Seymour Duncan JB

Pickup features: Humbucking
Impedence or other specs: ?

Model of guitar or bass: Yamaha Pacifica
Position: bridge
Pickup being replaced: Dimarzio FRED
Other pickups on guitar: Fender Texas Specials
Artists using this pickup: Lots
You musical style(s): Rock
Reason for pickup change: FRED was very thin and whiny.

Perceived output level: Hot
Tone: Farty!
Sonic evaluation: I used this pickup in live situations running through various amps including a 5150, and a POD straight into the board. While I agree with many others here that this pu is great for harmonics (probably the best I've ever used for this, although I have never used active pickups), I didn't like it's sound overall. My main complaint is that I found the bottom end loose and farty sounding. Maybe I'm just one of those crazy, misguided individuals that prefers the sound of Dimarzios. I have since installed a super distortion and it sounds great, although artificial harmonics are much more difficult to come by with it. The improvement in tone was well worth that trade off.
Some have said that the JB sounds good clean, however as a rule I dislike humbuckers for this and prefer single coils so I can't really comment objectively on that.

For which styles and positions is this pickup (un)suitable: If you like a tight bottom end for your distorted stuff I'd look elsewhere.

Comments: I would not buy this pu again. It has put me off of Seymour Duncans entirely.

Pickup features: Passive Humbucker
Impedence or other specs:

Model of guitar or bass: Homemade Explorer
Position: bridge
Pickup being replaced:
Other pickups on guitar: Duncan Distortion in Neck
Artists using this pickup: Deftones is all I know of
You musical style(s): Metal, CLASSIC ROCK
Reason for pickup change:

Perceived output level: Hot
Tone: With my setup it has lots of chunk, lots of low end, not too many mids, nice smooth highs
Sonic evaluation: I plug straight in to my crate GFX-212, the guitar has a 5-position switch a500k ohm pot and a250k ohm pot, can dial up about any sound I want with the Duncan Distortion in the neck,from thick creamy distortion to low end chunk, biting highs, or just a plain ol' sweet sounding Strat.

For which styles and positions is this pickup (un)suitable: I play mostly metal/hard southern rock

Comments: I would definately replace if somethng happened to it, it's very versatile. Been playing about 8 years, been serious for about 4 years. i've played a Gibson LP studio with th 496r, 498t through both a 135 watt marshall, and my Crate, and these blow the Gibsons off the face of the planet. These are the perfect pickups for this particular guitar, it's made of swamp ash, so that probably adds to the fullness of tone. Just bought an ESP EC-400 loaded with EMG-81s, haven't plugged it up yet but it's hard to imagine it sounding any better than my Explorer. Damn near perfection.

Pickup features: Passive Humbucker
Impedence or other specs: 16K or in the ballpark

Model of guitar or bass: Schecter C1 Blackjack
Position: bridge
Pickup being replaced: N/A
Other pickups on guitar: SH-1 '59
Artists using this pickup: Like that dude from Britney Fox or something
You musical style(s): rock, hard rock, metal, post-punk, retro punk, cybergrungetechopop
Reason for pickup change: This is the pickup I decided to replace.

Perceived output level: Hotter than anything else, ever.
Tone: All treble. Screechy, icepicky when clean, piercing...get the picture?
Sonic evaluation: I had to get rid of this, but I thought I'd share my reasons, since a lot of people buy this pickup, and if you go into the Seymour Duncan forums, they'll recommend this to you for rock. I was using this in the Schecter C1 Blackjack that I used to have, and it had to go! It hurt my head! I couldn't stand to be in the same room with it (when it was plugged in and playing, I mean.) It cut through my ears like an icepick, especially when it was clean. It was literally unusable clean. What's that you say? Turn down the treble using my tone pot? Well, sure, but then the '59 pickup in the neck would sound wrong. The one thing I do have to say good about this is that it made harmonics a snap. It was literally so hot that it gave you that sound where the guitar sounds like it's about to explode, you know, where any noise you make on the strings by rubbing your hand turns into pinch harmonics. I eventually settled on putting an SH-5 Custom where the JB used to be, and that sounded SOOOO much better. Finally, I sold the whole guitar, because I didn't like the 25.5" scale. Now I've got a SH-6 Distortion, which I prefer over the Custom.

For which styles and positions is this pickup (un)suitable: I play rock, hard rock, metal, post-punk. This is not good for vintage tones, but fun for '80's "metal".

Comments: No way I would buy this again. It's too peircing. If I got one, I'd swap it out for an SH-6 Distortion or at the worst, an SH-5 Custom. People think that ceramic magnet pickups are grating. Well, they haven't heard the JB. It takes the cake.

Pickup features: Passive Humbucker
Impedence or other specs: 16.4 K impedance

Model of guitar or bass: Gibson Les Paul Studio
Position: bridge
Pickup being replaced: 498T
Other pickups on guitar: 490R
Artists using this pickup: many
You musical style(s): Rock, Metal, some Blues
Reason for pickup change: I wasn't satisfied with the output of the stock 498T.

Perceived output level: High output, but not too high (maybe the passive version of an EMG 85)
Tone: middy, trebly
Sonic evaluation: I use a Gibson LP Studio plugged straight into a Mesa Single Rectifier. The Recto then goes to a THD Hotplate, and then to a Marshall MG412 cabinet.
I was expecting a little more gain out of the JB, but it is definitely more than the 498T. Like other people have said, it does lack bass, but that's easily corrected by turning the bass up on the amp. It gives very clear, pronounced harmonics and has great sustain. It also cleans up very nicely (much better than the 498T) and has a nice tone for a bridge humbucker.

For which styles and positions is this pickup (un)suitable: I play a lot of metal, ie. Metallica, Megadeth, Godsmack, etc., and this pickup fits them all.

Comments: If the pickup were destroyed I think I would try something with a little more power--maybe a SD Distortion or a Dimarzio Super Distortion. But, overall this is a good pickup; it's definitely better than stock.

Pickup features: Passive Humbucker
Impedence or other specs:

Model of guitar or bass: Agile 2500
Position: bridge
Pickup being replaced: Stock ceramic
Other pickups on guitar: Stock neck ceramic
Artists using this pickup: List is endless
You musical style(s): Hard rock/Metal
Reason for pickup change: Stock was too thin and sterile sounding.

Perceived output level: Pretty fuzzy all the way up. I have my volume pot on about 7. Great crunch!!
Tone: Very nice on all freq's. Great middy tone. Awesome for Metal tone.
Sonic evaluation: Peavey XXX, Sonic 412 cab, Agile 2500 LP model, Gibson LP
Probably would sound great also with a Rectifier

For which styles and positions is this pickup (un)suitable: Perfect match for doing Metal and Hard Rock. Think Metallica tone!

Comments: I haven't had a whole lot of experience with pups but I do like this one way better than my SH-10 Full Shred on my Gibson LP. I think I may have found THE sound I was looking for. I will purchase another to put on my Gibson. It also cleans up nice for dirty tones. I would definitely get another one if it were stolen.

Pickup features: Passive
Impedence or other specs:

Model of guitar or bass: Epiphone Les Paul Classic Quilt Top
Position: bridge
Pickup being replaced: Epiphone Stock PUP
Other pickups on guitar: Seymour Duncan '59 SH-1n
Artists using this pickup:
You musical style(s): Blues, Classic Rock, Hard Rock
Reason for pickup change: Originals sucked.

Perceived output level: Fairly high output. I definately noticed a jump in overall volume after installation.
Tone: Mids are pronounced but trebles and bass aren't far behind.
Sonic evaluation: I'm running this PUP in my Epi Les Paul (mahogany body and neck with a maple cap) straight into a Fender Hot Rod Deluxe (modded and using a Jensen C12N). This pickup sizzles through this rig! It's perfect for cutting through the mix during a solo and combined with the '59 in the neck position it provides awesome balance for rhythm. Also, if you like pinch harmonics this pickup will be your best friend.

For which styles and positions is this pickup (un)suitable: This PUP is a perfect match for Blues, Rock, Hard Rock, Country, Southern Rock and Pop.

Comments: If this pickup were destroyed I would definately replace it. I've been playing for 20 years. It is just an awesome all-around versatile PUP and I can't recommend it enough.

Pickup features: passive
Impedence or other specs: seymourduncan.com

Model of guitar or bass: esp ltd v-100
Position: bridge
Pickup being replaced: duncan designed stock hb-103b
Other pickups on guitar: other duncan designed (neck)
Artists using this pickup: el hombre
You musical style(s): hard rock, blues, punk
Reason for pickup change: need clarity and higher output.

Perceived output level: hot
Tone: well balanced with emphasis on highs/mids
Sonic evaluation: ampeg r212 reverberocket combo, boss mega distortion. heavy as hell, mind ripping tone. searing leads and enough chunk and thump to make rhythm worthwhile.

For which styles and positions is this pickup (un)suitable: this pickup is good for rhythm/riff guys, solos, in the regions between rock and metal. well balanced.

Comments: this is becoming my fave pickup, more meatier than the duncan sh-5 custom, which is heavy clean, not quite as pushed toward the mids like a jb model. this is the best compromise i have found between the clean and dirty worlds.

Pickup features: Passive Humbucker
Impedence or other specs: ?

