Morley ABY Switch

Just a switch.

Transparent. No detectable noise.

Broke the second time I used it. Same problem as previously report. Switch stuck on the "B" position; no longer functions

Will return it to GitMart.

Sorry, I'd like to like this. It seems solid enough. All metal construction, looks robust. I'm really suprised it broke. Seems pretty bulletproof.

Very easy to use. Its an ABY what do you expect. Jacks a little tight, but I like that.

Sounds fine to me. No degredation that I can tell.

Not reliable at all. POS. I have busted two of these quite easily. The first I allowed as a fluke, the second "died" on the first song of the first gig I used it for. For some reason the A/B switch goes out and is stuck on B, the Both switch still works though, but I can't switch between A and B. Not acceptable. For the same thing to happen to both units is releflective of the product in general I think.

Have not delt with Morley, its cheap so I am not going to bother. Banjo Center should give me back my money on the second one.

Very dissapointing. I liked the Morley because the switches were spaced wide so no accedental button pushes, but it broke so I don't care. Going change up my rig so I don't need an ABY.

The Morley ABY is easy to figure out and use. But, understanding the signal changes that it's causing can be frustrating at first...more on that later.

I bought the Morley so I could use my Laney GH100L and Mesa Dual Rectifier Tremoverb half-stacks at the same time. This is where understanding the grounds/signal changes comes into play. The first time I used it switching from one amp to the other was fine. Then I tried both amps at the same time and I got a loud buzz. I assumed it was a faulty pedal. I took it apart, checked all the wires and connections but couldn't find anything wrong with it. I put it back together and didn't use it for a while. A few months later I tried it again, same result.

I posted my problem on a guitar forum where I knew a few knowledgeable guitar shop guys would see it. One suggested it was a grounding problem between the amps. He said it was easy to test the grounding theory.

Have both amps on. If one of your two amps has 2 input jacks, plug the guitar into one jack as normal. Then run a cable from that amp's 2nd input jack to the other amp. If you hear a buzz/hum when the two are connected, it's a grounding problem with the amps being linked together. I tried the test and that was the problem I was having.

He said there are two ways to to fix it. First, sometimes plugging both amps into the same outlet in a room will fix the problem. I was already using the same outlet, so that wasn't it. The second solution is to plug one amp into the wall as normal, but then plug the 2nd amp into a cheap $3 2-prong cheater, and then the outlet, which eliminates that amp's ground connection. When both amps are connected to the ABY switch, the whole connection is working from one amp's ground. It fixed my buzz/hum problem.

Now that the problem is solved I don't notice any major sound changes/problems when using the ABY. I don't have any problems with popping when switching channels either.

As long as I have my little cheater plug with me I'm not worried to use the ABY. The ABY pedal itself is metal and virtually unbreakable. And I don't think you even need to use a battery. If I remember correctly the battery is only for the LED indicators, so if you don't care about the LEDs working you don't even need a battery.

I remember when I first got it and was frustrated with the buzzing I emailed the company about something or another and they replied quickly. That was few years ago. I haven't needed to contact them since.

Since I'm trying to reduce the amount of equipment I use, I don't play two amps at the same time much anymore, but it still works when I need it and it's one of the cheaper ABYs available.

The unit if fool proof for my application. Just switching btwn two amps. No manual necessary.

Never noticed a buzz, a pop when swiching, or any tone sucking. I run it to switch btwn a Marshall JCM900 and a Fender bassman. The bassman is used to power a dunlop/heil talkbox unit. I would notice any popping since the heil sound comes thru the PA and montior system. I rarely use the Y function.

I don't back up any pedals at this point, just fly by the seat of my pants and if it don't work: overcome and improvise. This is a switch and only a switch. Not too much to say about that, it works or it don't. I do tend to take the term "stomp" a little to seriously when it comes to stomp boxes and this tends to be havoc on the actual switch but this happens on all my boxes sooner or later.

I found them to be very helpful and answered all my questions quickly. Sent me what I needed at no charge and told me to call with any more questions/or problems. If you are supporting a company by buying their product, why not give them a chance to answer/solve your problems?

simple simon ease of use, requires 2 guitars and 1 amp, or 1 guitar and 2 amps, cables and Dr. Seus level of intelligence. I use it with 1 guitar and 2 amps. This pedal allows you to use amp A, or amp B or both amps simultaneously. There is a battery which has long life span located on the bottom, easy to get to with normal screwdriver and no machinists trade school certificate required ha!

excellent! I bought this pedal in 1995. At that time used it with fender hot rod deluxe, and line 6 amp, guitar at that time was fender american strat, cables George L. I dumped both these amps (yech) and currently play gibson nighthawk or schecter PT custom with Fender concert amp and my trusty roland jazz chorus 120, again with George L cables. I experience NO pops, NO hum, NO noise, smooth quiet operation, a joy to use. Most of the time I use the A AND B feature, as the fender and roland complement each other beautifully, like a good marriage ha!. Good price/quality ratio 9.8 on the Reichter scale of happiness.

For me it has been and is totally reliable, has never failed me, never made an annoying noise, don't need backup, I just bring spare battery just in case, but the box has been running for 10 years with intermittent use on the original battery, probably will still be working long after I am dead. No loss of tone experienced, built solid, I like the button locations, I like the distance that the buttons are raised from the surface, I like the size of the pedal, well you get the idea chum, dont'cha?

never needed customer support

the style of music I play is irrelevant to this pedal's use, it is impervious to playing style. I would like this pedal to make me coffee on request, but alas, morley will not consider my request.

