Epiphone Valve Junior Head

I guess mine was made in 09, bought it in june 09. It is a ver 3.
5 watts, a volume,and 4,8,16 ohm speaker outs. A tone pot would have been cool.
I play metal and rock. does not suit metal very well, I hooked up my metal zone pedal and LTD viper with EMG's, it was ok, but I have a mesa DC-3 for that. It kicks *** for rock though.

MODDIFING IS A MUST, YOU WILL NOT REGRET IT!!! sewatt.com for all the info you need to know

I use a moddified fender jaguar HH with it. It has a seymour duncan pealry gates in the bridge and a seymour duncan jazz in the neck. I ripped the stock wireing out(cuzz it killed the bridge tone IMO) put a 3 way selector in, and split the coils.
Now to the amp. It sounded ok stock, was a little farty sounding when the volume was half way up. It did have a nice tube tone, very chimey. New JJ tubes helped quite a bit, but the real improvement was after I replaced about 15 or so resistors and capacitors(just changed the values of them), and 500meg volume pot. HUGE IMPROVEMENT!!!! I can get great tones, overtones, harmonics, overdrives, its touch sensitive. Mine loves my Fulltone Fulldrive overdrive pedal too. If its classic rock this amp will do it. Its very smooth and warm, mine does not get real clean anymore due to the mods, unless you work the volume and tone pots(still not very clean). The best part is the tubes, caps and res only cost me about 50-60 bucks and about 2 hours. I did the mods in 2 rounds, and it was well worth it. Cant wait to get a better output transformer for it.

never had a problem

hope i never find out

Ive had this thing for about 4 months, I would get anouther if it were stolen. I got it to get the cranked tube sound at a resonable volume(still to loud for a apt. with volume all the up). I havnt used it with a drummer yet but it should be loud enough to keep up, especially when boosted. After i modded it i took it to a local music store and played it against a vox night train, and it stood toe to toe with it. only the night train is more than double what i have invested in mine.
MODDING IS A MUST go to sewatt.com more info on these and other single ended amps than youll ever need to know. dont use the bitmo unless you want different sound options, they dont help some of the crucial tone enhancements.

Im not sure why Epi crippled these things but after 60 bucks worth of parts(the caps and resistors i changed were not any better guality just different values) a couple hours, basic sodering skills, I ended up with a amp I love.

Basic one volume knob 5Watts one el84 and one 12ax7

4ohm, 8ohm, and 16ohm outputs

first things first I have to say that this is in fact a very giggable amp if you want saturated sounds simply mic it through the pa and your good to go
please disregard anyone who says it is not giggable my band has played many venues big and small and this amp has not failed it is hard to hear onstage but thats why monitors where invented just politely ask the sound guys to turn it up on the monitors and you should have no problem with it
cleans are another story definately good for studio or home practice
but not live unless its at a coffe shop with no drums but thats it


I can honestly say this is my main giggin amp Im in a post-punk/new wave type band and this amp just rocks i personally dont like the thin high pitched guitar tones associated with the genres we play i love creamy thick vintage tone and this amp delivers i play through a fender telecaster and a Danelectro dc 59 and another telecaster with humbuckers I dont use many effects I stick with the basics bad monkey od and vox wah i use the bad monkey for a bit more gain and eq
so its always on with the amp set to 3 o'clock sweet smooth vintage tone with lots of harmonix is the product its suprisinly not very noisy even with single coils and the bad monkey on

this amp just shines with single coils but is also very good
with humbuckers its perfect for blues,punk,rock almost anything except for anything that requires massive cleans or metal

another quick note switch the stock tubes for jj's or mullards and its sonic heaven

anyone that wants to hear this amps tone go to www.myspace.com/theph1lsophies all the live songs where recorded with the valve jr and guitars listed above

I have had mine for 1 year and a half and no problems so far
also just to show how reliable it is
my band plays 2 weekends out of every month at least, many bars back yard parties and clubs its been hit and knocked down many times and it still works and sounds beautiful

totally road worthy if your not convinced buy a back up its not like
they cost a fortune

never used it

i think its 5 year warranty for electronics and

a 90 day for the tubes

been playing for 3 and a half years not as long as many others but I have played many amps and this is by far one of the best especially for the price

great amp would still buy it for double what i payed

Not sure the year. I play mostly Blues and Blues influenced Rock. Everyone who has posted reviews for this thing has covered the features. You don't buy these beasts for the bells and whistles, I for one went back to the EVJ after realizing that all kinds of knobs and features confuse the hell out of me.

I'm using a rather spartan setup. I play with an Epiphone LP Standard Plus Top guitar (has a gorgeous Ice Tea style burst) w/ a Gibson Burstbucker 1 in the neck position and a Seymour '59 in the bridge. Just gutted it and installed RS guitarworks Superpots for volumes, CTS 500K audio tapers for tones, and RS Caps (.015 neck, .022 bridge). Switchcraft mono jack and short switch complete the electronic. Right now I have just a crap Planet Waves 20 ft. cord going into an MXR Distortion III into the EVJ.