Model of guitar or bass: Esp EC-1000 Deluxe
Position: bridge
Pickup being replaced:
Other pickups on guitar: 59
Artists using this pickup: Quite a few artists
You musical style(s): Alternative hard-rock
Reason for pickup change:

Perceived output level:
Tone: very balanced string to string with very clear sound and definition
Sonic evaluation: I'm using a Laney Vh100R with Marshall 1960a cab with 2 V30s and 2 GT-75s along with my trusty ESP EC-100 Deluxe

For which styles and positions is this pickup (un)suitable:

Comments: This pickup sounds great on this guitar! I'm not usually a Duncan fan with all the other pickups I've tried from them and always felt something was a missing. But, for some reason the JB sounds great on this ax and I love the sounds I'm getting from it. It can do great leads and rythm crunch and it always maintains a clear focus sound that is warm and balanced. I really dig this pickup and I don't struggle to tweak it the next day or week. It's very consistent and I love it! This pickup may not sound good for every guitar but for me it's perfect!

Pickup features: Hum; Pass
Impedence or other specs:

Model of guitar or bass:
Position: neck
Pickup being replaced:
Other pickups on guitar:
Artists using this pickup:
You musical style(s):
Reason for pickup change:

Perceived output level: Good output
Tone: Alright tone; thin in the middle, not balanced
Sonic evaluation:
For which styles and positions is this pickup (un)suitable:

Comments: Do yourself a favor and get yoursef a set of WCR Pickups. I've bought about a hundred sets of Seymour Duncans over the years and they always seemed a little bit lacking in one area or another. Now I've reached the end of the line in pickups WCR Picks. Do yourself a favor, save the extra money and but yourself a set....you'll be glad You did...I KNOW I am!

Pickup features: humbucker
Impedence or other specs:

Model of guitar or bass: american strat
Position: bridge
Pickup being replaced: s/d pearly gates
Other pickups on guitar: custom s/d single coils
Artists using this pickup:
You musical style(s): classis rock /blues
Reason for pickup change: pearly gates to bright

Perceived output level: full very hot, easy to distort paf style
Tone: killer right in pocket for classic or hard rock
Sonic evaluation: marshall avt head 2-12 cab/ tubeworks rack setup 2-12 greenbacks, gibson goltone les paul jr.

For which styles and positions is this pickup (un)suitable: classis rock blues, perfect for the classic rock sound in a strat very hot p-up

Comments: been playing for 25 years if you need a well rounded humbucker for a strat this is a good choice

Pickup features: Humbucking
Impedence or other specs: See SD blurb.....souped up PAF with bumped 400 hZ peak

Model of guitar or bass: Retrofit on Gibsons
Position: all positions
Pickup being replaced: Stock Gibson
Other pickups on guitar: See above
Artists using this pickup: Everyone and their Mother
You musical style(s): Hard Rock,Metal,Acid Jazz
Reason for pickup change: Lame pickups from your fave mfg.

Perceived output level: Medium
Tone: A PAF with a spike around 400 hZ;fantastic harmonics
Sonic evaluation: Used in Marshalls,Mesa-Boogies....etc.Basically a PAF with a bump in the upper-mids that Magically makes those "Ping Harmonics" fly off the Guitar.Great vintage sound.Better installed on a Trad Ax like a Gibson than with modern gear like Ibanez...overall, these are thin sounding on a Basswood Guitar.

For which styles and positions is this pickup (un)suitable: Hard Rock,Metal.

Comments: I've been playing almost 34 years. The JB is an industry standard.Gear: LOTS!Great spike at 400 hZ that cuts through the mix and good harmonics.Music industry trivia: SD's early ads stated that this was a copy of a PUP made for Jeff Beck (The JB) Herein lies a tale.....when I contacted SD in the mid-90's and asked them what JB stands for, (already knowing the Jeff Beck hype),the response was:
(Dead silence)....Uh...well.."Jazz-Blues" (?!) Seems they changed their story.Perhaps it's because once upon a time SD released an EVH PUP when he was the new kid on the block...without Eddie's permission.Result: He now endorses DiMarzio & Peavy.That being said, SD's are great PUPS; he goes after a vintage sound.Best retrofit in an SG,Les Paul, etc.However,I've found DiMarzio's work much better in Ibanez and lighter body guitars that need a Bit 0'"Omph"

Pickup features: passive humbucker
Impedence or other specs: it doesnt really matter, just hear it.

Model of guitar or bass: Home made Frankenstrat
Position: bridge
Pickup being replaced: Invader ( makes a great paperweight)
Other pickups on guitar: fender tex mex neck and middle (surprisingly good, the reason they are so cheap is because they ADMIT that they are mexican made)
Artists using this pickup: i dunno, lots of people
You musical style(s): from jazz to Metal
Reason for pickup change: the invader made my alder sound like mahogany. And I already have a bass player.

Perceived output level: Hotter than any stock bucker, not too hot.
Tone: well balanced. more mids than the average pickup though, but that is necessary with todays mid-less high gain amps and pedals. it does a justice
Sonic evaluation: I use this on my custom strat through a bedrock lead 50, a modded hot rod deluxe and a classic 30. sound great through all. this pickup must be understood though. if i am playing blues through a classic 30, i switch from pos 4 to the jb and it gives a small boost.

For which styles and positions is this pickup (un)suitable: this pickup is great for the versitile guitarist. not too much output and maintains tone

Comments: she's a keeper!! I have tried almost everything. i tried the invader, i've tried that emg crap, i have tried the evolution (not too bad) but this one speaks my language. it is suprisingly toneful for a hot bridge humbucker, grat for pinch harmonics and all harmonics for that matter. i recommend it to all. i have been using this pickup for 8 months,so this review is not just some exited consumer venting his energy. it wont make you play better, it won't turn your garbage crate crap into a jcm800, but is is a good pickup. if there is a perfect bridge pickup this is it. remember, if you like to dip your face in a tacklebox, get an invader.

Pickup features: Humbucker
Impedence or other specs:

Model of guitar or bass: 1977 Ibanez Les Paul Copy
Position: bridge
Pickup being replaced: stock super 70's
Other pickups on guitar: super 70's in neck
Artists using this pickup: lots
You musical style(s): rock, alternative...blah blah....
Reason for pickup change: stock super 70's went the microphonic route...

Perceived output level: mid output, not as hot as I thought it would be, but you never know til its in the guitar.
Tone: all around, i'm pretty happy. Definitely more full sounding than the stock super 70's. Notes cut clearer even with a great deal of distortion....
Sonic evaluation: like i said, its in my 1977 ibanez les paul copy, to a mesa boogie v-twin preamp pedal into a '96 Fender Blues Deville. I also have an epi sheraton II with duncan custom (b) and '59 (n), which I'm very happy with. A friend had a JB in his epi lp, and I liked the sound, so i thought i'd give this one a try.

For which styles and positions is this pickup (un)suitable: i needed more chunk for rythmn in a punky rock cover band, this seemed to fit the bill quite nicely. Didn't get the feedback that I thought this pickup would give, but at least has nice tone and got rid of the microphonic squeal i was getting with the super 70's.

Comments: sure, i probably would get this pu again. Doubt someone would steal just the pu though.lol.
Been playing 10 years. Just rythmn. Don't have the dexterity for lead work, but find this pu to be pretty nice for rythmn. I'm hardly a guitar expert, but I'm pretty happy with the results of installing this seymour.

Pickup features: Passive Humbucker
Impedence or other specs: See SD website

Model of guitar or bass: Gibson L-6s, Ibanez Destroyer X
Position: bridge
Pickup being replaced: Too numerous to remember
Other pickups on guitar: Gib - DeArmond Goldtone, Ibanez - Screamin' Demon
Artists using this pickup: A lot, including some that shouldn't
You musical style(s): Blues, hard rock, some metal
Reason for pickup change: Do you really need a reason to spend hundreds, if not thousands, of dollars on installing pickup after pickup on dozens of guitars, looking for the right pickup/wood combination that makes you want to play your axe instead of eat and sleep? Hey, beginners, don't think you're not going to go here. If you are serious about you're playing, you swap pickups. The better you get, the more expensive the habit.

Perceived output level: The JB is a rather hot pickup, designed for gain of various strengths, the more the merrier!
Tone: I find the JB to be a pretty clear pickup, cuts through a loud mix, plenty of midrange to get your point across. Well balanced, but can be very thin in anything other than a mahogany body. Very trebly, for the lead player that likes his harmonics. Isn't going to give you a tremendous palm mute chug by itself, but when combined with the right neck p/up, watch out.
Sonic evaluation: I just wanted to make a couple of remarks about what I've found to be some interesting characteristics of this p/up.
First, the JB loses a great amount of it's fantastic grind when hooked up to a volume pot. I've found the JB to sound best when it's run straight to a tone pot, no volume. You want something softer, use your neck p/up, for God's sake!
Second, the treble can get very spiky, as many have mentioned. I have my tone pot around 7-8, just enough to tame some of the spikeyness without killing off the harmonics (which require treble!!!!)
Third, because the JB can get so thin, even with compression, I almost always use a neck/bridge setting. However, my neck p/ups are split between series and parallel. I use the parallel neck setting, volume (with tone cap and resistor - get a clue, people!) in combination with the JB. This is tone heaven!
On the DeArmond/JB(with chrome cover) combo, I can get some beautiful sounds, from a light crunch to full on high-gain insaneness. Here's a trick, though, when you have a JB with a chrome cover, extend the pole pieces a little bit, maybe 1/32 to 1/16, for better string separation. You'll definitely hear the difference. A metal cover seems to homogenize the magnetic field some, I wouldn't use a metal cover bridge humbucker on a dedicated shred machine.
With the Screamin' Demon/JB combination, I'm in shred heaven. The SDemon is also used in the parallel config, combined with the JB I get even more harmonics, growl and a great palm mute chunk. It's not the most versatile axe I own, but when I feel like bringing the roof down, this is the one, everything on, volume up, stand back!!!!
Also, I tend to raise my JB's up a little past where everyone says to set them. There's a point where you can hear the strings start to oscillate due to the magnets being too close, then back them off just a tad. I'm not recording in a multi-million dollar studio, I just want to scream some liquid fire and I'll put up with a little bit of oscillation to get it. There's nothing like it when you find it.
Last, a warning. I have found that the JB doesn't mate up well with an Alnico II pickup in the neck. Too much of a sonic change between them. Always use an Alnico V in the neck, you'll save yourself a headache and some $$$.