Mine didn't even come with a manual- just a little diagram that shows the signal flow options......

I bought this yesterday. I willl be returning it today. It just does not do what it says it can.... I didn't buy this to switch b/w amps (as far as i can tell it works great for that) i needed this to have two guitars going into one output at the same time..... but....this box is NOT a mixer. it cut my signal in half. get an ehx mini mixer.

oh yeah- both my guitars were hitting their own ernie ball volume pedal before the morley. it was actually sending the A guitar back through the B guitar's vol. pedal. impedance....contrary to what morley advertises -without some sort of buffer, this box can't effectively send 2 guitars down to 1 output.

i play a parker fly and a fretless steinberger 7 string through a 8 rack space line6 rockman
emulator into a peavey heritage and a line6 pod emulator. it's perfect for the grunge type music i play sometimes.

looks solid enough. i didn't manage to break it in the 24 hours i owned it.

this pedal is extremely easy to use, whether you are combining two inputs to one, or splitting one input signal to two outputs...simply keep track of your ins and outs....keep the battery fresh to let you know what's happening via the led's....easy.....

may reviewers have complained of pop when switching, or tone degradation...i have had none of these problems...it may very well depend upon how you use the thing.....

my son was using it as part of his bass rig, and complained to me that a jack had failed, but it turned out to be erroneous...the pedal has never broken down....

as mentioned previously, we had thought that there was a failure in one of the jacks...when i inquired about a replacement to morley, they sent me not one, but two replacements free of charge, and very quickly....they were simply wonderful....

i use the pedal in a signal chain configured as follows:


|----->Digitech RP14D----->
guitar------>homemade y-splitter cable|
|---->Boss GT5----------->


--------RP14D---->|
|morley a/b/y---------->fender blues jr. or
-------GT5------->| peaver classic 50/212


this rig makes it possible to use sounds from both processors either singly, or together, and route a mono signal to the amp....with onstage micing, one amp is the simplest thing, and one small miced amp is all anyone needs...i have had very good results with this setup....i have been playing and teaching for 35 years, and have had a great deal of expreience with all sorts of gear....this pedal does exactly what i want it to....no more, and no less....

unless you have identical leads bundled like a plate of spaghetti it's almost impossible to get wrong. there is an option to have battery power to indicate the channel in use but if you can't hear well...................

i have a tele fmt and taylor 514ce going into pedal board (overdrive>distortion>phaser>autowah>tremelo>chorus>delay)this is plugged into the morley aby with A going to a hotrod deluxe and B to AER 60. this allows me to play acoustic through the same effects such as phaser or tremelo which i use for both electric and acoustic. it also allows me to use both amps together to give some electric clean sounds some extra top end via the AER.

there is absolutely no loss of power or tone, neither is there any additional noise, hiss pops or anything else at any volume

its totally solid with nothing to go wrong so no backup needed

never needed to contact

play all sorts for 25 years, does the job perfectly so i would get another one. its certainly made swopping electric to acoustic between songs incredibly easy

Simple-plug in whatever you want to split and there you go.

I have had no "tone sucking" occurances with my unit(s). There really isn't any way for this thing to load or screw up your circuit; all there is are two switches attaching three outputs. People who are having noise or tone suckage should:

(1) Change your patch cables or instrument cables!! I have "isolated" many tone problems for both myself and other people by replacing the five-year-old patch cable that they have stepped on, thrown in the back of their amplifier/guitar case/gig bag/duffle bag/etc. or generally abused--then they wonder why there's a hum or buzz or static that wasn't there five years ago.

(2) Replace the battery that enables the LEDs to work. A dead/dying battery can screw up your sound integrity very easily.

I use my first ABY so I can switch between my harp mic (harmonica to all you non-blues cats) and my guitar(s). A is for harp, B is for guitar, in/out port goes to the rest of my effects.

I recently purchased a second ABY to use as a channel switcher for my 63RI Fender Vibroverb (brownface with 2x10 speakers). That way I can adjust my tone (and compensate for different output levels) between harp and guitar more easily.

This unit does not add any sound quallity, but it doesn't detract from it, either.

I have used one of my ABYs for over three years of regular abuse--no problems. I have (and will) continue to gig without a backup.

Never dealt with Morley. I did at one time, own a A/B/C swither that they made, but it didn't do what I wanted, so Guitar Center took it back, no questions asked. I then bought the ABY.

I play guitar/slide guitar/harp/vox in a Texas Roadhouse band called THE SCREAMIN' ARMADILLOS. (Blues+classic rock+outlaw country=Texas Roadhouse music). The fact that I have to change between instruments quickly makes this device indispensible.

I use it with various Lee Oskar and Hohner harmonicas through an 1940's Astatic S200 microphone in input A, or;
62RI Fender Stratocaster, Fender Telecaster (modded to Esquire specs), G&L F-100, or Danelectro DC3 guitar into input B;
this is plugged into my other effects, and all into a 63RI Fender Vibroverb.

Easy. Plug in one amp to A and one to B. Plug your guitar in and you are good to go

I thought it drained some of my signal.

Seems sturdy enough. But I'm taking it back because I still hear the signal bleed in Amp A when the signal to it is off and I am routing to Amp B.

N/A

Doesn't really do what it is supposed to. When I am playing one amp the other should be completely silent. I really don't have the hum everyone talks about though. If you can stand a little signal bleed to the amp you are not using then this is for you.