These amps are absolutely amazing. I have been running it in all different settings and especially love the dirty sounds. I have found that cranking the amp up all the way, running the gain on the MXR full up, and using the volume on the MXR as a MV elicits some of the most incredible overdrive sounds I have yet experianced. Just going right into the amp sounds great too, but this amp really needs a little bite from an OD to shine. Cranking it and having good electronics in your guitar lets you control all the dynamics.

I have been using many tubes. I tried a Mullard EL-84 but found out like everyone else has that these things love JJ EL-84's. They are just smoother and creamier than most others. The preamp slot has been floating between a Tung-Sol 12AX7 and a JAN/Phillips 5751. I personally love both. The JAN has slightly less gain and creamier qualities.

These things are very durable as far as I understand. I don't gig but if I did I would trust that with an Identicle backup I would be fine.

These things can't be beat for the price. I plan on getting some mods done to it. Go to turretboards.com and you will find some wonderful stuff. I'm sending it in for a Marshall style turret board, new Output transformer, standby switch, and sag mod.

Lots of luck to all the EVJ users out there. If you havent converted yet you will. Let's face it: Everyone loves power tube saturation. It's the sound of the records you know and love and these little beauties make it possible for all the bedroom players out there.

This is a review of version 3. The features are well known, nothing to add here.

Used with the matching VJr cab and Vovox drive speaker cable. Guitars: early 90ies Fender American Standard Stratocaster, 67' Guild Starfire III and Ibanez AK105SM. Very noisy from 12 o'clock, unbearable noise from 3 o'clock. Didn't matter to me because for home use more than 9 o'clock was just too loud. I was looking for a nice tubey clean sound anyway. It came with EHX 12AX7 and Sovtek EL84 tubes, I changed them to JJs which was an improvement in sound, not in noise.

The sound is nice and tubey but incredibly thin with no body at all. Sounds like an old pre ww2 radio (a good one though). You can get used to it if you don't use any other gear. But every time you switch back from a 'real' amp it will make you frown badly. If you get used to it, the tubes are fun. Lots of harmonics and very direct. For that, as a practice amp it will make you a better player.

Real low volume is possible but the tubes will not deliver their nice harmonics. You need to go to at least 9 o'clock before that happens and depending on your right hand technique this will already be too loud for use in an appartment.

I cannot comment on higher volume settings for I never used them.

I've ordered it online. The first one I received didn't work, I had to return it. The second one did work but after three weeks I sold it again. Therfore I cannot comment on longtime reliability. I probably wouldn't gig without a backup.

Never contacted them.

All in all, it was a huge disappointment. I had fun with the tube sound for a while but in long terms couldn't stand the thin sound. It is called 'Junior' for a reason: young players may have fun with it but if you're a little more experienced and know your tone, go and look somewhere else.

what features? 4 8 & 16ohm outputs
1 input i volume knob

i play metal and put a digitec hardwire metal pedal infront of it
and it's the best sound for home recording/ practice i've found
it can get pretty loud not enough to keep up with a drummer but that's what i have a 100watt head for- but for recoding guitar and lower volume practices this is the best sound i've ever heard.

i just got it time will tell

i bought a 2year warranty from the place i bought it

$150- no solidstate combo amp in this price range comes close
i really love this thing

Yes ten. Everything you need and nothing you don't: input, knob, switch, outputs for 4, 8, and 16 ohm cabinets. Version 3 I think, made in '08-ish. It's loud enough for what it is... certainly loud enough for a mic to pick up, so yes it's powerful enough. It's not going to blow your drummer away, but the whole point of this amp is that you can get real tube character at lower volumes. My last couple amps were Fender tube amps, most recently a hot rod deluxe, which only gave up the real tubey tone at a very high volume level. The Valve Junior is perfect for recording and live situations without too much stage volume. Not a stand alone rock gig amp... However, properly mic'd and monitored it would work. Or, given the price, you could buy two or three. I play classic rock mostly, and a little blues, and this amp sounds great. Other amps have sweet spots that are sometimes difficult to dial in. The Valve Junior doesn't really make any bad sounds.

I've played a variety of guitars through a variety of cabinets, and with a couple different preamp tubes, and most combinations were great. Single coils ring with harmonics. Humbuckers will make it break up sooner. It's not at all percussive or harsh. A 12AT7 instead of the 12AX7 dials down the overdrive, but IMO it also takes too much of the character of sound. I installed a Groove Tubes 12AX7 instead of the stock Chinese 12AX7, and that made it even better. It sounds like straight-up classic rock tube tone. I didn't want to believe the hype, but I saw it on Ebay for $75 and I couldn't resist. My expectations were high, and I am not disappointed. It's responsive in a way that makes you aware of nuances in your playing. It likes pedals, but doesn't need any to make great sound.

