Morley Mark Tremonti Power Wah

plug in and play. The battery compartment is on the bottom, but very easy to open. The step on/off feature is great! Makes it way easier to use. Like all morleys, it takes up alot of space on the pedal board.

I mainly wrote this review to explain the delay when turning it off that everyone keeps talking about. I found it my duty to explain to others about it. If you open the bottom, there is a little thing you can turn with a small flat head screw driver. My memory is fuzzy, but i know you can adjust the delay. You can turn it completely off or let it go to like a second and something. I prefer to have a small delay so i can go all the way to the bottom of the sweep and still keep its bass frequencies going, then bring it back up. But just set it to what suits your style.

BUT THE DELAY IS ADJUSTABLE!!!

and i think it explains it better on the manual. Same as morley bad horsie delay pot thing.

http://img3.musiciansfriend.com/dbase/pdf/man/m_150790.pdf

This wah is designed to the specs of mark tremonti. Its for screaming leads and used with delay, it can produce some etheral and hauning effetcts. It is not good for raggae type wah-ing, because the treble is so pronounced and it gets shrill on clean settings. Has great range and sound. I use this as my lead wah, and a digiteh expression factory (also highly recommended) for raggae type wah sounds.Boost is a gret feature, although the wah is very strong even with the boost knob at 0. But this thing is GREAT at what it does. Screaming leads.

solid metal casing and hardcore diamond pattern on pedal.Uses optical something, so no pots= no scratchy noise over time. Very crucial if you keep your gear for a long time like me!

Overall this is a great pedal. Expensive. but thats what you get for playing guitar. Great sound, sweep, and feel. When i first bought it I was dissapointed. Its so powerful and trebley. So i bought the digitech ex-7 and kept it on the side. I found myself not being able to let it go. It grew on me and is now a vital part of my equipment. I play "rock" wutever that means these days, and contemporary christian music. If you have ever heard of hillsong, you can get great hillsong lead sounds with this morley tremonti wah, delay, and a few od/dist pedals. Also great for screaming metal leads etc.

Using it is so easy..plug and play,no switches.

It sounds really fat.Like REALLY PHAT!!
Not trebley the Q sweet spot is prefect in the middle
sweep vocal like tone.

yes and no.The delay is one second late. meaning
that after you take your foor off the it would still be on
for at least one second,so if want the play the opening riff
of Cyanide by Metallica,it wouldn't work.But the pedal is amazing
overall.

Great for metal and hardrock.Don't think it would work for blues
or funk.Definately better than a Crybaby.It has a nice sweep,not even
a 535Q has.Nuff said,I'm not a Tremonti fan,but I love his wah.

No learning curve here. Rock it forward and it's on. Rock it back and it turns off. No mechanical switch so you don't need to worry about how hard to step on it, or getting a click.

Sounds killer for metal solos. It has a longer throw than a Crybaby or a Vox wah which makes for deeper fatter wahing. The Tremonti sounds less shrill and more smooth, even liquid. It gives you some treble boost and some mid boost. Sounds better than any other wah I've tried. The Q is set in such a sweet spot! If you wah a note just right it will sound like it's jumping out of the speakers.

The boost knob is helpful, allowing you to dial in a volume boost when the wah is on. It doesn't give me a huge boost in volume (when playing with distortion) but it adds attack and edgy saturation to notes. When I turn it too loud I get a lot of background humm, even running on batteries, but with a small amount of boost, it sounds amazing.

I never use it clean, only with distortion.

The bypass is pretty good, and only shaves off a little bit of treble; not like a Vox or a Crybaby which will totally ruin your high end.

Customer support was helpful and got back to me promptly via email.

I'm not a Mark Tremonti fan. I was listening to audio samples of wah pedals on the internet and this one sounded stellar. I'm happy to report that it sounds every bit as good as the samples. For metal, I'll take this over a Vox or a Crybaby any day.

I did make a minor modification from it's factory condition. The pedal comes with a strong spring in it so when you step off it, it rocks back to the heel position and turns off. This would be useful for live applications, but if you're doing studio work and like to use the wah as a filter, that means you have to stand on the thing for long periods of time. I removed the spring so now whatever position I leave the treadle in, that's where it stays. This is perfect for me, but I had to disassemble the entire pedal to do it.

Very easy to use I hate the switches on other wahs. Not much of a manual, its pretty self explanatory. Mine is the original mark 1 tremonti wah with no switch, just a boost knob. I love the spring. All wahs have springs. If youve ever seen Steve Vai use his Morley, he does stuff you could only do with the spring, and it sounds great too.

I think it sounds good with a very clean tone, but I think its great with a crunch/distorted tone. It does not get that screechy thin make your ears bleed sound that my dunlop crybaby had, I hated that one. I use it with a Mesa Boogie Triple Rectifier 3 channel 150 watt head through a 4x12 and I also use it on my "a" side of my a/b/y switch with a Mesa Boogie Studio Preamp through a Mesa Boogie 20/20 power amp. It sounds great on both channels on the studio and all three of the recto channels. Its just not as "funky" as some other wahs, like the Vox. But I think its tuned for the Boogie amps and sounds great with the amps cranked, you get a real vowel-y growly waaaah! I love it.

Heres the problem. I heard they were built like tanks. Mine has been touchy since day one. First, when I powered up my rack/pedals with my Furman conditioner, it used to stay on for like 5 minutes no matter what you did it wouldnt go off. (Using with the power cable not batteries). Then after a year it stopped doing that and last week it started cutting out with the pedal fully down, as if it was in the off position. Finally, its not working at all with power cable or batteries, it wont turn the power light on, although the inside "lights" that make it wah are on, but somewhat dimly. I dont want to buy a different wah, I LIKE this one, but its broken/ and intermittently touchy. Had it for a year, it worked right for a couple months and I play a lot. A bummer.

This is why Im submitting this review. I have both called and emailed Morley for the last 3 days. No call or email back. And the last time I dealt with "chad" their tech question guy he had a serious attitude when I had problems with my A/B/Y pedal. (I called and left a message that for weeks nobody called or emailed me back) and he emailed me with a huge chip on his shoulder and I had to tell him to back off, Im a nice guy, just need some help with my gear dude! Still no call. I hope he reads this. Im not going to purchase any more Morley gear because if the service sucks, why bother spending your money? On the other hand, Mesa Boogie have EXCELLENT customer service under all circumstances as do LL Bean if you need some hiking gear. But thats another review. Screw Morley.

The worst part about this is nobody else makes a switchless wah that is tuned for a modern, hi power amp that doesnt sound shrill, or they dont have the spring, so Im screwed. I will have to get one with no spring and even after trying tons of wahs at Guitar Center, I like the Tremonti best with my Triple Recto. But I refuse to give them another dime because I feel that equipment should last YEARS, like, twenty years, and if and when it breaks, the company should be happy to help. Not ignore you and/or be a prick about it.

Very easy to use....1 volume booster know and that's it.

Absolute ass...no throat whatso ever! Very dissappointed....I have a Tremonti PRS and really love his tone....I bet my life the one he uses is modified heavily. Go buy a Dunlop 535Q wah...best wah I've ever used...just wish it were switchless! I've tried the Dunlop switchless before too...but again it didnt sound throaty enough. But it was 10 times better than the Tremonti Wah.

