EMG 81

active humbucking pickup

ESP-LTD deluxe EC1000VB
stock pickup in neck position, paired with an EMG60

the output isn't high as most people say, at least in terms of volume... compared with other passive-equipped guitars i own EMGs don't scream as much as i expected, wich isn't a bad thing at all, i love swapping guitars onstage and there's not need to turn volume down to balance the overall volume. they're very quiet too. In terms of saturation YES, the EMGs DO definitely scream...
- the 81 in bridge position has very definite and bright clean sounds, although it lacks the classic crystalline tone of a Strat single coil, of course... it sounds more metallic but it's still a nice and usable sound even for arpeggios. plenty of treble and some bass, but it cuts EVERY mid from the sound. as I said before this pickup can saturate the dirt channel (or the dirt settings, i usually play through a PODxt) much more than other pickups i'm used too, with interesting results. you can play rock and get sharp attacks full of clarity and definition (absolutely not muddy!), like a distorted Strat - without loosing any of the saturation that just humbuckers can give - and just by turning a bit down your guitar volume you can have bluesy dirts with no loss of volume.
And here come the bad news, at least for me...
if the 81 works well with dirty sounds it's almost completely useless when it comes to heavy distortions. i know, maybe i'm the only person in this world who dislikes the way this classic METAL pickup behaves in metal! it could be a question of personal tastes, but i simply hate the distorted sound of this thing... it remains very definite and never buzzes, even with HEAVY metalzone distortions, but it completely lacks sustain... it cuts like a knife on the treble range but kills even more mids than in clear settings. the only thing i was able to do with my 81 were palm muted rhythms, a thing i don't do very often... i play many different things, but my own style is based on gothic rock/metal. i'm basically a lead guitarist, and i found this pickup completely unusable for solos and smooth lead riffs... i love mids (LOTS of them!) and the 81 has got none. It completely killed the warmth and personality of my Eclipse (that is basically a mahoganey built Les Paul-style model), and gave me the kind of tones thet should appeal much more to brutal-death rhythm guitarists... it could sound well (although a bit too cold) in thrash metal too, but definitely not in melodic death metal and similar genres...
should a pop-rock guitarist buy it? to be true i was quite impressed with the powerful bite of its dirty sound, so i'd say yes, but it sounds way too clinical for my tastes even in rock... i love vintage PAF sounds, after all!
i don't dare to imagine it in neck position... i would be curious to try it but i've got no expectation...

for sure i'll never buy an 81 anymore (i'm still a bit perplexed on what to do with the one i still own!), and to be sincere i removed it from my guitar after 10 days of extensive play... i replaced it with an EMG85 (that thing has got great singing mids, at last!) and i have to say, after 8 months, that i've done the right thing!

Active humbucker, with ceramic casing.

I have dual EMG-81's on my ESP EX-250. They were replacing the horrid, passive "Duncan Design" jobs that were stock. I changed the pick-ups, because at the time(2000), I was really into Metallica and wanted Kirk Hammet's tone.

These pick-ups are really hot. When used with a tube amp, they push like no other pick-ups I've used. That said, sometimes it can unintentionally overdrive on clean settings. But when you're playing lead, these pick-ups have excellent sustain and clean break-up. On solid-state amps, they tend to push too hard, depending on the model, resulting in a somewhat muddy sound. They sound terrible on modeling amps, in my opinion.

As for my rating, I'd give it a clear 10 for tube amps, and maybe a 7 for all other types.

I love my EMG-81's. It's tough for me to play with passive pick-ups anymore, especially I since I usually play high-gain rock. I would buy them again in a heartbeat. The only thing that's a pain is changing the batteries. Each pickup has its own, and on my guitar I have to physically unscrew the neck pickup and lift it out to change the battery. ARGHH. But overall, they rock. If you want and insane lead tone, this is for you.

Humbucking (obviously) and active

Guitar: Ibanez GRG 270
Position: Neck
Replacing stock pickup (Ibanez PWSND)
Other pickup: stock pickup (Ibanez PWSND)
Artists: on neck, Hammett. On bridge, Hammett, Hetfield, many others
Reason for change: needed better quality on rythmics and palm muting

Output level: very very very high!
Amps: Washborn
Tone: maybe too bassy on clean tone, but good on distortion
Style of music: metal, hard rock, but I experimented chorus, flanger and phaser effects with Pink Floyd songs
Suitable: it's not bad for neck position, I think it's better to install two 81 in both positions than a 60 (85) in the neck and 81 in the bridge, to avoid differences in output level

