Rocktron Rampage distortion, to DOD bi-fet pre-amp, to amp. From the effects send I then put this peice of shit (now I have a Morley wah though), then a Danalectro reverb. Some have speculated that my displeasure is b/c of where I put it in my setup. That is not true. I have tried it many different ways and it has not sounded or operated well in any of them.

You can not depend on this. It is not made of steal it is made of aluminum. The bottom plate is the cheapest part of the whole wah (box wise). the switch is another problem, it went out so easy. The pot is supposed to go out too, but I didn't have it long enough for this to happen. On top of that, this thing picks up radio like crazy. My Morley doesn't.

I have not dealt with Jim Dunlop, but I should give 'em props for having a web site with alot of info.

I no longer have this the guy that I traded it too let me take my Morley wah for an even trade (proving that there is a God and that he is good). That guy was really nice he is now selling this Crybaby for $10 under what he was selling the Morley (I guess he just liked me). I only bought this b/c it was the only wah in the store and everyone said that it was cool, everyone was wrong.

Very easy, use it like you make love, let your feelings go!

no bad noises and and even gives a little boost!

built like a tank, try to break it!

The sales clerk told me ''the best ''wha'' pedals are the Vox or the Crybaby, I tried both and they sound about the same( maybe the Vox had a bit more midrange but was $50 more probably due to the chrome finish) I have this pedal for 2 years, I use it a lot , you get nice harmonics when you hit the ''sweetspot'' in the middle, you have to feel that pedal, it must be an extension of yourself and your playing style, Dunlop did a faithfull copy, my friend has an original and it 's the same all the way, if you are a ''wha'' fan buy it!

You step on it and move your foot back and forth. The power supply input is shakey.

BAD. DO NOT BUY THIS PEDAL. When you roll your foot back the sound gets so muddy it's almost impossible to tell what you're playing, and when you roll forward it goes obnoxiously high, and the taper of inbetween sounds is not smooth at all; it shifts from low to high instantly.

The power supply input goes in and out. It can go out at any time.

Never dealt with them

If it was stolen I'd do two things: laugh at the person who stole it because they're stuck with the worst wah ever, and then happily go out and buy a better one.

Very easy to use, plug it in, step on it and away you go! There's no knobs or settings, rock the switch front to back and get cool sounds!.

There's a nice 2 pages manual.

I'm using a Samick Strat Copy through a Crate Gx-65 amp, my guitar sounds crappy so i cant say the wah makes any difference, i think it sounds better with some reverb and the wah tho. I'm probably gonna buy a Fender American Std. or an Ibanez or maybe both...not sure yet.

The wah will get noisy (background hiss) if i leave it on the "toe" position, and get lots of feedback when there's distortion on top of that, nothing too dramatic. With too much distortion i get very annoying high notes, but after tweaking my gain and playing on another pickup it's ok.

At first i put my distortion before the wah, but it sounded very muddy
even when the wah was turned off, i'm not sure why...so now i run the wah before everything else. I tried my first setup once again and it was ok...so i dunno what happened.

I like to play clean, on the neck pickup, and add some reverb over the wah, it sounds very warm and i love that sound.

Looks reliable, feels reliable so it must be! This thing is built solid.

Never dealt with them.

I play Hendrix/Cream, lots of RATM, Downset, Papa Roach,The Killjoys, Fluf, some punk, radiohead, incubus...anything that sounds good to me.

I also like to jam by myself and was getting bored with my normal sound but with this thing i can play for hours!

I've been playing for 6 years (the first years i was playing on and off) i'd say the past 3 years i really started to improve my skills.

If it gets stolen i'm gonna need another one!!! i'm addicted!

Piss easy! Just move yer damn foot about.

I'm kind of new to the world of guitars (1 year), I own a Washburn WR-150 and the Cry Baby, which outputs to a shitty solid state amp. This pedel sounds really good, of course you can't fiddle with the suond, but I'm not that advanced anyway. Really nice sound. A bit too much treble sometimes though.

I've only had it for a little bit, but the metal casing looks like it would last at least 40 years.

Never even called them, I live in Dubai, The United Arab Emirates, so I'll probably never call them.

