Zoom 4040

I use a Musicman Stingray mk1 mono into the ZOOM 4040 stereo out into an Eventide time factor stereo into a boss rc 50 loop Station and then stereo into two Fender twins, this way I can get all those ping pong delays ans swirly sounds from the Eventide, with the great distortions choruses flanges etc, from the zoom. Lots of other guitarists look with disdain at this old plastic box, the Zoom 4040,until they hear the sounds that come out of it and then want to know where to get one. I have tried Hot Cakes, MXR'S, Boss, lINE 6, Digitech, TC Electronics etc. but always come back to the good ole Zoom 4040, correct me if I'm wrong but I believe it is pre digital modelling and so has a very convincing analog sound. the only problem is my guitar signal is too hot for the input stage and can cause some weird noises, and it is a three button process to modify an effect. And yes I can sound like Rammstein, with a touch of psychedelic delay extensions, and the tube sounds of Stevie Ray Vaughan doing Third Stone From The Sun to be precise

You won't find an easier effects unit than this, 2 minutes and you're away. Simple as it gets.

I play electro acoustic through the 4040 straight into the mixer. Great chorus / reverb sounds, the overdrives will take your head off ! It's hard to find ones that bite a little, like a Knopfler type of sound, but they're in there, you just have to be patient and try them out. The unit is noisy, quite a bit of hiss gets through to the speakers, even with the noise gate on.

This 4040 has been in my gigbag for 12 years, done every gig with it, same unit, same powerpack. Fantastic.

Never contacted them, no need !

Great for acoustic, great for a little bit of funk with wah, if you play Bryan Adams through to metallica it's also brilliant. Just don't stamp on it with your big black heavy metal boots 'cos it's moulded plastic.

The 4040 have a easy way to edit and save the patches. It have 40 preprogrammed patches and other 40 removables for owner's configurations (You can restore the pre sound)
Otherwise, the unit have lots of combinations and it's a bit hard to get the "perfect sound".
The manual should have longer explanations, despite this, I think is suitable.

I have used a peavy 130 stereochorus, a made in Japan Squire (Stratocaster), and a casio PG300.
The unit is quite noisy, specials with analogue distortions. Have a noisy gate, but is not enough with high gain distortions.
The worst: The wah sound, and auto wah, in my better adjustment, I only gets a regular sound. Pitch control, perhaps is the worst, it sounds like a old game machine, but I think that somebody could find It good in adequate music style.
The best: It have two pedals, expression and volume, a midi out (very useful for computer guitar effects music control) and I think that have an acceptable clean/distortion module (analogue) and a good digital reverb and delay.

For a plastic made unit, I think is quite robust and reliable, but I never use it on a gig, it's not robust enough for that!
Use better at home or in a very calm gig.

When I buy it, more than fourteen years ago, it was a very amazing collection of effects for a good price, I think is still useful for home studio records, and specially as a cheap midi control for guitar effects and direct recording.

Compared to modern multifx pedals this is a piece of cake. The manual is straight forward.

I only use it for 2 distortion patches, the tuner and volume pedal. I've tweaked the patches for an Eric johnson and Santana sound. I've used it on a Boogie Mark I, Fender Twin 65', Jim Kelley FACS, Bogner Shiva, Soldano Decatone, VHT Pitbull 100, Marshall JCM 800 2203x and they all sound GREAT!! On the Roland Jazz Chorus it's ok. The guitars I've used are PRS 22 tentop, John Suhr Classic, James Tyler Classis, Ibanez RGT3020, S470 and Fender Jeff Beck Strat. I have tried countless boutique distortion pedals, every Boss,Korg,Line6 and even other Zoom fx boards and pedals, just to get away from using the Zoom 4040 (because they are hard to replace). For these reasons only, I give it a 9.

Well my first one I had lasted 10 years! Not bad for a plastic casing. A couple of years ago I bought another one in the recycler as a back-up and it's a good thing I did a few thing finally started to go out.

I e-mailed Zoom and asked them if they made their new pedal with the same parameters as the 4040, they said no (bummer). Also if they could repair my old one - no.

I play rock, funk, latin, r&b etc, and I've been doing it for over forty years now,and this is the FIRST REVIEW I have ever written for ANYTHING! Because after having spent thousands of dollars on the quest for the lead tone I have always had to come back to the 4040. Right now I'm looking for another back-up. If you have one put it on ebay and I'll be looking for it.

Mastering zoom's product is just next to basic. The edit button are easy to tweak. You just have to use your ear, to nail the right tone. Its all good.

I use an ibanez rg550 over a 100 watt torque amp which sound fabulous. I recently discovered the tones of my guitar idol, which convinced people. I've tried new fx pedals like the gt6 but it just sound similar with the 4040. You just have to have a good ear to find the right sound that you like. Basically all effect pedal old and new have the same chip that they're made of. SOund wise it will all depend on your inner ear. Other musicians can help on your venture on the right tone, theres no price on asking people.

the only thing down with 4040 is its plastic, thats it. you have take an extra care. I talk with other owners of the 4040. thier story the unit got wet but after drying it still works. So explains the durability.

no need...

I play instrumental music ala' joe satriani, steve vai style. Ive been playing for 8 years now i bought 4040 3 years ago for 3800 php about 71 dollars. After hours of tweaking i got the hang of it. I was satisfied after getting the exact tone of satriani. Ive tried other fx pedals old and new they just sound the same even with "the new technology" they marketing with. I am very pleased with the 4040 performance and the price that i got it and i would be using it for a long time.

I found I could get awesome distortion and delay lead type, hall sounds from it. Some of the other effects dont sound as good as the classic pedals. I downloaded the manual for it.

I use a Australian Strauss Polka (old 60's and 70's Australian brand)
Also I prefer my 1976 ibanez overdrive..
Its my first multi effects board so i like it overall. I only paid $80.00 australian, so I think it is a bargain. This model is old hat now anyway.

Ive had no probs with it, but would always take my classic pedal setup as number one. It would make a good back up.

At least they still list it on there website,,havent dealt with the manufacturer.

I bought this off from a friend and it had the manual. I must say that, at first glance, it's as easy to figure out as some other reviewers here have said. Still, after just having a quick look at the manual, setting up your own tones wasn't difficult at all. The unit has 40 presets, some supposedly modeled after guitarists such as Malmsteen, Jake E.Lee and George Lynch, so if 80's metal is your ballpark, these presets will get the job done on basically any amp.

I use this pedal basically for clean/dirty switching. I use a Marshall JCM 900, 100 watt head and play an Ibanez ST 300 with an EMG 81 pick up, so the sound I get is aggressive and distorted without ever becoming noise or a feedback mess. When I recordo distorted sounds, I don't use the pedal; plugging my guitar straight into the Marshall sounds incredibly good (a Metallica-like crunch), but live is when I need the pedal for my clean parts. The distortion is generous when you dial the "LEAD" st up. The "Metal" distortion" is oversaturated and sounds very artificial. I use the 'lead' distortion with the "Amp Simulator" equalizer preset. That configuration sounds pretty good. The Chorus effect is nice, has nice depth and the delay comes pretty complete. The Wah Pedal effect (which can be controlled with the "expression pedal" is a bit of a letdown, since it sounds too processed and fake, so if you want a wah wah, buy a true wah pedal. A noise feature is the "ZNR" (Zoom Noise Reduction) which can decrease dramatically some of the hiss associated with some of the effects (particularly distortion). The unit has stereo outputs to use for some of the effects, like the Flanger, Chorus and Delay. Overall, the sound is good for the price I payed (around $300 USD)

Although it looks a bit fragile (the top is plastic and the bottom is aluminum) I found the ZOOM 4040 to be very reliable. The circuitry seems to be put together in a very compact manner inside. It has survived many falls and some pretty raw gigs and I'm glad to report that this pedal is very reliable

It's a good pedal for someone who wants to make the jump to more sofisticated sound modeling and not shell out excessive cash. I bought this back in 1999 and it still works very well. I wasn't much into pedals and such, because my music did not demand many effects, but now with this pedal, I've explored more fascinating possibilities with my sound. A good pedal even by today's standards!

This proc. is quite easy to be set. Editing new sounds isn't difficult, but if you really want a good sound, it takes a while to find the right settings. Despite the fact, that I bought it second hand and I don't have a manual, it didn't take long to find out how it works.