If it was destroyed or stolen, I would either buy another one or install two 85, but I wouldn't install two different pickups.
I play guitar since 1990, and play different kinds of music, not only metal. I use Boss analogic pedals, a Korg AX-1500G digital pedalboard and Dunlop Crybaby Wah Wah.
For this pickup I love the clarity when performing palm muting, and the only drawback is that there are too loud bass frequences. Anyway I have satisfied with the overall quality, and can't wait to install another 81 in the bridge, to get a very very cool guitar

active humbucker

model: cort kx-5 katana
position: bridge
replacing stock mighty might motherbuckers
emg 85 in the neck
artists using: too many to list
reason for change: i wanted more gain, better harmonics and more clarity (and the emgs delivered!)

output: fucking hot like the sun crahsing into the earth man, this thign evn distorts my solid state clean channel!
rig: i usually plug my katana straight into my peavey bandit (yes i know i want a tube amp lol)
an sometimes run the preamp out of my bandit into an old yamaha tube combo my uncle gave me for that tube warmth an extra gain
tone: this is not a clean pickup, this bitch will tear your head off for anything high gain. the harmonics jump out i can get loud clea rpinch harmonics like nothing now, playing rhythm with this pickup gives a razor sharp crunch that im certain could cut through any mix and leads growl with a lovely blend of trebles and high mids but just enough bottom end not to tip the scale.the pickup also has amazing clarity when distorted you can play a chord and hear each note ring with endless sustain through any amount of gain. the clean tone (or lack thereof) is why i took off a point in this section. as i said before this pickup so hot it even manages to overdive my peavey bandit solid state clean channel but wihtout the gain this pickup adopts a more jangly brittle tone. doesnt bother me that much i usually dont use bridge pickups clean anyway and the 85 in the neck is gorgeous clean so im all set :P.

style of music: melodic death metal mostly, but i'll play anyhting if i like it, this is a perfect match for my style and the distorted tone ive had in my head for ages.

positions: kirk hammet an some other folks seem to like her in the neck but i can only comment on bridge position for now an i say this pickup is a bridge pickup at heart. i was thinking though of switching my 85 tot he bridge and 81 to the neck just to compare, its quite easy to switch them wiht the qwik connect clip, and for height i just went as close to the strings as i could get without touching them, pretty simple procedure.

if any douchebag took the time to steal my pickups an leave me with an empty guitar i would probably cap his ass haha, but i would definitely buy this pickup again.

i played bass for 4 years before switching mostly to guitar 2 years ago, ive listed all my gear here, i dont have any effects yet

comparison: the only comparison i did was through the reviews on this site and by memory comparing it to my old pickups, i was thining of going the dimarzio routebut after seeing how many of my major influences use emg 81s i though i just had to try one an now i understand

i am very satisfied with this pickup in any distorted setting, it has brought me closer to "the sound" then ive ever been

Active Humbucker.

I installed it on a Schecter Omen 6 on the bridge along with an 85 in the neck. I replaced the crappy pickups that came with it.

The pickup is pretty hot. The fact that it doesn't make much noise is nice. The tones are unbelieveable for hard rock/metal. The clean tones can use some work, but you need to know that before you buy this pickup. It works great for crunch to high gain sounds. The tighness of this pickup blows me away.

I installed this pickup along with the 85 almost 2 years ago and I play it very often.. sometimes hours on end. These pickups have never given me any problem and get this, I have never had to change the battery!! Everybody thinks it's a pain to have a 9v to change, but it lasts a flippin long time. Great pickup for rock, but if you want this sound and clean, go with the 89s, I just got those installed on my new schecter and those do clean sounds very well.

Active humbucker.

I have EMG 81 on the bridge position in my Jackson RR. I replaced Duncan Design (something with 103 in a signature).

Here comes real metal. The rhtyhm is just smoke. Solos are amazing. Great dynamics and compression. Harminocs are faantastic.

This thing is balzing, it's what I wanted! I've never had a singl problem with this pickup. It looks great, it sounds great! I'd definately buy it again.

Active, high output, ceramic pickup; cannot be split.

ESP Eclipse

Compact, thight, with transparent mids and tight bass. Works especially well with highgain; clean sounds are flat and lifeless and it could use more warmth.

Use this if you want superior definition and transparency for highgain. Do not use it if you want an organic and warm tone.

It's a standard for highgain pickups, yes, but there are meanwhile more pickups that do it at least as good and have more warmth and a more natural sound.

Active. Very low noise. EMG logo in silver on black casing. Vacuum sealed.

The 81 came stock in the bridge position of my Jackson DK1 USA. In the neck stock was an EMG 85. Judas Preist, Metallica, and Kerry King of Slayer are among heavyweights playing the 81 in the bridge.