I play shit like Metallica, Slayer, The Misfits, Megadeth, RHCP and lots of other stuff. But sometimes I just like to strum, ya know? And this is perfect for it!

as easy as walking.

...Though, if you've ever people watched, even this appears to be a challenge to some people...

It could have had a longer throw. Its too hard to nail the exact frequency you want to boost, both because of the short throw and the way the thing jumps from one extreme to the next very easily.

I was using an Epi starter pack guitar and amp w/ the wah. Strat rip off thing, and an amp that was solidstate trash (and when solidstate is trash, its *really* trash) with a five inch speaker. Thus, you may wish to take this with a grain of salt; I hate s_____ tone to begin w/. The wah, amasingly, made it worse. Refer to ease of use.

No. My friend, who is about 180, was "wahing" it while I played to goof around, and broke the damn switch. Now the beast won't turn off.

It's not worth fixing.

Nope. But they should make wahs that sound more musical, if they want for me to actually talk to them.

I play rock, alternative, and metal. I felt even in my short time with it (with poor equipment) that it would serve none of my songs justice.

When I get my new set up all organised, I'll probably get a Budda Bud-wah and just save myself the hassel of bad tone. Nobody who is overly concerned with a good wah sound seems to suffer the Crybaby series long... Even the upper models are reported to be bad.

I think the Dunlop Add for this says it all... "So Easy, Even Your Drummer Could Figure It Out."

Setup: Guitar---->Wah------->Amp
Sounds good, i only loose a slight bit of highs when i plug this puppy in. When it is all the way back the sound gets very noisy, when it is foward it screams! The jacks for your cables are very tight, which is good. Doesnt suck up batteires fast at all. Only if you leave the input plug in which i do all the time. I just stuck a post it on the off switch on my amp that says "Unplug wah Dummy"

I could through this off the empire state building, and it would be fine. It weighs 300 pounds.

Never needed them.

very good. I think the Vox might be a bit better. But if your not Jimmy page the extra 100 for the vox is not worth it.

perfeto mondindo!! dude, its got an on/ off butt controlable with your foot, obviously, and itrocks back and forth, SHOULD this be hard?

again.perfect, got a classic crybaby sound, classic wah action. not crappy like a morley or roadkill or danelectro or somethin

dude, it looks like a giant stapler.its reliable, straight up

??????

dude, i play rock stuff, this sounds great with distortion or clean. i have played for six years and i like to play stuff like ratm radiohead tool a perfect circle and soundgarde, works for them all email me at imprayingforrain@hotmail.com

Couldn't be easier.

Mine is used. Its a few years old. The pot is kinda messed up, theres alot of static sometimes. Sometimes the sound cuts out completely. The sound itself (when its working right), isn't as impressive as a Vox. A bit harsh sometimes.

With the bad pot, I would never gig with it. Its built soundly, but the input and output come loose sometimes, creating loud annoying noises.

Never dealth with them. Why bother, I got it used.

I guess it would be ok if it was new, but with a junk pot and the shoddiness of the input and output, I'm not all too impressed. The sound quality is also not what I would be looking for, even if it worked. I would much rather just use a Vox.

Extremely easy to use. Just push down and up and you get the wah sound.

I use the product with a 5150 Slant Cab and a MT-2 Boss distortion and a Envoy 110 as a head. And I can get Vai, Satriani, Hammett and Dimebag sounds with this. As you can see I'm very into metal.

No need for a backup here, just get an adaptor for it so you don't have to keep buying batteries!

Haven't had to deal with Jim Dunlop.

This is a great match for metal, funk, whatever. And you can always use it as a filter! Hammett does that for his leads sometimes, I don't see why though...Cuz he's not that fast.

Very simply to use. Just put the powersource in be it battery, ac/dc, or pedal board, and put it in the fx loop or in front of the amp and it's ready to go. Turns on and off by simply stepping further down with the toe.