I play in a band, that plays New-wave Metal, using pretty much distortion and some really over-effected sounds. The clean sounds and chorus, delay, reverb are good, but distortion could be better. I have a Yamaha Pacifica custom, and an Epiphone Explorer. The first one's good for both playing blues and metal, with the other one I just play METAL!:) With the Amp sim I could get some really brutal sounds, but there's too much bass, which can't be set lower, and it sounds a bit too processed, if you know, what I mean... Lead dist, is quite good, but I find the others a bit unusable (except the clean ones). I have to admit, that it is sometimes a bit noisy, but for the price I bought it (44000Ft-192$), it's still not bad in overall

I find it pretty reliable, I had no problems with it. It's quite durable, it has survived many killer shows:)

In overall, I find it usable, but could be better. It doesn't fully suit my needs, but together with a Boss-MT2 it does the job. There is one tiny thing that bothers me, and that's the tuner. It doesn't get the the tones under D, only the harmonics. Apart from this, it is a nice guitar proc. for intermediate needs in Zoom quality and price

Despite the overwhelming appearance of the unit, it has a table with LED lights which is easy to navigate, and is particularly easy to set-up and store with a little common sense.

If you're not up to setting up your own tone out of this, the zoom also features 36 preset patches, which can be copied and mucked about with as one of your 36 user-definable patches. Also useful and incredibly easy was the chromatic tuner, and setting up times on the digital delay.

I didn't really read the manual other than to get the few buttons that I still couldn't figure out. From what I remember, it seemed to do the job OK.

I used the Zoom 4040 with an Ibanez RG550 and Marshall valvestate.

I have to say that I was fairly disappointed with many of the sounds. The unit offers a wide range of programmable effects, but many of these sounded the same. There was a synthetic 'edge' to many of the sounds that made it sound cold and over-processed.

Despite the ability to fine-tune several settings, the result would more often than not increase the 'tinny' synthetic sound. Both clean channels didn't seem to have much difference between them, same too with the amp sim and Wah frequency settings. Any sort of modulation was no contest for the stompbox that it was trying to duplicate. Some modulation effects admittedly did work well relatively with the 'processed' tone, such as step and flanging, but octave shifting was horrible - rather than a smooth progression (like a Digitech Whammy effects pedal, for instance) it was a series of disjointed steps increasing in pitch with a horribly screechy tinny tone. Also, I have to criticise the bypass - just having the unit plugged in increased Amp hiss to a very noticeable level.

However, the digital delay was excellent, with options to 'ping' the sound through two ouput channels, and using this in conjunction with the EQ (and even a modulation effect in moderation) yielded a few nice results, and the wah pedal, when not 'clipping out' when used with overdrive/fuzz was also very admirable.

Solid metal casing which can seriously take a beating,and the moulded plastic volume & expression pedals are very durable as well.

However, from time to time, the unit has the occasional 'mad moment', particularly when changing from one bank to another, would increase the master volume on that setting before changing to the desired bank group.

Other than that, It's a very durable piece of kit that will last ages, even with a little abuse and a lot of travel.

N/A

It's a very useful all-round kit to any beginner/intermediate guitarist who is beginning to discover and experiment with tones. The sound may not be as fantastic as it could be, but there is a lot here to experiment with, and credit where credit is due, with the amount of modulation effects included, you'd need to buy eight different stompboxes, not to mention a chromatic tuner and reverb/delay and a distortion pedal. This is the big plus. If you're still experimenting with sound, there's a lot here to play with, and is also pretty useful for those moments when you want to be inspired by a particular effect. It's also very light, portable, and a good backup. Best of all, with a pair of headphones, you can wail away and configure different settings well into the small hours of the morning without waking up the neighbours. However, this is fairly generic of most Multi-FX units

Also, the over-processed tone is not to everyone's taste, and if used through a decent amp, the unit will probably be the weakest link. It's nice to have all the effects, but if there's also a static hiss, no-one will notice your music. Another major criticism, which seems to have been resolved by other companies but still remains a 'Zoom' problem is the distinct 'killing off' of the effect when you change a pedal. Rather than feeding the tone into the next effect that you switch to, the transfer is as abrupt as changing a TV channel. Just this one refinement would have merited several extra points on the quality of the sound output alone, but again, is fairly generic for many pedals of its time.

Yeah. That toy is pretty easy. I didn't had to look to the manual to make my presets. The compare button is very useful.

To be honest sounds aren't great. I use Peavey Predator Plus and handmade Tube Amp and with this stuff only one distortion effect (form 8 available) is acceptable but not gorgous. I don't liked any modulation fx exept chorus with is correct but not impressive. Delays, despite the fact that it change clean sound a lot, are good. I liked reverb's to. The worst is wah-wah it is useless even in space effect.

It was very realiable to me until it crashed in the centre of my performence. Yeah it is great feeling whan your multifx beagin to crush in the middle of your solo. Once all delay's in it stoped workin. But i must write that power off then power on was all that i had to do to repair it.

I play strange kind of rock and use it in home studio. I would buy it again in the same price. After 3 years with it I feel bored with it's sound but I think it is good thing for young begginer guitarist.

Warning!!My english is very bad!This FX processor is very easy to use!Even without the manual...I don't have it and I only needed a few times with the 4040 to understand it!

I use a Yamaha Pacifica(Telecaster kind)with a Seymour Duncan Hot Rails pickup(powerfull!!) and sometimes an Hohner Baron with the two original humbuckers plugged in the ZOOM and I use a rack with a Rocktron Velocity 120 amp and a Marshall 9000 series Pre-amp(I only use the clean chanel)that's plugged in an Hughes&Kettner Attax cabinet(400w)..The 4040 is preety noisy in lead and metal effects and the ZOOM noise reduction sucks.The wah is very bad!!The best of the 4040 are the clean sounds that you can make with the excelent chorus,reverbs,delays effects.
The EQ is fair and I don't like the AMP simulator..Gennerally the modulation effects are good but the pitch is a joke..Power distortions are very,very noisy...I need to be very carefull in the solos because the feedbacks and stupid noises will appear for shure..but as I said,a guy can do beautifull clean sounds with chorus!

I never had any problem with it...it's not as weack as it seems!!My backup on a gig is the distortion channel of my Marshall 9004 pre-amp and a foot-switch...never needed it!

I play some latin and popular covers(crapp!!) and I also play some covers from Creed,Papa Roach,Nickelback,The Calling,Gene Loves Jezebel,etc..here in Portugal there are places where you can get some money by playing some latin and popular songs but I what love is nu-metal,some hevy metal and some rock'n roll!!the 4040 is a good match but I'll buy an ART SGX Nitro rack processor..It's much better but it's expensive!!I wouldn't buy a Zoom 4040 again!!I hate it's poor distortions that sound really bad but I love it's Clean+Chorus+Reverb+EQ effects!!they're lovely!!I like the Volume and Expression pedals!!very usefull!I've choose this one because it sounded great at the first contact..and it was cheap!!
My conclusion:the ZOOM 4040 is excelent for those who are already reazonable guitarists and need some decent clean effects!if you want to play songs with powerfull and brilliant distortion solos forget it!!Perhaps you can buy the ZOOM 8080 or the BOSS GT-6!!Sorry about my horrible English!!BYE

Hey, i'll try to write correctly, ok? I'm not very good in english. It's very simple in function. Choose an effect, adjust the level, mix it up with other effects an listen the results. If you like it, store in the zoom; if not... start again. I think really nobody must have problems. Whowever, it's not perfect.

It use it with an amp Peavey Rage 158 in studio-home and with a Marshall head and a 4x12 in live performances. I use a Peaver Raptor Plus guitar (3 single coils), a Yamaha RGX (1 single coil central and 2-humbuckers), a Fender Squier and a Les Paul Standard). Of all it, only the Peavey Raptor is a little bit noisy, except in position 2 and 4 of pick up selector. The Squier sounds really good and the Les Paul is Excelent. Of course there are some noise, the noise reduction parameter in not great, but what you expect from a mid-quality digital processor!!! Everyone complain of it, then i recomend use the volume control of the guitar. I play classic rock, blues, progressive and rythm & blues and always find a good effect for my intentions. In fact, i'd achieved effects sintetizer-like in Pink Floyd songs, Jethro-Tull, Zeppelin and others. The chorus-delay effect is great, and a clean-delay-chorus-EQ patch is simply gorgeus. If you combine it with the use of volume and tone controls of your guitar, you can get really professional sounds. Nevertheless the metal effects are really bad, and the wah is awfull. The expression pedal is usefull only with chorus, dist and flanger effects. You must learn to use ALL the controls of guitar-processor couple.

The 4040 have limits, like you. To know the limits you must use it, care it and experiment with it. I never had troubles in 2 years of use.

The 4040 works good, i never need help.