Looked very rugged...this would probably last a long time too because everyone with one would keep it in closet because its sounds so bad!

??

Buy a 535Q by DUNLOP. Best wah available period...trust me

Very easy to use, just put in a 9-volt, hook it up and STEP ON IT! Door for battery is easy to open. NO POTS TO WEAR OUT!!

Ever wondered on recordings of famous players that sometimes in their solos they start with a wah down at the heel and go up with no time to turn it on with it at the toe, then rock it back? These players were known to play the Crybaby's or Vox. Sure it is possible to dubble track but what about live?! With Morley it is possible! Be sure to turn down the boost when using clean. This thing is sinister with the boost all the way up and the gain on! I am using this in front of a Carvin Valvemaster and I can go from Stevie Ray to Zakk Wylde!!

I weigh in at about 260+ and I am not afraid to step all over this thing!!

never dealt with

GOT IT ON SALE AND AUTOGRAPHED BY TREMONTI HIMSELF!! F**KING AWESOME!! NUFF SAID!!

Very easy, plug in and go.

I think its actually quite good,

made for a distorted channel (atleast a little bit)

(on a clean channel) it has a kind of volume swell (going louder not quieter) with the wah tone coming in, which i think is actually a lot of fun playin the blues, just gatta turn down the volume

it is digitally distorted, so the highs get raspy at the top, but i use it on my jackson baratone (drop d then tuned down to Bb on the lowest string.) it worked great.

never had a problem with it.

i would not bring a back-up.

great sounding wah, i had it for almost a year, using it atleast a couple times a day. so if you want it, get it, you wont be sorry.

Step on, wah goes on. Step off, wah turns off. Want boost? Turn the boost knob. This is exactly how a wah pedal should function.

Good all around wah. Seriously, with the boost, it should be good for just about anything. It's nice to get that oomph when you stomp on it. Every wah has it's sweet spot, it just takes a bit of time to find it. I use it for a funk/rock type thing, and it works great. It's not all that different from the Bad Horsie that I used until it died (a bad horsie indeed).

It has it's own voice--more modern than vintage (especially with the boost)

True bypass is a necessity in my opinion, and I'm glad this has it.

This is why I bought it--it's built like a tank and it has all the benefits of being a (good sounding) switchless wah. I'm impressed by the hinge mechanism (sort of like those "Everlast" grip exercise thingys). It's reassuring to know that I can stomp the hell out of it, and it'll keep bouncing back.

(I feel sorry for the person who felt the wah felt too stiff. I mean, it's not like a spring board or anything. Maybe they should work out or eat more or something.)

It's a far cry from that stupidly thin sheet metal crap that holds up the original Bad Horsie and the cheaper Morley Wah (there's no way that would hold up to constant use). I know, because I've broken two of them (I should find a replacement hinge somewhere...)

I found it used, so that was a bonus. I've gotten used to switchless wahs, so I was very glad to find a reliable replacement.

By the way, does anyone want some bad horsie guts?

Very easy to use. Just plug in step on and away you go. Has a boost knob to determine how much wah level increase you want over your original sound. Plus a little light to tell you yht pedal is on - v ueseful (although your foot covers it when you are rockin'?!)

This pedal is just pitched where I want a wah pedla to be. It is not too tinny or vintage like my Vox wah. It is much much more thicker modern I guess. Although there is a really sweet vintage spot in the mid travl postion. It is just perfect I love it. One other thing is that because the unit engages as you depress the pedal (instead of being operated by a little switch in the down position like other pedals) it means tha the wah starts at the low position in the sound spectrum and is really effective when coming in during a quieter passage or whatever. Excellent. Totally true bypass too no sound loss of your top end like the Vox pedal.

Looks really rock n roll tough hard cool.

At last a decent wah pedal that brings in modern relaibility etc but with slight vintage twist. Really impressive - can't wait to gig it.

It's a wah. Plug it in and step on it.

This wah is so lame. The Slash Wah blows it away.

It's built like a tank, but it sounds like crap. We need tone people!!

Sold it on Ebay. Never dealt with CS.

Go with the Zakk Wylde or the Slash Wah. Amazing Tone and built awesome. I tried the new Slash wah and was speechless. Amazing. A must.

In theory, straightforward to use. Switchless operation means step on to engage, step off to go to bypass. In practise, this can be a bit of a pain, especially if you want to bring the wah sound in from the bass end.
The boost function is relatively pointless, tends to create more noise than anything else on thdrive channels.
The manual is fine, nothing too detailed but perfectly adequate for a one trick pony piece of gear.

I'm running this pedal with a variety of guitars - Yamaha Pacifica 812W, Epi Les Paul with BareKnuckle pickups and a Fender Telecaster, through a Marshall ED-1 Compressor into a Laney TF300 combo.
It's a Mark Tremonti Wah, so his sound should be quite easy to obtain. I haven't found this to be the case.
The sweep is far too narrow to obtain the kind of growl-to-wail sounds Tremonti gets, particularly when he's playing live.(I saw Alter Bridge live in the UK in June 2006) I'm not convinced the pedals he's using are the same spec as the ones sold on the open market.
Due to the narrow sweep, this isn't a very versatile wah pedal - Hendrix style tones can be quite difficult to acheive, and the heavily sprung pedal makes control quite awkward.
If it's what you're looking for, on a clean channel setting, it can do an excellent funky wah sound.

To be fair, it must be said that this thing is built like a tank - heavy metal casing and no pots to wear. No reason to believe it wouldn't last.

Never dealt with Morley.

I bought this pedal because I play exactly the style of music Morley claim it's been designed for - hard rock and metal, which I've been playing for 12 years. I play a lot of Alter Bridge stuff, and was assuming i could get the right tone from this pedal, as it is apparently the same as Tremonti uses himself. However, the sound just isn't there. It is completely neutered as a rock/metal wah by the ridiculously narrow sweep.
For a funky clean wah sound (Shaft theme type stuff) it is suprisingly good, but that is of very little use to me as I don't like or play funk.
If it were lost or stolen, there is NO way I would buy another.
It will be on it's way in the very near future.

Step on it and go ?!!
A volumen boost dail - in wheel on the left side.
A inside trim pot to adjust the wah "go out" time. Have it out !!
A red Led on the right side.

Great, the volumen boost must set to zero with clean or overdrives.
With a distortion set it full up. It has a midrange sound. modern type of wah but thats what I like about it. I have also a Cry Baby Classic ( my favorite vintage Wah ) and a Cry Baby Hendrix ( biggest Bullshit ). And a old Vox ( I play only in the studio becouse its a original one ). So I was tired about the Cry Babys, also the multi FX 535Q thing. This Morley is a great alternative choice for my Live-allround-wah needs. The sound is allways great its a solid metal box and i run it with Ac power so it never leave me !! I test it against the whole Morley Wahs and this and the Bad Horsie 2 are my favorites there.

It looks great, feels great and the inside parts look also very
quality like ! Have it since 4 years on my board without any problem.
I never have try it with batterys, so I cant say anything about that.

?

I play since 30 years in Rock - Metal - Jazz - Fusion - Pop - Blues Projekts....Live, Studios, Workshops etc...I test alot and this is one of the " really usable" WahWahs out there. I like it much and can just say ; test it and hear !!