I use it with a modified epiphone les paul studio (wasn't my choice guitar when bought, butI really do prefer it over most gibsons) with a duncan JB in the bridge and the stock gibson pickup. I've got the crybaby in the fx loop with first a boss stereo chorus, followed by the crybaby then an sm-7 ibanez distortion, and then an ART LEVELAR at the end, but only when recording. Live, i just leave off the Levelar and use it for voice with direct out from the PA to the power amp.virtually no noise as far as i've noticed. The effects are best in clean, plenty of "W" at the beginning. A nice slow wah that can altered by small foot movements, unlike the vox which has a very abrupt wah. Morley seemed to not wah enough. In distortion, the wah it still good but not as strong, it is best for me in dist. when i am constantly strumming or picking the string(s), the "w" shows through very well there. I use a marshall vs65 and a jcm 900, the pedal is great on both. I can get the awesome Rage against the machine, hendrix,metallica, led zeppelin, almost anyone's wah, sevendust (when they strum the strings and wah the clicks, it's great.)OH yeah, if you listen to incubus, you can do many of their effects and sounds with this pedal alone. Just by moving it slowly, or leaving it up, or leavin' it down. Gave it a nine because it could be a little stronger in distortion, vox can bend distorted sound, but there's a trade off between strong wah and slow emotional wah. although, the fx loop works better than in front of the amp for a stronger wah.

Oh its built very tough i can throw it around. Wouldn't use a backup and its great because it lets signal through as if it wasn't there even with no power.Must be careful and make sure to click on and off very surely, making sure you feel the click because it sometimes gets caught in between on and off but its all in the person. Don't try turning it on and off while sitting down.

Haven't dealt with them.

Its a great piece of equipment, the parts where i gave it less than ten were very critical, and would be the fault of the player if that kind of problem happened with the on/off. The other reason was on my theory about there being a trade off between slow emotional wah and a quick wah that can bend distorted sound. But its my choice for a wah, and I'm satisfied. If it was stolen i'd get the same one, because of its simplicity(no controls except for on and off, up and down), and its great "W" sound.

Step on the button and it's on. Step on it again; it's off. Just a tad difficult to step down hard enough.

A great sounding wah. Good with distortion and reverb, not too good, but not unreasonable on a clean channel. I recommend light distorion; not many wahs work well with crazy overdrive.

Great; you probably won't need a back up. However, when using it as a filter, you might want to stay near it. Its frame not as firm as a Morely, say.

Never had to deal with 'em. I'm sure they'd know what they're talking about if you gave 'em a call.

I play hard rock, and this pedal is great. Keep in mind that it's not the original Crybaby, but if you absolutely insist on the original, don't get this one. Of course, they do sound the same. I run my Kramer Pacer FT202S through this, then an Ibanez ToneLok delay, through a Peavey Rage 158 on the distortion channel. Sounds great for me. It has a great sound quality, appropriate for its price.

Just press down at the front to activate the switch and your off.

I don't have any definate set-up yet but i use pretty budget gear, i havn't had a chance to use it with my loco box analog delay yet but i can't wait to try it out :) ProAmp - Dunlop cry baby - PRoAxe Strat, mainly no named brands etc...
This is a great Wah-Wah pedel for the price i guess, the guy instore told me it would cost alot more for anything else so i brought this little puppy and i'm not sad to say it was worth it, this is a great pedel for the price, maybe it doesn't have quite as much range as i'd like it to have but it's great for adding texture to songs and really adds a great dynamic if used sparingly.

Well the switch broke in mine and i havn't had it for long, although i got the switch replaced for free so i can't complain.

Havn't had to deal with the company directly at all but the guy in the shop fixed it for free and it came with a warranty, but i don't think i'll have to ever deal with the anyway.

This is a great pedel if it's used wisely, it has a limited range but its great if you just want to add a great texture to some of your songs and interludes, i'd definatly buy it again if it were stolen unless i get a whole lot richer anytime sooner, then i'd probably buy a vox or a defferent brand crybaby.

Everyone knows its an easy pedal to use,although it takes a bit of practice to make it worth your while ( or your audiences!!)

