Ibanez TS9DX

If U've ever used boxes...U Know...!

I'm a box nut...this is the most dissapointing one ever! Bought from AMS for $120.00 expected kick ass! Big ZERRO! I've got $25.00 boxes producing 1000% more than this! I asked AMS to test @ return..and was said to be ok!.I can't belive it! I have a Kalamazoo Reverb 12...Not the best..but...not junk. A home made git with Hot Carvin PU's. Big Bummer! Plugged it in..and produced a little distortion...@ very low volume..This is @ Turbo!...LOL! PLEASE!!!!!!PROVE ME WRONG!!!!!!!

I WOULDN'T TAKE IT OUT OF THE BOX TO USE!....I'D TAKE IT OUT FOR TARGET PRATICE!!!!!

Very easy to use , with or without a manual . My unit had a fixed chip in it , only because it was being used for a tour situation and we wanted all the pots and things up to par.

Fender American Telecaster - Vox "Peter Tosh" Wah (painted in the colors of the jamacian flag , with a tosh logo on th ebottom) ... Super Overdrive 1 (set to overdrive, obviously) ...ts9dx - boss super chorus - dunlop rotovibe - mxr phase 90 - Boss Phase Shifter -- Fender Twin Reverb


No noise whatso ever on my set up!
The TS9 setting , to me , sounds the best followed by the "hot" mode
Im using this with a Fender Twin Reverb
Yeah , I can , as mentioned above , SRV in a heartbeat! "It can cook" just about sums it up!

I think it sounds better with my stranger effects (Rotovibe , phase 90 , phase shifter) , but i love what it does with a Digital Delay (i have an effects set up behind the amp of DD5 , CE1, Big Muff PI NYC reissue and lovetone meatball , but this pedal (ts9dx) rarely goes through this setup unless we do an encore with U2's where the streets have no name , and thats like , 1 in ever 20 shows.

quickly summing up the 2 questions posed
Dependable and no need for a backup...if i did need one , I would use my Super Overdrive on a different setting , and set my big muff to overdrive.

the thing is bleeding wonderful. the manual has really good helpful presets and this tihng is just sooo easy to operate. fairly straight forward as well.

I play this through my charvel & my american hamar, and pretty much no matter what amp i play it through it sounds killer, it makes my bloody crate hybrid sound like its got a tube soul!! its pretty right on. i like SRV well, but i really like Jimmie Vaughan more and this thing can cook! its really worth it.

It has 4 modes, a "TS-9" which when compared side by side to an actual TS-9 sounds exactly the same. and we all know how killer TS-9s sound... then comes the "+" mode (or plus) which is a TS-9 with a little more grit on the bottom end and a little more grime to it. i love this channel, its really great for SRV style rhythms and bluesy/jazzy stuff. the "HOT" is i guess supposed to sound like stacked amps like marshalls or something, it really doesnt... but thats not to say its a bad sound. its decent, its my least favorite of the modes. it just has a little more brightness than the "+" mode. then the "TURBO" mode, it is a grungy pearl jammy thing, its real alternative STP type overdrive, it has a great sound too. i also use that setting along w/ my DS-1 for a bit more edge.

the pedal as a whole sounds well with the rest of my pedals a DS-1, a TR-2, a PH-2, a Big Muff and my Dunlop 535Q wah.

personally im torn between the Turbo and TS-9 settings, it just depends on the song.

oh, sure. it actually feels studier than a boss! the thing has some weight to it and i perfer the switch over Boss'

cant say

well what id really like to say to anyone considering this pedal to a TS-9, (at one time i thought 'why, all the extra modes i just need the TS-9'." the TS-9 is an exact copy, down to the chip i beleive. and you would really be suprised at the other modes, and another thing i forgot to mention: the whole pedal in the "+", "HOT", and "TURBO" modes there is a bass boost. which i love. i personally love a good thick bottom end. i say this pedal is well worth the extra $20, i spent. for sure, i would replace it in a heartbeat if it for some unfathomable reason fell out of my arms in my sleep.