It's great for classic rock, blues, jazz, progressive and experimental rock, and bad for metal. it's my first sound processor and i'm really satisfied with the 4040. However, if it were stolen, i think buy a Boss, Roland or something with more tradition/quality. In general terms, i love the experimental sounds, clean-chorus-delay mixed up are the best of this machine. Soft distortion is good too but metal are really bad. Volume pedal are usefull but expression not always. The best part of it is you can emule other rare-effects. In a MIDI the horizont is larger. Nevertheless, i rather prefer more quality effects than other horrible ones like metal and the 'aliens voice'; they are a waste software. Another dark side of 4040 is that for a perfect perfomance, you need the perfect amp, the perfect EQ, perfect PA and a very good guitar. I give for 4040 the 'studio class' or the 'recording class' processor. Is not an expensive precessor, in fact the price-quality rate is ok for the 4040.

Actual operation is quite simple. I found the manual decent enough, and have had many hours of fun editing patches, which once you're used to it is intuitive enough.

This is where this unit really lets itself down. I don't use it anymore because of how it sounds. I have tried various guitars and amps with it over some years, but have never got anything better than OK sounds.

Most of the "modulation" effects are decent, and a couple are quite good (I like the slow attack, and the flange and chorus are nice enough). The pitch shifting, aside from the detuning, is pretty bad though... especially using the expression pedal. The reverbs and delays are decently configurable and sound OK; ping pong delay is fun if you can be bothered setting up in stereo, while the ability to tap in the delay length is neat.

The trouble is with the modules where you actually get your tone - the pre-amp and EQ sections. The "Zoom noise reduction" cuts out the sound when you're not playing, sure, but you can hear plenty of hiss if you play at anything less than full volume (irrespective of the input gain switch). The compression is a dud, and the 'dynamics' setting makes very little difference. All of the distortions sound cheap and nasty: you can't get anything resembling a heavy chugga-chug, a nice fat fuzz or a sweet warm overdrive, let alone a killer tone. You can, however, get mud, or something that sounds like a tin can being dragged across concrete. The EQ is noisy and unmusical, and if you use the amp sim instead(!) it is even noisier.

Finally, the wah is particularly woeful. Seeing how wah is the main use for an expression pedal, this is a worry - they really could have allowed more control over the wah sound, let alone a decent one.

I've had it for more than 5 years, and it has never had any problems. That said, I haven't used it nearly as much as most gear I've had that long. I don't use it at gigs because I sound better without it.

Never had to deal with them.

I play fairly straight rock with influences from many different artists and other genres. If this unit sounded better, its features and usability would have been great for me. I especially like the ability to change amp channels for each patch, but mainly because I would never use the distortion channels on this if I wasn't being forced to.

If it were lost or stolen, I'd get something newer and better.

I have been playing for 9 years, and the best piece of advice I ever got about gear was from some wise old guy who overheard me in a music shop, when I was talking with a friend about distortion pedals. This master of guitar lore told me that everyone whose records I listened to used the distortion/tone in their amp, and external boxes were at best window dressing. He could have been talking about this unit in particular: I spit on its tone (ghwoughghgh-tu!).

On the other hand, it has some neato effects, and is good fun to just play around with. Unfortunately, that makes it more of a toy than an essential piece of gear.

Pretty simple to use, self explanatory buttons & so on, editing patches very simple, also has easy to use guide printed right on the box

I use this mostly with a DeArmond Starfire II and a Ibanez 50W combo. This thing makes so much noise that it can (and does) cause feedback all on it's own. The pitch shift sounds like a childs toy. The distortions are too digital sounding and dont allow for much in the way of those "happy accidents". For a unit that makes as much hiss as this one without you actually doing anything yet, you'd think you would be able to get a decent sounding pick scrape or harmonic squeal out of it. Wah? Hah.

I had this through one summer gig season. I stomped on it on stage, and pushed a pedal THROUGH a board inside. Fortunately I had my good 'ol DOD american metal(that's the model name, but yes, it is made of metal) box to see me through the show. See the next catagory for how Zoom "resolved" this

When confronted with a disasterous failure of their product onstage, I called ZOOM for a replacement, thinking that there was no way they could repair the box. They asked for $35 american for shipping and handling. The box was sent back to me after a 2 month long stay at zoom, and when I opened the box, I got a surprise. They GLUED IT BACK TOGETHER. I obviously could have done this myself, but I got to pay them 35 more dollars to have them do it for me. They didnt even replace the external box (the portion that absorbs all of the weight when you step on it- the part that failed disasterously) Yep, they just glued it back together. That fix lasted all of ONE USE. Consequently, ZOOM has gotten all of the money from me that they are ever going to get

Overall, I feel I am partly to blame for not figuring out that it was plastic from the ad, but, if you are considering this as a low cost way to get into a high quality effects solution, forget it. youre better off poking holes in your speakers with a pencil.

takes a while getting used to editing the effects but after a day or so i've mastered it.
sound..................................meh!
manual helps a little but just play around with the settings and find out 4 your self

im running a gibson epiphone les paul special thru a peavey rage 108 with my gain channel on 4 that xtra edge. the unit hisses when u dont hit any strings.WAH sux.... CHORUS n FLANGE n PHASE n PITCH WORK awesome but a lil hard to get perfect sweep mind boggling tones when u use a delay with reverb and step ......!@#@*#$%^ NUTZ
distortion capacities are pretty much useless except for the lead and metal settings

this is a solid unit i got it used and it sound just as good as when i got it
id do a gig wit it and it ALONE!!!!!!

perfect processor for a first multi effects

Programming is not hard

I use a PRS custom 22 and a Laney 120W combo amp and i have the guitar tone and volumes cranked up fully with the amp volumes about 50% with reasonably even low,mid & treble eq's. Some effects are fine as factory presets or with slight modification but for the majority (especially the distortion) i have spent a lot of time trying to get reasonable sounds (and still looking). The wah? it is probably the worst i have ever encountered. If there is anyone out there that can tell me how to adjust it so that i get smooth transitions through the range PLEASE e-mail me. It is either so trebly that it hurts your ears or so muddy that it sounds like you've got ear muffs on. the moment you move the pedal a micro-millimeter it passes from the high to low ranges. The pedal wah Sux with a capital 'S'.

I purchased this effect 2nd hand from an internet auction site 6 months ago and have had no trouble.

none

I play in a band that mainly plays covers so I spend a lot of time trying to emulate the sound of the original artists i have had limited success with this Fx unit. I thought that the 4040 would be the next generation of sounds after the 3030 (which was my old Fx.) How mistaken can one be, I am able to get better sounds from the 3030. If my 3030 could bank both up and down and had an external master volume control, I would ditch the 4040 and go back to the 3030.
I will continue however to search for those elusive sounds.I would been really pissed if i had payed a full retail price for this product... On the positive? It has a separate volume and effect level pedals, external volume control and plenty of different factory patches.

This unit is very easy to use, within a few hours of owning this box i had some pretty tasty sounds comming out of it. You're best off editing the preset sounds as they are mostly garbage and unusable!

Im using an RG7420 goin straight into a Hughes & Kettner Triamp with the Zoom thru the FX loop, altho when originlly bought i was connecting to the Zoom then out to a Marshall 8280 on the clean channel. After alot of messing about i finally got a desent overdrive patch which worked great for the kinna stuff i do (Deftones/Glassjaw/Will Haven) but it did take a long time to get that patch! The delays are great, you can get a good distortion but only after ALOT of messing about! My main problem with this unit is that no matter how hard you try you cant bypass the unit! Ive tried making a blank patch with absolutly no FX goin thru but it doesnt matter, the unit will ALWAYS colour your signal, which is a complete pain in the ass, specially since gettin the Triamp as i now use the amps gain channels so having to switch between a patch and channel at the same time is a nightmare!

Ive been giging with this unit for about 3 years and have never had a problem with it, its been thrown around, kicked about and still works and intend using it ( just for its delay and chorus sounds) for a long time yet. For such a cheap looking unit it sure does hold up to the stresses of giging!

never used!

As ive said before i play Heavy "Nu" Metal, and before i got the Triamp this unit gave me my distortion, and have been praised for my sound a few times by sound guys at many gigs, so yes u can get a desent distorted sound, but you have to work at it! THe delays are good, the chorus is good, and some of the other modulations are intresting.
Would i buy another if it was stolen? No, only because there are much better units around nowadays, as a first multi FX box and for a cheap price i would say it was worth it. I wish the bypass and tuner would work properly (the tuners a joke!)but all in all a nice cheap box!

very easy to use, to edit patches and the like......

Wire it up straight from the box and it's ready to go, as for creating new patches......a doddle, don't really even need the manual if you're familiar with multi-fx.

