Schecter C-1 Elite

Vintage 2004 I suppose. Made (assembled) in Korea. Bought new. I think this section has been covered well enough, so I won't go into many details here. The Elite had everything I wanted - a pair of good sounding humbuckers, a coil tapper, a comfortable solid body with neck and body very well balanced and not too heavy, a great neck and near perfect simplicity for controls. Something every reader should know straight up is that I took the Elite home while I waited for a Classic to arrive. It was my intention to swap as soon as the Classic came in, but when it finally did, I went home with the Elite. After almost 40 minutes of back and forth a/bing so it wasn't a real easy or obvious decision and I needed to take some time. I liked the pull pot coil tapper design on the Elite as opposed to the 5 way switch on the Classic. When you pull the tone pot out to split the coil, there's no doubt and it's not accidental. The tuners and the pots are not up to the standard of the Classic. They are a bit mushy by comparison and will need to tightened up somehow or replaced. The abalone inlay which goes all the way around the edge of the guitar (neck & headstock included and inset on the pot tops)is a beautifully understated and elegant touch. Way better than the overdone and extremely confusing "vine of life" on the Classic. The first time I sat playing it and the evening sun came in through a window, it made it almost light up and sparkle and I was amazed and delighted by the sight.

I play a lot of different styles from blues and rock to jazz, r&b and a little country. This guitar has all the bases covered. In my opinion, the supposedly inferior "Duncan Designed" humbuckers sound better than the real Duncans on the Classic. It sounds more musical, clearer and a tad more powerful. Here's a parallel using guitar ampifiers to get my point across: I've got a Rivera R55 112 that came with a custom celestion speaker. Most of my guitars with the exception of a jazz box sounded considerably better through my Fender Hot Rod Deluxe 112 which had a supposedly inferior, defintely cheaper Eminence in it. I know, I know, they're very different amps but...(I've since replaced that speaker with a Celestion "greenie" and it sounds a lot better).
The guitar sounds as good as a Les Paul (with considerably more possible sounds) and almost as good as a PRS.

Right off the rack this thing was set up about as perfectly as any guitar I've had my technician tweak after I've brought it home.

We'll see how well it holds up, but I don't doubt it'll hold up real fine and be very dependable for performing. The "gold" plating will probably wear off but who cares.

No experience yet.

Been playing all kinds of guitars since I was 12, which would make it 37 years. I also have a Robert Cray artist Strat which I love. My jazz box is an Ibanez. I've owned literally dozens of electrics from very expensive to cheap. Gretsch Chet Atkins Country Gentleman, '67 Strat, Gibson SG, Washburn Hawk, Fender Starcaster, Kramer etc. etc. Crappiest guitar I've ever owned was a made in the US Gibson Les Paul standard double cutaway. I traded in a Japanese Strat re-issue that I'd put emgs on for the Elite. (The price I cited for the Elite was a pre-trade cash price quote FYI that we still used as our bargaining price). The strat was a very nice ax but it didn't really sound like a strat after I put the emgs in and I hated the fact that I had to remove about a dozen screws to replace the battery and never had any way of knowing when that was going to suddenly go south. Try as I would, I'd inevitably leave it plugged in over night or sometimes for 2 or 3 days having forgotten. Meantime the battery's draining. If the battery craps out on emgs, you get NOTHING which is not something to look forward to in a gig situation, even with a back-up (totally different and probably wrong sounding guitar for the song anyway) at the ready. It's not like changing a string. As I mentioned earlier, I really thought I wanted the Classic, and the one that came in that I was checking out was a real beaut, I must say. But I left with the Elite and I'm not looking back. Don't buy this guitar if you're a collector because it's a players ax as I think someone else mentioned here. Schecter turned out an excellent guitar and a great value with this one and if it got lost or stolen I'd replace it in a heartbeat!

Features have been covered well in other posts, so I won't detail them. My favorite thing about it is the neck, it's a very fast playing and slick neck thanks to the jumbo frets. Second favorite thing is the pickups, then the looks and styling of it. Not too impressed with the tuners, they seem to pull out of tune pretty easily. But the feature set really dovetails well with my style and what I look for in a guitar. I received no accessories with it. While I like the look of the blank fretboard sometimes it can get confusing, especially when you are teaching others; they can't always tell where you are.

A fairly dark, bassy tone to it when played clean. I think you could get by without a bass in your band at all, if you had one of these going as rhythm. I play mostly rock, with brief forays into metal, blues, and folk/country, using an older Peavey Bandit 112 and a Digitech RP80 processor. I keep the amp on the clean channel and use the RP80 for all my effects.

I can always get the sound I'm after with one exception: the neck single coil bluesy Claptonesque thing; but the coil tap gets me close enough. Mostly play with the bridge pickup distorted, it really snarls and is a great strong PU. This is the best sounding guitar I've ever owned, better than my Jackson DK2 and a few other Asian copies, and right up there with a '67 Gibson SG. The guitar is also very quiet, no hum or noise, and the volume pot works very well, it isn't just on/off, you can get a great range of sounds with it.

There is only one change I would make: either replace the neck PU with one that sounds better coiltapped, or install a good SC right above it.

The action is excellent, I believe it came with .09's. Very fast playing. Low action with a little fret buzz but no dead spots or problem areas. The action could be raised a bit in my opinion but it is fine the way it is. Everything is right where it should be. I bought the guitar used but no flaws were found. Cosmetically the only flaws were that the finish over the abalone binding is a little cloudy at a couple of spots. The strap buttons tend to loosen up over a week or so, as do the screws holding the input jack. The electronics controls are quiet and reliable. The only thing I'm not crazy about is that it seems to go out of tune more than it should, though I'm not convinced it isn't because of the cheap strings.

It seems to be a good solid instrument and I would have no problem using it without a backup. Short of breaking a string or dropping it, I don't see any reason to worry about it. And this one is not a string breaker, I have been playing with the factory .09's for about 6 months now. Just glue in your strap buttons and Loctite your input jack nut, and you should have no problems.