For which styles and positions is this pickup (un)suitable: These are no good for anything clean or light. If you are afraid of gain, stay away, far, far away.

Comments: I love the JB's for what I play. I use Pearly Gates in the bridges of my medium gain, blues guitars, although I'm now having a neck Antiquity installed in my PRS with a Blues Saraceno in the bridge, that should be interesting. It's not easy picking the right pickup, you really won't know anything until it's installed, but if you're a blues/hard rocker you can't start with a better bridge pickup than a JB. Why else would it be Seymour's all time best seller? Someone must like it. Best of luck to you, hope this helps.

Pickup features: Passive humbucker
Impedence or other specs: 16.4k

Model of guitar or bass: Gibson Les Paul Studio
Position: bridge
Pickup being replaced: Gibson 500T
Other pickups on guitar: Stock neck
Artists using this pickup:
You musical style(s): Marshall rock!
Reason for pickup change: The Ceramic Mag was too mushy and was incredibly noisy.

Perceived output level: It sounds hotter than the stock pickups, but with an emphasis on the upper mids and treble.
Tone: Very bright and trebly. Too bright, for me. It's not quite the "icepick in the ear" feeling, but the treble strings sound harsh, with very little sustain. There is very little bass response in this pickup. The mids do have a nice sparkle to them, though. Bar chords sound nice and crisp, and there's a lot of note definition...I like that a lot. Unfortunately, MetalMan cannot live on barre chords alone; single note lines and leads sound very anemic, not at all what I was expecting. Strangely enough, my friend has a strat/tele hybrid with a JB Jr. in the bridge, and other than the tele's natural twanginess, I really can't tell the difference between his and my LP in a back-to-back sonic comparison. Whether you like the pickup or not, the JB definitely has a sound of its own.
Sonic evaluation: I'm playing through a 78 JMP 50 watt w/ EL34s, which is a pretty bright amp on its own. 16k is *really* hot for a pickup, and it seems to be boosting frequencies that are already very well compensated.

For which styles and positions is this pickup (un)suitable: I play 70s style hard rock and metal, with touches of stoner and doom. This is supposed to be the JB's bailiwick, but to my ears the JB is just too bright to compete with the rest of the band...I need something more balanced. However, I think it might sound better in rigs with higher headroom, like a Sunn Model T, Ampeg V-2, Fender, or Marshall with 6550 or KT-88 power tubes. The pickup is very hot and will do a fine job of driving the front end of an amp.

Comments: This was my first aftermarket pickup purchase. Buying pickups is such a dicey proposition...there are so many variables involved, and just because something sounds good in a store doesn't guarantee it'll sound the same when it's soldered in your guitar and running through your rig. The manufacturer's descriptions are of no real help, either, so it's really a matter of trial-and-error. (Come to think of it, this review itself may be of no value!)
Overall, I was disappointed with the JB. I thought it would help my leads to stand out more. After playing a friend's LP with a custom-wound Duncan pickup (from EVH's private stock, allegedly!) I think a Duncan 59/Rio Grande or similar PAF style would give me the solid fundamental sound I crave...the overdrive pedal can take care of the rest for leads.
In summary: it's a fine, well-made pickup, and while it has some nice qualities, it's not what I'm looking for.

Pickup features: humbucking, passive
Impedence or other specs:

Model of guitar or bass: Gibson Les Paul Studio
Position: bridge
Pickup being replaced: Gibson 498T
Other pickups on guitar: Seymour Duncan Jazz
Artists using this pickup: Dave Mustaine
You musical style(s): Thrash Metal, Metal
Reason for pickup change: The 498T wasn't hot enough, and i need a nice open coil pickup.

Perceived output level: about as much ouput as a Gibson 500T
Tone: this pickup is very trebly, which is really good, and balanced, and it has a full sound, not thin like some bridge pickups
Sonic evaluation: this pickup is insane, it's one of the best bridge pickups i've heard for metal, I'm currently running it through a 4x12 with an orange AD30TC head and it is perfect my musical style.

For which styles and positions is this pickup (un)suitable: As i said i play thrash metal, and this pickup is great for it, i really haven't tried it on anything else, but it seems like it would be too hot to play jazz and soft stuff like that, seems too hot.

Comments: If this pickup were destroyed or stolen i would definitely buy it again, it's an awesome pickup. I've been playing for about a yearm and have played many pickups during that time, and tis is one of the best pickups there is.I also own a les paul studio lite with a 500T in the bridge and this pickup seems fuller and not as thin as the 500T.This pickup even has 4 conductor wiring for coil splitting so even if you wanted to do that you could. i really like this pickup.

Pickup features: Passive humbucker, black exposed bobbins. 4-conductor cable with foil shield. Wax potted, I think.
Impedence or other specs: Pretty hot...don't remember exact number.

Model of guitar or bass: 1998 Epiphone Les Paul Standard Limited Edition Quilt Top
Position: bridge
Pickup being replaced: stock Epiphone humbucker
Other pickups on guitar: stock Epiphone humbucker
Artists using this pickup: Seymour Duncan himself...he says so!
You musical style(s): Rock, a very little bit of sloppily played jazz
Reason for pickup change: The stock bridge pup was an absolute dog (no pun intended...or perhaps it was :-)Very middy, mushy, no definition. Not good for lead work.

Perceived output level: Pretty hot compared to stock. I noticed a definite jump in volume.
Tone: Still not what I would call a "hi-fi" pickup, not in the way that a Fender single coil or a PAF is. Maybe it's just the guitar it's in, but my JB still sounds very midrangey with weak bass and trebles. Certainly doesn't seem to fit the little tone profile graph that Seymour provided on his website.
Sonic evaluation: I'm running my Paul through a Laney HC50 combo amp--admittedly not the best amp in the world, I know--and often through distortion boxes. I have to say that the Les Paul/JB sounds best through a good distortion, like a Boss DS-1 or a Big Muff. It excels at creamy overdriven tones, and it makes controllable feedback harmonics easy to get. By itself, on the clean channel, it sounds annoyingly whiny. The JB is definitely a rock-type distortion pickup.

For which styles and positions is this pickup (un)suitable: Excellent for hard rock, Floydish space rock in combination with a Big Muff or similar fuzztone, classic rock...anywhere you want thick, chunky overdriven power chords and leads. Not as good for more modern alternative type rock, which generally begs for a brighter Fendery sound. Might do for metal in a pinch.

Comments: The JB certainly was a step up from the crap stock bridge pickup Epiphone had plopped in my (at $500, somewhat overpriced) Paul, but it still isn't quite what I'm looking for. I was really hoping for a really balanced sound, with good bass and trebles that was also powerful and fat (ie not a Strat sound, but something with a bit of that Fender fidelity). As it stands, the JB/Paul combination makes for a great high-gain rock guitar, but not a very versatile one in that it only sounds good (to me anyway) through a distortion, which may have been Seymour's intention all along. Which is cool. I wish I could switch between two bridge pickups without having to reinstall and rewire the whole mess, and that's my misfortune. I also have a Duncan '59 that I might put in instead to see if it's more to my liking, and save the JB for something else. It's not a bad pickup for what it does, but don't expect it to be a panacea cuz it's definitely not an all-around performer like a PAF.
One thing I HAVEN'T tried, btw, is playing with the JB's 4-conductor wiring, which of course allows for all kinds of switching tricks like phase, coil split, series/parallel, etc. Everything I've said relates to standard series wiring.

Pickup features: Passive humbucker
Impedence or other specs: Refer to Seymour Duncan website for this data

Model of guitar or bass: Gibson Les Paul
Position: bridge
Pickup being replaced: Stock Gibson POS :^)
Other pickups on guitar: Seymour Duncan '59 in neck
Artists using this pickup: Jeff Beck, supposedly
You musical style(s): Everything from ballads to blues to hard rock
Reason for pickup change: Wanted something that didn't SUCK like the stock hardware

Perceived output level: Hot
Tone: Good for rock.
Sonic evaluation: Used with Les Paul and Fender Hot Rod DeLuxe and POD.

For which styles and positions is this pickup (un)suitable: JB works well with rock.

Comments: I have two of these for sale. Call me @ (208) 939-6787 and I'll make you a screamin' deal.

Pickup features: humbucking passive
Impedence or other specs: yeah...

Model of guitar or bass: Epiphone Les Paul Standard
Position: bridge
Pickup being replaced: DiMarzio Super Distortion
Other pickups on guitar: Duncan '59
Artists using this pickup: Dave Mustaine, Marty Friedman, Joe Perry, Tommy Thayer, Jeff Beck
You musical style(s): rock, metal, blues
Reason for pickup change: DiMarzio lacked good tone and clarity.

Perceived output level: Not as hot as the distortion pup but hotter than a '59
Tone: balanced. I think one guy said something like," A top like Halle Berry and a bottom like Jennifer Lopez." Good one, dude. Sounds pretty accurate.
Sonic evaluation: Epiphone lp standard through a crappy Line 6 spider 210. Also own a POD 2.0 which is slightly more enjoyable to use than the amp. Only used it twice since I got it, though.

