Fender '75 Jazz Bass Reissue

Made in 2003, USA 75 reissue.
Beautiful natural finish ash body, maple neck with black blocks & binding. standard pick-ups, it's got a baddass II bridge on it and Dunlop strap locks. It's beautifully made, lovely thin neck & low action is easy to attain.
I've only given 6/10 as it's not feature packed, it doesn't need them!

Sound gorgeous, I play many rock & it's got a great middly sound that cuts through, not as high output as my 90s Jap Jazz Bass, but much more definition & depth.
I'm using it through an Ampeg SVT3-Pro, no effects & it sounds great.
It's a pretty bright sounding bass, so I'm using Elites Nickel strings, as I found stainless steel just a bit to trebly.
Love it to bits

I bought it used & it was set up perfectly, though I raised the action a tad as I tend to dig in a fair bit.
The only negative thing I would say is that Fender have managed to recreate the poor neck fit of the 70s, well at least on my one anyway!...The Baddass bridge makes a nice difference to sustain & harmonic effect

Seems good so far, though to be honest I'm gonna save this for less frequent usage as I'm in love with it so much, but I'm sure that it would stand up to the test ok....my only concerns would be that 3 bolt neck.

Haven't had the pleasure fortunately!

Been playing on & off for over 25 years & this is the most desirable bass I've had yet ( I've had some exotica! ), I'd defo buy another one. Love the look , sound & more importantly the feel , particularly the neck & fretwork.

Mine is the American-made reissue, ash body with natural finish, bound maple neck and board, black block inlays, 3 bolt neck with micro-tilt, thumb rest, bridge and pickup covers, single coil '75 pickups, solid tuners.

9 because it doesn't have noiseless pickups

Initially, I didn't like the sound. Straight out of the box it was thin and flat and didn't give me any of that 70's growling vibe. I had the EQ on my preamp setup for an active bass though so after messing around with that, I was able to coax some amazing tones out of this bass. It's smooth and punchy and cuts through very well. It's slightly noisy if you're next to a computer or amp or something, and also if you have one of the pickups solo'ed. I get everything out of it that I wanted though and it's well worth the money!

Action was a little too low at first. If I played soft I didn't have any problems with buzz, but I have lead fingers so I had to raise it up a bit. Finish is REALLY glossy and doesn't have any flaws whatsoever in it.

I baby all my equipment but I'd imagine this would hold up for decades with minimal maintenance. Everything on it feels solid.

This bass is very versatile and looks sweet. It is a top-quality instrument and is on par with Sadowskys, Lulls, Laklands, etc. I've owned a few other Fenders, a Warwick Thumb, a Rickenbacker 4003, and a few others, and this is my favorite so far. If I had the money, I'd buy again.

89 MIJ 75 RI jazz. relic. bought at the stratosphere on eBay Ash (natural) + maple/maple pearl blocks (beautiful), passive with homemade series/parallel pushpull. pu's swapped to custom shop 60's I had. soon a badass II
my rig is EBSmulticomp+EBSvalvedrive(+EBSbassiq)+ampeg svt3pro+EBSneo12 (great) or ampeg BSE410hlf (v.good but heavy)

If it had been possible, I would have had a warmer alder sunburst body, but it's difficult to find in 3 hole. So I went ash: it's a bit trebly to my taste when I play alone (especially when I already have an ash stingray for that), but I suppose it will cut better in a mix too whenever I will again. It's also very heavy (around ten pounds, argh) but the asset is the neck is always erected like a pornstar's.
about the pu's, stock are very good, but I had a set CS 60', so after several tests I swapped them. It was not obvious, but CS are more musical/ midrangy= growly even if less powerful and snappy. I think the difference will become much more obvious with old strings, too.
I'd like an active/passive setup, but not a lot of room in the cavity, and I enjoy the series/parallel option, very useful for rock: for a few bucks, a very useful mod. Anyway, as it is, it did not decide me to sell my stingray yet, which was my project at the beginning. Think I will stick with 2 great basses now, unless trying an active setup decides me. Versatile bass but one can't do everything, maybe. I prefer the JB for pickstyle, equality for fingerstyle (but very different; JB more musical), stingray slaps a lot better (but JB's frets are worn)

Very good, but doesn't compare to a stingray (does something?) nor maybe a "true" JB. A bit shifting in the neck joint. some buzzing at low action (but frets are quite worn, again). hardware oxydized, but the machines are better than I figured: stays very well in tune. Neck is stable, thin, a joy to play.