Never dealt with support, so I can't say.

Amber finish, gold hardware, full binding, tribal inlay on 12th fret, nice quilted top showing through. "Duncan Designed" pickups, and the coolest look on the guitar, the abalone caps on the vol/tone knobs. Through body string, TonePros bridge.

Great sound, the stock pickups really wail. I also have a C1 Classic, and the "real" Seymour Duncans. These "Designed" pickups are not as strong, but they have a real nice tone, and the coil tap is really cool, although I seldom use it. I mostly play through a 20 year old Crate amp, and only for my own enjoyment, but really like the way it screams. Neck PU and clean sound real nice, especially backing a touch off the tone. Very versatile for the home/garage band type of player.

I bought this as a 2nd, it is boldly stamped on the fretboard. That means it was not set up AT ALL! I have done my own setup for 20+ years though, and after a bit of monkeying around, the thing plays exactly like I want it to. I like a low slinky feel, and like jumbo frets too, and this guitar set up just right for me. The finish is great, excepting the goof in the stain on the neck that undoubtedly caused it to be sold as a 2nd. I can see it looking down, but no one else can.

I doubt the guitar's finish will wear off, but the gold.....ahhh, I expect it to. Never seen any that did not, if the thing is actually played. Strap buttons, even garage players ought to replace them with Schaller's. I don't gig out, but when I did (ahh, the olden days), I ALWAYS had a backup. Short of string breaks, I doubt the backup would get much call.

No warranty, since it is a second, but having had the Classic for some time, I never have had to call them.

Great overall rating. I love Schecter guitars, and actually sold a black C1 Elite so I could get my hands on the Amber finished one. Would I replace it? I *DID*! I have the aforementioned Classic, have owned 3 Les Pauls, Currently have a Takamine 12 string, an Alvarez Pd80S Acoustic, and just got an Epiphone Sheraton II. I have compared this thing to many others, and it just plain fits me, and my "style". I still am a strat-style guy, with a room full of various manufactured strats, but this style Schecter about has me won over. WAY good bang for the buck!

2004 model. Made in Korea.
24 Frets, archtop.
3-way selector, 1 volume, one push/pull tone coil tap. (cool)
H/H config.
Passive "Duncan Design" pickups.
Body wood is mahogany with a "beautiful" (really is orange) amber quited maple top with a high gloss finish. Mahogany 3 piece neck with side dots only and a mother of pearl diamond at the 12th fret. The entire front of this axe has cream binding and genuine abolone inlay.
Kind of a Strat style body. All gold hardware. Tone pros fixed bridge. Grover tuners.
25.5" scale neck with rosewood fretboard and jumbo frets.

I play rhythm guitar and handle lead vocals in 2 bands, one country (where I play mostly acoustic) and a classic Rock/Blues outfit. I wanted this guitar for use in the latter, but have used it on some gigs in the country band. This guitar sounds "great" thru my late 80's Fender M-80 amp. I also have an ATV series Marshall combo, but I am not happy at all with clean sound from that amp (but thru the distortion channel the Schector sounds awesome). I mainly gig with the M-80 now but I'm shopping for an amp that gives me both worlds.

I walked into a local Guitar Center about 3 to 4 years ago with my then 16 to 17 year old son to just check out new stuff...etc. (just goofing around really!) and I looked up as we walked in the door and there on a platform display just above eye level was this guitar ! I fell in love with it's looks first. We sat down with it and a Fender Deville and my son and I played it for awhile. Fell harder for it! I couldn't afford it and that's the way it stayed until 3 weeks ago.
This guitar shines it is so pretty. The quilt maple is nearly a pefect bookmatch. The clear coat is perfect. I am a Gibson / Fender guy and I am used to some bad finish work, this one is great. The set up was perfect. I do agree with a former poster about the fret height. I learned real quick that the lightest of touches is all you need to get around that.

The gold will probably tarnish at some point but who cares?
as I said the finish is superb. I replaced the strap buttons with Schaller locks. (If you don't do that for every guitar you own....your nuts!) As another poster mentioned, who the heck would gig without a backup?

First Schecter, so I don't know

I have been playing for 20 years. I own.....a 1978 Les Paul Deluxe,
a 1996 Gibson Chet Atkins Country Gentleman w/Bigsby, a 1997 or 8? MIM Squire Telecaster, a 1999 Stratocaster, an Ibanez RG100, a Takamine (Guild lawsuit model) 12 string, a brand new Fender (maple) acoustic electric cutaway, several Ibanez acoustics and a Danelectro 12 sting Hodad. The Les Paul is my favorite and I feel it is the best designed electric guitar ever. But that axe is all original and is appreciating in value every year and I am terribly worried about it being damaged or stolen at a gig, so I rarely play it out anymore. The Schector fills that hole nicely and between it and my Srat and my Tele, I'm pretty much ready for any song we do. If it were stolen, I'd definately by another.

2004 model. Made in Korea (extremely well made I might add!).
24 Frets, archtop.
3-way selector, 1 volume, one push/pull tone coil splitter.
H/H config.
Passive "Duncan Design" JB (bridge) and Jazz (neck). How do they compare with USA Duncan pickups? Who knows, they are good enough that I won't be replacing them! This is a good report since I don't have stock pickups in any of my other guitars!
Body wood is mahogany with a quilted maple top. Mahogany 3 piece neck with side dots only and a mother of pearl diamond at the 12th fret. The entire body/neck/headstock has cream binding + abolone. This is one classy looking guitar!
Transparent amber finish with gloss.
Strat style body, PRS style headstock. Thick neck (but then again, I'm used to Ibanez guitars). It doesn't slow me down though.
Tone pros fixed bridge. Grover tuners.
25.5" scale neck with rosewood fretboard and jumbo frets.
I made the salesboy at Guitar Center bring me one still in the box. Included with the guitar was a cheap throw-a-way 1/4" cable and allen wrenches to adjust the bridge.