Great and simple, I have change the Volumen Boost Knob against a biger one, so I can dail the volumen with my feet. Turn it down and its on, leave youre feet an it goes automaticlly back on turn off. ( In 0,2 seconds ).
Great, I like that !!

A good Wah, playing clean with my single coil strat is very great.
But my Les Paul Humbuckers are to fat, I must turn the buckers very low down to get a good clean tone with the wah. Also the mids are missing here and that raunchy Cry Baby thing !
So a 8 for clean, ( Volumen at 0 ).
The guitars + Overdrive ; I must have the Volumen Poti also dailed out ( at zero ), because it sounds like a overloaded noize wah. ( S****)
But real great than, a 9 for chrunchy Rocking wah sounds.
With distortion; its a killer, screaming hellfire, with the Paula its blow out your brain, very musicianish. Now I know why the mids are missing !! And here I must turn the Volumen Knop full in or its to silent/thin. A big fat 10 for that !!

So I think its a great "allround" wah, good clean but better with gain. Oh and I have set the inside trim poti at zero, because when my feet is leaving the wah, I dont want hear a Wah anylonger !!
I use this with a good Ac Adapter, perfect, but you also can use it with Batterys.

have it 2-3 years. locks and feel very heavy. ( Like a part of a Harley Davidson ).
But because I dont now what the opto electronic is doing in the next 5 - 20 years, I better give it a 8 here.

???????????

I play Alter Bridge, Audioslave, Hendrix, In Flames, Soundgarden Stuff....
And for me its work fine.
If I have the money I will test it against the Roger Mayer and Fulltone Wahs.
But I test this one against the Gcb 353Q, Gcb 95 F , and I like the Tremonti a littel bit more.
I play since 18 years and this one is a good piece of gear. I like simple settings, so I have a 63 re. Strat a 59 re. Paula a Engl Screamer ( at home ) and a Engl souveraign 2x12 (at gigs or studio or Band practise)+ a 2 x 12 Mesa Cab. A Boss DD3, Engl Z9 Footswitch, Maxon Ts 9, the Tremonti and a Korg Tuner. Thats all I want and ever needed on my Board.
When you know what you want, what you can and where you wanna go !
Test this.

it's so easey, just plug it in, and forgett about it!!!, it's got an awesome on and off switch, it's all automatic, when you step off the pedal it shut's of by it's self, when you step on it , it turns on, it also comes with a built in led so you know when it's on or off, built to last a life time, worth it's money

sounds great, i alreadey own a crybaby 535q and t's also a keeper, but the morley gives you that extra modern tone i've been looking for, if you want a modern vintage sound buy it, it's built to last, great overall rating!!!!!!!!!

yeah i can depend on it, in every moment, i'm a big wah fan and love morley and dunlop pedals so if you want to sound like the rest buy what the rest of the croud are buying or else buy this one and forgett the rest

morley 100% great they actualey answer to the many e mail's i sent to them very quickly to, 100% polite also, great staff!!!!!!!!!!

great sounding pedal nothing to say, just step on it, and the wah turns alive, extra 20db's of power also incorporated just a twist of the knob,great looking to!! i recomend this pedal to overall wah fans out there!!!!!!!!!!

So simple!! You don't even have to click a switch. Just put you foot on the treadle and it turns on automatically. The pedal on this puppy is spring loaded so as soon as youtake your foot off it returns to the heel down position and turns off automatically. Great for live use. You never have to worry about leaving your the pedal switched on or switching off mid-solo when things get a bit too 'toe down'. Pucka!! The only reason you would need the manual is to set the delay time for the auto-off.

Hamer Diablo into a various pedals (all true bypass) into a rack system with Sansamp PSA1 as the backbone. All fed through a Marshall cabinet.

First up - True Bypass. Zero tone sucking in the off position! All Good

Wah sound itself is great. I've owned a Morely Classic Wah (sucked), a JD Crybaby, a Budda Bud-Wah and a Boss V-Wah (vastly overated). This pedal beats them all hands down. The sweep is spot on with just the right amount of 'quack' through the pedal's travel. I like it a lot. Not quite as rounded as a Crybaby or the Bud-Wah on a clean setting but a small tweak to the boost function on the pedal sorts that out a treat.

Through an overdriven amp this is the best wah I have ever used bar none. It wails. The boost function is particularly useful as long as I remember to set it before the start of the song.

Feels really solid. No pot to wear out so barring any electrical meltdowns (highly unlikely) it should last a lifetime. Only gripe is that the return spring causes the pedal to squeak a little.

Never dealt with them on this pedal but did send an email re. my Classic Wah some time ago. They got straight back to me with some recommended mods. I still sold the thing though!! ;)

I play in a covers/function band covering anything from funk to classic rock. I've been playing for 15 years now and have tried loads of different wahs over the yearsd (see previous comments.

This pedal does it all well and with a minimum of fuss for live use. My opinion of Morley was slightly tainted by the bad experiences I had had with my Classic Wah but I'm glad I gave them a second chance and bought the Tremonti Wah. Sounds great, boost is very usable and the Auto on-off is just awesome. I even find myself embelishing small parts of riffs with a bit of wah because it really is a case of 'step on and step off'

If it were stolen I'd get a new one... then I'd hunt down the lowlife qho took it and congratulate him/her on having great taste in wah pedals!

The easyest Wah I know, and one reason that its a keeper

in clean, it can be e bit sharp when you kick it forward down and you use the bridge Humbucker or singlecoil, dont use the volume boost for clean playing, but a very good sound, so a 9 for clean stuff
in tubescreamer chrunch also dont use the volume boost, very great sound, another 9.
in heavy Rock action, full volume boost and kick the scream, this is it, a big 10 for that, but when you dont play and have still fullgain sounds you hear some schschwaoung...so you must play in full heavy action or dont step on it.
You can play anything from reagge, funk, blues, Rock, Metal
great mix of a old - new wah sound.

I use it with , Les Paul, Strat, Casino, Twin Amp, Marshall 800, Mesa Roadking combo and sometimes with different delays.

no noize, very solid.

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I play since 20 years and almost everything from Hendrix, Bob Marley, Chili Peppers, Radiohead, Soundgarden, Metallica, Jazzy stuff and sometimes ambient experimental sound. I earn money with playing guitar, not much but enough.
I use this for allround playing at live gigs, in the studio i can choose different ones..
Great allround wah. And a big plus for that just step on action.
No F***schwitch.

Easiest wah pedal i've used. No pots, just a boost knob to cut through the band during gratuitous wah solos. Bought this cuz i used to have a crybaby and turning it on and off all the time was a pain.

I think this is the 2nd best wah i've ever heard next to a dunlop 535q crybaby. The Morley is clean sounding and not as trebley as a crybaby but its good nonetheless. Sounds great clean but was kinda dissapointed for the distortion. I wanted that extreme porno music sound but i guess it'll do.

Dude, this thing is friggin buff. i can probably use it as a weapon and kill somebody.

never dealt with them.

I play metal, but sounds pretty good with bluesy tones too. If it were stolen i would probably try out the Bad Horsies, Zack Wylde, or Dimebag wah just to see what those things sound like. I would probably go back to the switchless wahs cuz they're perfect for idiots like me.
This thing is badass, but i would like to play it extremely loud for a chance to see what it sounds like cuz i live with a bunch of conservatives. I main reason i bought it is cuz the thing is switchless and the spring action feels sexy. Was lucky enough to get this with an employee discount cuz my friend worked at Guitar Center.
I would actually want a q on that just to make a variety of sounds. If i had money I would probably mod it so it would have a EQ and would sound similar to a dunlop 535q crybaby.
For the money i got it for, hell yeah its worth it. Who can refuse a discount like that brand new?