I use this with a jackson ps2 (the original ps2, released in 1995, not the new ones.......) and an old strat copy. It's plugged through a roland jc160 purely for the clean sound. The sounds are good, but not great. As a first attempt at multi fx i was impressed, but that was nearly 6 years ago and things get better. Now it still sounds good with the patches i have programmed, but overally it sounds a bit dated. Good for getting various sounds, not necessarily useable ones. The hall reverb sounds incredibly noisy, especially when used with distortion and delay, but the sound of that particular patch is nice so i put up with it. The gain is good, but overall lacks in sustain, even on the high gain setting on the switch. It sounds good whilst playing, but once you stop it soon follows. Another problem is that it sounds almost too 'generic' in that most guiatrs tend to sound the same when played through, from my own jackson and strat to a les paul, the only way you can tell that it is a different guitar going in is that the input may be overloaded if you don't change the gain setting. Overall this unit does have some good sounds, but you really have to spend time editing them, even then what is a good sound initially may end up lacking some (especially if you like sustain!). The wah is terrible, whether you use it clean or dirty it ends up distorting for some reason. If you want good wah (or anything better than unusable wah) buy a separate pedal! I really like the fact that it has a volume pedal, great for those soft violin type sounds when things get mellow.......nice!!!!!

I've owned this unit for well over six years and it still looks fairly new. I've had to use some contact cleaner in some of the switches since dust seems to get in easily, but whilst it may not look sturdy it will last as long as you don't literally stomp on it!

never had to call zoom, hopefully never will.......

I got this thing not long after i started playing and have owned it since. I play anything from rock/metal to blues and acoustic stuff. I can find useable sounds for each style in the zoom, but tend to stick to the one or two clean/ distorted sounds that i like. The factory presets should only be used as a guide to what's on offer, since it's easy to create sounds that are so much better. I couldn't imagine that brian may and richie sambora actually use the sounds that are in the unit and in the manual with their names on, they sound far too weak! I don't really use the expression pedal much, but i love the volume pedal for softer moments. This unit is great as a first buy for getting into multi fx, but will sooner or later be put in the shade. I've tried a couple of boss multi fx things that sounded so much better, but i will eventually get back to basics with a nice guitar and amp and none of these flashy box things (well, maybe a volume pedal!). I've had a lot of use from this thing, from recording and gigging, and it does sound good. If i were rating it a few years back it would be 10's all round, but my tastes ahve changed and there are better units out there. Zoom did a great job on this, and i love some of the sounds, but it needs more that distortion and chorus to justify spending money on this.

I'm a computer guy, so I have no problem with it. Anyway you can't control many thing at the same time. Sometimes you should mess with the rear panel to fit your amp.

The overall sound of this unit is crap!. You can get some good tones, but only sometimes. I will make a list of what I think about the effects:

1) distortions: Dynamics option is a joke, all distortions are awful except for the 'lead distortion'. Zoom Noise Reduction is ok, but the unit has too much hiss.

2) EQ: all these simulations sucks. They are simulations of a digital unit not a real amp. Wha-Wha is horrible, but really horrible. Perhaps the only thing isn't as bad is the equalization itself.

3) Modulation: Pitch is far the worst effect of this thing. Anyway I made a patch it sounds like Godzilla (a very digital one)... you plug anything and it sounds like Godzilla, is funny. Flanger is bad, Phaser...mmm.. not as bad as Flanger, tremolo: does his job, step: stupid, slow attack: like a violin, chorus: This is the best of the modulation panel, when you plug it in a stereo amp it sounds better, but I'm not saying is a good sound.

If this thing sounds bad at home, live is another thing... is the worst sound I'v ever heard. Once I was making a stage test and the guy placing thie mic's said: "Why does your guitar sounds like a Fly ?". It realy makes your sound thin, digital and like a fly.
Delay: Is a delay... isn't bad, does his job. Is there a way for a delay to sound bad ? (not counting the overall sound of the unit).

Reverb: it's Ok.

If the sound is bad, here is the worst part.

I had to open it twice to fix a cable, The plastic pedals works sometimes and some doesn't work. The volume pedal doesn't work anymore.

Is a toy!

Why to repair this piece of shit ?

I play mostly rock, metal, some blues, etc.
As my firs multi-effect is ok, I've learned a lot about effects. I've been playing for about 7 years.

If it were stolen I would have reason to buy a decent distortion and perhaps a reverb/delay.

If I said too much bad thing about this unit, simply take in count it was made a lot of time ago, when the digital effects where starting. And perhaps I'm bored with it. I should admit when I first used it I though it was an excellent buy.

This is my first attempt at multi-fx after owning several stomp boxes. I got this one second hand without the manual and it looked a bit complicated at first. However after downloading the manual from Zoom's website (in which everything is clearly explained) I edited my own patches in no time. I usually edit patches before a show and this thing can edit patches like a breeze. I'm not into all the specs but it works as follow: there are 10 preset banks and 10 user banks. Each bank has 4 patches that you can edit. Giving you 40 storable patches which I think is more than enough if you have previously owned seperate stomp boxes. The best part about this pedal (I can't compare it to other multi-fx) is that it also acts as a footswitch for your amp's own drive channel. So one (or more) of your patches can contain your amps drive combined with some reverb, delay etc. It also has an external control for your other stomb boxes (you put say a tubescreamer here on "on" and this can be programmed into a patch with your amps own drive. I.e. this thing is very, very versatile and worth every penny as a controller by itself.

I use my first patch for cleans like U0 - Rock (user bank1)
p1 = clean p2 = crunch p3 = clean wah p4= Amp distortion w.reverb
U1 - Blues (user bank 2)
p1 = Clean w.rvb p2 = blues lead p3= fuzz wah p4 - amp distortion
U2 (U2 like rock)
p1= clean w. delay p2= clean w. delay (plus tubescreamer and external Boss delay) p3= wah with delay

I think you get the picture

I use this pedal with 2 strats (single Dimarzio) and an Ibanez 79' artist with original humbuckers. The unit has an input selector (H-M-L)for guitars with different output levels. I use it with my TRAYNOR (120W) SS PA and a 4x12 cab / Laney HCM 60R SS amp. It sounds basically the same through both units except for the drive channels that are a bit to trebly for my taste through a PA.
It has the following outs: L/mono - Laney HCM 60R
R - Peavey 60 W
phones - To PA system

The pedal is a bit noisy on the drive settings but it has the ZNR which helps but eliminates some tone. It has a few distortions (analogue cicuitry fortunately) but only 2 of the eight are useful. Its ok for punk & hard rock but it wont do nu-metal etc. as it has a differently voiced gain. Almost like a mesa combined with a vox lacking in gain and voiced too crisp. I like it for my style of 80's punk rock. The delay and reverb are great. The wah is also cool and its not a crybaby but it sounds cleaner in my opinion it does need some tweeking. A crybaby is analogue and this is digital with the same sound response everytime and it doesn't have pots that scratch which is really cool. I still use my old wah but for rock solos. A crybaby cant do the digital trippy things this one can do. Its stereo and it sounds great through two amps. It does a good:
Bad Religion, NOFX, U2, Pink Floyd, Jimmy, Spin doctors, Pearl Jam etc. It can not do Limp Bizkit or Korn as this unit was designed in the days before rappers became rockers (I love Rage a.g the machine though). The FX are not weak but put it in front of your amp and not in the FX loop cause FX loops suck up my tone and makes FX sound thin. It records nicely too a PC for personal use (cool stereo) but I think it would be best too mic up that cab for studio use.

Ok I know its made of plastic but this thing is built really well and plastic does not succomb to metal fatigue. I look after it and try not to drop it too often. Its now three years old and everything still works.

I like the fact that I bought it second hand and still got the manual for it not like other companies. I downloaded some good patches and although I haven't dealt with Zoom I'm really surprised after owning several Boss, Marshall and Ibanez pedals. It also sounds better.

I use it for all my gigs and its never let me down I have some back-up drive pedals but this thing is a must have from its volume pedal too its switching capabilities. It makes my amp sound less noisy but more digital and clean fortunately its already a SS Amp. I'd rather buy a good amp with this again than buy a modelling amp because these things are more reliable, you don't need a foot controller and its not that overpriced. I'd definately buy another Zoom pedal but not the 505 cause its live use is too limited. This one is more like a few loose stomp units with programmed settings. If you see one at a good price get it because its worth the money as an pedal/amp/midi controller by itself not too mention the delays and tremolo etc wich are far better than some loose fx units.