Pretty striaght forward with this one. It's got the classic ts9 setting, which is the main reason I bought it. It also has the bass boost settings, which are nice, but disguise your tone a bit. Controls are easy to manipulate, and tone range is impressive.

I play a strat and an epiphone zephyr blues deluxe, and use a danelectro dan-echo pedal. The overdrive is very high quality on the ts9 circuit, and any level of grittiness can be dialed in with ease. Very impressive tube-like quality from a solid-state device.

Built like a tank. It's a pretty heavy sucker, too. I would definitely gig without a backup because 1.) I'm not overdrive dependant and 2.) I can sound just as good with it as without.

A real decent overdrive pedal. Well worth the price, and the added features are a real nice touch.

A very easy to use pedal, doesn't require much skill, time or expertise to adjust it and use every sound it can help create.

When active in TS9 mode the sound is exceptional, it has a smooth, transparent sound, it clips very smoothly and decays well. The other modes are nothing special, They aren't nearly as transparent or responsive as the TS9. The other modes would probably be a disappointment to someone looking for variations on the TS9. The biggest disappointment, one so bad that it makes the standard TS9 and especially the TS7 a much better value is that there is some signal loading and a significant amount of signal bleed when the effect is switched off. This is not a problem at all with the standard TS9 reissue, and not a problem with the TS7, in both, the signal loading occurrs outside of the audible range, and there is no bleed through. Handily however, this pedal does feature a hole under the name plate that with a little creativity will accomodate a true bypass switch. The time and effort required to install one is a lot considering the pedal typically sells for more than a hundred dollars

The pedal uses the same switch that most Ibanez Pedals use. They seem to break quite regularly, but I can't say that I've had any trouble with this particular unit.

I was a dealer for Ibanez a few years ago. They were always good for support for units that were currently in production. For older pieces they offered no help. Again, no experience with their service on this particular unit.

To me, this pedal is useless without a bypass modification. I spent a lot of time and money achieving a good clean tone. The pedal sounds good but not good enough to convince me to throw out all of that effort, especially when there are two cheaper, better sounding pedals by the same company that don't ruin your tone.

Very easy to use, you know the deal

No noise running through any of my amps (fender frontman 25r, and a hot rod deluxe). The guitar is a yamaha aex-520 semi hollow. My favorite setting is the hot setting with tone a little less then half. Very nice warm tone that I think has completed my rig.

This thing is built better then chevy truck, like a rock.

I hear they are good, never dealt with them.

I play phish and dead type stuff, and this is the thing for it. It is very good for blues and other stuff too. If you have not seen one yet, check it out. I like it better then vintage and other makes of the ts-9. If stolen, a new one would be here in an instant.

This pedal is simple really. I've had this pedal for about a month and haven't looked at the manual yet. I has Drive, Level, Tone, and Mode knobs. It's the same as the TS9 except the DX has the Mode knob. Ever thing is self explanitory.

I play a Fender Strat into a Ampeg Jett2 tube amp. My Ampeg doesn't have a distortion knob so I got this hoping it would fofil my distortion needs. That was a bad idea, I quickly got a Boss distortion. This pedal is really good for boasting your solo's and getting an overdriven tube amp sound. I'm glad I paid $10.00 extra for this instead of the regular TS9, even if I don't us the other modes, I mite some day though. The TS9 setting is best for getting a sort of "braking up" dist sound, not as good as the really tube amp "braking up" though. This is better than any boss Overdrive pedal. I haven't noticed much noise when the pedal is off but I've noticed some when it's on, but not much.

I would certainly use this with out a back up at a gig. I would only take it to a gig if I were playing jazz or blues though. It's built just as good as a boss, maybe better.

If this was stolen I would buy another one, just because it is the king of Overdrive. I play funk, blues, jazz, metal, classic rock, etc.
If you normally only play clean; this is a must have, other wise, don't spend the money.

Very simple to operate and adjust.