For which styles and positions is this pickup (un)suitable: I play anything but rap or disco. I'd say its good for what I play

Comments: Destroyed or stolen: first I'd whore myself out to the women of my town to get another one or maybe something better. Then I'd find the little punk who stole it and break all ten of his fingers for touching my stuff. I've been playin for about ten and a half years. This is my one and only rig. I don't gig but I still love to play and am planning on getting better stuff( it's taking forever though, cause I work at KMart). I considered the Custom 5 but I was afraid it would sound too bassy like my DiMarzio. I picked this because I heard great things from most people who bought it. The sound I had in my head was the rhythm tone in Aerosmith's "Sick As A Dog" I'm not sure whether it was Brad or Joe who played it. I heard maybe even Tom Hamilton played rhythm on that track. If you have the cd listen to the middle of the song where its just the drums and guitar. You'll know what I mean. I'm closer to that sound but I think if I just get a tube amp I'll be there. I also plan to get an Elitist '61 SG and put some Burstbuckers in it. But for now I'm satisfied. I wish it had a nickel cover but thats no big deal.

Pickup features: passive humbucker
Impedence or other specs: does it matter?

Model of guitar or bass: Ibanez RG3120
Position: bridge
Pickup being replaced: Dimarzio Tone Zone
Other pickups on guitar: Duncan Jazz
Artists using this pickup: Many
You musical style(s): Many (no country or Neil Young)
Reason for pickup change: Got tired of the Dimarzios pretty quick!

Perceived output level: about the same as the tone zone... maybe a little hotter.
Tone: clear and balanced.
Sonic evaluation: O.K. It doesn't really matter what I'm playing through but I'll tell you anyway - Marshall JMP-1 through 2 Fender Champ 25SE's with a Quadraverb in stereo live, POD, J-Station and JMP-1 direct. This pickup sounds great in this guitar. It has more bottom end in a mahogany guitar (I had it in basswood before) and is sweet with plenty of sustain which the tone zone lacked in this guitar. The tone zone wasn't bad and I really tried to like it but it tended to choke up (loose sustain) under medium to heavy gain. I had to modify (cut) the mounting tabs of the JB a little to get it to fit in this guitar but it was no big deal. I don't think Ibanez want's you to put Duncans (or others) in this guitar...TOO BAD!!

For which styles and positions is this pickup (un)suitable: Bridge position for sure, never tried it in the neck. Works well for many styles... a "swiss army knife" of a pickup. Just check out Robben Ford.

Comments: If it were stolen I'd be sorry for the guy since I have a tracking device in the guitar. Yeah right!! Anyway, I chose this pickup (and the Jazz in the neck) based on past experience and the sound clips on the SD website (I decided by the clean clips). It seems not many people put Duncans in their Ibanez's... could it be because they don't fit without modification? Shame on you Ibanez... I've had Ibanez's since I was 16 and I've been playing for 30+ years. I really tried to like the Dimarzios but gave in to Duncans again! I guess I'm a Duncan mahn. If you have a mahogany body guitar and like to FEEL your playing... go for the JB. It won't let you down.

Pickup features: Humbucker passive
Impedence or other specs:

Model of guitar or bass: B.C.Rich Warlock
Position: bridge
Pickup being replaced: Stock p.o.s.
Other pickups on guitar:
Artists using this pickup: Dave Mustain
You musical style(s): Metal, Rock, Classic Rock, Classical.
Reason for pickup change: Stock pick-ups were horrible.

Perceived output level: Sounded good on clean, but distortion wasn't great...Too much twang for my taste.
Tone: Bassy
Sonic evaluation: B.C.Rich Warlock guiter, Fender Princeston Chorus 120w amp, Digitech RP300 effects processor..

For which styles and positions is this pickup (un)suitable: Again...Metal, Rock, Classic Rock, Classical.

Comments: If it were destroyed or stolen it wouldn't be my problem, I've already traded it in on a Carvin M22T which kicks ass, might I add.
I've been playing for 3+ years...
I liked how the pick-up sounded on clean, or clean with effects such as chorus...etc...
I wish it had a better sound on distortion, was too bassy and
didn't give much feeling...
If you like Seymour Duncans, and this type of sound
go ahead and get it, but it just didn't suit me.
I wanted a more metal crunch, with great sustain on all the notes.
And good harmonics. The JB didn't have any of those except
the good harmonics, but not good enough.

Pickup features: Humbucker
Impedence or other specs:

Model of guitar or bass: Hamer Studio and Mirage
Position: bridge
Pickup being replaced: None
Other pickups on guitar: Duncan 59
Artists using this pickup: Too many too list
You musical style(s): Heavy rock and metal
Reason for pickup change: Duncans were stock on guitar.

Perceived output level: Hot - above average output and volume but easily controllable.
Tone: Balanced and beautiful.
Sonic evaluation: I am using this bridge bucker in a Hamer Mirage and a Hamer Studio. I am running through a VHT Valvulator into a Line 6 Vetta and this pickup is heaven. Ther bottom is thick and chunky...nice and tight. The mids are perfect and thick, plus the highs are sweet and warm. This pickup sounds great clean and heavy. I have no complaints at this point and hopefully do not see any in the future. I can't get over the thickness of the Duncan JB......beautiful and rich tone. Our detuned heavy songs now sound so much more defined and thick....even over the Rio grande BBQ which I was using in another guitar. I also tried the Duncan C-5 inthe Hamer but it sounded thin next to the thick balls of the JB. Great pup!!!! I tried EMGs and hated them.....but I didn't spend time with them.

For which styles and positions is this pickup (un)suitable: Heavy metal/heavy rock/rock

Comments: A+...good job, Duncan!

Pickup features: Passive Humbucker
Impedence or other specs:

Model of guitar or bass: Epiphone Les Paul Standard
Position: bridge
Pickup being replaced: Stock Epiphone
Other pickups on guitar: Seymour Duncan SH-1 ('59)
Artists using this pickup: Jeff Beck?
You musical style(s): Blues, Country, British
Reason for pickup change: Wanted something hotter, livelier than the stock Epi Pups.

Perceived output level: About the same as stock, very generic.
Tone: Lots of mids and high, light on the bass.
Sonic evaluation: I bought this pickup based on the reviews here, as well as my satisfaction with the Duncan '59 that I was already using in the neck. I play through a SF Super Reverb. I have to tell you though, that I am a little disappointed in this pickup. The JB to me sounds very generic and bland. It is average in output, and seems to lack the "sparkle" of the '59. There may be a reason, however.
I have come to realize that Epi LP Standards have maple necks. It is obvious if you look at one with paint you can see through, not ebony, or the like. The neck's wood is clearly lighter than the body, and has a different grain than mahagony. Also, you can look at the used ones on ebay, and any dents,chips on the necks will reveal the unmistakable evidence of Maple. I just looked at some new 2003 EPI LPs, at Sam Ash, and guess what? They have maple necks; three piece, like the old Gibson LP Deluxe's.
Is that a bad thing? Not according to a Luthier I just spoke to. The Maple neck can withstand falls "FAR" better than Mahogony. It also gives the guitar a brighter sound, not as dark as it's Gibson counterpart. I just wish Epiphone would be honest, and admit that their LPs have maple necks.
Whats the point of all this? An earlier reviewer stated that the JB would not be a good choice for a maple necked guitar, and perhaps he's right. I wounder what my JB would sound like in a Gibson.
In any case, I don't thind the JB is right for me, and so the search goes on.

For which styles and positions is this pickup (un)suitable:

Comments: I play mostly Fender Guitars, with single coils and wanted an LP as an alternative. I'm starting to believe, that I will never get the classic "Les Paul" sound out of my epi, since the neck material has such a large contribution to the overall sound. To tell you the truth, with the JB in the bridge, it sounds like a set-neck, FAT Strat. I really love the sound, but it doesn't sound like a Les Paul.
For now, I going back to the Bill Lawrence (OBL) twin blade Humbucker that I bought off ebay for $5.00; Hot and Ballsy....what I thought the JB would deliver..............Very happy with sound of the '59 in the neck, however.

Pickup features: Humbucker, Passive
Impedence or other specs:

Model of guitar or bass: Jackson USA Kelly
Position: bridge
Pickup being replaced: Stock
Other pickups on guitar: Duncan Jazz
Artists using this pickup: Megadeth, lots of others
You musical style(s): Melodic Death/Black Metal-heavy rock in general
Reason for pickup change:

Perceived output level: A bit above average
Tone: fairly balanced with a lean to the treble side, has a high mid spike
Sonic evaluation: In my alder Kelly, it is thin, weak and has NO low end chunk. In a guitar made of a more bassy wood..this pickup would ROCK.

For which styles and positions is this pickup (un)suitable:

Comments: This pickup came stock in the bridge of my USA Kelly, I thought it sounded kinda thin from day one. Now that I have been playing with it for about a year, I really don't like it in my Kelly.
In alder guitars, the JB is too thin, and has the "icepick to the forehead" high attack; A Korina or Mahogany guitar would be sound great with it.
Barring that observation, this is a GREAT all around rock pickup really. Balanced pretty well with a slight mid high spike-which would give you great lead tone.
I will be replacing it, and if the wood did not give it the tone it has, I would leave it in place.

Pickup features: Passive Humbucker
Impedence or other specs: Mine tested a whopping 18.6k!!

Model of guitar or bass: '97 Hamer USA Standard
Position: bridge
Pickup being replaced: N/A
Other pickups on guitar: SH-1N '59 Model
Artists using this pickup: Too many (IMO)
You musical style(s): Blues/Blues Rock
Reason for pickup change: Haven't yet.

Perceived output level: High output 18.6k worth!
Tone: Lacks a warm bottom, middy and fairly trebbly too.
Sonic evaluation: '97 USA Hamer Standard- Mesa Rect-O-Verb Combo- Fender Super Champ- Randall RG150 Combo. This is a very popular PUP eventhough I don't really care for it. On the Good side: You can get pinch harmonics without even trying (But I guess that's not all good). And if you play alot of solos it works very well. You can also get some good heavy metal "chunk" out of it. On the Bad side: You get pinch harmonics way too easily, and it's not a very "warm" sound. I really don't believe this PUP works for the blues or bluesy rock. It'll work well if you play harder styles of music. Just not for me.