Time will tell.... It's so simple; what could possibly go wrong?

N/A just got it.

I've played for 20+ years, through every imaginable combination of gear... I love the sound of this amp. I would replace it if it were stolen. I'd like to see a 20W version for club gigs.

On/off switch, Volume, 4/8/16 ohm output. So for features, I give it a 2. For QUALITY of the features, I give it an 8. It does everything it should. Sounds good as soon as you plug it in. It rocks. And is the loudest 5 watts I've ever heard. So I'll average and call it a 6. If your looking at this amp, you know what it is and isn't supposed to do/be.

It sounds AWESOME! I love it. For years, the holy grail of sound to me was my friend's 56 or 57 tweed Fender Deluxe. I still love that amp. But this little guy does just as much, in my opinion. It's great. Clean up to about 10 oclock, then it just gets dirtier and dirtier. Nice creamy vintage-sounding distortion.

Nothing yet... I've travelled with it, played it a lot, haven't had any problems yet...

Epiphone has answered my questions, and even talks about modding it on their website. I don't think I'll have a problem, but I don't know yet...

I wish it were a 15 or 20 watter... That's my only problem with giving this amp a 10. I love it. Best $225(with the matching cab) I've spent on guitar equipment. Period. Do I miss the tone controls or anythign? No. If it sounded like crap I probably would, but it doesn't so I don't. I played a Fender champion 600 or whatever their little 5 watt amp is. This one was way better in my opinion... I've been playing for 15 years, and this little thing makes it all worth it. I've got a Jay Turser Moserite copy with a p90 and Eastwood Zippo pickup, a Chinese Tele copy with Fender guts, and a funky little Samick with 3 p90s. This amp loves them all, and sounds different with each one.

Paid $250 for the head/cab combo from GC. Amp has Input, Volume, and 3 speaker outs. Lack of features is not a shortcoming in my opinion. I've found myself using my guitar's tone controls more to get the sounds I want - something I should have been doing all along. I bought this amp as I wanted a clean amp - something without digital effects.

I just bought mine last month, and it's the Ver 3. Sounds great out of the box, but I stuck an old Amperex 12AX7 in it after a few hours - much brighter than the stock Sovtek. Changed out the EH EL84 as well to an unmarked 60s era NOS EL84 (best guess is Matsushita.) Again, a huge change in tone - now the amp resonates beautifully. If I add an analog chorus it sounds so nice - takes me back to the late 70s when chorus pedals first came out. I siomply can't get my chorus to sound this nice through any other amp.

Hard to believe how well these are made.

The Gibson Group is great. Kudos to whoever thought of a budget boutique amp. Also, thanks to Gibson for listening to buyers of a budget amp and making the upgrades.

I plan on modding it further. Luckily the Ver 3 fixed many of the earlier version's shortcomings. I would really like to add an effects loop between the pre and power stages. Shouldn't be too hard as the schematic comes with the amp. I think I may also order the upgrade kit from AlnicoMagnet off eBay. He seems to be the only modder who specifically makes a kit for the Ver.3 heads.

bought 3rd gen junior head ran hard for 13 months than sound cut out took to the amp to a amp guru said wasnt worth fixing. The screaming sounds i got with a broke in celes vin 30 blew me away lady luck sounded mushy in comparasin to afraid to buy a new one IM NO AMP TECH

VINTAGE LEADS ALTHOUGH IT DIDNT NEED; IT I RAN A SEYMORE DUNCANE TWIN TUBE DISTORTION WTH VOLUME ALMOST 8 DISTORTION ON 2 TO 3 WORKED WELL TOGETHER

NEED TWO TO GIG

ONE WARRANTY AFTER THAT YOU BETTER KNOW YOUR WAY AROUND AMPS I CANT SAY THEY WOUNDNT FIX IT AFTER THE WORANTY NAVER ASKED BUT I WILL AND LET U ALL KNOW

Paid $250 for the stack, head and cabinet, from GC. As mentioned, one volume control and 3 speaker impedance outputs: 4, 8, & 16 ohm. That's about it. I thought I'd add a tone knob, but after owning it for a few weeks now, I don't think I'll bother. You just have to use your guitar's controls. I do wish it had a spring reverb between the pre and power sections, but I may put one in later.

Excellent sound. I played around with different tubes and finally settled on a Holland made Amperex 12AX7 and a Japanese made Mytron EL84 (likely Matsushita) - both made in the 60s. I'll keep the Russian stock tubes for spares, but I really like the combination of the two I have in - very clear highs, pronounced mids, and tight bass.

I also like the way pedals sound through this head - especially my analog chorus and delay. Sweet.

I don't see how anthing can go wrong as simple as this amp is. The cabinet on both the amp and speaker cab are extremely well made.

Not sure if I'll need them, but Gibson and Epiphone have been around for a while.

I've been playing for over 25 years. Have owned many guitars and amps. I was looking for a good clean amp and was won over by this. I did not want anything with digital effect circuits on it.