This guitar is for rock/metal/blues.
I run it through dunlop volume -> bad horsie 2 wah pedal -> Digitech 2101 L.E. preamp -> ADA microtube 200 amp -> peavey 4x12 -> crate 4x12.
This guitar has depth...punch...balls.
This is the first fixed bridge guitar I've ever owned and I'm loving it.

This guitar comes strung with 10's. The action is a great compromise for chording and solo work. The ones guitar center had on display were "ok" but the one that came out of the box is just beautiful, definantly check to see if they have more than one.
Having delt with gold hardware in the past I immediatly put wide stick clear tape over the guitar's pickup covers, you can't tell the difference and I don't have to worry about cleaning them. The rest of the hardware I wipe down after playing, this guitar is worth at least a little bit of pampering. I've had it a month so far and still have yet to pick up either of my two Ibanez guitars or my yamaha RGX-1221S.

What a funny question, ("Will this guitar withstand live playing?)... as opposed to?
The gloss finish is pretty thick, but anytime you ding a guitar it's going to leave a mark...too bad, so sad.
Gold hardware (see above), does no one make gold hardware that doesn't get messed up in 1 second flat?
Anyone who goes to a gig with only one guitar is either a moron or the quickest string changer in the west.

I've never had any dealings with Schecter.

This guitar is the solid black version, and it was made in 2003. It has 24 frets, tone (coil tap) and volume controls. Abalone inlays surrounding the entire guitar, and they're actually real. Not the cheap 'sticker' inlays some guitars come with. I upgraded to Grover 18:1 locking tuners which has definately helped. May change the nut to bone, but for now its ace. The guitar also has a tone-pros bridge and is string through. Irregardless of the cost (VERY CHEAP), this guitar is amazing. I would have, and I have, payed more for a guitar of this quality. The 350 also included the matching schecter hard shell case (Brand New).

I play a combination of hard rock and blues. Most of my music is saturated with distortion, with the occasional reverb or delay filled breakdown.

Simply put, this guitar is amazing. The crispness in the notes and the sustain have me drooling. It does not matter how much distortion I am using, I can still hear a chord. When the volume on the guitar is adjusted, the amount of distortion actually changes!! I'll put my marshall 100dfx head on full gain, volume cranked, and i can still get a 'clean' sound out of the guitar just by rolling back on the guitar's volume knob. That's pretty impressive to me, considering the sole purpose of my pedal board was to provide different levels of distortion. I now run my guitar into only a 535q dunlop wah and then the amp. I can go from the bassiest "chug a chug", perfectly immulating metallica's four horseman, to a SRV sound just by pulling the coil-tap. The guitar has a 'dark' sound to it when the tone control is in the 2nd and 3rd positions (very bassy), but I fix this by turning my wah on and leaving it all the way down. The 1st position of the selector switch is heaven. It provides the brightness I need during the breakdown parts of my bands songs. A nice full sound, not nasal sounding. The guitar does not lose its bottom end entirely when in the 1st position, like many guitars do.

This is the only problem I had with the guitar. The action was way too high for me. It took almost 2 hours after receiving it to properly adjust the action and bridge position. The fret's were buzzing like choir bells when I pulled it out of the box. It is just about perfect now action wise. The finish is gorgeous, but like anything black it shows its wounds easily. Almost impossible to keep polished as well. Every fingerprint can be seen. I may strip the finish from the neck however because it is not smooth at all. The laquer 'grabs' my thumb when i first start playing, until I get some sweat on the neck. Once its wet though the stickiness goes away and the neck is smooth. The pickups were adjusted properly however, which was a pleasant surprise considering how much effort it took to fix the action. They are amazingly quite as well. The static is considerably less than that produced by the 59/JB combination in my Paul. THIS IS A GOOD THING.

If I dropped it I'd cringe, but only because it's a gorgeous guitar. I'm pretty confident that the guitar would not be damaged by a 6ft fall. I did change the strap buttons to some locking ones, but that was a matter of preference. As i said, I don't want to drop it for aesthetic reasons. I would not gig w/out a backup only because string changes are annoying to the audience, not because I don't trust the guitar. If I ever find another one at this price I'll probably buy a 2nd one to use as my backup. The selector switch and pots seem reasonably well made, and if taken care of they will last.

Never dealt w/them, hope to never deal with them.

My previous guitar was a Les Paul Special with the pickups changed to a 59/JB combination. It is a child's toy compared to the schecter. I've been playing for about 6 years, but its only in the past year that I finally decided what tone i was trying to achieve w/my own music. The schecter perfectly meets my hard rock/blues style of music. As mentioned, the volume knob provides me with this ability. I don't know if I just got lucky, but I've never played a guitar that had the range of the schecter. I would recommend this guitar to anybody; irregardless of their spending capabilities.

Korean made, 24-frets, Mohagany solid body, maple neck, roswood fingerboard. H/H with Duncan Designed pickups and nickel covers. Passive electronics, 3-way switch, volume, tone and coil-tap. Tone-Pros bridge with string thru body. Non-locking grover tuners. Set neck

Gloss black finish with Abalone binding. Single double diamond fret inlay on the 12th.

It really is a beautiful guitar. For the money it is really really nice.+

It has a dark sound to it, but I am also using pure nickel strings. It is very full and versatile. This is my main guitar and I have had for about 2 years. I do death metal, jazz, funk, rock, classic rock, and blues on this guitar with no problem. With the coil tap and responsive tone and volume knobs, this thing can really sing. Even with the Korean pickups.

I was told by my Tech (who is also a Schecter dealer) that if you get "real" Duncans in there, that it really rips.

When I got it, it was re-setup by the store. Which was nice and I had it adjusted a bit to take hybrid 9-46 strings. This is actually my second one, the first one the neck twisted on my and I got a new one in a month or so. Bad luck with guitars. I recently had a Petrucci signature series Ernie Ball do the same.