Plug and play!!!

I have used many wahs and this is by far and beyond the best for my needs. I love that it doesn't have a noisey pot that can wear out (as so many of my old wahs have). The dB boost knob is great. This wah has a wide mid freq. range on it, which I love. Its nice to get right in the mid range and just rock it.
I am using it with a PRS Custom and a Mesa Tremoverb head. If your looking for a great sounding, no BS, no hassle wah pedal, then look no further.

No pot to wear out. Have owned mine since it was released and its still rockin!!

Never needed it. Thats a good thing, right?

Props to Morley for pulling it off with a great wah pedal. Now only if it didn't come with Mark Tremonti's name on it, that would be the best.

easy to get a decent sound out of it. just plug it in and go. just one knob for volume boost. the fact that i had to unscrew the bottom plate to adjust the off-delay time wasn't daunting at all to me.
of all the wah pedals i've tried, this one had the biggest rocker sweep. for a lot of people that might take a bit of getting used to. this is essentially my first wah pedal so it wasn't a problem for me. i love the switchless design, because traditional switches were what turned me off from wah pedals in the first place. i just hate it when it's supposed to be on, and sometimes you just didn't push hard enough. total humiliation.

my signal chain is:
squier strat..Mark tremonti power wah..boss cs-3 compression..marshall drivemaster..boss ch-1 super chorus..fender twin reverb/marshall jcm-900/roland jc-120.

sounds really good, especially with the compression on. i have two bands, one with only me as the guitarist, playing female-fronted rock. with that band, this pedal sounds excellent. my other band is a funk-based, dual guitar group with a dj, a keyboardist, percs. i'm the lead guitarist and the rhythm guitarist also uses a wah, a dunlop crybaby gcb-95(?. although for rhythm it sounds excellent, sometimes it gets really hard to get a lead sound that punches through, especially with the heavy parts of our songs. in this area i find that the volume boost is no help at all; the way my pedalboard is set up, it only saturates my distortion level even with the volume boost all the way up. thinking of getting a cheap eq pedal for the meantime.. for cleantone wacka-wacka stuff, this pedal really shines. really milky. i AB-ed it against my friend's vox clyde mcCoy. i fell in love with his pedal, he fell in love with mine. hahah. we both agreed that they both sounded exceptional, it was just the interface that was different: the morley was switchless and had a wider rocker sweep; the vox had traditional sweep and switching system that everybody else is familiar with.

a bit noisy though. on the toe-down position it emits this high pitched whine that i thought came from my zoom707, so i took that out. now i think it's because i have single coils. oh well. i don't know if i need a noise suppressor or a just new guitar with humbuckers this time. or maybe it's the high gain. anyway it's not really a problem when the band starts playing.

the wide sweep, like i said, took a bit of getting used to. halfway down i'm already satisfied. toeing it further down i get sounds that i don't think i'll ever need.

i've had this pedal for around 6 months. it would probably live longer than i would. built like a tank--i wish someone would think of another phrase to use than this because this is all i ever hear. it's true, though.

i don't think i'd ever need a backup for this, though i might consider getting another wah so i can have a different sound, at maybe another point in the signal chain.

n/a

i've been playing guitar in bands for around 10 years already. this pedal is one of the batter investments i've made, gear-wise. i find myself playing guitar for hours, just stepping on the pedal. i play funk in one band, veruca-salt type rock in the other. this pedal suits me well in both.

if it were stolen or lost, i'd definitely get another one, or a bad horsie 2, because i'd like to try tweaking the wah sound a bit more.

i love the fact that it's switchless, but also partly turned off by the fact that i have to keep my foot on it if i use the pedal like a filter.

i've tried dunlop crybabies, early-model morleys, my zoom707's expresion pedal, and my friend's vox. surprisingly the dunlops are at the bottom of my list (though i've yet to try em out with a compressor of any sort). the vox and my morley are tied for first place, with the morley eventually taking the lead because of these reasons: the morley is switchless, and i live in a country where getting replacement pots are next to impossible.

Come on, you know this!

Okay, the sound is okay...OKAY. Not great. It's clear. It's clean, step on and off without any noise. That's the grat thing about this wah (and the Bad Horsie). I actually bought this just for the fact that you didn't need to "click" a button. However, there is a price to pay. The sound, while nice, is NOT classic wah. I really like the sound of the '60 and '70s wah. I was hoping (based on some of the reviews) that I could get the classic sound without the old clunky pedal. Wrong. Also, the "booster" does not do anything. I didn't notice a volume change in the slightest. But I didn't plan on using it anyway.

Yea, shines here. Solid and I have it a year with no troubles at all.

Couldn't say.

It's easy and smart, solid and sounds okay. Not a wah pedal per se. And the booster does nothing.

This pedal is brilliant in its simplicity. The pedal is plug and play. The pedal has no knobs to turn to adjust wah tonality; however, the pedal does have a 20db wah boost knob. This knob is designed to pump your wah tones above the sound of the band. I like this feature. I normally play with the knob turned all the way up. I tend to only use this pedal for my soloing and when I solo I want my wah sound to be slightly louder than the band and the boost knob accomplishes this quite nicely.

As mentioned above the wah sound is unchangeable; however, you will not want to change to wah tone. This pedal is extradionary in its tone and feel. The pedal is fully optical; no more messing with pots. I have played on Dunlop's Original Crybaby, Dime Crybaby, and 95q pedal, and other wah pedal. The Morley Mark tremonti pedal blows every wah pedal I have ever played out of the water. This pedal is a definite 10. Anybody looking for a great sounding pedal go with the Morley Mark Tremonti Power Wah.

The pedal is extremely reliable. The pedal is made out of medal. The pedal is very sturdy.

Have not used it yet.

My style of music is hard rock, heavy metal, and blues. This pedal suits all the above styles great. This pedal can pump out crisp notes when using distortion and it can wheep when using the clean channel. I have been playing for about 10 to 11 years. If this pedal was stolen I would cry myself all the way to the music store to buy another one. One last thing to say BUY this pedal. This pedal is fantastic.

As there is little to change on this pedal its pretty much plug 'n' play. Very simple. Love the switchless design.

Setup: Mesa F-50, Morley Tremonti Wah, Musicman John Petrucci Guitar.

Effects Quality: Superb! I like the old wahs for certain sounds (e.g. CryBaby) and modern wahs for the other sounds (e.g. Bad Horsie). This wah is an interesting hybrid, that to me sounds great.

Reasons for Purchase: I wanted a wah didnt mess up my tone. I just wanted to embellish the tone I had. This wah does that - it isnt overpowering, neither is it noisy. I also required a wah that was noticable on the higher notes. This wah was exactly what I was looking for. Ok to be critical, the real high notes dont sound to obvious when using the wah, but then what do you expect.

Only had it a couple of days. Built like a tank. This is my first Morley so it wouldnt be fair to comment on this aspect until Ive had use of it for a while longer.