I had one of these a few years ago and it was terrible sounding.Also the on/off switch was near impossible to switch but the one i recently reluctantly bought ( i went for a morley but they only had 1 cry-baby in stock-d`oh!!)is really good.This time the switch is very easy to operate and its sweep range is enough for me.
I`m using a Mosrite copy with Gotoh p 90`s,a j.h.s amp,a Boss hyper fuzz set on 1/4 gain boost and a big muff.The cry-baby after the muff is a really nasty,sweeping whirlwind sound.Very psychedelic.I LOVE it!!It sounds very J.Mascis ( early Dinosaur jr.)I tried it with the wah before the big muff and you could hardly hear the wah at all but after the muff it put a smile on my face straight away!!

I think this thing will live longer than all of us but im concerned about all the other reviewers here saying about the short live of the pots.We`ll see.
i would definitely use it to gig (i only got it last week and im not in a band right now) it seems very dependable to me.

I havnt had the need to contact Jim Dunlop so heres hoping i never have to.

I play 60s psychedelic punk (think pretty things,elevators type with sabbath-size riffs) this pedal fits my sound like a glove.I was very aprehensive with this given my first encounter with a cry-baby but im very pleased with this one.I give this a ten because of the LOW PRICE.

Piss easy. Move your foot up for more treble, down for more bass. The manual (or as it should be called, "instruction card") is very brief, but you don't exactly have to be a Rocket Scientist to work it out.

Considering it's value, I would say it is very very good. I play Oasis mostly, and they don't use wah too often. But when they do, this is the exact same sound they use - combined with the correct effects of course.

The only noise you can hear is the sound of the wah in the background when you've got it switched on, but you're not playing anything, but you won't hear this in performance, so it doesn't bother me.

Heavy but extremely durable. I would probably gig without a backup, simply because wah isn't as essential as say a distortion pedal. Some people have had there CryBabies for years and they still work as well as they always did, so it must be quite reliable.

As I've said before, I play Oasis mostly, and when they do use wah (ie not very often) this produces exactly the right sound. If it went missing, I would replace it without hesitation. It's excellent considering its value, and I would expect no more or less from it. I haven't written any songs which involve wah yet, but it's doubtless I will.

If you want a decent wah pedal, but don't have enormous amounts of cash, you could do far worse than buy this pedal, and you couldn't do much better either. I'd thoroughly recommend it.

I was getting a wah, and compared this to Vox V847 Reissue, and
the Vox was much better, in my opinion. In a way thicker, smoother and with od/distortion, the Vox can be heard pretty good, opposite
to the GCB-95. Not too good, but not too bad either I quess.

Pretty reliable, although Crybabies have some kind of reputation for bad pots.. My friend has gotten one for years, and the pot is fine, but it makes some strange noises.

If you want to play Hendix, buy the Vox, it's the one Jimi used to use, altough his one was somewhat modificated. When discussing about wahs, I quess Voodoo Chile comes to everybody's mind, and this wah is not that good for that. Too weak and too small sweep range. Overall still a pretty good basic wah. But if ya have the money, by something better at once.

Its Pretty Easy to Use. Just Step on it!!! I like the fact that it can be powered by an adapter or a battery.

The sound quality is pretty good. It has a big sweet spot making it easy to get a fair wah wah sound. I find the wah sound a little weak though. It also won't sound as good if used with a lot of distortion.

It is fairly reliable. I once broke the switch that turns it on.

The customer support was ok. The warranty is 1 year parts and labour i think. They repaired my wah but it took quite a while.

This is overall a pretty good wah. I've seen better one's but this wah performes pretty well. It is not very durable, but it is extremely easy to use. But I think it was a bit overpriced. Good wah for beginners to intermediate level.

You have to almost stomp on the pedal to hear the "click" to know the wah-wah is activated. Otherwise, it's just move the pedal, play, and you're on the way. It will take a few days to get used to it, at least it took me anyway.

Sounds alright, I have to relisten to songs by Clapton, Hendrix etc and check with pedal to make sure I'm getting the right "tone" so to speak. I was expecting a dramatic "wah" sound, but you'll have to earn them by practicing for a few days. I'm using a Epiphone Les Paul Studio w/ a Peavey amp, I just wish I bought an AC Adapter so I don't have to buy batteries for both the wah-wah and the fuzz box I'm getting in a month.