18 years old, and not tired except for fretwear

fine collectible instrument

1984/1991 Fender Japan 75 RI Jazz Bass.

Advent of the great transferance of power!

All natural finish, pearloid block inlays, maple neck, Ash body {Book Matched 2pc :} and well-played frets are the only stock attributes remaining. All hardware, electronics, and cosmetics upgraded.
While the structural craftsman-ship of these basses is un-arguably superior to the American made quality j-Bass at this point in time, begining in '84 and continuing for a + - 15 year period,

the bridge was (and still is in my opinion), behind the times, the Japanese tuners couldn't hold a tune cupped in both hands being carried by a giant in a bucket,... and although it sounded like a jazz bass, something was still missing... like Rock in the 80's

Cosmetically, I decided to go for the Gold, because to my eye it just looks really good against all the blonde wood. So, Schaller Keys, holding a tune no longer an issue. Bad A$$ II Bridge, light years ahead when it comes to Tone and Balance; and a thumb rest installed in a functional position (ABOVE not BELOW the strings!), antique white pearloid pick guard.
Electronically, I acquired some Axctual 1975 RI pots, re-wired with cloth wrapped heavy duty grade cable, high silver content solder. Copper sheilded all cavities, BRASS control plate =), Lindy Fralin pups. Nice Sound.

If you have hip/back problems, this bass may not be for you. It is built like a Tank... and drives like one, unless you get it going. HEAVY!!!
I took a lot of time to customize it; Make it what I thought it could/should be, without mollesting it. I had to compensate for past neglect/abuse.
Seriously, the finish is better then that Nitro-Cell-U-Loose Stuff that is being Sprayed on the F* guitars today, this bass is good to go from the factory. Legendary.
If you seriously want to make this bass your number One though, at least get decent Keys on it.

If you can find One 2 Put them On.

Doesn't BOOM like a P-Bass, but Will do whatever else you want it to, in any style of music. A classic Re-Bjorn.
Don't bother bringing a back-up. You, ...or your rig,.. or both! will quit before this bass does. A Standard.
Strangely enough, Now the twoo volumeknobs will only work in unison without creating a buzz in the system. User error?
Tony Tone Ton

Nahhh....
Got some schematics once.
Thanks

Playing 16yrs, Paid $600 for it, additional $400 (because I am driven by the voices in my H/head),... and worth every penny.
Could have gotten a new American made one (why?), could have spent more than twice as much and gotten an older vintage model, (yeah, I know...)
Lots of purists and vintage buffs put theirs in the case and seldom play the g*damn things. Couldn't afford one, who can find them, So... Settle for the slightest bit less if you can with-stand it. Solid Bass.
The new stuff.. is CRAAP!!!

You all know the stats by now, but mine is a 1990 model with the blonde finish, rosewood fretboard with Mother of Pearl block inlays, and three ply pickguard with mirrored control cover where the pickup knobs are. Made in Japan, still all stock with passive J pickups. This one is my first bass, got it at a pawn shop around 8 or 9 years ago for $150 (plus $50 for a gig bag). Because of this I now constantly haunt all pawn shops. A pretty simple instrument, but I love it!

I play a little bit of everything, from Irish to Rock, Worship to Reggae, and this bass has held up wonderfully over the years. Jazz basses are reknowned for being pretty versatile instruments. I love the low action, and it sounds great either through my Peavey Head and Mesa 2x15, random store amps, but I think a PA kind of kills the character of a bass. It has a pretty warm growl and great overall tone, but doesn't thunder like a P bass. Sounds great while recording, especially with worn down nickle strings.