My dealing with the company have been strictly on a pre-sales basis. However, I cannot fault their helpfullness, friendliness and quick response times.

I am in to all styles of music. Right now I am putting together my first valve setup, for which I just want great tone and versatility. So far so good!

Good Points: Sound, quality, usability, construction.

Bad Points: None really. If I didnt get such a good deal I guess it would be the price (especially if you do a feature comparison between the other Morleys).

If it was lost or stolen? Yep, Id get this pedal again.

very easy! all you got to do is step on the thing and it goes, the volume boost is pretty easy to understand?duh..

this wah is very impressive,I had owned a cry-baby before, and yah it made me cry like a baby, with this wah, when your amp is clean so is the wah,it really shines. but when your amp is dirty, you get a screaming lead sound out of this baby! this pedal has a good amount of treble to make you scream METAL!

good quality, built like a tank, I would gig without a backup

dunno, never had to

I play anywhere from blues,Rock,metal, you name it, and I definently like this pedal. I play a epi les paul , and a Strat loaded with EMG-SAs,I also got a Mesa Boogie Triple Rectifier.If this was stolen, I would definently replace it. Im not an obsessed creed fan , This is just a good wah , designed by a player that knows how to get sick tone.

This is a good wah, i can tell that much although i have only had it for a couple of hours

Sounds great, as good as the Cry Baby or better.

Heres the problem: I have used it about three times today (i bought it a few hours ago) and the bloody things broke!! built like a tank maybe, but i seem to have a dud. Instead of the great wah sound i expected when i was showing my mate the new toy, it started screeching out these wierd noises like one of those toy ray guns with low batteries. Although i admit the noises where very cool, it's no longer a wah, not even an FX pedal as when the thing is active whatever i do to my axe has no effect on the sound coming from my amp. All my gear in my setup is good (i dont use any other effects apart from wahs so it was easy to check)

I havn't talked to the Morely yet, but they are going to get an earful!

I play a very wide variety of music, with my band i play hard edged folk rock and grunge, and this wah would be cool if it worked. I have heard so much good stuff about it that i am going to get it replaced as i obviously got a dud. My wah i use at the moment is a Cry Baby and i havn't really played the Morely enough to tell you which is better overall, though it seems i am stuck with cry baby for now! I would probably recommend this to people but i played with it three times (once in the shop, once when i got home, once this evening) and am thoughroughly pissed off with it.

Touch and Go!

This thing picks up radio stations when all the way up on the tip. Anyhow, if it were not for this I would rate the sound at 10 because it does sound REALLY bad ass! I'm rating this a 5 because of the noise problem. Yes, I am using the morley adapter they mention in the manual. I even tried running this directly into the amp with the same noise problem. I tried other amps and guitars. If you are wondering my main guitar is a Gibson LP and it's not because of bad wiring especially since the rest of my foot pedals have no noise problems.

probably will survive a nuclear blast.

NA

Well the only other fault I can find on it is that the WAH doesn't go as deep as I like. If you tremonti wah works for you then great. I just cant stand the damn noise.

step and go... it cant get any easier

I really like the sound from the morely, to me, its a cross between old crtbabys/vox wahs and the more modern wah that morely produces. i use to not like morely because ofe the shitty classic wah. my friend had one and i thought it sounded like a big ass so i was really bias towards morely until i play the tremonti wah.

had it for a year, no problems, although i would be surprised if it broke because i made the mistake of buying it at guitar center.

no problems

its a great wah. i love it because it sounds really good and im lazy, i like the idea of step and go

It's switchless and you don't have to mess around around with Q or range settings (which is good or bad dependin on how you look at it!) so it couldn't be easier to use.
The manual was very precise when it came to setting the on/off delay so thumbs up for that aswell!

Using a Epip SG into a Roland Cube 30 and theres pratically no noise at all..bar the feedback from the booster set at 10 (very usefull when used correctly!)
Of all the wahs ive tried the Tremonti's sound was the best when used with distortion so if you're a hrad-rocker of any kind its great.
Also if u like Tremonti's work with Creed then you'll love this pedal. As has been said before this thing nails Tremonti's sound perfectly, Stand Here With Me is an absolute joy to play with this! It also works really well with Morello's sounds ,its sounds are extremely versitily bearing in mind the lack or Q/range options!

The thing is built liek a tank. It's been dropped once or twice and the last time it took a chunk outa the wooden floor,still not a scratch on the unit itself though. The insides are also extremely well built aswell so i dont see anything coming loose either. The battery area is also very stable.ANd it'll definitly stand up to heavy gigging.

I emailed Morley BEFORE i bought the unit regarding the adaptor and the power supply (I bought my unit in the US and brought it back to Ireland saving E180, nearly $200, ...thank you very much Sam Ash!!)and i got a reply the next day (time difference you see!) detailing everything id need and telling me where their official dealers were located in Ireland. Thats (pre)customer support!

I play mainly hard / modern rock with a little bit of metal and classic rock thrown in. This wah is prefect for everything when messed with. If it were lost or stolen,well then there'd be holy bloody war cos these things go for E270 here in Ireland which is about $300 and id have to order a replacement from the US,it'd still be worth it though! Everything about it is perfect in my opinion but as always try out all the wahs you can get ur hands on before you buy anything!

easy , too easy, it needs Q and range controls !

Sound wize, I think this is a pretty tame. It does have alot of clairity and its not overly shrill.
Like the reviewer below, I find I'm hitting the shut off area looking for more travel in the lower range,
I think its as much from looking for more Q in the lower third as it is looking for lower frequence response,
I can't seem to get serious 'vowels' out of it.
RATS, cause its really close.

just got it, its engineered solid, the design and board layout is sweet,
we'll have to wait and see about component reliablity

emailed with questions on another product and got a fast, helpful turn around

its an 'airy' wah , without alot of Q. Thats a good thing up high, but bad down low.
Maybe I should have tried the BadHorse2 but theres no Morley gear on the floor anyplace I know
its probably about as good wah as I'm going to find without a 'dweeb' signature :)

The only things you can tweak are the boost knob and the off/delay, you don't even have a switch to turn it on, so it's very easy to use. Everything you need to know is in the manual.

It sounds very good, Jackson guitars into ADA mp-1 preamp. It has a wide sweep, i'm still getting used to it. I wish it had more travel in the bass frequencies, i have to be careful not to turn it off, and going way there in the treble area can hurt your ears, but it never gets hissy or shrill like the top end of a crybaby. If you keep it in the usable range, it has an amazing sound, fat and clear. The boost function is nice, but you don't really need it, the effect is very noticeable all over the fretboard, even with heavy gain. Using the boost will make the distortion sound a bit more squeaky, or give a mad volume boost on clean.

Built like a tank, the jacks are very very tight and solid, very well done.

nope

It's a great pedal, it won't do the vintage wah tone, but if you want that, you look at Dunlop or Vox anyway. I'm not sure why there is an off-delay, but you can adjust it or remove it anyway, so it's not a problem. Works well for metal and hard rock, thick sounding all around. I love the switchless design too, and the connections are all very tight, unlike that George Dennis pedal i had for a while.
It's my first Morley product, and i'm impressed, i'll be looking at their stuff for a volume pedal or ABY box.

plug and play, pretty easy

this is the big plus, I've played funk for years and used probably every wah on the planet, Fulltone, dunlop etc. This thing covers everything sonically I could ever need. I bought this after someone stole my 535Q and I'll never go back to dunlop. I also have a fulltone and this is as smooth and full as the fulltone but I love the switchless option. Like I said I've tried everything and this just hands down eats them and is a great price. I tried the new boss power wah, they make some good pedals but that was like a line6 amp, not real

built like a brick s**t house

I've found morley to be great,they even made a modded version of a volume pedal I needed

I love this wah, though not a fan of tremonti (which actually put me off buying!!) was unsure, but after trying so many wah pedals in my time this is the one!!