I just got this unit and I am very pleased with the ease of use, It is begining to become clear just how simple it is to use.. I have only had it for 3 days... Editing the patches is easy enough, I did not however get a manual, If you know where I can get a copy of the manual on the internet Send me the link Via E-mail, Daeryn001@mail.com I would be much abliged, To my knoledge my unit is stock.. I will check the revision on the firmware

I have an Ibanez RG545, Crate gx60, and Vox tone Bender..It is very quiet and works very well with the rig I have right now, the Distortions on this unit are kinda impressive when used in conjunction with other distortions, the crate overdrive works well with the distortions on the Zoom 4040, I use a Crate gx60, and a Crate Gl20 I can get sounds like Phil Collen, David Gilmore,and James Hatfield.. But, with the Versatility of this unit I believe that if you learn how to use it properly it will become a valuable tool and you will have defined your own personal sound in time, A very short time in fact.. I think the Distortions are kinda weak, the Delay is Digital, Very Digital, but, it works very well.. The reverb is sweet like an old Fender tube champ..

I believe I can depend on this device, I will have to make a Box for it so I can take it with me where ever I go, I would use it on a gig, I have already started storing my User settings and user patches.. I love it already and I don't even know how to use it that good..

I have not had to call Customer support yet, I would repair the unit myself if it should need repairs..

I play Blues, Rock, Metal, Mostly Texas HotPepperStyle Blues.. I like the Blues, I have been raised in an Age of blues music.. It is some good stuff, I have been playing too too long, I have been playing since 1983, do the math.. If it were lost I would probably SH*t, then buy it again, I love its flexiblity and it s pretty compact for what it is and it is very portable, I believe that any musician looking for the effects this Unit is capable of would be happy, Novice or Expert, Either way, Both would have to respect the form and the functionality of this unit, Begining guitarists and even bass players would love the uses of this unit..

Well, I bought this Zoom i think in 1996. At the beggining it isn't really easy to use. But as you get know this effect processor you'll see that it becomes easy to use.

I use a Jackson PS-2 with stock pickups and a Crate GX212 Amp. I really can't get the sound I want with this processor only, so I had to buy a Boss Distortiona and a BOss Metal Zone. The Distortions os this Zoom (only distortions, not overdrives) are the worst sh*t i ever hear, 0 poinits. The Overdrives are wick but good for kind os blues and soft rock, 5 points. The lead distorion is nice, 7 points. The clean sound is nice, 8 points. The Equalizer is nice, the amp simulator too, the wah is the worst wah i ever heard!!! Now the chorus, flager, step, fader, etc are very good,exept for the pitch that is a sh*t. But the other effect than the shift are so goiod and different that you can take some really weared and cool sounds, 9 points. The delay is very good at stereo. The reverb is nice. The great thig is that this processor can work as Amp and has a stereo output. But never buy this sh*t if your looking for heavy sounds. That was my error!!! The worst is that it takes so long to change from a set to anothe that it completly ruins the song!!! Donm't buy this crap!

Huh, very weak. Its only plastic.

Never tried it!

Well don't buy it for heavy sonds and don't buy it if you think you'll need to change sets at middle of songs. Buhh, a crap!

The unit itself is quite intuitive and easy to use. Navigation around the patch settings is quite simple because of the 'map' above the patch pedals. Because of this I didn't have to refer to manual much, which in itself is quite comprehensive.

When I bought this 5 years ago I was using a variety of cheap guitars through an old Carlsboro Stringray Combo with a few old stompboxes, I bought the 4040 to replace all the stompboxes with one unit. I did see an improvement in sound quality when using the 4040 with this setup.

However, as time went by and I became more financially solvent I was able to replace the crappy equipment I had with quality gear (I currently use an American Strat through a Marshall TSL601 combo), this is where I became dissapointed with the 4040. To my ears, the 4040 does too much for the sound and so doesn't leave enough 'room' for the natural tone of the strat. Let me explain by saying that when plugged into the 4040 my Strat doesn't sound any different from the cheap guitars I still own, yet when you play the strat without the 4040 it sounds as it should.

Another problem I have with the sound quality is that a lot of the patches are designed for the rock/metal guitar player, and I tend to play a variety of styles ranging from psychodelic pop/rock & indie to reggae and funk. I was able to get the sounds I wanted out of the 4040 to a certain degree but I always felt disappointed because of that computerised-unnatural feel they always had. The chorus and flanger effects were quite good, as was the delay and tremelo effects.
I was dissappointed with the phaser as I never seemed to be able to get the kind of sweep I wanted on phaser. The distortion and lead settings were good as well if you want to play a rock style, but they're limited if you want to branch off into other genres.

My biggest disappointment with the 4040, and also the reason why I'm switching back to analog stompboxes, is that with my setup I found an unacceptable amount of hiss when playing at moderate to high volumes in rehearsals.

To be fair to the 4040, it did a lot of good to my sound when I was using cheap gear, but let me down when I switched to quality stuff.
For that reason I give it a 5.

The 4040 is very reliable, perhaps too reliable. Even though I may have issues with the sound it makes I can't fault the build of the 4040, especially when you consider the fact that its lasted 5 years of not-that-careful-handling from me (I've even used it as an ashtray on several occasions!). Verdict : very reliable.

Only time I had to deal with the Zoom was when I lost my manual and needed a replacement. I was able to download a PDF format manual for
free from the Zoom website.

My overall rating for the Zoom 4040 would be 7.

The Zoom 4040 is the most versatile, customizable, and enjoyable foot board i have ever seen. You get multiple choices of distortion and overdrive, 8 different effects including delay, fade ins, phas, and flange, wahs and auto wahs all which are customizable to your liking.
I have three years now, it is sometimes cutting out in the middle of playing but with some tinkering i have it working like new again. Something that a buyer might not want in a foot board is the fact that it is made of hard plastic, but I abuse both the expression pedal and the volume pedal and they have held up nicely. It is worth every penny. I paid like 350$

Iuse it with a Fender Deluxe hot rod with an ESP Mirage Custom.
Not noisy, I get the sounds of PHISH, U2 , oasis, pretty much anything perfectly.

I have owned it three years and there are some wiring troubles.

I tried to contact the company but never heard from them

you coudl play anything through it

zoom 4040 is quite easy to use out from the box.if u have those "itchy-cant-wait-to-get-a-hold-fingers" then this is the effect for you.the manual also helps a lot and tells you something about the presets and which artists it emulates.
editing patches is easy but sometimes it doesnt really get the exact tone u have in mind.

i can say all the effects in this processor are good except the wah-wah.it really sucks.no control at all! i specially like the reverb and delay systems. mostly i play steve vai and joe's pieces and i can say its quite decent. i play it with a jcm 800 marshall amp or a peavey valve state combo. sounds great.

i could really say this baby is all you need! u just have to preset and calibrate all the effects u need b4 the gig and there u have it.
every show is stunning.doesnt fail.maybe the led lights, coz u cant seem to see it when ur playing in an open area specially in the morning.

id use this effect for a long time specialy during a "vaisque" style of playing.it really helps me create music rather than only play.ive been using it for 6 years now (can u believe?) and i still love it.but i wont use it as a crunch metal effect or blues. i rather lean on mesa boogies products.this is a good buy for your money compared to complicated and expensive multi-effects such as digitech.

It's extremally easy!. I learned how to make my own patches in the first day. The manual helps a lot, but I never really need it.

The reverb and chorus it's ok, the wah sucks, it's terrible, such as some others effect. The cool thing about this pedal it's the twin pedal, wich you can control the effects range, volume, very easy to configure. The distortion and delay is good but not enought.

Dispite of beeing built in a plastic shell, it's very hard. The only fragile part it's the pedals, it seems will break every time you use.

Never need it

Making patches is simple and manual is ok. Get good sound is
impossible. I use it as midi pedal.

I use it as midi pedal.
Chorus and reverbs are ok.
Others weak.
This is good for learning purposes

I've fixed 2 buttons and input jack.

I play metal/Heavy/rock and it doesn't fit.
If you want metal sound, get a Boss Metal zone. it's good.
Or buy mesa/boogie stuff. Triaxis rules :-)
I would buy midi pedal if my 4040 were stolen or lost.

It`s extremely easy of use. i figured out how you make your sounds in about 15 minutes.

o.k. i have used it for about a year and i can say it`s pretty good. i use it on stage and i have 10-15 presets(my own) that i use . Reverb,delay tremolo and slow effects are really great.also phaser is really good distorsions too. i use fender super reverb with it. the pitch shift effect are bad but who uses them at all?!?!

it works fine for now,but its made from plactics so....

well i havent contact them yet.... but web sites are ok .

i play progressive music and i have a lack of strange effect like harmonizers and stuff so i`m considerind to buy some new effect, but i havend decided yet which one. i use it studio also and there i experinced no trouble with it.