All looks great with no flaws that I can see. It plays great, sounds great, it is a great instrument.

I do agree with the frets being a bit high, so if you press to hard you will go sharp. But that is true with all jumbo frets. Just play a bit lighter and you will have no troubles.

This guitar is pretty tough, it is my main gigging guitar. Holds up nicely. I have never had any problems. I use it without a back-up a lot for longer gigs. For the metal 45-min ones, I bring a back-up in case I break a string.

I have never dealt with Schecter directly. But I know the stores I shop at do, they seem to be ok with them. They haven't had too much trouble. Sometimes ordering stuff can take a long while.

It is a killer guitar. I think it looks beautiful, then on top of that it sounds and plays great. A killer deal especially for sub $500. I love it. Sounds great for all styles of music. I use it with a Fender HR Deluxe, Behringer V-Ampire, Sovtek Mig 100, Mesa MKIII... great with them all.

2003 C1 Elite, Made in Korea, 24 frets, black funish w/ abalone trim around the body and neck, 2 Duncan designed Hums, mahogany body maple neck, rosewood fingerboard, neck thru body, no pick guard

Through a 20 watt Crate GFX-20 it needs more treble. This may be due to my amp. I have the 3 way EQ in the amp turned so the bass is nearly off, mid 1/2 and treble all the way on. The bridge pickup sounds great. The neck pickup is rather muffled or muddy sounding. Changing from the stock GHS strings to D Adarios improved the brightness. To me it sound pretty much like most other humbucking Gibsons and Epiphones. If you pull out the tone knob it makes the pickups single coil. This make is sound slightly more trebly but definitely not like a Strat. It does not have fret dots or markers on the fingerboard so I added them in using a drill press and abalone dots I got.

The action was pretty good for a factory setup. The intonation was right on. I do have a complaint about the frets. They are like speed bumps! They are very high. They are so high that if you press on the string hard enough the note will go sharp. It's hard on the fingers and makes it harder to play IMO. I am having them shaved down lower.
The fit and finish is superb. With the abalone trim aound the neck and body it is subtle but very classy looking. It looks like a quality instument from far away and up close.

IT seems very well built so I assume that it will be durable.

This company seems to have a rebellious biker mentality. They don't answer e mail inquiries most of the time. They don't include or even have a manual. To e mail them you must fill out a long and tiresome form every time. Their web site has a juvenile grunge type feel to it that might appeal to 20 year olds. Under FAQ, one of the answers is "F*ck no". Classy, very classy. One of their guitar models has that naked girl silloette that we frequently see on the mudflaps of redneck picktrucks. Bah! If these guys want to play with the big boys they need to clean up their act and grow up. I personally don't appreciate their low life vibe.

I have been playing in a band and as a hobby for 20 years, mostly classic rock. I think I made a good purchase but I might have considered a Carvin DC135. I like this axe better then any of the Gibsons, Fenders and Epis in the store. I love the looks, hate the frets and would like a brighter neck pickup. In its price range you have the option of several Ibanez models, The Highway 1 American Strat, the "Faded SG" and several Epiphones. I would give this one a serious look before buying anything else.

it's a made in korea guitar, ...24 frets. The finish is a heavy coated shiny black laquer finish, ....chrome grover tuners. ...On the 12th fret you will see engravings in the form of a double diamon. ....The pickup configuration is 2 humbuckers made by seymour (but they wired it to where you can use the humbuckers as single coils) and then it has 2 rotary knobs on the bottom, ..one of the rotary knobs is like an eq and humbucker to single coil pickup selector combined, ...treble-bass, ..the other rotary knob is for volume ..nice setup ...also it has a 3 way switch on the guitar which changes the sound of the guitar from bright and trebly to bassy and ideal for rythm guitar, ... I am not sure of what wood it is made of. ....I didn't get any accessories with this guitar.

the bridge style is string through body

all in all, ...i like the features this guitar has on it. It's a very classy sort of guitar, ..not too flashy, ..but it has the goods.

Although I have been playing guitars for a while now, I am only starting the process of seriously learning. Which is why I bought this guitar. I play mostly in the Christian praise and worship styled genre and it works great. I think it would also be beutiful for jazz or rock or any other traditional style, ...i don't know if this would be the best metal guitar though.

This guitar has potential for alot of different sounds, ..the type of amp you use could make a big difference as well. Right now i'm just using a little peavey practice amp. I personally like the sound of this guitar very much. It is very balanced, ...in general, the sound is something in between a strat and a les paul. Balance is the key here for the sound. You won't get the really extreme beefy creamy sound of the les paul through this (gets close though), ..and it's not going to give you the shrill twangy sound of the strat either (can get close though), ...it's something in the middle. I like it very much, ..which is why i bought it.

The pickups are very quiet

and it has a lot of variation in terms of control over the sound. Other than the volume knob, ..you have another knob which can be used to switch between the humbucker sound and single coil sound....the single coil sound is not totally a strat sound, ..but it's a nice change, ..i like it. There's also a 3 way selector which you can select between bassy to trebbly to something in between ,...alot of room for experimentation.


oh ya, ...and this thing can sing forever, ...great great sustain, ..and it plays like butter

Great set up, ....the action on this guitar is so low, ....it plays like butter.

There were no flaws i could see as far as setup goes, ..

one thing i observed about this guitar in relation to how it plays is that it is very sensitive to the touch on the fretboard. You have to hold the notes and chords with just a light touch, ..if u press it harder than that, the notes will go up....as if though you were intentionally trying to make the notes sing up a half step, .....it takes a little getting used to.

Oh, ...i forgot, ...this thing is so LIGHT, ..incredible, ....that's one thing i love about this.

i can't realy say about it's reliability or durability because i've only owned it for a month, ....but it looks as solid as any other guitar, if not more.

i don't know about this one, ..hopefully i will never have to know

I have been playing guitar for probably about 7 years. I really haven't seen too many electric guitars that impressed me. This is one of those rare gems that I will keep. I got a great deal on it for $499. For the money I paid, i think i got a steal. I am very very very happy with this guitar and i don't think i'll ever even think about selling this one.