I have no idea where it came from or who else owned it, but the action and set up have been perfect for me since I got it. The electronics do give me the occasional buzz and crackle every few years, but it is usually a pretty cheap fix. The neck on these things is incredible! Very thin and quick, but the finish can get a bit sticky if your hands sweat a lot.

Again, for the 8-9 years I've had the bass it has been a workhorse and done it's job well. The hardware does dull some, so I'll try Barkeeper's Friend (the stuff to make stainless steel cookware shine, get it at Walmart) or something to brighten them up. The finish and strap buttons are great, just a few dents and scratches here and there. I have always used it at gigs without a backup, mainly because college didn't afford me a whole lot of spending cash. Incredibly dependable!

Never tried to contact them...

I love this bass! I would never sell it because I love the sound, the neck and the fact that it is my first. If it were stolen, I would be devastated, but eventually I would get another bass. If I could get a deal I would get this exact model, but if not I'm always open to other possibilities (Warwick, Tobias, Ernie Ball). It would be nice if it had active electronics, but that might hurt it's vintage vibe. If you're looking to play metal, I'd suggest a P Bass. For the versatile player, I'd recommend giving this bass a serious look. Good luck and Happy hunting!

Fender AMERICAN Vintage '75 Reissue Jazz Bass. 20 Fret, Fretted Bass with Ash Body, 70's C shape Maple Neck with Black Blocks and Binding. The controls are VVT, with 2 Vintage Jazz Passive Pickups and Electroincs. Gloss Polyurethane Finish, American Vintage 70's jazz Bridge and Saddles, "Bullet" Truss Rod, "Micro-Tilt" Neck Plate.

All the features i need, looks really stunning.

Suits my style which is 70's funk, r&b, jazz, rock stuff. All the funky jam which this bass does really well. I use it right now with a SWR Workingman's 4004 Head and 4x10T Cab but am getting a Ampeg V-4BH Head and SVT-410HE Cab. IT sounds great on any setting. Sounds like your cool 70's jazz bass. Verdine WHite from Earth Wind & Fire played one, and that's what it sounds like.

The factory set it up pretty well, i did a better job when i got home. You can't expect it to come ready to go. It goes through different weather changes and lots of moving so you're gonna have to set it up yourself no matter what. Other than that, great craftsmanship, no problems.

I don't see any problems coming up.

Limited Lifetime Warranty.

I have been playing for over 8 years now. I will be hitting the road this summer and doing around 12 dates in the midwest region. Medium sized venues and gigs. I also own a Fender Jazz Fretless, Yorkville 100B, various effects, an Alto Saxophone, and a Classical Guitar.

IF this was stolen i would definately buy another one. I love this bass, and it solved my search for the right bass.

Made in the USA. 2004 manufacture. Standard jazz bass features, ash body, maple neck with black blocks black guard and standard passive VVT controls. Nice black Tolex case. I put a Badass II bridge on for that 70's vibe, but you don't need it, it is just a question of taste (and a reversible mod in any event).

This does the funk thing so well, it's scary!! Strung with DR low rider stainless strings. Front pickup is warm, beautiful, equal volume on both gives that Marcus Miller type "bink" and extra emphasis on the bridge pickup with the tone rolled off and you get the classic "you know who" warbling tone. It is a joy to play on gigs. Some people complain about Jazz basses getting lost in the mix compared to say a P-bass. No such problem here. Usually used through Eden amps and cabinets.

Shop set it up for me, still gets a fiddle from me from time to time. Typical jazz bass neck that needs tweaking with changes in weather etc. Easy to do as the adjustment is bullet-style at the headstock. Better than having to take the neck off all the time! Fit and finish are really great, especially for a Fender! Beautiful ash grain and gloss finish. One of Fender's better efforts in my view.

Hey, it's a Fender, built like a truck. Truss needs occasional adjustment due to changes in humidity, but that is easy.

Never had to rely on it. Fender Australia has a good reputation in any event, and it's a simple instrument so I'm not worried at all.