For which styles and positions is this pickup (un)suitable: (Again) Blues&Blues Rock ,and I guess moderately hard rock We'll call it "Firm Rock".

Comments: Over my 13 years of playing, I have tried this PUP in many different variations of guitars and amps; many of these guitars came stock (or had been retrofitted) with this PUP. I can honestly say that I don't care for it, it just isn't the sound for me. I believe that the higher output and lack of bass make it a fairly "edgy" PUP. This one came stock in a USA Hamer guitar and has a bit more output than the normal ones. Hamer used to have all of their Duncan PUPS made specifically for them. All the Duncan equipped USA Hamer guitars that I've owned have had PUPS that seem to have been given a few more winds than their store bought conterparts (is this an accident?). I think I'm going to try a Custom 5, I've had good results with that one. A "6" because of the "edgy" character associated with it. But it would be good for aggressive rock styles.

Pickup features: Passive Humbucker (Bridge)
Impedence or other specs: Website has chart listing specs and comparisons to other Seymour Duncan pickups

Model of guitar or bass: Gibson Gothic Explorer
Position: bridge
Pickup being replaced: Gibson 500T
Other pickups on guitar: Gibson 496
Artists using this pickup: Megadeth, Scott Ian (Anthrax) and several others (listed on website)
You musical style(s): Hard Rock and Metal
Reason for pickup change: The 500T came stock in the bridge and although I liked it, I heard some strange noises and thought it might be the pickup. I figured since I was getting it looked at anyway, that I might want to replace the pickup and try something different for curiosity's sake.

Perceived output level: About the same as most stock pickups. Although it lists the output as about the same as the Seymour Duncan Distortion (SH-6), it is definitely not as "metal" as the SH-6. The 500T even seemed to have more output than the JB.
Tone: Has a trebly, middy type sound that I would not catagorize as "warm". Not bad, but not the warmth and distortion I expected. I thought the tone would resemble that of the SH-6, but it doesn't
Sonic evaluation: I have this put in my Gibson Gothic Explorer and run it through a LANEY GH100TI TONY IOMMI HEAD. I also throw a BOSS SD-1 in front to "slam" the tubes. This pickup sounded ok to me, but it didn't blow me away like I thought it would. It has a very basic sound that didn't really impress me.

Single notes seemed to sound good and sustain for what seemed like forever, but when hitting chords I get this slightly processed type sound. It is hard to describe but it just sounds kind of "fake".

When I first got my guitar back from the store, the pickup was very close to the strings because the guy lowered my action. At this setting, the pickup sounded like an icepick and I was immediately let down. I lowered the pickup and was able to get a very usable sound, but like I said, it was nothing to write home about.
I also noticed that this pickup was very noisy. Even playing through a POD with the noise gate on, I was getting these irritating noises.

For which styles and positions is this pickup (un)suitable: I like playing hard rock and metal. Although this pickup can do metal and hard rock, I think you have to have a certain setup to achieve this. It just feels like you have to work so hard to get a great metal sound out of it. The Seymour Duncan Distortion, and EMG-81 that I previously owned could do metal and hard rock without much prodding.

Comments: I am getting this pickup out of my guitar as soon as possible. I won't buy it again. I have been playing for almost 20 years. I tried to like this pickup, but I was forcing it. The pickup is just average. Nothing special. I would pick a Gibson 496 pickup over this. It is just not me. I think I'll throw a SH-6 in there.

Pickup features: Zebra-coiled passive humbucker.
Impedence or other specs: C. 15 k ohm (7.5 k ohm tapped) with AlNiCo magnet.

Model of guitar or bass: Gibson Les Paul Gold Top Deluxe
Position: bridge
Pickup being replaced: Gibson mini humbucker
Other pickups on guitar: Neck pickup is a Kent Armstrong PAF
Artists using this pickup: El Becko and a multitude of others who recognise a great sounding pickup.
You musical style(s): Blues/Rock : out of the British 60s/70s school
Reason for pickup change: The original minihumbucker lacked clout. Great for clean parts but needed external help to overdrive my Hiwatt DR103. The JB had a great reputation for power and clarity and to optimise its versatility I wired it to a pair of Yamahan push/push tone pots to coil tap and/or reverse its pahse with the neck p/u. Results include greater all out gain, excellent interaction with the neck Armstrong both in- and out-of-phase. The tapped mode is brighter than the mini h/b that the SD replaced. It's a corking pickup. Now over fifteen years old it still delivers the goods. I have never ever considered replacing it. It is THAT good!

Perceived output level: More output than a PAF but with a strong mid-range and great clarity. Vastly superior to a Di Marzio Super II in terms of power and versatility.
Tone: Solid, tight bottom end; mid, mid and more mids; crisp treble which becomes searing in tapped mode. Roll off the volume and the tapped mode becomes very glassy. Try and convince some folk that they are hearing a Les Paul in this set up and disbelief sets in very quickly.
Sonic evaluation: Gibson Les Paul with SD JB into either Hiwatt DR103 and 4x12 OR Marshall MG30DFX (depending on venue). The Hiwatt and JB were made for one another. Wind up the gain and the master volume and listen to the Seymour sing. Harmonics slice the top of your head off. Simply an awesome combination. Roll back the guitar volume and the clean tones never disappoint. With the Marshall 30 watt combo, the JB makes a nonsense of the overdrive channel, it simply overwhelms it and all subtlety is lost in an overdriven mush. Stick to the clean channel and use a ProCo RAT (uh huh, another JB influence!) to graduate levels of overdrive and distortion. The Jeff Beck, into a Marshall (clean) via a RAT makes one of the best guitar sounds in our little musical circus. The tapped mode offers up all manner of possibilities, which is compounded by the phase reversal options. Probably the most versatile sounding guitar I have - although it won't take on a Strat on its own territory. If I can only take one guitar to a gig or jam, it is almost always the JB armoured Gold Top. Draw your own conclusions.....

For which styles and positions is this pickup (un)suitable: Blues/Rock. By definition this is Les Paul and British valve [tube] amps blasting it out. The JB has added extra dimensions to my sound and was worth every penny. In conjunction with a PAF it appears to achieve a very even balance across the sound spectrum. I wouldn't be inclined to use the JB in any other than the bridge position. It is simply a high class act.

Comments: No doubt. If my JB died or was otherwise ruined I'd have another without a moment's hesitation. I have tried Di Marzio, Kent Armstrong, Bill Lawrence and Schaller pickups. Only the Jeff Beck pickup has remained in place since it was fitted.
It is a glorious piece of hardware that not only works brilliantly on its own, it interacts with the neckpick up for thick in-phase sounds and classic Peter Green out-of-phase sounds. I opted for the JB because it offered coil tapping and phasing options and the promise of Alnico magnets. I have not been disapointed.

Pickup features: passice
Impedence or other specs: no idea

Model of guitar or bass: Gibson Les Paul Studio
Position: bridge
Pickup being replaced: Gibson 498T
Other pickups on guitar: Gibson 490R
Artists using this pickup: no idea, my assumption would be Jeff Beck, but i don't care. I use it.
You musical style(s): rock
Reason for pickup change: The stock 498T wasn't my cup of tea. It wasn't clear enough.

Perceived output level: Around the same as the stock pickup, maybe a tad less
Tone: It has excellent tone, excellent clarity, although, a little less bass than the stock pickup, but i still love it.
Sonic evaluation: I play through a Fender Deluxe 90 (haha, yes that's right) it's one of the better solid states out there, believe me, but i have played it through a Marshall dsl50 at the music store, and it sounds even more awesome through that. If you buy a gibson, make sure it doesn't have the 490/498 combination because they suck. Get a les paul with burstbuckers or something. But the JB is excellent, perfect harmonics and sustain, perfect feedback control. I love it.

For which styles and positions is this pickup (un)suitable: Seymour duncan recommends this for the bridge, they don't even make a neck version so.... go figure.

Comments: If it were stolen? I'd like to meet the person who successfully steals a pickup out of a guitar without ruining it. I'll be putting this pickup in my other guitars when i get the money! Been playing 8 years...I haven't found 'the sound' yet....hopefully I will someday, maybe if i get the right amp i will. I didn't really try any other pickups, i saw this one in the store, and said...hmm...seymour duncan....it's pretty cheap, free installation, yea...i'll get it. And I must say i'm satisfied and happy! Buy it if your a rocker. Get an Invader if your a metal freak.

Pickup features: passive humbucker
Impedence or other specs:

Model of guitar or bass: fernandes native x
Position: bridge
Pickup being replaced: some stock piece of poo
Other pickups on guitar: some other stock piece of poo
Artists using this pickup: terry corso(alien ant farm), stephen carpenter(deftones), tommy lee(solo project)
You musical style(s): rock, punk, emo, heavy
Reason for pickup change: stock pu was not hot and started to rust

Perceived output level: pretty hot, but not super hot
Tone: trebley, yet balanced well
Sonic evaluation: i put it into an alder body fernandes. it sounds so sweet, very much like the deftones sound. im using a marshall g100rcd half stack, and it sounds really good threw it and my mxr phase 90.

For which styles and positions is this pickup (un)suitable: heavy rock, punk, and emo, good match

Comments: i would definately buy this again. im thinking about buying another one and putting it in my brand new esp which had duncan design pus.

Pickup features: passive ,humbucking
Impedence or other specs: 16.40K

Model of guitar or bass: EBMM axis
Position: bridge
Pickup being replaced: dimarzio
Other pickups on guitar: duncan alnico II pro neck
Artists using this pickup: way too many to list! seriously!
You musical style(s): classic rock to metaL
Reason for pickup change: Wanted duncans in my guitar,because the duncans allow the natural tone of the instrument to come through better. they also sound more organic and real.