It was easy to use and the instruction manual was well laid out

Sound was very good except for wah wah and pre-set sound samples

No probelms for the last four years except last sunday when the sun was shining and I had to play outside in it with no shade. I just couldn't see the display, it should be mutch brighter and there should be a dimmer switch for indoor use.

N A

Shadows, Santana, Hendrix, Clapton, Free, Credence Clearwater Revival, Beatles, Stones, MUD, Elvis, Orbison, others

This one's is a very practible unit, not very versatile, but useful. Nearly all of the patches are made to show the abilities of the 4040, but I'd propose you'd create your sound all by yourself. The effects are easy to use, and the manual is well written, so everybody should be able to customize his guitar tone.

I use this device with an Ibanez JEM7VWH or a Gibson Les Paul Studio. The output signal enters the effects return jack of a Samick 60RC. Although this is a pretty cheap rig, the sound quality is surprisingly good. It isn't really noisy, because the noise reduction is quite functionable. The clean sounds can be varied from warm to shiny, although it doesn't have too much treble. The compresser does a good but subtle job. The 4040 is delivered with 6 distortion types, but in my opinion only one or two a really useable - especially the "lead" type sounds very nice. The other ones have lots of ugly, high trebled harmonics and cut like a saw (check out "Metal": this is crap!). Fortunately, my Samick Amp does have a very warm character, so it matches pretty good.
The most important effects, chorus, delay and hall are of good quality, but no lexicon or eventide quality of course! Some effects, like the pitch shifter, suck, but the 4040 is cheap, what do you expect (and who always uses such an effect)?
If you run the Zoom directly into a mixing console you'll have to do - regardless of the amp sim - some EQing. I sometimes make homerecordings, and the result is quite audible.
I think that the artist sound the most reproducable is Brian Mays, with his Vox AC30.

I own it for 5 years now, and the only thing I fixed were three buttons, which didn't work well anymore this year. It cost me 2$, and there isn't any other thing to complain about. I mean it's not built like a tank, but I haven't had any problems yet. If it broke during a gig I'd use my amp alone (but I hope it won't, 'couse my amp sounds awful :-)

No contact yet.

Playing all styles of music (yep, I'm in a cover band), but mostly rock, this is a workhorse for me. It's certainly not a piece of hi-end equipment, but it's a good value. If it was stolen i'd probably buy a device of the next category (I'm interested in the Digitech GSP 2120...), because I owned my Zoom for five years, and my demands increased, but for the medium-leveled guitarist this does the job. It has amp switch capabilities (MIDI and by normal cable), two pedals for real-time control and is easily controlable. Guitarist, what do you want more? ...especially for this price...:-)

-Christoph
Check out my band's homepage:
http://on.to/scotty

it is very easy to use as the instructions in the manual are clear. Editing is therefore obviously easy. I never upgrade my 4040 and i like it the way it is.

I use an Ibanez for this and a YAMAHA amp. My amp is damn lousy but the effect frm this processor makes up for it. The ZNR takes care of the noise and i have no problems with noise.

The distortion may be a little weak but the metal is good. The wah is not so good. Except for this, everything else is good.

I play malmsteen to metallica. The gadget comes with a list of artistes that use zoom and wad settings they use.

I would surely depend on it though i would get a seperate wah pedal for gigs.

i play metal so this is a good match. I've been playing for 4 yrs and i have this for two. I own a dunlop crybaby. I will not get sumthing else becos i'm quite satisfied with this.
I love the modulation part of the gadget.
I juz wish it has better wah.
It definitely helps me make music.

1.very easy...just reach to your nearest sounding patch and make minimum changes to get the best tone.

2.Editing patches is a piece of cake and the comparing function helps you to really judge the great sound change

3.the manual is very good and leads to fast learning.

1.I am using it with an Ibanez Guitar.

2.not yet

3.Noises are due to bad settings and lack of sound equalizing knowledge. As i have been using the zoom 1010 earlier i have become quite good in processing the sounds and so iam always successful in achieving the best noiseless sound.

4.Marshall ofcourse ! cause it's the best as it uses the vintage technology to get the best lead ( distortion ) and crystal clear sound.

5. Yes.. Santana, Bryan Adams, Junoon(Pakistani Rock Band)and any sound of almost any artist can be processed using the 4040

1. it's the only thing i can depend upon.

1. rock and heavt metal
2. Since one and a half year
3. I would never risk to loose it and if "god forbids" it is lost i will buy it sgain and if stolen i would simply kill the theif.
4. i love every thing about it and my favourite feature is the beautiful hall reverb.
5. A big Digital screen
6. yes it does.
7. It's better than the expensive 'zoom super player 8080' and 'GFX'
it's twin pedal is the most convenient thing a unit can have.

very easy to use.
Patches are easy to use.

I use it with a Hughes & Kettner Attax 200, a Fender strat or an Ibanez EX 240.
The sound directly on the guitar input of the amp is terribly noisy. (advised by the manual) But is rather noisefree if used in the loop of the amp.
Amazingly that this setting is not advised.

For years I've used it without problems.
The only minor thing is the screen with the numberLEDS.
If your playin outside in sunny daylight you can't see what patch you're having on.

Extremely easy to use - There is no juju magic here at all, if you have edited patches on pretty much anything at all then you will feel at home here. The manual was terrible - but manuals are for wimps! Anyway, this thing didn't need one - it really is that simple to use...!

I use a Marshall Super Lead (circa 1980) with a Strat - with 2 4x12's. With this setup I use little distortion, unless I want a mental sound - which these days is uncommon, mainly use the "od 1 and 2" so I cannot really comment on the more metal sounds - The eq is adequate, as are all the effects - or at least for live work anyway. The one I am most impressed with is the delay - I've recorded this baby in stereo and it sounded awesome - I love the fact that in real time you can set the delay level by just clicking edit and timing the pedal pushes.... That is a really neat touch I have not come accross before.

I have not really noticed any excessive noise at all with the box.

Almost got a 10 - one small problem with the processor, happened so long ago and had such a little effect on what I wanted the box to do that I have completely forgotten what the problem was! The casing looks too flimsy for words so I have built a stage box to take the adapter - in all honesty I have never had a box I could trust as a standalone on stage (with the exception of the Boss ME-5 which was a total tank!) No real issues with reliabilty though - Good bit of kit used in all sorts of situations!

Score a 7 for having the manual as a PDF download via the website!

I play indie/pop/rock in a band in London, UK. I have been playing for about 15 years, I own a Zoom 505 (mainly as a headphone amp!), a Squire Strat, which was brought as a spare and which I use more than any other, a Fender Strat, excellent guitar - really mellow sound, a Westone Spectrum III, probably the most versatile guitar I have ever played, 2 split humbuckers, a single coil middle PU, all with a 5-way selecter - every major recording I have done I've used this one. Amp wise I have a Marshall Super Lead II (which incidentally used to belong to Brian Robertson ex Thin Lizzy and Motorhead) with a Marshall 4x12 cab and a home built 4x12 - which I am in the process of rebuilding as we speak...

If it were stolen I would have no real worries about purchasing again, probably go for something a bit more up-to-date though.

Did'nt really compare with any others - I know what I like and I tried it and like it.

Anything I wish it had?? Yeah a 6 foot Swedish Blonde Female Roadie to carry it!!!

Definitely helps me make music!

If you see one and it works (and the price is right) then buy it - it does most things well - I've had mine over 2 years and I have no complaints at all!

Very easy to use in terms of editing/storing patches, although when you want to use 5+ patches you have to mess about quite a bit.
Love the volume pedal as when playing live the sound can be improved if my lead sound isn't coming over the rhythm guitar.

I find a hissing noise happens when its plugged into the input of my amp (marshall valvestate vs100r)or any other amp for that matter.I solved this by putting it in the effects send at the back but then the controls of the amp dont work.Other than this prob the patches i ve created sound very good but the preset ones sound dump.e.g the wah sounds awful unless tampered with.

Used on about 5/6 gigs.Holds up very well although the plastic casing makes me worry.The patch buttons are perfectly spaced so you hit the right one.

N/A

I play mostly metallica stuff and the distortions work well.I also like the delays/weird effects etc.Played for 3/4 years.Own an epiphone les paul std in green, marshall valvestate vs100r,and yamaha MD4S 4 track.If it were stolen id prob get something sim to 505 and invest in loadsa stomp boxes.
I would DEMAND a better wah

It's very easy to use, you don't need to use the manual, it's all obvious.