I'm giving it a 10 overall because i don't think u can get much better than this guitar for the money. 99% of the guitars I've seen in this price range are always less than satisfactory for my standards, ...but this guitar is incredible, ....the sound, the way it plays, ..the way it looks (very classy and simple). I love it.

-This was made in Korea
-24 frets
-Solid maple cap
-Three way switch, one volume, one tone...tone is a boost, I believe
but I don't use it.
-Two Duncan Designed humbuckers
-Mahagony body, maple neck and cap, rosewood fretboard with only
double diamonds at the 12th.
-The finish is gloss black only with chrome TonePros bridge, string
through body, chrome...Grovers, I think
-The scale is 25" with a pretty thin neck. Frets are jumbo.

I play everything from Texas Blues to thrash metal and everything in between and this baby handles it ALL. I run through a Marshall JCM2000 DSL100 head with a Boss SD-1 and Dunlop Hendrix Wah. It's not noisy at all and always delivers a rich, beautiful tone. There's nothing I dislike about the sound of this guitar, EVEN WITH the lower-grade pickups.

The action was fantastic, the bridge pickup was adjusted too high, but that's a personal preference. The only flaw this guitar had was a groove in the 19th fret. A dressing and polish took care of that, though. Everything else was tip-top.

This has been my main guitar for two years and that is a LOT of shows and three times as many rehearsals. The hardware will last as long as I need it to. The finish has, unfortunately, been beat to hell because I'm rough on her but she's still gorgeous. The strap pins I always replace day one with the matching color Schaller Strap Locks. Not only can I depend on this guitar, I RELY on it to make my money. Never will I play without a backup, but this thing rarely needs to be backed up.

I've never had to deal with it...the guitar is that good.

I've been playing pro and semi-pro for over ten years. I own way too much stuff to list. If this were lost or stolen, I would simply FREAK OUT. I'd have to buy another but this one is special to me. I played almost every guitar in it's class and had to have that one from the first chord fretted.

BUY THIS GUITAR!

Korean made, 24 frets, solid top, 1 volume and 1 tone, 3 way selector, H/H, Duncan Design pickups, passive electronics?, quilt top, strat style body, string thru body, locking Grover tuners, Jumbo Frets on a rosewood fretboard. Came with 2 allum keys and a cable. I wish they would add a tremolo and/or a second volume and tone.

I play mostly jazz, rock, and blues and it fits those styles great. It has semi tight bass and great highs, I really can't find a muddy sound on this guitar. The volume pot when I got it was kinda scratchy but that has fixed itself. The only thing that I dislike about it are the poor tuners everything else is fine with me.

The action is not bad stock it is a little high for my liking but it not unplayable, even if you do shred it wasn't very bad. I havn't found any flaws yet but that doesnt mean they are not there.

So far this guitar has been very reliable and I have had no trouble with it as of yet. The Print on the humbucker cover is wearing off but that doesnt bother me. I would you it without a backup only if I had to not saying this guitar is bad but that is just stupid.

????

I have a 1967 Gibson Flying V, Gibson Sonex, Ibanez RG-470, and this one and I just seem to like the feel of this one the best. I play through a Fender Princeton Chorus and it has great sound through it. I would recommend this guitar to any one.

I got the black version.
-Gloss black finish
-grover tuners
-tonepros brdge
-thru body design
-chrome hardware
-2 duncan design humbuckers
-volume and tone control
-string through body
-gloss neck
-abalone binding
-nice trim

This guitar looks awesome. If u dont like it online go to the store and check it out. Similar to a PRs but 1/3 the price.

I like the bridge humbucker the best. Nice bright sound that is very awesome on my crate xt120r. The humbucker in the neck position is very warm and has good tone. SOunds like a mix of a strat and les paul. Its sound is up there with gibson and even some more expensive guitars. ONe tip of advice though, get rid of the 9's that are on it and put 1's on. Itll get rid of any bzz that you may have and the sound is fuller. Take good care of the strings by wiping them down after you play. Sounds awesome muted too. No dead spots.

This guitar looks just as amazing as it sounds. oNe problem, it picks up fingerprints easily, but thats just a minor thing. Just keep it clean and your fine. The factory set-up was perfect. Action is low, which is good. Easy to bend. The pickups were in good position and sound perfect. Watch out for the volume control tho. Is a bit scratchy, but that doesnt make a difference cause u can only hear it while u play and i dont know anyone who adjusts volume on the guitar while they play. Use an effects pedal for that. Very easy to play. Good scale on the neck. 24 frets.

It seems pretty solid to me. Id gig with it once i get my band together. The chrome hardware will hold up and the finish wont scratch too much if u take care of it. Just dont knock it into anything or let anything that could scratch it get by it. The strap buttons are okay, i wouldnt know tho cause i put locks on it the second i got home from the store. Good idea. Buy locks for this guitar. Its worth the 15 bucks. Very durable and dependable guitar.

Wouldnt know

Amazing guitar. I recommend it to anyone. Theres no comparison with this guitar. It won compare to an ibanez or epiphone. Its up there with the gibsons and fenders. Im proud to be playing this thing, even though not too many people use schecters, just cause they stick to the major brands like gibson and fender. Its close to a prs in looks and just like a strat/les paul in sound. Awesome overall guitar. Go out and buy one. BTw, ive been playing for 2 1/2 years now. I upgraded from a squier strat, but did a lot of research on this guitar. Best choice. This is a peice of equipment i will be glad to pick up in 8 years and play.