Perceived output level: medium hot
Tone: present,with crunch and a lot of harmonics,singing lead tone
Sonic evaluation: marshall plexi re-issue(1959 slp) half stack with a G major prosessor.

For which styles and positions is this pickup (un)suitable: any!

Comments: I like the JB a lot,i do however use mine with a 250K volume pot,to tame some highs. i can see why it is so popular!

Pickup features: humbucker, passive
Impedence or other specs:

Model of guitar or bass: strat
Position: bridge
Pickup being replaced: stock
Other pickups on guitar: dimarzio virtual vintage (neck)
Artists using this pickup: who knows
You musical style(s): metal, rock, blues, fusion whatever
Reason for pickup change: stocks suck and i had a JB in my jackson and i loved the sound. great rock/metal sound, very crunchy

Perceived output level: pretty good amount of gain, but not crazy like EMGs which have no tone.
Tone: crisp, crunchy but i dont recomment it with a maple neck, kinda too bright.
Sonic evaluation: standard strat, straight to a laney tube amp. with a couple effects. i love this bucker. sounds perfect for me but i the maple neck makes it a little brighter than i expected. but its got a good rock/metal crunch and amazing lead sounds.

For which styles and positions is this pickup (un)suitable: metal, rock, fusion;. i put it in the bridge.

Comments: great pickup, probably wont put it in a maple necked guitar though. i was thinking of dimarzios, but most of the buckers had too much mid range for my liking. JB was perfect for me.

Pickup features: humbucking passive
Impedence or other specs: ...

Model of guitar or bass: t******** les paul copy
Position: neck
Pickup being replaced: stock nickle covered
Other pickups on guitar: stock
Artists using this pickup: jerry cantrell, adam jones, king buzzo
You musical style(s): metal a la slayer & melvins, country honky tonk, experimental noise ex. melt banana
Reason for pickup change: wanted to try something different.

Perceived output level: it wasnt much hotter than the stock pickup.
Tone: it's labled as balanced
Sonic evaluation: i'm using this les paul copy through a marshall avt 50 head & a crate cab from the 80's

For which styles and positions is this pickup (un)suitable: i switch off from styles when i play, i mainly stay between the lines of metal & blues improv. the pickup is in the bridge position .

Comments: i was hoping to get a really noticable volume change, but it sounds a lot like my stock pickup when it comes to volume. I wasn't really looking for a really hot pickup but i thought that even going with the jb i might get a real noticable boost in volume. I'm pretty satisfied with it, it's very clear, it adds balls to the clean channel. I didn't really think about that i might have to change the settings on my amp to acomidate for this pickup, but it's no big deal, it's very versatile. after all the king does use it. pretty happening pickup for it's price, i'm not really bummed with it, i've only had it a day or two, and i've been churning out the sounds of evil already.

Pickup features: Passive Humbucker
Impedence or other specs: whatever

Model of guitar or bass: Dean Icon
Position: bridge
Pickup being replaced: Stock
Other pickups on guitar: 59
Artists using this pickup: Marty Friedman, Van Halen, Jeff Beck, Jerry
You musical style(s): Hardcore/Emo + ClassicRock/Blues
Reason for pickup change: The stock pick up was weak and microphonic - Dean maked the worst pickups possible.

Perceived output level: Hot but not as hot as I had expected. I was expecting it to set the amp on fire - instead i got a very balanced, oped sounding pickup that cuts through the mix well.
Tone: Hot and trebly - cuts through the mix- especially when playing live with a powerfull drummer, a muscular bassist and a vocalist on an ego volume trip.
Sonic evaluation: I Play through a Crate VC3112 with a celestion V30 in it and man o man does this thing rip. The amp has to be cranked but when it is - oh man oman watch out. The tone is golden when soloing and the it sustains forever. My band lets me take longer solo breaks now - they like the sound that much. Oh and I am only usin a crybaby in the chain.

For which styles and positions is this pickup (un)suitable: I play everything from really heavey TooL inspired stuff to clean, jazzy-blues and this thing was designed to do one thing - solo and for that its awesome.

Comments: I wanna check out the DiMarzio ToneZone and the Rio Grande BBQ as well see how they hold up. This pickup is the ultimate soloing PU, but I was expecting more output i guess. And i get more harmonics on my strat than this thing. But it is a very balanced, open and clear sounding pickup that distorts very smoothly and sustains well. Im still looking for "that" tone. This comes close though

Pickup features: Passive Humbucker
Impedence or other specs: ?

Model of guitar or bass: ESP Custom Shop MV
Position: bridge
Pickup being replaced: N/A
Other pickups on guitar: Single Coil in neck - Duncan LS 22?
Artists using this pickup: Jeff Beck, Jerry Cantrell
You musical style(s): Rock/Metal - Led Zeppelin to Cannibal Corpse. No Mall Metal.
Reason for pickup change:

Perceived output level: On the hotter side - similar to gibson 500T.
Tone: Unusual sound - very smooth, but somewhat "tubby" - lots of bass and low-midrange, upper mids are scooped a bit, articulate top end
Sonic evaluation: I'm running this pickup into a Randall V-Max head. This pickup lacks the low end clarity you get from, say, EMGs, but the top end is very nice - produces smooth lead tones with plenty of bite. However, when you go to start riffing/palm muting, it falls apart - low end lacks the chunkiness you need for heavy music, and the bass is real flabby - no definition. Great pickup for someone who's into 70's rock, though - lead tones are real nice. If you're looking for a Metallica/Testament/Cannibal Corpse sound with a lot of palm muting, this is not the pickup for you - it's too flabby in the low end.

For which styles and positions is this pickup (un)suitable: Everything, but mostly metal. This pickup isn't all that great, because the low end is flabby. Lead sounds are pretty rockin' though.

Comments: I'm planning on replacing it - I love the lead tones, but as soon as I go to play some chunky riffs or chugging palm-muted passages, it looses definition and sounds real mushy. I haven't chosen a replacement yet - so I'll just focus on my leads until then (I said it before, this pickup has great top end. If SD could tighten up the bass, I'd buy it in a heartbeat!) Feel free to e-mail me with any questions.

Pickup features: passive humbucker
Impedence or other specs: eh?

Model of guitar or bass: esp ltd m202bb
Position: neck
Pickup being replaced: emg hz
Other pickups on guitar: sd '59
Artists using this pickup:
You musical style(s): for this guitar it is metal/hardcore
Reason for pickup change: the emgs had no tone and would feed back like a bitch. they also
had too meany highs and not enough mids.

Perceived output level: about the same as the hz but fuller
Tone: warm full bodied much like a nice playboy model.
Sonic evaluation: right now i'm runing this in to a sovtek mig 60 with a metal zone (yeah i know) out frount to get the gain i want. with cabs i'm running an avatar 2x12 with a vintage 30 and a v12 and a old fender bassman with a balck shadow and a jbl

For which styles and positions is this pickup (un)suitable: it's a good pick up it will do just about anything.

Comments: it took me a couple of months to get this, and then i got it over the jb because you can tap it. that is why i got it and now i love the damn thing i'm putting it in my next guitar too.

Pickup features: humbucker
Impedence or other specs:

Model of guitar or bass: 24" scale maple body Fender Project Guitar
Position: bridge
Pickup being replaced:
Other pickups on guitar: Seymour duncan Strat lipstick Tube
Artists using this pickup:
You musical style(s):
Reason for pickup change: Needed to brighten up this short scale beauty

Perceived output level: perfect for this guitar, the lipstick provides me with Vintage sounding chords,a nd the JB is great for all applications and adds harmonics and overdrive when turned on.
Tone: Absolute Balance on this guitar. Chords sound great and single notes stand out
Sonic evaluation: I have been using this guitar with a Marshall practive amp and a Fender Vibrolux at the neighbors.

For which styles and positions is this pickup (un)suitable: This guitar sounds great for blues and classic rock. The JB is very forgiving and the short scale which caused dead sounding pingy tone now sustains and has great harmonics.

Comments: I had this pickup in a Japanese Epiphone Coronet and it was a tone monster. In my Dean, 25 1/2 scale it was too trebly and bright. This pickup is perfect for a Gibson scale or the short-neck Fenders.

Pickup features: Humbucking, passive
Impedence or other specs:

Model of guitar or bass: Gibson Les Paul Studio
Position: bridge
Pickup being replaced: Regular Gibson humbucker
Other pickups on guitar: Some regular Gibson PU on neck position
Artists using this pickup: Jeff Beck, he he :-)
You musical style(s): Metal and Hardcore
Reason for pickup change: More gain and power

Perceived output level:
Tone: Balanced, with nice bass and screaming trebble
Sonic evaluation: I used this guitar with a Peavy Supreme 100 and some ENGL Savage. Today I use it with my new Laney GH 100 TI. No f***in Pedals needed.

For which styles and positions is this pickup (un)suitable: This PU is perfect for high gain sounds. It is always brilliant, transparent and sounds like a chainsaw. Kicks ass!!!

Comments: Perfect PU for my musical style and equipment.
It really shred everything, the tone is always very defined, you can hear every nuance of the tone. Really great.

Pickup features: Humbucker with Coil Splitting Capability
Impedence or other specs: High Output (compared to stock Les Paul unit)

Model of guitar or bass: Gibson Les Paul Custom
Position: bridge
Pickup being replaced: Stock Les Paul Custom Humbucker
Other pickups on guitar: Stock Les Paul Hummer at neck (this sounds very bluesy)
Artists using this pickup: Jeff Beck Duhh
You musical style(s): Vinnie Moore, Joe Satriani, King's X
Reason for pickup change: Friend had this one and it was killer in tone!