The Ibanez Tube Screamer (TS9 or TS9DX) overdrive units are the ones all others are benchmarked against for a good reason. The sound is uncolored and individual guitar tonal characteristics are retained making the sound very untiring. The TS9DX offers three more tonal settings in addition to the original TS9 setting. The second setting is a very useful warm tone. I have no desire to risk the outstanding sound of this unit with the chip mods.

Rugged sturdy metal unit.

I rate Ibanez a 10 besause I have yet to have to contact them on any problems with any of their units that I have owned.

Due to the pristine sound this unit has to be a 10. To me this is a first choice overdrive. I have played for many years through humbucker and single guitar through tube amps. The only critism I have is that the different tonal setting should all have the same gain level.

This is a great Stomp box, very simple to use like most stomps. Battery or adapter, and your ready to rock and roll.

OK, I stupidly go this pedal thinking it was a great heavy drive pedal. Really, it's not!!! It actually sucks alone if you play punk like me. I was very disapointed. I did notice however how nice and warm the drive was on TS9 mode. The other modes are ok....and this can help you shape tone...but TS9 is really great. I used to have a Crate GFX1200-H head, which had a lot of gain. When I used the Tube Screamer with the heavy amp overdrive, I swear, it sounded liek a tube amp!!!! The distortion was so crunchy and clear...although it did feedback a lot. I now use a Marshall MG 100R CD and I tried the same technique. The amp itself has very good distortion, and combined with this pedal, it has the same Clear Crunchying effect as it did on the other amp. it does however take away a little low end....but you can always adjust the amp settings. I wanted to change the pickup in my guitar to a higher output one, but until I do.....this is a great substitute.

Very Good Quality

Very useful tool...although not really worth the price for what i use it for....but it is good anyway.

It is easy to use - a volume, drive and tone knob to set the level of effect, volume and tone for your guitar.
The mode knob gives you 4 choices - Turbo, Hot,+ & DX9. I must say,the pedal gives you some stylish sounds for traditional blues and modern blues fusion.
The manual is written in simple, easy to understand way even for an Asian Player. It is in multi-language and therefore suitable for number of markets (European, Japanese, English languages)- though I must say it's like a manual for electric appliances (ha-ha)!

I play Strat, PRS CE24 and Gibson 335. I have experienced the TS9DX with a number these guitars. My advice is the pedal works great with my PRS (humbucking PU)- I can get a very bluesy vibe sound (mode knob turned to +) out of my PRS with unwanted high frequencies cut out without overdriving my warm amp (Fender Blues Jr.). Actually I always prefer to retain a clean tone with the pedal off (even though the manual asks you to overdrive your amp first) however, in such a setting, you won't be able to get more "distorted" AND HEAVIER sound from other modes.
On a Fender Strat, I would look into other more quiet pedals since the effect is weaker without the amp overdriven. However, you'll get the noisest set-up for actual playing situation which I don't think most players can bear.
With my setups (PRS - Clean fender amp - TX9DX), You are home with smooth bluesy sound for Robben Ford and Santana (for "Smooth")music.

Since I don't play in gigs, I don't know.
However, the pedal is robustly built, I think it is very durable.

Have not needed them so far.

The pedal produces a very sound for my PRS (for blues music) and but seems to be quite expensive these days. I also use Marshall Blues Breaker but found it works better with other guitar (Godin LGX)and Strat in producing a heavier hard rock sound.
The pedal is not as versatile as it should be at this price range.

It has 4 knobs (Drive, Level, Tone, and Voice Selector). You plug your guitar into it and start playing. What do you expect, its a stomp box.

This is a great pedal. I use a Fender Deluxe Super Strat and a Fender Fat Tele, and I have a Marshall VS100 amp. I try to limit my use of effects (I play mostly blues). The only other thing I have is a Hendrix Wah, but regardless of the setup the pedal always sounds good. The original TS-9 voicing gives me a great blues sound (ie. Stevie Ray Vaugh, Clapton, etc.). The additional 3 voicings aren't bad; I wish they sounded a bit more different, but it is enough to notice a difference. The pedal is NOT for metal players! It gives a good bluesy overdrive. I tried using the TS-9 and my amps distortion at the same time; it was heavier and sounded pretty good, but was a little noisy for any practical usage. Overall, it has a great sound, only wish the voicings sounded more distinct.