This thing weighs like a couple bricks and is built like an armored car. Just don't drop it on someone's foot..

I've been playing for about a year and I'm mostly playing Clapton stuff (Cream, Derek & Dominoes etc.). This wah-wah pedal will really kick when I pair it with a fuzz box! I wanted to buy the fuzz box first, but there's just something about the wah-wah pedal that's just plain cool.

Is easy to use, however it is something that is control by feel, so it may take a while to get the sound you are looking for. For that was around 4 days.

My setup is American Std Start to Compressor(sometimes I leave the compressor out), CryBaBy, Blues Driver, Chorus Enssemble (This one too is out sometimes), Noise Gate to Classic 50 2X12.

Sounds great with and without overdrive/distortion. I tried after my strat in the beginin of the F/X Loop and before the Noise Gate. I like better at begining because I feel it gives me a wider frecuency range there.

Looks Sturdy, I have it only for 2 weeks so no deep feedbak I can give here.

No idea if they do have C.S.

I play rock from SVR, Hendrix, Santana, Zeppeling, Sabbath and originals. I really love this pedal so far. My word of advice is to read other feedback for other manufactures of whawha's I spend 2 days browsing the different categories and manufactures and it was very help full. Last but not the least test it before buying it with a setup as close as what you use when performing. That,s the only way to know.

Very simple Just move your foot back and forth! simple as that!

My setup goes Gibson Les Paul Special SL w/ humbuckers or Fender standard Strat to Crybaby wah to DOD stereo phaser to DOD super sonic stereo flanger to Boss CH-1 to Boss OD-2 to Boss DS-2 to Peavey renown 112 amp. It is a very good sounding pedal, I only wish it would have a longer wah sound example: instead of this-wah it should go like this-waaaaaaah. But otherwise it is a great pedal. I have the limited edition white wah, sounds exactly the same just looks cooler. I play alot of Nirvana, Led Zeppelin, The Beatles and much more.

Hell yeah, I drop it out of a car once by accident and all it had was a small dent, like a rock

NOPE

10, as good as wahs get, this is the original wah wah it is great!

it is kind of easy to use if you know how to use it, the problem with every wah wah on the market is that you need to rock it back to front to make a wah so if you want alot of fast wahs, you better have practice or you are gonna be the laughing stock, or gonna get a very sore ankle, but it's ok to use, very nice!

This baby (you get it?? Cry BABY)has the best sound ever, although this guy from my school say that the hedrix is better, well i stuck the hendrix up his arse!!, ok, getting back to business, well i play at school and the first time i played it everyone loved it and asked me to play it again!so it's very very good

i depend on it and i has never let me down, although it is very heavy, like carrying a brick around all day, but it was worth it the crowd loved me and i love to see the crowd happy! that is the happiest moment of being a guitarist, making people feel happy

i did get it fixed once but it was busted befor i bought it, the battery clip was broken and i got another one for free but it wasn't Jim Dunlop's fault it was the DELIVERY GUY'S FAULT!!

it is the best pedal you will get worth the money, when i told everyone it costs $209 AUD they where shocked and told me i blew the money on some stupid pedal, but when i showed them what the pedal can do on my guitar, their mouths was on the floor, some started to save up for one, some just kept on bugging me about when is my next gig was and sometimes i had to bring a pocket knife to school when i brought my pedal for a gig or a practical, this pedal is legendary

The Cry-baby is really simple to patch in and then use, I found no problems when using wah for the first time.

I use a USA Standard tele through a Marshall VS100 amp. I generally find the clean sound really funky, if a bit trebley, so I tend to stick with a neck pickup. Distorted, the pedal tends to effect the signal less (this is natural methinks) but you can still get some phat Rage style power chords etc. It's also great for experimenting with mad distortion sounds - adjust the pedal and just leave it there - guess it's like using it as an EQ pedal....

Overall, I reckon it sounds well good and is pretty darn versatile...

It weighs about as much as a brick, so it's pretty hard....I have had one problem with it however. Sometimes when I would plug in, the pedal would give out a strange high pitched chirping sound....dunno what that was about but it cleared up in the end...

Never dealt with Jimmy D....