This pedal is very easy to use. step on to turn it on, step off and it goes off automatically. the boost knob is pretty self-explanitory. You don't need the manuel at all unless you want to adjust the pedal-off time.

my setup is this:

Ibanez GAX70(stock)===>Nady Wireless system ==>Morley Mark Tremonti Power Wah ==> Digitech XDD Digital Delay ==>Fender PT-10 Pedal tuner ==> Fender Princeton Chorus.


This pedal is very quiet. I only notice a slight hiss when i turn it on with the boost all the way up.

THe sound from this pedal is amazing. perfect blend of classic and modern wah sounds. I can get kirk hammett's(spelling?) wah sound easily.

The only tricky thing i've found on this pedal is that when i use it with distortion, i have to turn the boost all the way up to boost me over my band. but without distortion, i have to turn the boost all the way down, or else the volume boost is way too much.

built like the proverbial tank. i would definatly gig without a backup.

haven't dealt with morley, and i doubt that i'll have to.

My band plays alternative rock. (think 3 Doors Down). This pedal is awesome for my style. I've been playing for 4 years. If it was lost or stolen, i would definatly buy another one. THis pedal has definatly broadened the sounds that i can make with my setup.

Pretty easy to get a good sound. The tone is really good on this wah. The decibal boost is kinda hard to get used to. It just makes it too trebly.

I'm using this pedal with a MArshall AVT 150. I love the tone this pedal gives, it's just beautiful. Only problem I have is the treble gets annoying at high decibal boost levels when the wah is engaged. You'll cut thru the mix for sure! I get a good solo sound like that of Mark Tremonti and Tony Rombola. The treble problem can be solved though with some EQing or just don't stand in front of the amp. When you engage the pedal it sounds natural. However when you disengage it, it is noticeable. You just need to play around with when you disengage due to the 4 second delay after stepping off or you can adjust the delay time yourself. When engaged the tone is awesome.

Totally dependable. It is built like a tank. No way your gonna break this sucka.

Never dealt with them.

I like playing rock and hard/rock. This pedal is perfect for those styles. It is loud and in your face. I've been playing for 6 years now. I own some other pedals but I find myself always using this one, every time. I have a Dunlop Crybaby. And thats exactly what it is doing, "crying" because I stopped using it. I would buy this pedal again. I like the tone. Perfect rockin' wah tone. I like the fact that I can step off and it turns off. With some tweakin' and gettin' used to it makes music!

The easiest wah to use.

I previously had (and still have) a Bad Horsie wha, but after 3 years with it, the input jack is too loose and I didn't like the sharp sweet spot peak area. It also had bleed-through of the wah tone with the original signal, and that bugged me big time.

Anyway, I replaced that wah with the Mark Tremonti wah yesterday, and used it at a Halloween gig last night. This wah is much better. It sounds a lot thicker and bigger than the Bad Horsie. The toe-up area is a bit dark for my taste, but I just add a little more toe and I'm where I need to be. Also, some wahs have so much treble in the toe-down position that you can't hear anymore effect- but not this pedal. I've always used the Bad Horsie before, but last night I got a few compliments on "that really cool sound you get", as a few fans put it. I feel much better using this wah, and I'm sure I'll get a number of years worth of great use out of it.

For whatever reason, it seems built better than my Bad Horsie. The jack connectors are freakin' tight! You're cables won't come out unless you intend for them to. Oh- by the way, I didn't have a fresh battery to install for the gig last night, so I used the 1-year old battery from my Bad Horsie just for the night. After the show, I forgot to unplug the input jack (I have it in a pedal board w/ no power supply). I took a look at the wah this morning, and the LED lit up just like the battery was new. So we know it's got a kickin' battery life! If I had it for at least 3 or 4 months w/o problems, I'd give it a 10, but I just bought it.

Well, there's an employee or tech from their company who posts here offering help to everyone. Not even Mesa Boogie goes that far!

I won't buy any other wah. I hate wah's with a switch you have to click ON and OFF, and I especially hate the kind where the switch is under the toe-end of the pedal. Infact, if it weren't for the switchless feature, I'd rarely use a wah, if ever.

Excellent job on this one Morley!

Extremely easy to use. One knob that adds up to 20 db of boost. No switch like other wahs, this thing runs off optical.

This has got to be the best wah I have ever owned or even played through. It has an amazing mid range sweep and the wah is very toneful and present, not whimpy like Dunlop or VOX. I am using a Mesa Boogie Dual Rectifier Tremoverb and PRS guitars. Not to mention no noisey switching, this thing comes on when you step on it and off when you step off. No pot to wear out.

Had it for about 6 months. So far so good. I take good care of my pedals. I don't see the need for a backup.

Haven't dealt with Morley. Haven't had the need to.

I play in the Modern Alt/Metal band 8 Om. This pedal works great for what we do. I would highly recommend this wah above all others. I have checked out tons of wahs and could never find anything that can even come close to the Morley Tremonti Wah. I am not a Creed fan but I love Mark's signature wah pedal!! The one downside to this pedal is that it is a bit bigger than your standard wah, but it makes up for this with the sound it produces. Great job Morley!!!!

What can I say? 1 Knob for Boost and then just step on it and it wha's!

Great Sound... I used a CryBaby before and have to say that I didn't like the tone that much. Sure it was great for Bass frequencies and mids but not in the highs...
This Pedal has everything... great Sound in the Mids and Bass and the typical Morley High Sound... GREAT... My Setup looks like that:
Framus Camarillo Custom Guitar -> Boss TU-2 -> Morley Mark-1 -> Visual Sound Jekyll & Hyde -> Ibanez CF-7 -> Laney GH100L

Built like a tank!

Friendly guys at Morley... but I think I'll never need to ask them a simple question...

Best Wha I ever owned/played. Great Sound, built like a tank and most important... SWITCHLESS! If it would be stolen I'd definitely buy it again!

You can't find an easier wah pedal. You just plug it in and step on it. You can dial in a boost up do 20dB. It is so easy it didn't come with a manual.

It sounds great. I have it running directly between my guitar and my Warhead. There is no change in tone, or volume, or distortion, and absolutely no noise. The boost isn't all that much on the distorted channel, but you get a big boost for celan. The wah is great!

I just bought it a week ago. I am using it at my first gig tomorrow, and no I don't have a backup and no I am not worried about it.

Awesome, I got the name of the guy of the H-C.com website. He talked me through it and my little alligator. Very knowledgeable and courteous.

The best wah on the planet. It is switchless, and you can adjust the drop time for the wah to shut off. I just left it at the factory setting. I will never, EVER buy a different type. I have tried them all. Dunlops, crybaby's, rotosound, rotovibe, crybaby from hell, Boss you name it and this beats them all hands down.