The output level is high and allows extreme gain, but still feels rather conformed. I'm playing it through an MXR Smart Gate into a Marshall MG50DFX- which sounds very good, but I'd prefer a different speaker maybe, but the EMG 81 still sounds very good clean and distorted.

The 81's tone has a sharp metallic sounding top end with all the frequencies sounding compressed and fat. The pickup sounds balanced but with highs being the most present, followed by crunchy and chunky mids, and lastly a small amount of bass. This pickup was designed for lead guitar so it seems these fequencies mentioned are as alloted for exceptional lead guitar qualites. For Heavy Metal leads this pickup excels. For other styles, which I've heard it can be used for, I never used them for besides clean a distorted heavy rock style.

I play high-gain hard rock and this pickup makes my slinky lead lines sound solid, loud and clear consistently. Allowing extended sustain, transparent articulation, and unbeleiveable crunch. This pickup took me by suprise and effectively ended my pickup search. I am stunned. The 81 I'm sure would sound as good in the neck as it does bridge. The 85 sounds very clear and unmuddied in the neck unlike some pickups. The 81 is great for my playing nuances and needs: clear, solid, articulate, consistent, and clean/distorted lead lines and the ultimate in crunchy,crushing power.

My Jackson is very balanced in sounds and has a biting midrange, fat, clear highs, and equally good lows. Very balanced like the 81.

This is my pickup of choice now and don't see any changes in the forseeable future. I've been playing for 13 years and love the pro factor of the EMG 81 and it's ability to reciprocate my experience level. I don't hate anything about it- it's would kinda be hard to.

I say this pickup excellent under high gain to the point of compresssion. I didn't compare to any other pickup as I would relly be hard to.

Pickup features: humbucking
Impedence or other specs: low impedance active

Model of guitar or bass: B.C. Rich Gunslinger
Position: bridge
Pickup being replaced: none
Other pickups on guitar: none
Artists using this pickup: many
You musical style(s): rock, especially 80s stuff
Reason for pickup change: came with guitar

Perceived output level: Loud and clear high output .
Tone: Clear, round, crunchy, and sweet balanced sound.
Sonic evaluation: I'm playing my B.C. Rich Gunslinger with the EMG-81 staight into my Marshall TSL 602 into a Marshall 1960A cabinet. It's an awesome sound. Besides having a great crunchy low end without any mud, these pickups have a great singing round lead guitar tone. Maybe the best I've ever heard. I just love it. I bought another one even though I don't have a guitar to put it in yet. I just wanted to have another. These pickups sound so good. And they have such a high output. That I don't think you need any effects pedals to enhance your tone. I mean I don't think it can get any better than this. The pickup I'm reviewing is about 16 years old. I hope the specifications are the same. They sound great with tube amps. This may be the best pickup ever made.

For which styles and positions is this pickup (un)suitable: I play rock and shred. And it's great for that. I'm using it in the bridge. It's slanted like a Baretta' s pickup is.

Comments: Sure I'd buy it again. I already have. I've been playing about 29 years. I own three Marshall amps, seven guitars, various pedals, etc.. I love the tone. I don't dislike anything about it. I also have a DiMarzio X2N. It also has a lot of overdrive. But it seems to lack bass. The EMG seems to have a wider frequency range. This pickup has a very crunchy rhythm tone and a round sweet lead guitar tone all at the same time. It doesn't have any sssssssssss noise that some pickps have in the higher frequencies. The lead guitar solos almost sound like an organ. But better. It's a very musical pickup.

Pickup features: Active humbucker
Impedence or other specs: Dont know

Model of guitar or bass: Ibanez SZ520
Position: bridge
Pickup being replaced: Ibanez SZ pickup
Other pickups on guitar: Ibanez SZ pickup
Artists using this pickup: Zakk wylde, ME
You musical style(s): alternative rock, a lil bit numetal, pop rock
Reason for pickup change: THe original pickup didnt have enough gain that I want and didnt have enough bass. I want BASS, lots of bass ...

Perceived output level: Way more than Ibanez SZ pickup
Tone: Bassy but very clear on the high notes
Sonic evaluation: I use this pickup with Ibanez SZ520. THis guitar is heavy solid like Les paul Gibson. After I changed this thing screams, growl, cry .... very good. I use marshall MGseries head n box

For which styles and positions is this pickup (un)suitable: I play alternative rock, metal, pop sometimes ... definately bridge position but some people say neck id like to try that sometime

Comments: If it were stolen or damaged ... man who would steal pickup, anyway if this happens definately ill get it again. Ive been playing for 12 years or so. I have Ibanez SZ520, Yamaha AES620 and Godin freeway classic marshall amp mgseries, boss gt8 fx processor.
Im very satisfied with this product ... only if i could get it cheaper would be good