Perceived output level: This is pretty HOT...but not as hot as say an EMG
Tone: balanced in tone...a bit trebly when coil is split to simulate single coil
Sonic evaluation: I use this to make direct recordings using ToneCrafter
I made thes mp3 clips using the JB p/u
http://pages.sbcglobal.net/kavita/mp3s/vin_chunk.mp3
http://server23.hypermart.net/killertone/tcrafter.mpga

For which styles and positions is this pickup (un)suitable: It works great for bridge and neck...but I love my stock LesPaul neck p/u

Comments: I have loved it, but perhaps I would try something different just to see if I could discover some new tones. I don't see how someone could be dissappointed with buying the JB model

Pickup features: Passive Humbucker
Impedence or other specs:

Model of guitar or bass: Ibanez S470
Position: bridge
Pickup being replaced: Stock Ibanez AH-1
Other pickups on guitar: Ibanez AH-2, Ibanez AS-1
Artists using this pickup: Jeff Beck, Adam Jones?, Stephen Carpenter, Tim Mahoney
You musical style(s): melodic hardcore/emo
Reason for pickup change: Wanted a higher output pickup that held the bottom end.

Perceived output level: Higher-than-normal output but not too high
Tone: Very mid-heavy, bottom end breaks up very easily
Sonic evaluation: I'm using an Ibanez S470 with a blocked floyd rose (tone killer) and a Mesa/Boogie Dual Rectifier through a Marshall 1960A 4x12.
When I first bought this pickup I had a Marshall AVT50H (g'head, laugh it up). After that experience I've gained that valuable knowledge that this pickup does not take well to high gain Solid-State amps. It turned the amp into even more of a static blasting toneless waste of money.
With the Recto, it behaved better but still isnt exactly what I wanted. The main problem is that the bottom end has a tendancy to break up and sound aweful. Otherwise it has very good presence and nice definition. It performs adequately with no distortion but I wasn't blown away.

For which styles and positions is this pickup (un)suitable: I play melodic hardcore-emo, it's hard to say whether it matches or not, I guess it doesn't really. It's meant for the bridge.

Comments: If it was destroyed or stolen I would look around and see if there was anything better but most likely I would buy another one. It's a decent all-around pickup, the only real complaint is the fact that the bottom end breaks up a little.

Pickup features: Humbucker
Impedence or other specs:

Model of guitar or bass: Jackson KV2 Korina
Position: all positions
Pickup being replaced:
Other pickups on guitar:
Artists using this pickup: Dave Mustaine, Marty Friedman of Megadeth, and shitloads of other people
You musical style(s): Metal and blues
Reason for pickup change:

Perceived output level: It's hot enough for my tastes
Tone: The tone is pretty chunky and sharp.
Sonic evaluation: I'm using it thru a Line6 Flextone which aint great but it gets the job done.

For which styles and positions is this pickup (un)suitable: I play Heavy Metal (Metallica/Megadeth) and blues and this is a great pickup

Comments: Some people really say this isn't hot enuff. Most of them are probably going for the kind of 'screaming wall of sound' like bands like Slipknot and Meshuggah and shit have. I'm not into that kinda music. I am more into 80s thrash metal along the lines of Metallica and Megadeth. And for that, this pickup and the EMG-81 are my favorites. Go for it!

Pickup features: humbucker
Impedence or other specs: 16.4 or so

Model of guitar or bass: Samick Ls-450 Artist (Les Paul Copy)
Position: bridge
Pickup being replaced: Rio Grande BBQ
Other pickups on guitar: SH-2 jazz neck
Artists using this pickup: dont care
You musical style(s): Heavy, bluesy, a little of everything
Reason for pickup change: Needed more output. I actually got this pickup by mistake. I was supposed to get the Duncan distorion, but I am glad about the mixup, and the seller and I are okay!

Perceived output level: Hot yes.
Tone: Balanced with more highs but not earsplitting
Sonic evaluation: Crate VC 30 watt tube. This amp can do blues, metal, ( I don't care what anyone else says, it does metal just fine! )and very nice full clean.

For which styles and positions is this pickup (un)suitable: Suitable for all styles of music

Comments: Love it! I finally found my pickup of choice!

Pickup features: Passive Humbucker
Impedence or other specs: Rdc is approx 16.4 Ohms, 4 wires

Model of guitar or bass: Custom Built Strat Body/Neck with two Humbuckers only
Position: bridge
Pickup being replaced: N/A
Other pickups on guitar: SH-2 Jazz Neck
Artists using this pickup:
You musical style(s): Light Rock, Jazz, Blues, Pop, General
Reason for pickup change: N/A

Perceived output level: Hot
Tone: Lots of edge but not tinty. No squeals
Sonic evaluation: Tested through a Boss Blues Driver-Compressor/Sustain-Delay/Reverb effects chain into small Marshall (10" speaker). Also into a small Ross PA via Marshall Recording Pre-Amp.

For which styles and positions is this pickup (un)suitable: 35+ years overall playing experience guitar/bass. Enjoy Light Rock and Jazz, Blues and Pop. This pickup is probably too much sound for these styles.

Comments: Installed in the bridge position with a .022 uF capacitor in a 500 K Ohm tone pot. I have an unusual setup in this guitar which has two tone pots (neck and bridge), a 500 K Ohm pan pot and one 500K volume pot. Using the pan pot to 'tranverse' between the neck and bridge pickups, I am impressed with the tonal range. However, the Jazz Neck PU (see my other review) seems to have enough guts to do the job alone. However, the JB does add interesting, increasing shades of high end 'edge'.
Unless you have seriously gigged before, I think what most people don't realize is that there is a very big difference between playing in a 'lab' environment versus a club jammed with noise and people. In the lab the JB doesn't seem to add much. However, if you do gig in loud bands in loud crowded bars, the JB will probably 'deliver the goods' - meaning it will cut above the din when soloing. I am glad I installed it in this guitar, however since I don't play the bars much anymore, it is really there for 'overdrive' if I want it. Decent general purpose 'solo' pickup. Probably won't get much use for my style of playing tho. Therefore I cannot give it a good a rating as I would like.
Also, a word of advice - I played in loud club bands from the late 60s up to the early 80s before 'retiring' from the 'biz'. Consequently, I did lose a little bit of my hearing in both ears. Not a lot, but enough that I need the TV up a little louder, and say 'huh?' sometimes. If you do play the club circuit on a consistent basis with loud bands - do yourself a favor and use ear plugs. There is no use in losing some of God's wonderful gift of hearing - especially if you ARE of all things a musician.

Pickup features: humbucker
Impedence or other specs: check the website

Model of guitar or bass: Epi Les Paul Flame Top
Position: neck
Pickup being replaced: stock
Other pickups on guitar: Custom Custom
Artists using this pickup: everyone should
You musical style(s): blues, classic rock
Reason for pickup change: stock pick ups just didn't cut it

Perceived output level: This pick up weighs heavier across the board however it does so while increasing the string definition
Tone: extremely well balanced with a slight mid-ranged bump
Sonic evaluation: I use this with a carvin vintage tweed and the matching 4 - 10 cab. I'll use a touch of overdrive from a boss sd1 or a dano daddy o or a ts -7. That about wraps it up. I could not be more pleased. Combined with the custom custom I find a huge pallet of useful tones. I don't know what more anyone could ask for, I have yet to play a club date where someone doesn't come up and compliment me on the sound of the guitar.

For which styles and positions is this pickup (un)suitable: I think this would be suitable for most applications and in either position. I previously had it the bridge position and had no complaints. The only reason I changed was that I happen to acquire the custom custom and it was just way to much for a neck position. I installed the and the rest is tonal history.

Comments: If it were to go bad and need to be replaced I would replace it with the same pick-up without hesitation. I judge the sound of all Les Paul style guitars by this one. Thank you Mr Duncan this ones a keeper.

Pickup features: Humbucker
Impedence or other specs: Can't remember & who cares?

Model of guitar or bass: FRAMUS Diablo Custom
Position: bridge
Pickup being replaced: -
Other pickups on guitar: SSL-1 Hot Rails neck
Artists using this pickup: Hundreds !
You musical style(s): Prog pop rock
Reason for pickup change: Haven't changed it - yet!

Perceived output level: High
Tone: treblely
Sonic evaluation: First of all I'd like to point out that S.D. DO NOT MAKE A JEFF BECK MODEL. They told me themselves. JB Stands for Jazzy/Bluesy - nothing else !
This is a good attempt & has some interesting qualities. For example, the sound is nice & smooth & sparkly, but the warmth is just not there.
Pretty good for solos as it cut's through so well, but split it and the sound is just too tinny, at least in conjunction with the other pick ups on my guitar ( SSL-1 & Hot Rails neck ). Even with the hot rails switched in with it, the sound is too brash, & the Hot Rails is VERY rounded.
Impressive in some aspects, but overall insatisfactory due to the balance. Rolling off the treble with the tone control just kills the sound, & EQ doesn't help much either.
I'll be changing it for a Custom Custom TB11 ASAP !!

For which styles and positions is this pickup (un)suitable: Designed for the neck. As stated, pretty good for solos, but not much else !

Comments: If it were stolen, I'd feel sorry for the poor sod who stole it, & hope he can save up for something better soon.
I've been playing for 25 years, & have a pretty good experience of pick-ups. There's better out there.
Had an SH4 in my guitar which didn't quite line up with the strings, so I bought a TB4 trembucker version. For some reason, perhaps because of the longer shape, this was even worse with even higher treble output - hidious !
I wish it had a bit more natural warmth as then it would be a lot better.
Might work well through a really muddy amp/speaker combo.
I would not buy it again !