Easy says it all... when I look at it, I see 3 things: a box, a pedal, and a knob adjusting wah boost. One review below said it themself, this thing is idiot proof... you step it on it, it turns on, as soon as u step off, its bypasses. You can set a delay on the pedal that it once u step off, it will still low power wah for a certain time. Its adjustable, anywhere from no delay at all to 3.5 seconds (which is a long time if you think about it for a wah to go by itself). Manual is good, even has a recommendation of the order you should setup all of your effects with this wah pedal.

Im running this thru a PRS Mark Tremonti using a Behringer Ultraroc GX110. I run my PRS directly to the pedal, which runs into a Boss Metal Zone MT-2, which runs into my amp. You get some cool sounds when you step on the pedal and ur not playing anything at all, kinda fun (with a maxed out wah boost). The effects almost always sound great, i love it. I can pump out some nice creed songs, the stand here with me solo sounds great with this pedal, seriously. This pedal has very good sound.

Earlier i said, I saw three things. Well, all three of these things are rock solid. Its seriously metal, and this thing could take a beating. I could definitely use this thing on a gig with no backup wah, i cant stress how well built this is... it seriously reminds me of a tank, lol. If I dropped this thing on ground surface, itd make a loud sound no doubt, but this thing is more likely to break the concrete than break itself, lol.

never dealt with, and dont think i ever will have to... something i found though, on the warranty card, it asks you to check which pedal you have... the tremonti wah isnt even on there... curious...

I play hard rock guitar, and this pedal suits my needs beautifully. Im 15, and ive been playing about 3 years now. I own all the equipment I listed above in the sound quality section, plus I use a Shure Wireless Guitar system. If it were lost or stolen, I would definitely want a new one, Im already in love with this thing. I love the wah sound, the sound is just pure quality... its got so many sweet spots, its beautiful. The only thing I could possibly think of that I dont like is that to change the delay, you actually have to take a screwdriver to it, which isnt all that hard, but they could of just made a slide compartment, but for the most part, once u adjust it once, u wont need to again. I compared it to alot of wah pedals, and the sound quality and tone just didnt cmopare. I wish it was maybe a little smaller, but again, the tone is worth it. It helps my music sound better! One thing you gotta be careful, running around live, u might step on it, its a decent size (im also biased, im used to the small little Boss Metal Zone i have). Its pricy (i got it as a gift, heh heh), but even for the price, I DEFINITELY recommend that you at least try it before waving it off. If you have any questions, feel free to email me, I love to talk guitars, effects, etc. Overall great wah pedal, I absoutely love it. A+ Morley!

I've had 'em ALL,Dunlop GC- 95 and 535Q, Vox Reissue,Snarling Dogs, even an OLD morley with WAY too much Mid in it,and I've never been happy with ANY wahwah until this one ! EASE ??? Step on it, it wahs...want just a little wah? just step on it a little...Want to add some feedback to your distortion? ease down till you hit the sweet spot...

This is the perfect wah, adds a little noise, but not as much as others...My setup is Wendler Guitar>TU82 Tuner>Real Tube 12AU7 Overdrive>Boss DS-1> Wyllie Moonrock> Boss DC-2 Dimension C > Maestro MP Phaser> Guyatone Digital Delay> Danelectro Analog Delay>MORLEY Tremonti Wah > OLD GREY DOD 250 Overdrive > Ampeg SJ12R Tube Amp...I tried several variations and my setup sounds better with the wah next to last and my old 250 , my clean boost, very last before the amp... i can coax all sorts of feedback out of the puppy with no unwanted squeal at all...

So Far So Good...NO SWITCH to go out, no pots to scratch

Theyve been around forever

This is the BEST and I've been playing since i was a Beatle Boy in 1964

This is the first wah i've ever bought...and it will be my last forever!!! So easy to use. You can even set the delay time of how long the wah stays on after you step off of the pedal...it's easy to adjust, and the manual tells you how to do it...so no need for a tech or anything.

This wah rocks!!! If you buy anything that has Mark's name on it, you'll know it's gotta be made good. Not noisy ever no matter how much distortion you give it. This wah picks up harmonics GREAT!!! The perfect wah for soaring leads, plus you can jump in front of the band with the wah boost.

I can depend on it 100% percent...and thats a hard thing to find these days. It's got excellent construction, very durable...it's pretty much perfect. I use it on gigs without backups...infact i do use it without a backup, cause i dont have another one.

I've never had to deal with customer support.

I play rock all the way. It is the perfect rock wah!!! I've been playing for 2 and a-half years. I own too much gear to list. I would buy another one if it got stolen. I love everything about this wah. I compared it to dunlop crybaby wah's...but dunlop doesnt match up. They might as well stop making wah's, cause the Mark Tremonti wah is the ultimate wah now and forever!!

This wah is idiot proof. no switches. one knob that controls the wah boost. switchless design. Pretty Basic if you ask me

Martin DX1 with Fishman Natural 1>MT-1 Power Wah>Trace Elliot commando
my setup is pretty basic. this wah has an awsome tone. it has a larger "sweet spot" than the bad horsie and has a good mix of old and new wah tones. im very happy with my purchase. theres no noise comming from this wah. at least none that i can tell! but basically. this thing sounds great. i get the sound of mark tremonti and thats awsome.

this thing is built like a rock. i could drop it from a 40 story building and it would be ok.

never dealt with them

this wah is awsome. i lead worship at my local churches and use this wah quite often. im very happy with the tone it has and the fact that it is switchless. if this was stolen, i would replace it again (but its not gonna get stolen cause i never let my foot off of it)

Wow.. oh man, where do i start?? switchless design makes for simplicity. theres also a wah boost knob for giving that extra kick in wah mode.

I gave a review for the Morley PWA II wah pedal. i wasnt really impressed with the PWA II. but wow... this pedal is amazing! it has such a rich tone and great sweep. this is my setup... strat>>morley mark-1>>kork ax1g multi effect>> dod grunge pedal>> amp. the dod grunge pedal fits very well with this wah. the wah cuts right through any heavy distortion and you can hear a great effect even up in the higher frets. i am truly impressed with this pedal. it is not noisy.. i had it cranked and the amp was halfway, yet there was not a single bit of noise. recreates a lot of wahs. you can get the funk wah in clean mode or you can add a lot of distortion for pantera and metallica stuff.

this wah is very dependable. i wont have to worry with this piece of work. it has metal construction and will hold up to whatever i throw at it. i like the diamond plate treadle.

morley has got to have the best customer support i have ever seen. i am very impressed with their attention to customer's needs. i have dealt with bill and a few others at morley and they are amazing people.

this pedal is perfect for me. it handles distortion beautifully and sounds amazing. it is built very well and you gotta love the electro-optical stuff. the switchless feature just adds to its appeal. i love morley products and now i am a lifelong user. morley rocks!! ... haha

This pedal is idiot proof.

This pedal sounds great. I've owned 2 cry baby, boss v-wah before my wife bought this for me. I was get about to give up on wah pedals because of sound problems.
I have many pedals and I've found that it is best to use this pedal after tuner and before overdrive. Basically 2 in the chain after guitar. It really makes me mad that I can't find bad to say about this pedal. For the money you can't beat it.