Here's my update on the C-1 Elite. I finally got sick of the fret buzz on the lower three strings, in the first seven frets. A guitar tech examined it and, after much work, found that the factory didn't set it up even enough, and he could not cure the buzz. GC gave me a brand new C-1 Elite to take home and try (its finish is even better than the first, making it even more of a keeper!), but it only took a few minutes to find all the fret buzz in those lower three strings. What is UP?! I think I'm going for the S-1 Elite now....

2003 model, 24 fret, laminated to, volume, tone, 3 way selctor. Semor Duncan picups. Strat style, String-thru bady, fat neck, Case included, picks, stuff taht your guitar store might give ya.

Awesome sound. I play metal. I use a mesa boogie triple rectifier and a Crate GFX 212t amps. Its a great guitar. Awesome tone, great pickups, comfortable. The only thing I wish this guitar had is a tune-omatic bridge.

Excellent, nothing wrong at all.

Strap Buttons come lose alot!! Just get some locking strap buttons...no big deal...i can always depend on this guitar, wheteher soloing or playing rythm.

Never had to contact Schecter......90 day warranty.

I've been playing for 7 years. Great guitar, would buy again. Wish it had a little bit thinner neck. Check out this great new metal band, VIRE at www.geocities.com/vireband

The other reviewers have already posted these, and if that's not good enough, visit www.schecterguitars.com and www.musiciansfriend.com (which also has product ratings).

This baby is light, comfortable, fast-necked, and has terrific tone! My style is rock and metal, and I'm working toward Joe Satriani and Steve Vai's level. I tried it out through a Marshall stack at Guitar Center, then took it home to my Peavey combo amp. I think the coil-splitter sounds terrific, regardless of what other reviewers here said about it. I get great U2 sound with it on the bridge, and a really good acoustic-electric tone with it on the neck. The Duncan Designed humbuckers are decent enough, but I do believe I'll get either a real JB and Jazz to replace them or some DiMarzios. The gain knob has good gain; the tone knob could provide a little more tonal range up in the highs. This might just be because of the pickups.

Schecter really attracted me with their C-1 Classic and S-1 Elite, but I wanted a USA-made guitar, not a Korean one. I must say that after reading the reviews, the fact that Schecter was started by a PRS guy helped me reconsider my stubbornness. Then finding out they set the instruments up here in the USA contributed. So I tried the Classic and found it to be too heavy and thick for my style. Then I tried the S feel, and I think I'll pick one up in the future. But this guitar...
First of all, I love the guitar's action. Perfect for my style! The amber quilt look with abalone all over the place is simply beautiful! The only problem was that it had fret buzz from being set up too straight, so I had to get the truss rod adjusted; and I'll probably have to replace the Grovers with Sperzels, seeing enough people comment on how they'd keep the guitar in tune better.

Guitar would withstand live playing, though I'd still use a backup. (I'd use a backup even if this were a Paul Reed Smith or an Ibanez JEM!) The hardware seems like it will last, though, like I said, I'd get new tuners. The finish looks like it will last. The strap bottons are solid. Better tuners will make the pitch more reliable, but I think everything else is reliable as is...well, actually, now I'm wondering how long the three-way switch will last, but I might just be imagining that.

I've been playing for nine years. I've owned a Peavey T-60 electric guitar and an Ibanez RG7420 electric guitar. I sold both of them, but this guitar is a keeper. I'm still interested in other guitars (2 Fender strats, the Gibson SG Supreme, the PRS Dragon II, the Carvin DC135, and the Ibanez UV777), but this Schecter will hold me content. If it were lost or stolen, I'd consider getting it again, though I'd probably just save up to get a great guitar and not just a good one. If I could add features to it, I'd add a center single coil and some dot inlays in the standard locations, but that's personal preference. For $600 this is a terrific pre-professional instrument. Novices, go for a quick-buy like a Squire until you've grown tired of its faults, then graduate and move on to Schecter level!

Made in 2001? 25 1/2 neck, Nice black finish,1 volume 1 tone, pickup spliter, 2 humbuckers (duncan designed), mahogany body, maple neck, grover tuners, nice sized neck (not as fast as i would like it)and no tone pros bridge on this years model : o (

I play a lot of metal and blues, this guitar sounded great than i put a SH-6 pu in the bridge and a SH-2 pu in the neck and this guitar really sounded elite, this guitar has great sustain. Like i said stock pick ups are no match, and i love the pick up spliter. String threw body owns.

The set up was nice, i put some .52-.11 strings on it and setup the guitar how i like it, i lowered the bridge a bit, and raised pick ups, when i recieved this guitar the humbucker holder things were cracked and i was pissed (nothing major). The ablone binding is stunning, but really to pretty for me.

I beat the hell out of this guitar and havnt had any problems, I am going to put a tone pros bridge on it and everything will be perfect on this guitar. I put strap locks on, but they didnt fit that well had to modify the screw a bit.I would gig with this guitar, but always have a back up

havnt dealt with them

I have been playing for 5 years, I have owned a strat, a epiphone standard LP, schecter c1-7 string, and now this bad boy. I wish this years model had 2 volume, and tone pros. Everyone loves the abalone binding. If this was stolen i would buy the C-1 Stealth becuase it has everyhting this guitar has plus more, for about 150$ cheaper

Schecter c-1 "diamond series" elite. 24 fret, 2 duncan design humbuckes, hardtail bridge, grover tuners, 3-way pickup selector, 1 volume pot, 1 tone pot, coil split feature (allows you to split the buckers into coils by pulling up on the tone knob). the reason i give it a 9 was because i would like to see a volume controll for the neck pickup.

I cant quite describe exactly what I play, some metalish, industrial mostly. But this guitar has quite the versatility when it comes to sound. INCREDIBLE! works very well with ever amp i've tried it with. (I own a peavey classic 50 BTW) works extreamly well with fuzz. the tone is comparable to a les paul. in fact, I borrowed one (les paul standard) for about a month while my friend was gone to europe and I found myself playing the schecter more...they pretty much sounded identical, i just liked the way the c-1 was set up moreso then the les paul. My ONLY gripe in this category is that when the coil is split, the tone is indeed lacking. but, the humbuckers really do make up for this...I would give it a 9.7, but since that isn;t available, a perfect 10 will have to do.

the guitar was set up great. I dont have any gripe about that. the pickups were adjusted fine...everything was adjusted great. the action is absolutly perfect. No complaints what so ever. a true beauty...great!