I'm using the 4040 with a Ibanez RG 550 and a evolution pickup on the bridge, a dunlop wah ( the wah of the 4040 is the worst sh*t I ever used in my life) and a Laney TF 300. The 4040 when used with distortion in loud volumes , it's very noisy, with feedbacks that is painful to a dog ear. Thats why I use the Laney for distortion, and the 4040 become just a footcontroler for the Laney, and control on/off for the wah-wah. I like the Modulation of the 4040, but the pitch and the step(????) are terrible.

I didn't throw it on the trash because i'm going to start to built a rack and the 4040 will be good for midi control.
Moral of the story:
If you need a footcontroler, Midi controller, Wah on/off controller, a volume controller, and a expression controller; the price is good enought. But if you want good FX, get more money and start to look for the right one.

I play Heavy, Rock, Blues and Classical, It didn't work on any one.
When I bought this 4040 ( about 5 years ) it was the best multi-effects in the business now... take your conclusions. But for controler I just Love it, because if I didn't have the 4040 I would have to buy a volume pedal a midi pedal a footswitch and the Cry-Baby is very hard to turn on/off when you are sitting, and I still got some extra effects.

I upgraded from a ZOOM 505 to this, editing patches on the 505 was a piece of piss compared to this. True, I have only had it for one day and I suppose I'll get use to it, but the 505 was easier to use straight up.

Some good, some bad here. The distortions and wah definately chew some major ass, the distortions and wah from the 505 kicked ass over the 4040 and that really dissappoints me. The other sounds are good though, haven't really used the amp sim. yet, pitch shifting options are pretty handy, tremolo could be better as could the phase and flange.

To early to decide here, the old 505 held out pretty well so I think this should go all right so long as you look after it.

n/a

I bought this because it was near impossible to play live with the 505, I got a trade in on a second hand and only had to pay $250 (not bad eh?) so it looked like a good cheap option. If I had my time again I would have started building my effects rack from scratch last year instead of continuly going through the crappy ZOOM range. I may like it more once I've been using for longer, but as first impressions go, this is a piece of shite, if only for the budget wah and distortion.

It's quite easy to use. You don't have to study the whole instruction manual, you just make a patch and rock on. 40 user and 40 present patches are on the board and when you buy it, the user's are already saved, but of course if you build another patch, you have to delete one. To build own patches is very simple, just choose the effects, turn the sound out you want and that's it. Really simple!

Well, the modulation effects are really amazing, except the pitch shifter - if you want to get the sound lower a whole step (in fact, I tried it to get a sound like Metallica's 'Sad But True' which is downpitched a whole step) it really doesn't sound like a 'guitar', more like a way of an effected steel-string acoustic... There are 2 clean and 6 distortion effects, but 4 of the distortions (OD I + II, and DIST I + II) you cannot use for getting a great sound, you have to be really good at playing guitar for using a distortion of them and then you must get a really good equalizer patch. The equalizer is perfect! It sounds freat if you turn on that thing with a good distortion, and also the amp-simulations are really amazing! It really sound like an amp or so. There are also a wah and an autowah, but the wah is full of shit, you cannot use it for any solos or so! If you want to hear a bizare sound and get freaky it's okay... But not to play guitar on this way. The autowah is acceptable, but not very good! A disadvantage is that the wah's, the amp-simulations AND the equaziler is on one parameter you can choose, so, you cannot get an asmp-sim WITH EQ. So, if you wanna hear a wah you cannot use a distortion with EQ - it sounds terribly. All the rest - modulations, delay and reverb - is REALLY amazing! You can get every sound you want to get and every patch you wanna make.
All an all, the effects are very, very cool (except wah, some distortions and the pitch shifter) but you only can use 5 at the same time! A distortion/clean - EQ/wah/ampsim/autowah - pitchshift/flanger/tremolo/chorus/step/phaser/slowattack - delay/pingpong - reverb/hall/room/delay. For 'normal' users - perfect!

I got the 4040 more than a year and it's like a new one. The pedals work perfectly and I never had any problems with effects or potis or any other things. The buttons are very good, and still work perfectly. I never played a gig on it, but I'm very certain, it would do its work.

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It's very good, most sounds and effects are great and it's very helpful for users, both beginners and advanced.

This thing rocks. Editing the patches are really easy. What I do is just edit existing patches, make it sound deeper or more trebly. The manual needs some attention for a user to be able to fully use the 4040 - three days of actual testing will do. There is no need to attach extra pedals to it becuase it comes with a built in expression and volume pedal which can be used for wah and volume or delay.

I use a variety of guitars with it, namely a Yamaha RGX821d, Marina (strat-style), and a Maya Les Paul. I use a Marshall 8020 amp at home. The presets are done by some famous artist like Eric johnson, George lynch and a lot more. The chorus and flange effect sounds almost the same. I also use it for recording, you can go straight to any track recorder. I use a Fostex 28-h and a Spirit Notepad mixer for recording.

The casing looks tough enough but still I suggest that you take extra care dropping it. Since this is powered via adaptor I still use Boss stomp boxes for backup.

Never needed one!

I play Thrash/alternative music with it. It will still sound good it you play slow solo's on it. I also own a BCB3 carrying case for my Metal zone, digital delay DD-3, and Flanger (all Boss pedals). For my Yamaha bass guitar I only use a Boss GE7b EQ and A chorus pedal which i plug in a Fender Bassman amp.

Being used to program keyboards and sound modules, I didn't have any trouble programing the 4040. I liked having the display of paramater values on the front of the pedal.

I thought the sound quality was decent. It was good enough for playing in a screw around band (a few private parties and the such). I found it to be some what noisy, even with the noise reduction. I just recently replaced it with a Rocktron Chameleon, mainly because I didn't think the sound was profesional enough.
One thing I did like was having the variety of effects right at hand. The volume and expression pedal were very helpful when playing live.

I used this for outside gigs one summer. It held up OK, but at the end of the summer it was hurting. The input jack is starting to give me problems.
The plastic feels to weak for my taste. I was always concerned with trying to not break it when I was playing live.

I play a variety of music from speed metal to classical to country. This unit was good for getting me decent sounds that fit. This was my first multi-effects unit for my guitar. I thought it served that purpose well. But now I'm ready to move on to something more professional.

The zoom 4040 has a very easy user interface. Everything you need to know to change effects and values are right on the face of the unit.

The sound quality shines in some departments, and crapes out in others. The distortions are so-so, but will defiantly crunch. I found it hard to find a good light distortion sound, if you're looking for a noisy sound you'll like the distortions on this unit. The compression pretty much blows. The EQ does the job, nothing special. The amp sim doesn't impress me, I pretty much leave that one alone. The auto wah is pretty good while the pedal wah leaves something to be desired. You might as well forget about the pitch shift, I don't know why they put that on here. It is not at all convincing. Zoom needs to do some serious work on that effect. The Flanger was ok. It just doesn't have the depth I am looking for. The phaser gets the same marks as the Flanger, just not enough depth. Tremolo is nice to have, although it only has the triangle type where the volume slowly gets louder and then cuts off. Personally I would like to have seen it utilize the square method where the volume cuts off then comes back on instantaneously instead of slowly gaining volume. The step is interesting, it causes random pitch changes, I haven't found a practical use for it but it has a very interesting sound. The slow attack sucks, we'll leave it at that. The chorus is nice, but is lacking depth (seems to be a trend with this unit). I like the delay, especially the ping pong effect, one of the effects that shines on the 4040. The reverb is the best sounding effect on the board, it has an excellent hall sound, I love it.

I have had it for almost a year now and I have had no problems, but I do take very good care of my equipment. It is made out of plastic so I wouldn't be stomping on it very hard if you want to keep it working. I would defiantly bring backup if I were playing live, I don't trust it that much.

I've never had to deal with them.

I really enjoy the flexibility of a multi effects floor processor because I don't have to be constantly turning knobs, and pressing a million footswitches when I want to switch sounds. I know that there are better processors for the money out there, but this to me was a very good deal. It gives you many effects, for a low price. I think, however, that I would have bought a different processor it I knew more about them when I bought the zoom, but I still am glad that I bought it. It is defiantly a good processor for the beginner who just wants a bunch of sounds for a small price. I would recommend it to others. I really like that fact that it has an independent volume pedal aside from the expression pedal, I think all processors should have this (especially more expensive ones).

The versatility of the Unit is quite awsome and this obviously means that the programing is a little awkward. You have to play while you press the parameter buttons... But I would still classify it as generally easy. The manual is good.