Haven't had it for all that long; but, the thing looks solid as a rock. I would gig without a backup. Again, I have only had it 6 or so months, but it has been perfect for the whole time.

Never dealt with them.

I play mostly blues; so, this is a perfect pedal for me. I have only been playing about 6 years, but I am a tone nut, and this gives me some good sounds. I definately would replace if it were lost or stolen. I compared this to the TS-9 Re-Issue, and loved the fact there were 3 other voicings to choose from. The TS-9 voicing sounded exactly like the TS-9 Re-Issue; so, I figured for 10 extra bucks why not get a few extra voicings. Basically, for people who play blues this is a great pedal.

Wow, Totally kick ass pedal. The moment I turned it on, I was in love. Easy to use, does not change the tone of your guitar, no need for manual and very VERY quiet. I have used all kinds of distortion pedal and this is hands down the BEST.

SOUND?? Simply the best distortion on the market for rock, classic, blues, county and even some metal. I use AM Fender Stat and Classic Les Paul through Fender Deville 410. Guitar>chorus>TS9DX>metalzone>delay>amp. I tried the metal zone and its OK for heavy stuff but changes the natural sound of the guitar. I can get the dirty sounds of all my favorite classic rockers (even gets close to David Gilmore). I strongly recommend this pedal to any classic lover or country rock. It just has the right distortion!!

Solid, Looks like the casing is 1/16 thick. knobs are tight with good feel. Will use without back up

If problems arrise, I'm sure Guitar center will accomidate as usual. They have a customer friendly policy..

Been playing on/off 15 years and At first I was unsure about Ibanez pedals but a rep at guitar center advised this, so I took it. Out of all different pedal I've tried this is pure quality. I don't mean to rant/rave but its exciting when you finally find "the sound" that compliments your equip, so you can get on with playing. I like ts9 mode the best and yes the volume does change when switching modes, but acceptable. Compared to everything in this price range. Hands down "the best". This not for the heavy death/metal music or whatever you call it. It's for the player who still wants to be heard, not covered up by some overly distorted fuzzy noise that cannot even make out the notes. Good luck and try it out, good bang for the buck..

This is a simple overdrive pedal. There are four different voicings to choose from.Ther are also a drive, level, and tone controls.

I play a Les Paul Classic through the TS9 DX and a Budda Phatman into a Reissue 65 Super Reverb. I use this in the TS9 voicing exclusively. The other three voicings seem to add too much bass, which muscles out some of the clean high end that I like. I generally set the drive at minimum and the level at maximum. The tone sounds best between 12:00 and 2:00. The sound quality is very good, but the level control crackles when turned.

This pedal works well and does not consume batteries. I would gig without a backup, but I would gig with just a guitar and amp if I had to. I think pedals are great but not absolutely necessary.

I play classic rock, blues, bluegrass, folk, funk, even some metal. I have played for 11 years and gig about twice a week. If this pedal were lost or stolen I would probably buy a TS9 modded to 808 specs, or a Fulldrive pedal. I don't often use the +, HOT, or TURBO voicings, but those players on a budget who like a variety of music styles should give it a chance. Not perfect , but a good start.

Knobs are clear and do what they say. There's a wide variety of tones in this box so each knob has it's purpose and really delivers IMO. Some people have said the tone knob doesn't do anything. I don't know what planet they're listening from but to my ears each knob makes a number of tone and color changes from subtle to in 'yo face. It takes a bit of time to find the settings you want but the layout is simple and helps you in this rather than confusing things.

I have over a dozen distortions, fuzzes, overdrives, etc. as well as a few rackmount multi-effects and plenty of analog filters, preamps, etc. I wanted a "clean" distortion for guitar that would keep the low end of my signal but add some grit while still being musical. This pedal delivers that better than anything I tried (including two TS9s (orig and reissue), a TS10, and a dozen other boxes. Ok the Carl Martin overdrive was smoother to tell the truth but it was nearly as flexible and cost $160 for the cheapest one. At the same price I would still prefer this box.