I tend to use the Crybaby for funk, blues and sometimes for just experimenting with stange sounds etc. Great sounding pedal....

I would like the on/off button to be a bit easier to press however as when playing sitting down, it's very difficult to get the thing on or off!

EXTREMELY EASY TO USE just rock your foot back and forth, duh

The best wah-wah i've ever used. sounds great with a fuzz of some type. Sounds better than VOX, in my oppinion. I gave it a nine cuz there's always room to improve. Its has kind of a stuborn rocking motion, but that just takes a little grease and some use.

built like a chevy pick-up, stronger maybe. probably more like a tank, or air force one! you get the picture

haven't tried them yet

i've been playin' for three years, i'm 14 now. I have had a lot of practice and i've played in front of 800 of my peers. I like jimi hendrix and pearl jam. Soundgarden too. This really changes how you play. It is a great pedal go out and buy it.

Hey, it's a wah-wah pedal! Originally, the switch on mine was recessed too far and difficult to switch in/out but I adjusted it slightly higher. Still, the design means that you lose a little bit of the pot's range at the treble end. An external housing-mounted switch would be easier to hit and allow you to turn it on anywhere along the sweep range. It's a popular design, but in my opinion, that doesn't make it the best or easiest to use.

Let me be brutally honest. My first wah-wah was a Schaller, and I loved its sound. This is the second Crybaby I've owned-- I was sucked in by the magical name. My first Crybaby was stolen before I had formed much of an opinion of it. I hadn't used this one much until recently, and I realized why I'd shelved it for a bunch of years. The feel produced by the pot's taper and sound of the anemic inductor...sucks! (Especially when you've used a good sounding wah-wah before.) Fortunately, Roger Mayer makes a modification kit which totally replaces all of the innards of this sorry pedal. The pedal housing lets you recoup at least some of your investment. It's a much improved, incredibly good-sounding and good-feeling pedal with the RM guts (despite limitations of the housing design).

Okay-- I'll be charitable and rate this as a middle-of-the-road product. I seriously suggest you test drive some of the other pedals which are out there now. Don't be sucked in by the name, or cheap-out by thinking that all wah-wahs are the same. The wah-wah pedal can be such an important part of your sound that it doesn't make sense to fritter away your bux on a second-rate pedal.

This sucker is built *solidly*, so it's unlikely that it would actually break (thus giving you a reason to get a new pedal). Selling it would be somewhat immoral, so the best you can hope for is for some poor sucker to steal it. (har har.)

Actually, it's a potentiometer-racked design (versus optical), so the pot will eventually get dirty and die.

I play a lot of different styles, but it's mainly distortion/blues/rock with an occasional jazzy feel. I'm an effects junkie of sorts, having made my own custom Frankenstein stompboxes before the digital multi-effects pedals came along. I currently play a Strat through a Twin Reverb. My present setup: modified wah>Fulltone Ultimate Octive>Overdrive>RP-2000 in the effects chain.

If it breaks, I'll fix it. (After I graft the bypass switch on the outside of the housing, no one's gonna wanna steal this pedal.)

Easy to get a sound out of it. Play is single notes, chords, or palm mute

Using it with a strat copy,kinda noisy with distortion, but i like it. Sounds good with distortion and not rocking the pedal back and forth too much, like slow up and down movements. Using it with a small crate amp. I believe i can get more various sounds with it, if i mess around witht the foot work more.

Very dependable. Strong as my parent's volvo.

never dealt

overall it is a good pedal, i think an essential effect for a guitarist, maybe just me.

As easy as using any wah. Some have had problems with switching the thing on/off. When I first got this pedal, bought it used, I experienced the same as so many others. No matter how hard I pushed it seemed like the pedals own will was stronger than my foor. I adjusted the on/off swicth's hight and have had no trouble switching since. It's easier to get in by opening the door rather than going through the wall, take some time in adjusting your gear to your standards you'll find playing a lot easier. The adaptor get's disconnected quite easy and the lack of DC does not only take the wah sound off, but doesn't let any sound through the wah to the amp. This may create an interesting,artistic,acoustic turn.