The spectrum is quite wide and it will take you a while to get what you want. The presets are boring and partially suck. The distortions have a tendency to go to Heavy metal/hardcore sounds ie. no base and an agressive sound (ie. lack of warm harmonics) even if you fiddle them. I miss patches that could be used for other guitar styles rather then HM or grunge (ie. Jazz sounds, funk, african guitar whatever..). The strength are definitelly the delays and reverb. The amp simulations are far too inflexible for me and theirs no real instant recognition (ie. Marshall,Fender,Mesa ect.)

You can not really depend on it... I had this unit for 2 years and I had to solder the Input output lines and the MIDI output at least 3 times. It sucks to have one channel dissapear in a concert and it sucks even more when your MIDI signal doesn't change your preamp settings for a really loud passage. ZOOM had better improve on this one since I believe the plastic constructions they offer are good for model airplanes but not for supposedly professional multieffect foot pedals. Shame.

The people that work there are all great, I was bitching about my problems on the net and someone that worked for ZOOM gave me his advice. Still no matter how good the support is the product needs definite rethinking.

For my style of music I think the Zoom is ideal. I love to experiment with effects and generally I go for either a wall of sound or a very minimallist and subtle effects. I would not buy it again because of all the problems I have had with it. After all this resoldering the pads have come off and I guess I have to get another effectbox or change the top PCB. I personnally think this product is good if you don't want to carry around 20 individual effects and fiddle around with the level after every song.

I am not a first time user of mult-effects and because of this fact I expected more of Zoom 4040 (When I got it there wasn't the 8080 and the 9150 - so this was the top). I had (and still have) special dificculty in programing the expression pedal. The tuner just don't get me in tune - the manual say you can regulate it, but it isn't enough.

I didn't notice noisy, except with distortion (expected). And this distortion didn't call me any attention - people say 8080's distortions are better then 4040 - I really don't know!

Here in Brazil I couldn't find someone to help me, neither dealers nor users. I sent an e-mail to Samson/Zoom two days ago.... but they didn't return.

I want something easy to program and deal with. I want more in equalization and distortion. I want support from the manufacturers. So, I wouldn't buy it again, maybe the 8080. I have a big problem with the tuner.... that couldn't solve...

It's pretty easy to use on the whole. I played with it for about an hour before buying it and figured out how to do most of the stuff. Though it is easy to use it is not the kind of thing you can edit much on the fly. Once you're on a certain patch you could conceivably turn certain groups of effects on or off, but that would entail hitting the edit button which is about the size of a tylenol. I would have given the 4040 an 8 or 9 if the edit had been a footswitch. The manual can help you out a fair bit, but I wouldn't really recommend using the factory presets: they're mostly just novelties. On the brighter side the volume and expression pedals are dead simple to use and set.

Okay here's where my big problem is... The boys and girls at Zoom should be shot for making an effects processor so noisey. Sometimes the noise gets to me so much I just give up and revert back to my Korg G3. The effects (with the exception of EQ effects) are great but there's just no excuse for that much noise. I don't care if the processor can play my songs for me: I want it to be quiet. Modulation effects like chorus and flanging are incredibly versatile. I gotta say, most of the effects are like having a seperate pedal in the ways their parameters can be changed. Pitch shifting sucks, that's all there is to it. Don't use it. You probably wouldn't be too impressed with the wah-wah either. Apart from those things all the effects work very smoothly and extremely nicely. I sometimes get annoyed, however, that the sampling rate is only about 32 KHz. One more thing: don't trust the tuner as far as you can throw it.

No problems...yet.

I sent a letter to Zoom about a month before getting my processor asking for specs and possibly a brochure. I left my e-mail address, my phone number, and my address. I STILL haven't heard from those dorks. Draw your own conclusions.

High on quantity, low on quality. Most effects kick ass but the ones that blow really blow. I guess the thing that really annoys about this unit is the noise. I can usually get it under control, but I bought what i had hoped to be a fairly high-quality floor unit (because I don't want to mess around with a rack) only to find out that if it looks to good to be true, it probably is. If you just want a ton of effects and don't want to buy individual pedals, the 4040 is where it's at. There are twenty-five effects including eight analog preamp settings. Much as I often get annoyed at this thing I have to admit I just love being able to tap in the stereo delay tempo. That is the best feature of the whole thing. If you want high quality distortions and wah-wah either look elsewhere or have a Vtwin and a Crybaby.

The easiest effects I have used. Everything is layed out in the matrix cross-reference format.

The compressor, preamp and EQ are virtually unuseable because they are so WEAK. This is apparent by the abundance of patches with delay doubling to beef it up. Even using other others distortions with this unit doesn't work. I ran my amp distorted through it and it totally reduced the gain, probably because the sampling frequency is only 31.25Hz. This is audible in bypass mode too. The strength of this unit is the modulation and delay sections. The modulation section has a really bad pitch shifter but I found every kind of chorus, flanger, phaser and tremelo I have ever heard. Also has STEP (arpeggiator) and slow attack. You can get some trippy sounds by assigning the modulation parrameters to the built in expression pedal. The delay is a great all purpose delay fully configurable from 1-1000ms. The reverb is a bit weak but still useful. This unit is good for crunchy industrial sounds and I found the built in volume and expression pedals and delay excellent for creating ambient soundscapes.

Have had no problems with it however the sound is too weak too use it live unless you run a clean signal or cover it in delays.

I bought this unit when I didn't know alot about effects. I wanted useable distortions and lots of weird effects and so I sold it and bought a Boss ME8. It has a lot better sound quality.

This unit is easy to program. There aren't too many little buttons, they x-and-y axis programming makes life easy for editing of patches.
The main panel is well labelled, once you know the basic jargon. The text is small, however, which makes it very hard to program in low light situations. This should be expected given the number of features packed into the size, however.
Switching between patches in play is excellent and easy to do with the foot sized buttons. There is no lag between patch change.
The manual is concise, not too wordy and explains all of the features. Quite a lot of jargon, though, which for a beginning effects user like myself is a little daunting.

Lots of effects: compressor, distotion, eq, amp simulation, wahs, pedal ptich, flanger, phase, trem, step, slow, chorus, delays, reverbs. All fully configurable.
Being electronic-based, the 4040 picks up noise from my unshielded computer monitor, and very close flourescent lighting (mind you, so do my Strat's single coil pickups).
The majority of the effects are very serviceable. There are 40 patches built in on ROM, and another 40 patches you can define. Some of the "modulation" effects (for example, step and phase) don't sound as strongly as I'd like (but then, as a beginner I'm not very subtle with my effects). Other than that, it is all worthwhile.
The delay rocks (in my U2-biased opinion) - fully configureable from 1-1000 ms. You can even have it (and a couple of other effects) in stereo, if you're wealthy enough to have two amps. You can also connect any other effects you own to it, and program those into your patches.
There are six different flavours of distortion, each with a gain variable for 1-15 for extra flexibility. I'm not a big distortion fan, but there appears to be a good range.
My favourite effects at the moment are the pitch shifts, and there's heaps of them - you can shift as little as a fraction of a tone all way to "infinity" - ie so low/high that it's above my 12" speaker amp's range. Very handy for playing tuned down songs without having to tune down.
You can mix and match the effects into patches in a number of ways, giving literally millions of possible combinations.
Bear in mind I'm a beginner - little experience with effects means I'm not well qualified to comment on the quality compared to other units.

I've had it a week, it works fine. Will post another review in 12 months. It's made of plastic, so probably wouldn't stand up to a thorough beating.

There's two pedals - one for volume, the other fully configureable for distortion level, chorus level, delay, eq shift etc.
Don't buy this unit for the built in tuner - tuning by ear is infinitely more accurate!
I like it - it gives me *plenty* of flexibility. Did I mention you can plug a microphone in (with an adaptor for the bigger plug)? This isn't in the manual, but I did it and it's hugely entertaining.
My acoustic-electric sounds quite good through it, too.
Don't like the tuner, do like the price (it was about 1/3 off list).
I wish it had a separate input for a microphone! :) Does have a headphone socket, and a MIDI out (untried).
Feel free to email me to trade patches/ask questions etc!

Pretty easy to use, just edit the patch and pick your effect. I wish their was an option to control the level of each effect.

Distortions and Eq are poor. I'd recomend using your amps distortion and running the unit through an effects loop. Most effects and delays sound good and are easy to use. Good quality for the price.

Good floor multi-effects unit. Does alot and includes volume and expression pedals. Expression pedal provides many sound options (Whammy). Has its own effects loop to add other effects and also has footswitch input for your amp. If you can't afford a rack system, but you want alot of effects, this is the processor for you.

The volume and expression pedals are great and convienent for live performance The mannual is a bit too simple