Zoom B1

It's easy to get a good sound out of this unit. It comes with a ton of presets. Some are conservative. Some are crazy.
Editing is simple. 1 knob to select the parameter and another to adjust the parameter. The manual is clear and simple.

The sound quality is great. Clean and quiet.
I play through my KRK monitors. The pedal comes with some nice amp simulations. All very useful.
The signal output from my Ibanez bass is a little weak. I found that even with the input sensitivity maxed out I didn't seem to be "driving" the unit as well as I could be. The solution was to add a Behringer PB100 pre-amp pedal before the Zoom. Now it sounds totally brilliant.

It gets thrown in my gig bag. Made of tough plastic. If I forget to take the power supply it runs on batteries.

I just like jamming along to the built in drum machine, mp3's or youTube videos. This pedal makes me sound really good. Lot's of fun and really cheap too!

The sound is pretty good for the price. I haven't had any real problems with extraneous noise. The patches are OK and grouped by cabinet/amp simulations, performer simulations, and then some really wierd sounding stuff. But all can be significantly modified and saved. With a little tweaking you should be able to get whatever sound you are looking for out of this. The manual is serviceable.

As stated above, it has a good array of different sounds.
No effects are "bad" they work as advertised. Some of the PATCHES may be "bad", but that really means they are not to my liking :-)
Using a Rogue Hofner knock off and a Carvin B4 and both sound fine through the unit. A few settings are noisy - the fuzz patch is one that comes to mind, but it can be dialed out to some extent. I simply don't use those settings that cause problems (like the built in "noise reduction". Using with a Carvin R300 head and B115 cab - sounds awesome through this set up. I do notice noise more through my practice set up (on heaphones) but on my live rig there have been no problems.

Made of plastic but, seems to be fairly sturdy. The B2 has a metal chassy if it matters to you. I use it without a back up, but I'm not a big effects guy myself.

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I play mostly classic rock covers and it does a fine job (with tweaking and saving the patches) helping to reproduce the songs. That's the thing with doing covers - you need to have some versatile sounds. I've been playing about 10 years. I'd buy another if it were lost/stolen. Again, for the price, why not?

Fairly easy to use -- footswitches scroll up and down through patches, but getting in to tweak programs and patches is a bit tricky. Nothing I'd care to change as far as parameters go. Built-in drum machine is a nice extra. My Spector seems to like this unit so far.

There's a nice variety of useful sounds in the pedal, with a few strange and spacy ones I'll probably never use. The Jack Bruce patch and the McCartney/Bassman patch are my faves so far, with the Jaco Pastorius patch moving up quickly.

This pedal is QUIET, and many of the patches have a noise gate in them, so things STAY quiet. My Spector is a quiet axe to begin with, but this unit is incredibly clean and transparent sounding.

Even though it's a plastic box, it's a sturdy and apparently well-built plastic box. The footswitches feel firm, and there's a metal baseplate on the bottom with rubber feet. I wouldn't use it to drive nails or heave at unruly audience members, but for what it's made to do, it should last a long time with some common sense care and feeding. I can go without a backup.

Haven't needed them yet, but I haven't heard anything terrible about Zoom's service yet, either. I bought the unit through zZounds, so I expect they'd be my first stop if the thing keels over in the first month or so of use.

I play anything -- and I mean ANYTHING. Jazz, lounge, bossa nova, country, rock, reggae, ska, whatever -- if it pays, I'm there. This thingy is going to be my little musical Swiss Army knife. If anyone was so hard up as to swipe it, yeah, I'd get another one.