Washburn N-4>crybaby>NS-2(TR-2,PQ-4 and SD-1 looped)>ME-5>Marshall 6100. This wah works really fine with the 6100's 2nd channels '45 and JCM 800 settings, the gain at about 5. I use the '45 and crybaby for playing Hendrix. The clean channel and crybaby adds up a funky wibe, great for 70's disco and Soul. With lower gain settings this thing works like a dream but as the gain increases the problems get bigger. The JCM 900 and LM channel with the crybaby sound pretty bad when using the neck pickup. The notes on the lower strings (E,A,D) get quite muddy and there's little separation whatsoever. If there's a lot of gain involved I use the neck pickup and this pedal mostly for adding depth to riffs or coloring tapping.
This pedal has very wide range, which is pleasing for expression and makes Crybaby versaitile. This coin has also a backside, when you switch the pedal on or off you have to sweep trough the treble boosted frequencies. If you have to change the wah sound quickly to something else a nasty squeek is performed to the audience. This happens to every wah pedal I've played but crybabys wide frequency range makes this problem worse.
You can get interesting intros by playing something with the pedal at treble positions and then switching it off.
Some tricks work some don't, one has to find out which he thinks do.

The adaptor get's disconnected quite easy and the lack of DC does not only take the wah sound off, but doesn't let any sound through the wah to the amp. It'll be nicer to switch from wah to non-wah than from electric to acoustic. Otherwise my Crybaby has been working OK.

Onion in PO. Haven't dealt with them, mostly because I don't know if there's any in Finland.

I bought this pedal used and at relatively low price ($40) and it has proven to be a goldmine. As I've learned it's boundries and capabilities I've got more and more out of it and I think the vain is not going to be dry any time soon. Though I get real shit out of it sometimes I really love this pedal. Quality compared to price would be something like12.

it's a wah, press the switch rock the pedal back and forth,

Thin sounding, if your looking for hendrix, clapton, SRV, you won't find it here. I personally don't like the thin sound. I put an overdrive in front and it sounded somewhat better but I just don't like it.

I broke the switch trying to turn it on, and now I can't turn it off,
otherwise the pedal is built to withstand an elephant stampede

I have general mistrust for any major corporation, especially ones dealing with mass production of sound related equipment. So I haven't and probably well never deal with Dunlop's customer support.

It was my first effects pedal, I bought it because it was cheap and didn't really worry about the sound, I will admit that it has a good basic wah sound to it and if your not trying to copy anyone's sound it
can be beneficial, but i'm after the hendrix, clapton, SRV sound(who isn't?) And I learned an important lesson that in most cases it's listen with your ears and not the wallet, In attempt to be cheap I now have to spend more money to find the sound I'm looking for. Doh!!

9 cause you have to figure out how to accentuate the notes correctly and spotlight the necessary frequency. Easy then.

Well, I used a couple of their products, incl. some MXR pedals, and I must admit they were buit and sounded just great. Now this GCB95. Two months before I used an Original crybaby circa 1995 for a recording session. I really enjoyed fiddling with it and stuff, then I gave it back to the owner and ordered a one for myself. Then either I was fooled, or what, but the local dealer called me to say Dunlop were not producing exactly THAT one and they make GCB95, which was just the new name. I checked with their site, and it said there WAS NO DIFFERENCE EXCEPT FOR THE POT which was supposed to sound the same and last 200% longer.
Now, IT DOESN"T SOUND THE SAME. Less lows, less highs, a narrower sweep range. Clean, it is still sounds VERY nice, almost like dripping water - which I love to hear - but distorted you have a noticeably smaller range. Less WAH, all in all. Not noisy, smooth switching in comparison with the older ones. Sometimes it may cut the sound dead off while switching, but it happens rarely and if you're too gentle with it :))
Except for that, a definitely worthy product. A real must for a guitar player. But if you play a Gibson LP, set a high gain dist and start rocking, you sound like everyone and his sister - an immediately recognizable tone... But isn't it we all are after? Reproducing THOSE tones...
Now, screw the range. Buy it.

Uh, tank. Hate the new battery placement (you reach via small plastic door at the bottom and you have to put the battery into it). I liked the take-off-the-bottom thing more. And if the pot is REALLY going to live 2 times longer as the manufacturer claims... well, good on me then.