I've had this guitar for about a year and a half. and it feels extreamly solid to me. everything seems to be extreamly solid. It just feels together...

N/A

this is by far the best guitar for the money I have ever played. INCREDIBLE!!! I am very glad I had the opprotunity to play such an incredible piece. I love the sound, looks,versatility, and the playability. It really fits me well. I had three guitars when I bouth this, now I only have this one because it's so versitile I really dont require anything else. It beats the hell out of a les paul (mainly due to price and looks) and it's also better then every PRS i've played (looks, value, and sound) serriously, next time you're looking to buy a guitar...check out a schecter of any kind. they are truely incredible...

Made in Korea. Mine is a new 2003 model. Setup in the USA. Very contoured arch top mahogany body. Maple neck. Rosewood Fretboard. 24 Jumbo Frets.

There are a number of permutations of the C1-Elite. I bought this one at Guitar Center - it is the gloss black model abalone and white bindings on body, head and neck, tribal at the 12th fret. Looks are elegant albeit a bit dark. Mine features a through the body neck. Some other C1-Elites I looked at had a set neck - not through the body (go figure.) The difference in necks is major! The through the body neck is faster, trimmer, lower action, and the body/neck is much more contoured than the set neck model. I think the neck specs are 14" radius. Scale is 25 1/2" ( I prefer this to the shorter scale on the C1+ model). Feels great to me -not too thin, not too fat. The through the body guitar is also lighter than the set neck models. Pickups are Duncan Designed - they are good Seymour Duncan 'Jazz' and '59' approximations. Controls consist of a three-way toggle with tone and volume. There is a coil tap feature- very nice! The two controls do it for me on this guitar. The sonic range is substantial. Stringing is through the body with 'Tone Pros' bridge. Absolutely KILLER SUSTAIN! Intonation is dead on. Grover tuners. I agree with another reviewer- these babies hold tune forever..even right out of the case after sitting around a while.

It would be nice if they included a case. The Schecter case runs about $100. I bought an SKB for $89.00. I can't imagine not having a case for a guitar of this quality and caliber! This is the only thing I would ding Schecter on, except maybre for the lack of real SD pickups. So it gets a 9 instead of a ten for that.

I mostly play Jazz and blues. Eeven though Schecters seem to have a substantial metal following, I find that I can get great mellow tones as well as serious punch and bright tones with this guitar. The range is impresive. I play very clean - through an Ultrasound amp that I also use with my Cordoba FCWE - so clarity of tone is important as the Ultrasound amp doesn't lie! To my ear the stock DDs are fine - I see no need to replace with SDs. Even though the pickups are supposedly the same -it has a better sound than the C1+ model.

This guitar was set up properly right out of the box. The guys at GC went over it for me - no changes or adjustments were needed. Fit and Finish were perfect - no flaws. This one was fresh (just in that day) so there were no scratches or marks. So far, controls are perfect. As I said, I play this through a very critical amp and sounds great. I have had guitars costing twice as much that were not finished this well. The action is absolutely killer - very low - no buzz. Intonation is perfect all the way up the neck. As I said - there is a difference between the through the neck and set neck versions of this guitar so look for the former. Finish is absolutely beautiful.

Seems very solid. Feels substantial. I don't abuse my guitars - in fact, I baby them. So, I expect this will last. I would use without backup.

No experience here. Haven't had any problems. They have a nice web site, worth checking out.

I have been playing about 30 years on and off. Have had a Godin LGX-SA a Godin Multiac ACS-Slim, and a Fender Strat (all of which I sold recently). I currently own a Cordoba FCWE thinine Flamenco and this this guitar. I currently use an UltraSound amp. I like this guitar better than my ($1400.00) Godin! For me, this is an extremely comfortable guitar to play. I appreciate its range and playability. Its a steal at this price. I never planned to but a black guitar (not into the gothic thing) but this instrument really has an elegant look - kind the guitar version of a baby grand. I would have liked it better with 'real' Syymour Duncan's (Jazz neck and Custom-Custom bridge) but I have no real complaints about the stock the DDs. Were this guitar stolen, I'd get the dough from my insurance company and head for CG right away! By the way, I'm a big CG fan- I tried 4 guitars before finding this one and the guys at GC were great about returns - including an LP that I rejected in favor of the C1-Elite! Can't do that very easily by internet/mail order.

New for 2003, exclusive to guitar center. Made in Korea, 24 frets, amber quilted maple top. 2 duncan design humbuckers, with coil tap switch. Gold hardware, "tribal" inlay at 12th fret, albalone inlay around body, neck and headstock. Tone Pros bridge, string through body, set neck, grover tuners. Came with gig bag.

I give it a 9 because the only thing I would change would be to give it an extra volume knob, one for each pickup.

I play all sorts of styles, but my favorite is hard rock/metal. The schecters are perfect for this. Great action, and hot pickups. I play it through either a marshall mg100hdfx or a randall h200sc. Both sound great, not noisy at all. You can get a variety of sounds, what with the two humbuckers, and the ability to use the coil tap and make either of them single coil.

I really can't think of anything I dislike about the sound of the guitar. Some people complain that the pickups aren't hot enough, they sound fine to me. Even if that were the case, it wouldn't be hard to buy something hotter and pop it in. Especially when you consider all the money you saved by buying a schecter.

Everything was set up perfect. This guitar is really beautiful, the finish is just awesome. Haven't had any problems with the switches or knobs as of yet.

The only downside: the gold is wearing off on the pickup covers, right near the top of the strings. It's from my pick hitting it. It's minor to me though, because you can't really see it unless you look close, but it is kind of annoying. I may get rid of the covers later.