Pickup features: Humbucker
Impedence or other specs: approx 14K

Model of guitar or bass: Greco Les Paul Copy ('82)
Position: bridge
Pickup being replaced: Stock PAF knock-off
Other pickups on guitar: Stock PAF Knock-off. Not bad at all in neck.
Artists using this pickup: Quite a few, Marty Freidman, etc.
You musical style(s): 70s Blusey Rock, some Jazz, some Blues
Reason for pickup change: Wanted more output at the bridge position

Perceived output level: Moderately High.
Tone: Fairly even with a slightly nasal mid
Sonic evaluation: Greco Les Paul (a very high quality ride), Rbt Keeley Tube Screamer, Buddah Wah, Marshall 6100, 4x12s w/G12-80s. Intellifex and Furman PQ-3(for some very mild midrange tweaking). Moderately high output, but not unreasonable. Not a 'distortion' type as such. Has a nice vowelly quality (not as much as the Custom Custom in my '76 Destroyer, but it's there). Doesn't overwhelm you with output, but does ha a bit of kick. Bottom end is fairly tight.

For which styles and positions is this pickup (un)suitable: '70s Bluesy Rock: Travers, Marino, Kossoff, Alvin Lee.

Comments: I'm happy. Probably wouldn't sound as good in a brighter guitar. Had one in a PRS and also in my '76 Destroyer; was a little harsh in these brighter rides. Bottom line for me with humbuckers: Bright/thinner-toned Guitars get Custom Custom or maybe Custom 5; Fatter rides get a JB.

Pickup features: passive humbucker
Impedence or other specs:

Model of guitar or bass: Epiphone LP SP II
Position: bridge
Pickup being replaced: Epiphone Stock Standard
Other pickups on guitar: Epiphone Stock Standard in neck
Artists using this pickup: Me, i don't care who plays with SD's, i bought it cause they sound good
You musical style(s): punk rock
Reason for pickup change: Liked the White Pickup look with the all black guitar. SD's are great...And the sound a helluva lot better than the stock epi's.

Perceived output level: slightly lower than the stock epi's. not really hot. but it sounds good.
Tone: trebly... not too much bass. could be the fact that i have it at the bridge, but it's definitely more trebly than the stock epi's.
Sonic evaluation: sounds good with the amp i have...i have various voxes and oranges...sounds better thru the oranges and the marshalls. sounds a little shrill when first installed but somehow it seemed to break itself in. it's good for solos that need to be on the edge of feedback.

For which styles and positions is this pickup (un)suitable: i play punk. this is a good pickup for punk. shrill punk. but don't put it in the neck.

Comments: If it were stolen, i'd probably get it again. probably. i own an epi SG, a fernandez dragonfly, and this guitar, and it sounds good. ive been playing for about 6 years and i think that this pickup is good for anyone who wants their tone to CUT through the mix. This will not give you creamy clapton & eric johnson tone, nor will it give you stunning BB King tone. It might not even give you Green Day tone. it gives you nice, nice, nice highs but an overall cutoff on bass.

Pickup features: humbucking passive
Impedence or other specs: dont remember

Model of guitar or bass: Yamaha Ty Tabor Sig.
Position: bridge
Pickup being replaced: none
Other pickups on guitar: Seymour Duncan vintage rails (neck and middle)
Artists using this pickup: Ty Tabor
You musical style(s): Death/Black/Thrash
Reason for pickup change:

Perceived output level: eh not good enough for metal
Tone: too much treble,cant turn up bass cuz then its too muddy
Sonic evaluation: i use an ibanez smashbox through a crate mx120a on clean(cheap shit,gets the job done though)

For which styles and positions is this pickup (un)suitable: i play death/black/thrash metal.its not good for those styles though,recommend use for mainstream rock(linkin park,deftones,tool)

Comments: if it were stolen id buy an Invader or Dimebucker,been playing only for a year but am very good(can already play most slayer,death,cradle of filth,emperor)i hate the pu the only good feature is that its good for playin the occasional tool song.still searchin for sound.will be selling it soon.

Pickup features: humbucking
Impedence or other specs: n/a

Model of guitar or bass: Gibson Epiphone Les Paul
Position: all positions
Pickup being replaced: Epiphone pickups
Other pickups on guitar: none
Artists using this pickup:
You musical style(s): Rock, Metal
Reason for pickup change: The epiphone pickups were very noisy and caused a vast amount of unwanted feedback. Plus the distortion was weak and harmonics wouldnt cut through at all.

Perceived output level: Pretty hot pickup, gets great harmonics considering the sustain of the heavy E. Les Paul.
Tone: Very bright, sounds great for all out metal and anything where a very trebly, bright sound is wanted.
Sonic evaluation: When I play my E. Les Paul I play it through my Crate GFX-212 and NS-2 noise suppresor. The NS-2 eliminates to noise, so the JB Trem. is left to do its work, which is creating some good, loud music. They sound good for neck or bridge postion, and sound great split as well.

For which styles and positions is this pickup (un)suitable: For my rock and metal style it sounds great, makes the Epiphone not SOUND like an Epiphone.

Comments: I'm delighted to have the JB Trembuckers instead of the muddy, noisy Epiphone pickups. It made my E. Les Paul worth playing. My main guitar is a PRS Custom 22, but the E. Les Paul is a very reliable backup with the JB Trems installed. Compared with my Dragon II's in my PRS, the JB's have an ordinary tone. True the JB's are very bright and clear, but the Dragon II's have a very unique, full tone and a much richer sound. Still a great buy for Hard Rock players in need of a pickup to enhance a cheaper guitar.

Pickup features: passive humbucking pickup
Impedence or other specs: wha? (go to www.seymourduncan.com) alnico 5 magnet

Model of guitar or bass: RG470
Position: bridge
Pickup being replaced: stock v8
Other pickups on guitar: stock (v7, s1)
Artists using this pickup: lots (to name a few) terry corso (AAF), dave mustaine (used to), joe perry, ME
You musical style(s): mainly punk and metal (prog, thrash, heavy, nu) some blues
Reason for pickup change: wanted a pickup that had a heay distortion tone
i originally wanted to put a distortion model
in my guitar, but i wasn't very experienced in
pickups so i got in my opinion the most versatile
pu's on the market.

Perceived output level: Pretty Hot, just a bit lower than the custom or distortion model
Tone: lots of highs, a slight bit less bass, cut mids
Sonic evaluation: rg470 into boss metal zone into Marshall G30RCD
my settings are metal zone; highs: 7, mids: 0, lows: 8
and dist. fairly high. for other non-metal styles i use
amp dist. with high gain lots of a bass, slightly less mids
and slightly less treble

For which styles and positions is this pickup (un)suitable: heavy music (thrash/death, nu-metal, prog), punk (ska, emo, with some funkiness added in), blues

Comments: If it were stolen, i would probably try something new out, like
dimarzio's, or get a new guitar and slap some emg's or the distorion
model in. i've been playing for a year, i'm planning on getting a
seven-string or a gibson in a few years.
this pickup is hot, great distortion, clean tone is nice, kind of
generic coil tap sound (wired with middle position single coil).
every style of music is attainable. good metal tone, thick distortion.
good harmonics, not over the top "EMG" output. chords sound nice and full. good lead tone. the clean sound is good, a bit warm, good blues tone. not as good as low/mid- output, but ya can't get everything. the only complaint i have is that this pickup is to generic sounding.
probably cua everyone uses them, this pu is a kind of "jack of all trades". wonderful pickup nonetheless.

Pickup features: Humbucking
Impedence or other specs: :S

Model of guitar or bass: Epi Flying-v 58 and ESP EX-100
Position: bridge
Pickup being replaced: Stocks
Other pickups on guitar: Stocks
Artists using this pickup: What is this a test?
You musical style(s): Lots of styles, I like hard rock/metal most
Reason for pickup change: wanted to change not-so-interesting stock PU's

Perceived output level: Fairly high output..not going to make your cables shake though
Tone: It has a pretty balanced tone with an upper mid's punch that especially come out beautifully in leads and solo's. It makes it hard to get a good rockin crunch down low sometimes but as long as you've got a decent amp/effects it shouldn't be a problem. The tone for clean has got to be the best I've ever heard.
Sonic evaluation: I have 2 ways of playing,
Guitar->Boss MT2->DS1->OS2->Digitech RP200->Yamaha660>2 Peavey TLS4 + 2 CGM 1x12's
Or..
...->effects->Peavey MP4->Radio shack 1x10-miced into-Yamaha660...

For which styles and positions is this pickup (un)suitable: I play lots of hard Rock, mostly lead. I'd say it's a very good pickup for that style.

Comments: I've been playing about 2 years now and take this for what it's worth. This pickup is great, not perfect, but definately great. I first got it for my Epi 58 V. The tone was somewhat similar to the stock pickup but it had a brighter attack which I really liked! It's hard for me to control the Lower tones in some riffs but If you scoop it enough it sounds great. But if you just like to keep your mids cut way down all the time then I don't think this Pickup is for you. The mids give a real punch and thats what makes this pickup good. This is a very clear pickup, not harsh at all in my opinion (or definition of harsh for that matter). It is perfect for playing clean although you may want to consider turning your low's up quite a bit. The main reason I bought this pickup was for lead and Mid-range riffs which it rocks at. The harmonics and overtones seriously rock!! It gives solo's quite a bit of definition and tone in the high-end, my only beef about it is I can't get that bassy popping sound that makes shredding sound cool. I suppose the tone is good enough to cover for that though. If it were lost or stolen I'd probably get it again, maybe try something else just cuz I've "been there" but now that I've used a JB and grown to love the beatiful leads I can get from it, it would be hard to think of not having one in one of my guitars. :S