Shit. Emailed the bastards twice, I had EXACT questions, no time wasting - no response, whatsoever. When I had a question for, say, Gibson, they replied in 3 hrs. And they were in the US, I was in Europe, so it was night at their place...
Dunlop, your customer service via email sucks.
Please don't thank me.

Really good. One of the few REAL products. Worth the money, reliable and legendary. Why the hell did they change the logo, though? My only gripe is a narrow sweep range.
Buy it, and rock.
Good luck

Very simple to play. This was the first effect pedal I've ever bought. Just plug in and begin playing. It's easy to setup, batteries are easy to change, and if you decide to use an ac adaptor, just one plug.

I've never had any other wah pedals to compare it to, but it sounds awesome to me. You can jump right into the Theme From Shaft, and nobody will be any the wiser.

Very sturdy and reliable. I've kicked time and time again, it's no different then the day I bought it. I don't think you can break it.

One of the best effects somebody can have. You could have just started playing guitar a week ago, but as long as you've got this, you can impress any and all of your friends.

Very easy to use, althought turning it on/off requires a good amount of pressure on the pedal.

There is some noise, but enough to be noticeable when I'm playing. My setup is simple: Paul Reed Smith Custom 24-->Crybaby-->Marshall DSL401 1x12 Celestion combo with an Alesis MidiVerb 4 in the effects loop. I use only the tube gain of my Marshall... no distortion or OD stomp boxes, and putting the Crybaby before the overdrive gets that classic wah tone of Hendrix, Claption & Santana.

This is one rugged, sturdy pedal. I have no doubts about it's reliability, having used several in the past with no problems. I would gig with it without a backup.

Not had to deal with Dunlop's customer support.

I play classic rock & blues, reggae & funk. I've been playing for 27 years. I also have a Fender Princeton Plus 112, a Roland Bolt-60, a Jackson PS-4 performer, and a 1936 Marshall cabinet with 2x12 Celestions. I've used the Crybaby since the 70s, and my brand new pedal works and sounds just as good as it did back then. It's a perfect fit for the style of music I play. I would definitely buy another one if this one got stolen/lost. The only other wah I've ever used was a Morley (don't remember model#), and I like that one as well... it had a wider range than the Crybaby, which I liked for heavier rock styles. But for the classic tone, the Crybaby is it!

Once you can get it to turn on, it couldnt be easier. But getting there is the hard part. Half of the time i quit jumping on it and i have to reach down and turn it on with my fingers. Otherwise its very easy and simple.

My setup is simple, mainly because of money problems. I just run it from my Strat to the Crybaby to the amp. The sound is great. At times i would rather have a bit more effect than it has, but thats just when i fiddle around with stuff i write. I can still get the sounds of artists that inspire me though (save some other effects).

Extremely reliable. You can do whatever you want to it and play through it. Well, i havent tried absolutely everything, but im sure no backup is needed.

Never had to deal with them.

This product is great for the price. Compared to a Vox Wah (which is twice the price i paid) this one is definately the better buy, even if it costed 50 dollars more. If i lost it i would replace it, if not with this model, than one with a control knob or something. But i wouldnt replace this one unless i needed to.

it is easy to use butt impossible to turn on. you have to jump on the thing to get it on. there are no knobs so it is a no brainer to get a different sound becasue you cant.

i am useing a epiphone sg with a dod distotion pedal through a kustom pa system it sounds fairly good when the distortion is off. it is very noisy i mean noisy when it is used with distortion. on a clean setting it sounds pretty good. a nice funky hendrix meets george clinton.

this thing is a tank. it can take the abuse. like i said it is hard to turn on so you have to put most off your weight onto it.i would use this on a gig with out backup for sure. who ever heard of someone with a backup wah pedal

i hAVE BEEN PLAYING FOR A FEW YEARS i know what is good and what isnt.i have an epiphone sg and a kustom p.a. i play mostly zeppelin and bluesy rock and roll sometimes a little stevie ray vaughan. if it were lost or stolen i would buy a Morley stevie vai bad horsie wah pedal