Been playing for ages, mainly guitar but back to bass in more recent times. I have a small but nice collection of basses, and this fits well in the arsenal.

2002 Japanese '75 RI Jazz, retrofitted with Hipshot tuners and bridge. American Fender Jazz P/U's replaced the cheaper Japanese ones. Rosewood board with block inlays. Scratchplate was replaced with nice aged cream pearloid. Natural butterscotch looking finish. Control cavity and pickguard have copper insulating tape. Looks real sweet in my reissue blonde tolex case.

Very versatile tone, as expected with J-bass. I run my basses thru a SWR 900 amp into an Aguilar 2x12 cab, and the sound is smooth, clean, deep and creamy! Best set-up I've owned..

Great neck on this bass, no flaws whatsoever. I was really fortunate with this purchase! I've only played a few very expensive basses with better action.

Built like a tank..

Outstanding bass with all the new parts. Not sure how the original version would rate.

This is a 'Crafted In Japan' model from between 2002 and 2004. It has an ash body in 'natural' finish with bound maple fingerboard, block mother-of-pearl inlays, three-ply white scratchplate and US made 'vintage' spec pickups. I have swapped the stock jazz knobs for chrome P-bass ones and fitted a neck pickup cover for that Marcus Miller look. It looks fantastic, feels superb, and does everything a bass should.

I am primarily a guitarist, but have played bass for around ten years on a casual basis in various big bands, worship bands and jazz/funk/soul groups. I generally play jazz/funk/soul music, and listen to bassists like Jaco, Paul Jackson Jr, James Jamerson, Louis Johnson, etc.
For practice I play through my 70s fender twin reverb as I don't have a specific bass amp, although I'm hoping to get an Eden Nemsis 210 as I've played it through one of these a few times and the sound is incredible.
I can honestly say it is the nicest sounding bass I've ever played. Pure funk and soul which can go from deep & round to nasal & growly to light & springy to sizzling & slappy. It is great for playing chords, slapping right up to the octave, and each note is full of harmonics.
I am 200% happy with it.

Extremely well made - cannot find fault at all with the construction or finish. I tried a number of Fender Mexico basses before buying this is definitely superior; it's certainly at least as well made as the one US made '75 reissue I managed to try out.

It's a fender jazz bass - solid and reliable.

Bought from fareastguitars.co.uk. John (who basically IS fareastguitars) is a true gentleman. Strongly recommend his service!

As soon as I save up enough I'll being e-mailing fareastguitars to get hold of a '62 reissue Jaco Pastorius-style fretless. I am in love with this bass and will never go near another US or Mexican made Fender as long as our Japanese friends make such good instruments at such good prices.

2002 US '75 jazz reissue (1 store tag reads '70 ?)lake placid blue with matching headstock. It has traditional jazz features, except the neck: three bolts, micro tilt adjustment, binding, and mother 0f pearl inlays! (also, NO dead spots)

it came with a deluxe case, strap cord, and vintage pickup & bridge covers.

it could have had more features-(straploks, 4 bolt neck, but that wouldn't be true to the original)

sound is unlike any other bass i own. it has more midrange and treble than all my other basses, (even another j style bass). the harmonics practically jump from the instrument-very nice. good midrange/bridge tone.

the action is ridiculous. it probably has the lowest action on any fretted bass i've ever played. amazing.

the finish is beautiful. this category is where the bass really stands out.

i haven't owned this bass long enough to comment here.

i dealt with fender about six years ago ('98-'00) and they were absolutely TERRIBLE. it took 2 years for them to fix the problem! i think the average crack dealer probably had better customer service. i hope they are much better now, but i haven't dealt with them, so i don't know. i just hope i don't have to.

this bass has a lifetime warranty.

i've been playing bass for 16 years and i own 3 other basses ('76 p bass, warmoth j bass, and a fretless warwick thumb BO). this bass is completely different than the others, even the j style one. i play them all through an SWR rig (bass 350 head, goliath III cab).

the value on this bass is excellent. i think the store may have had it for a few years. it's a 2002 bass and i bought it in May of 2005.