The Different settings are all useable IMO. I'm playing an '81 Ibanez Artist (HEAVY like a Les Paul) into a 1970s silverface Fender Princeton reverb with a master volume mod added to it. This sounds like heaven. Hell, it even sounds good on my Roland Cube 40 solid state beast. It does *exactly* what I wanted; grit and distortion while still being 100% musical and keeping the bass end there.

Finally, I'll mention that I don't give a rats' ass for the hype or name TS9. As a matter of fact I like the "+" setting on this more than the "original TS9" setting and the other settings. I like this pedal better than any of the TS9s I tried but I also like it better than a dozen other boxes. It really won me over on it's own merits and not the hype. I can't think of a better sounding and more flexible distortion box for guitarist who want their notes and thythms tobe "clean" and heard. Getting this over a Reissue or original TS9 is a total no brainer IMO. It's also as cool as something like the SD9 Sonic Distortion in many ways so it's like getting multiple pedals in one.

It's solid and well built. I got it specifically for live gigs, and I don't use a backup. I'd prefer an "normal" stomp switch since I have such a heavy foot but this does the trick so far.

Manual is about one short paragraph repeated in five languages so there's not a lot of info. Hoshino (Ibanez US) has always been helful when I've called them in the past though. This is more of a listen and learn pedal than something that you'll read about and understand so the poor manual isn't that big a deal. I do wish they mentioned how al the settings compare to other pedals and sounds a bit more though. Then again, I guess that's what this website is for.

I play avant/electronic improv music using synthesizers and drum machines so most of my exposure to effects has been running drum machines and such through them. That's why I have so many distortions. When I started doing electric guitar/song oriented shows I found that My Rat, Doublebeat, Fat Cat etc. were too over the top for the more musical stuff I wanted to do. After 15+ years of playing I finally had to use guitar effects boxes for Guitar and I didn't like what I was hearing!

This box changed all that. It is the most musical and toneful distortion I've used. It's not a metal or harmonic monster but that's not what I was looking for (I have plenty of those). If you want a good, usuable, flexible overdrive for guitar then look no further.

I bought this because it was new in the box at a used price (a one week returned unit they couldn't sell new). Now having had it I would gladly pay full new price if I needed another one for some reason. It's not cheap but it's worth it IMO and given the idiocy and hype of vintage pedals this new box is a bargain.

Its too easy to use, an infant could figure it out, it doesn't even
need a manual.

A great distortion sound for playing heavy rythyms. I play mostly
Metallica and it gives me a great sound for those types of songs.

Very reliable you won't need a backup for this at a gig.

Haven't had to deal with them yet but I won't need to.

Its a great pedal for playing hard rock to metal. If it were lost,
stolen or broken,I would have to buy another.

I always wanted to get the kind of distortion that would be great for both backup guitar and lead. The one guitarist out there that I listened to and thought that his tone was the best in both situations was Trey Anastasio from Phish. When I found out that he uses Tube Screamers, I really felt that I needed to test one out. The shop I went to had both the TS9 and the DX model. Even though Trey uses the regular TS9, I loved the tone of the DX much more. It was just as easy to use, too.

So far, this is my setup:
Epiphone DOT->
Danelectro Tuner->
DOD FX7 Processor (which I hardly use)->
Ibanez TS9DX->
Morley Wah->
Boss DD5->
Epiphone EP-SC28 Amp.

Since the music I play is mostly fusion jazz and progressive rock, the TS9DX gives me all the distortion I can use. I don't really need any other pedal, except maybe one more of these so I can alternate between backup distortion and lead without bending down to change the settings.

The only way to get Trey's sound, though, is to make sure you are playing through a hollow-body guitar, a damn good compressor, the TS9DX, and a Fender Deluxe amp. Even this will sound like a second rate imitation, but that is the best you are going to get - and the TS9DX is a great addition to try to get that sound.