Rock Solid

This pedal is the ultimate for live performances. No switching! Just step on the thing to turn it on, and step off to shut it off. The boost also gives you just enough punch for any signal loss when the pedal is turned on. I believe this is a true bypass pedal, I may be wrong though.......

You touch it, it works! It even has a reassuring bulb just to let you know its working. The automatic off timer is set just right. any sooner and it would turn off before your done using it, so the fact you have to do some open heart surgery to change it is not relevant. The only thing you have to worry about with this pedal is hitting the wrong notes.

I love it! You may think I'm a lillte nuts buying this wah, but I bought it just for the tone. I own a vox wah from the 50's that I don't use anymore and I have a GNX2 that has a programmable wah with a toe switch, and a vox modeled wah that is on my Line 6 amp that also uses a toe switch. So, as if I don't have enough Wah to choose from, I specifically got the Tremonti Wah for the sound.

It's a box with a knob and a pedal. What could go wrong. (knock on wood)

Don't know. Haven't had it long enough to need customer support

I saw Mark play live ten feet away from me at the Creed show in Utah, and he has got to be the BEST guirat player I have ever seen, (Iv'e seen quite a few.) Thank god he made a wah that I can use and love.

Easy to use. 9-volt battery or adapter. Nice battery compartment door on the bottom; you don't have to take screws off to get to it. Plug guitar in and out to amplifier.

NO SWITCH! It is spring loaded so you just step on it and it's ON. Take your foot off and it shuts off. There is an adjustment inside you can tweak to set it from instantly off when you are the way up or off the pedal to up to a 3.5 second delay. You decide when you want it to shut off (very nice). I left it at the factory setting (about a1/4-1/2 second). I don't want it to shut off if I'm rocking my foot all the way up (and then back down).

Comes with a small manual with recommended effects order.. Other than that, it's pretty self explanatory.

I have both a Standard Strat and a Peavey Wolfgang Special into a Peavey Classic 30 amp. I put the Strat into an old Ibanez 60's Fuzz pedal.

I find that you have to put if in front of your gain (recommended setup anyway). If you put it after the gain it doesn't sound as good or clear. Also, it has a boost/volume knob so you can make sure the sound is as loud as you want when you step on it (solo boost, etc.,). Very nice.

Here's the best thing: It has more of the sweet spot in the sweep and sounds very close to the old style wahs (Vox, etc) in my opinion. This is what I was after in a switchless wah (hate the old on/off switches. You have to practically jump on them sometimes).

I hated the Bad Horsie because it was so top end for me (but liked the switchless feature). I like the fuller/bassier side at the top (foot up) of wah pedals (not the hissy, foot down, end). You can nail Hendrix's Voodoo Chile intro, White Room Intro and Chorus, etc., I do like Creed but I bought it because of the vintage wah-like sound you can get out of it. If you're a Creed fan, I'm sure you will love it, too, since it's set up for Mark's sound.

It looks like it was built like a tank. All metal. I owned a Bad Horsie too and never had a problem with that either. I don't see this thing wearing out anytime soon.

Not sure, but I have heard good things about Morley service. For that reason, I can't give an automatic '10.'

I personally think this is the best switchless wah out there today. I would buy another one if it were stolen. And you can't beat the price. $109? Cheaper than the Bad Horsie's and it sounds a hell of a lot better.

Hey i've already sent in a review but here I am again. I sent an email to Morley talking about how great the pedal is. About 3 weeks later they sent me and email about how they liked the comments and now they are sending me some free stuff like a shirt and "other fun goodies" I sent them another email as soon as i got it back and they sent on back the next day

Nothing complicated here. Step on to make it go and step off to go back to bypass. It has a boost knob to add an extra 20dB to your sound so you're always heard. The only other adjustment is the "wah off delay" which has to be adjusted by taking off the bottum plate of the pedal. Would be a 10 but it's kinda a pain to have to take it off whenever you want to make that adjustment.

I play a Hamer Explorer and a Squier Strat (cheapo traveling axe) through a Marshall MG80RCD combo (built-in overdrive and reverb) with a RAT distortion pedal in the FX loop. I mainly use the overdrive for my heavy rock sounds. This wah sounds damn funky on the clean tones and screams through the distortion...doesn't get drowned out by the heavy distortion/overdrive like my CryBaby wah. The extra boost helps it jump out even more. Perfetly even sweep and all that. This is one great sounding wah.

Obviously built for the stage. The body is made of fairly thick metal and there are hardly any wires inside to get pinched or bounce loose. The cables fit very tightly into the input and output jacks so they'll never shake loose, and the battery practically needs to be jammed into place in its compartment so there's no rattling around. No switches to wear out or anything like that. The only thing I'm a little worried about off the bat is the diamond-plate foot padding peeling off over time. That doesn't seem likely though.

Haven't had to deal with anyone yet...

This is a great wah pedal, made for performing, and plenty of fun to play with in the dorm too. It's built to Tremonti's liking, so you know it's gonna be good. I play hard and classic rock, and some blues. Metallica, Rage, Creed, Nirvana, Aerosmith to name a few...anything that sounds good. This is way better than the crybaby I've had for a while now. That one loses its appeal when the overdrive kicks in, but the Tremonti pedal powers right through all that to produce deep muddy sounds at toe-up, ultra clear screaching highs at toe-down, and every tone in between. The sweep and "Q" and all that are perfect. The switchless design is great for quick transitions from rhythm to lead licks and back again. Perfect for very short lead fills as well. This is just a near perfect hard rock wah.

Ok first off it is a wah. You got a pedal and one knob. Not too hard there. The knob incresess the dB boost up to 20 dB's. But there is a delay off knob inside the pedal. You gotta take off the bottom plate and find one of those really small screw drivers to increse the time it takes to turn off or vice versa. It's switcless so that is really easy. Don't have to push any buttons or anything. For just having to take the bottom plate off I'll give it a 9

WOAH. Morley really got Tremonti's sound in this one. There are no adustments to it so you got one sound. But it's still gotta be the best wha i have ever played. It's just really kicking and great live. I'm using a standard strat to a BOSS ME-33 to the Mark 1 into a Fender Deluxe 90. Great setup.

It's made of freaking steel. Not worrying about it breaking anytime soon. Doesn't have any knobs inside it uses an LED to sense when it is on and off. Also being switchless no switches to break or wear out. Can be compared to BOSS stuff.

Never have really talked to them but I have never really heard of any problems. I don't think i'll have to deal with them.

This pedal is top of the line. For 119 yeah that may be a little pricy but go try it out and see if you say that after. I play a little of everything and this thing can handel it all. I've been playing for about a year strong and never really have had my own wah but i've used friends stuff. This blows their stuff away. If you have any questions just email me i'll be glad to spread the word of this awesome wah

Very simple, set to Mark's Q settings step on, step off adjustable delay settings (time it takes to turn off when you step off) and has a boost to cut right threw the mix Very straight foward, kick ass pedal also has a plastic diamond plate design on the pedal so you can keep your grip works really well with shoes

Very Very good, i like to add a tiny bit of delay and reverb when i use this and it sounds like no other, and during band pratices you can here this pedal perfectly.

built like a tank, heavy MotherF***er

never delt with Morley hope not to

Overall, dont waste money on dunlap cry babys or what not they just suck Morley makes the best wah's and volume pedals that you can buy dont waste money, just get a morley you wont be upset