This thing is more solid any other pedal I've owned. Once it wears out, take it fishing as your "sinker." Your line will go straight to the bottom. However, that day will be far in the future - this baby has quite a few years of quality play.

You'll never need to contact Ibanez (it's probably the only product that hardly ever gets returned to them).

Of what I've seen, this is the best distortion pedal for the money. Whatever you play, this little green monster will enhance your sound.

Extremely easy to use...just pop in a battery or plug in an adapter, plug in an in and out chords, Stomp and rock on!

If you are a Metal Head or Punk Rocker like me, then don't expec this pedal to do much for you when you use it over a clean tone. However, if you have an amp with overdrive...set it up so it produces a little amount if distortion,then press the pedal. The pedal has got a wide variety of tones, almpost limitless. I have my TS9-DX hooked up to a small Fender Frontman Amp with the gain on 3...and in between the pedal and the amp I have a Tone-Lok CF7....along with my Ibanez RG they all sound beautiful together. If you want great low end added to your distortion....this is the baby for you. If you want warm drive for blues or Jazz....this is for you too. You can use ti for anything!!! Sometimes though, the sound may get very raspy..it happens to me and I don't like it so if it happens to you fool around with your amp settings. The pedal is great for flavor to amp overdrive...but it doesn't compare to the power of a Marshall or Mesa.

if JFK had on of these in his pocket he'd still be alive. You can toos if off a building and it'll probably work fine.

The TS9-DX can be used for any music. If you are a Jazz or Blues muscian, ise it over a clean tone. For Heavy Rockers....use it over Distortion for more flavor and warm drive and extra sustain.

My first overdrive pedal, and I figured it out in five minutes.

At the store I first tested the new BOSS OD-3 overdrive. I played with it for quite some time and even though I went there excited about the pedal I was dissappointed in its performance. Seemed too weak, I mean it did give you pretty good gain when you crank it but it just kept the tone a little toooo clean for my taste. I then asked for a tube screamer and guy gave me the TS9DX. It was WAY better in my opinion. Also more expensive. Was $94 for Boss OD-3 and $129 for the IBANEZ TS9DX. Well I figured I better buy it now and enjoy instead of wasting $94. Can't say I've compared it many pedals all i've tried is some sd's and some other one can't remember. TS9DX was the best sounding. I had wanted to try out a Jekyll&hyde one though, didn't find a place nearby with it.

Looks reliable. If a fight breaks out on stage I'll be well prepared...

Never dealt with Ibanez before.

Classic rock and a little of everything. Anyway, it's a great pedal. I love the extra sustain I get without having to use my amp's distortion.

Very easy.

Much more gain than the basic TS-9. Switch it to "Turbo" and stand back!

Built like a tank. You're not going to break this thing.

Best overdrive pedal out there for the money. I use a Les Paul Custom with this and it really smokes.

this peadel I dont realy like. the only way to get a good sound is if the mode is on ts 9 if it is higher it has week sound

if you have a ts9 and you want a sound that gets more crunch and drive you will be disopointed.I have a twin amp with a strat and it wasent a good sound.

you cand depend on this peadel .i wouldent use it on a gig if i dident had a ts9

is is not the sound i was looking for and the suport was good

if it were stolen i wouldent care. ive been playing 5 years and i have other geer that sounds good .

Easy to use not very complicated. If you can't figure this pedal out stay unplugged.

OH BABY! OH BABY! What a compliment to my Super Reverb. You don't have to crank your amp to hear this baby. The sounds you can get are incredible, from Stevie Ray to Setzer. I love the different modes you get the original TS9, TS9+, Hot, Turbo. I like the original TS9 mode the best. The other modes get cleaner and are useful for some applications. I think this pedal with the other modes available would really make a bass sound awesome. Pedal won't make nasty heavy metal sounds so if that is your forte do not buy this pedal.

Appears to be built like a brick outhouse. When the government takes away our guns. We will still have our tubescreamer for protection.

Don't know

I'm giving this pedal a 10+++. I noticed some reviewers knocked it down to a 9 because they think it is overpriced. Well, is it over priced if it sounds as good as they say. I bought a Danelectro fabtone and then tried the Daddy-O, there is no comparison to the TS9DX. So, remember, you usually get what you pay for. Buy used and save.

Pretty easy to use- Just the usual knobs and a footswitch.

This overdrive pedal is very nice. With the choice between 4 different modes on the TS-9DX, the original TS9 mode wins with a landslide. I actually heard from analog man that the TS9 mode in this pedal is the EXACT same wiring as the original. It sounds rather transparent, and also gives you a lot of color.

I used this pedal as a window smasher when i used to rob banks.

I heard Ibanez service sucks

Yeah- this pedal is nice and very agreeable. With the four different modes, it seems you could play almost any style of music with it, except maybe thrash metal (not enough gain). It also has a low noise level, and a bullet proof covering.

Pretty easy to use- Just the usual knobs and a footswitch.

This overdrive pedal is very nice. With the choice between 4 different modes on the TS-9DX, the original TS9 mode wins with a landslide. I actually heard from analog man that the TS9 mode in this pedal is the EXACT same wiring as the original. It sounds rather transparent, and also gives you a lot of color.

I used this pedal as a window smasher when i used to rob banks.

I heard Ibanez service sucks

Yeah- this pedal is nice and very agreeable. With the four different modes, it seems you could play almost any style of music with it, except maybe thrash metal (not enough gain). It also has a low noise level, and a bullet proof covering.

Pretty easy to use, but the mode switch requires a bit of experimentation to get the volume levels correct.

I think for blues, rock, country rock or jazz, this is the finest overdrive made. For heavy metal, it would great for adding punch and low end when used in conjuntion with another distortion.

For th record, the "TS9" mode on the DX sounds IDENTICAL to my real TS9. I compared them with my eyes closed and couldn't hear a difference.

I've logged maybe 500 gigs on my regular TS9, it's still in mint shape.

No opinion

I play in a working blues/funk band. Ironically, my Boss Blues Driver was too "Heavy Metal" sounding. I have always used two overdrives in conjunction together... the TS9 for rhythm and then the Blues Driver simultaneously with the TS9 for lead. Both gains were set at 11:00

I have always been happy with my TS9 so I replaced the Blues Driver with the TS9DX

I think the TS-9DX is even better than the original because it "beefs" up the sound of your guitar and adds sustain without adding saturation. It's the only overdrive pedal I've tried which can successfully do that. I like the DX so much, it replaced my TS-9 as my primary overdrive pedal. I only use the old TS-9 to add gain for leads.

If my pedals were stolen, I would have no choice but to replace them with the same things. They are the only overdrives I'll use now. The only reason I gave the TS9DX a "9" rating is that it's overpriced.

The only problem i have here: when switching from different modes (i.e. "turbo" to "ts-9"), there is a huge change in volume. this could be a problem to those who use the ts-9 mode for lead sound, and the turbo mode for rhythym. i guess you could solve the problem w/ a good volume pedal. otherwise a very easy pedal to use.

i'm using a les paul studio and a BF fender deluxe. i'm going to have to disagree with the reviewers who said that the "turbo" mode is useless. its really the only setting i use. my setup goes guitar - rmc-3 wah - tube king - ts9dx - ernie ball volume pedal - amp. The ts9dx adds nothing but greatness to the tone of the tube king. it adds a nice amount of low-end AND a great deal of warmth. personally, i absolutely love this combo. i've also tried running the ts9-dx in front of a MT-2, and it had the same ameliorating effect on the metal zone as well. alone, it makes for a VERY good signal boost, and a fairly decent lead tone. i give it a 9 on account of its "enhancing" capabilities.

very sturdy casing. i can see this pedal lasting a long long time.

never had to deal with them.

greater bang for your buck than a regular ts-9 if you can find one used. i will say that the "ts-9" mode on the dx is not quite as warm and sustaining as the regular ts-9 tubescreamer...but almost. of course, i get a much much ballsier overdrive/distortion with my tube king than a ts-9 could ever achieve.