Solid guitar. I wondered when I bought it if the abalone inlay around the neck would wear off with time. It hasn't yet, and I've been playing the shit out of this thing. Everything seems really solid, and seems built to last.

Gigging without a backup is asking for trouble, I don't care if you paid 10 dollars, or 10 thousand dollars for your guitar. "whatever can go wrong, will"

Haven't needed it.

I've been playing for 14 years now. I've owned Jacksons, Fenders, Epiphones, and many brands you've never heard of. The Schecters are without a doubt my favorite of all. You cannot get a better deal for the money, it's that simple. If I were a rich rock star, I would probably still play them, even if I owned a shitload of PRS' and Les Pauls.

This guitar was made in Korea, but it doesn't sound or play like it. It is 24 frets without a floyd-rose system, which really turned to me. this is a solid top and it has volume and tone and a 3 way switch. It contains 2 duncan designed humbuckers. Not sure of the wood. It has a string-thru body, has grover tuners, jumbo frets, nothing included.

It suits my music perfectly, i play hard rock, metal, and softer stuff. I use a Fender Twin and a Morley Bad Horsie, it is not noisy, great sounds with distortion. This guitar has great intonation, very good with pick harmonics. This guitar is very great sounding, i've played it and liked it over Gibsons and PRS's.

This guitar was set up very well. The pickups are pretty hot, the way i like 'em. The guitar is very nice, but I'm having a volume control replaced, the wires are tiny, and they came undone.

Yes, it would be great live. The hardware is nice, but the gold finish is coming off of my bridge pickup, but i've sweated alot on it. The finish is very nice, I love the wood. Strap buttons came loose once, but I tightened them back up. Yes, i can depend on it, I would use a backup though because i tune all over the place.

Overall, this guitar is excellent, especially for the price. Hook it up to a nice tube amp and crank it up and it performs excellent. I love this guitar, but I just purchased a Fender Showmaster Scorpion HH, which does play better, I would not buy this guitar again because I'm short on money currently. I compared this guitar to MANY les pauls and PRS's and it did alot better, especially for a third of the price, if you have around $700 and you want a 24 fret rockin guitar, I highly recommend this one...

2003 MODEL, MOHOGONY BODY WITH THE REST MAPLE 2 DIOMONDS ON THE 12TH FRET. WITH THE ALBOLONY AROUND IT,DECENT ALBOLONY.2 DUNCAN DESIGN
H-102 HUMBUCKERS.NECK THREW BRIDGE ECT.BLACK GLOSS FINISH.-NEVER REALLY SEEN ALOT OF ELECTRIC GUITARS WITH ALBOLONY AROUD THE WHOLE THING.

SOUND WAS IMPECABLE,IM MOSTLY PLAYING METAL OR METALCORE, BUT IT IT WAS HEAVY AND TIGHT. I USED VARIOUS PEAVEY HEADS WITH IT,TRANSTUBE,5150....MOSTLY THE TRANTUBE WITH ULTRA SERIES 4X12 WITH SHEFFEILDS. WITH THE DIGATECH METAL MASTER DISTORTION.I HAVE VARIOUS GUITARS RANGEING FROM IBENEZES A OLDER WASHBURN GA 20 AND A EPIPHONE I MUST SAY I KILLED ALL OF THEM EVEN A B.C.RICH PLATNUM WARLOCK-A METAL GUITAR STILL NO CONTEST.I DONT KNOW WHAT THOSE OTHER PEOPLE WERE TALKING ABOUT IVE ROUGHLY PLAYED FOR 12 YEARS HEARD ALOT OF GUITARS AND THIS WAS ONE OF THE BEST SOUNDING FOR THE MONEY.

NOT BAD NICE WOODS SLICK ACTION DID THE JOB.

SOLID, NO PROBLEM YET.

HAVENT HAD TO DEAL WITH THAT.

FOR THE MONEY YOU CANT BEAT IT. YOU CAN BUY A NICE LES PAUL OR PRS FOR A COUPLE GRAND,OR YOU CAN GET A GUITAR LIKE THIS FOR ROUGHLY HALF THE PRICE,IT WAS FLAWLES FROM WAS I COULD SEE AND HEAR.STDIO QUALITY.

This is a brand new c-1elite. Like everyone elses it says its made in korea. I've got the black-gloss mohogony body, with 24 frets, 1 vol, 1 tone, and a 3-way toggle. In addition the tone control has a coil "tap" feature which is pretty sweet, at least for clean tones. This guitar has the Humbucker Duncan Designed pickups. Also, the TonePros system equipped on the guitar rocks, it never goes out of tune, seroiusly, I can bend each string every which way and it still holds a note.

I love heavy music. I've been playing for 12 years, and I really dont have extensive knowledge on guitars and amps. But this guitar kicks ass for playing Metallica, Ozzy, System, and even playing clean music like Clapton. I use a Crate GLX65 amp. I had the 212 version, but I only play in my house and that amp shook every wall, it felt like an earthquake. This guitar has a rich and full sound. I like the clean tone especially

This guitar rocks. You can play so fast on this, you can go from the second fret to the 24th in a micro second, its real slick. The pickups are adjusted great.

This guitar is solid. It doesn't feel like you have a bag of bricks strapped on your shoulder, but at least you know something is there. The finish is smooth. The solid black gloss looks great and the inlays that surround the body and neck and headstock make it look extremely expensive. It is dependable. I would take this guitar and this guitar only to a gig, you dont need to hall around an extra guitar when you have this.

Schechter is an easy company to get through to. The people there answer phones quickly and they speak english very well, (which helps sometimes right?)

I've been playing for 12 years like I said, I own an old Ibanez that needs repairing....I haven't got around to that and I dont think I will now that I have this c-1elite. If this guitar where stolen, I'd try and steal it back since I dont have the money laying around right now. Naa, I'd sell some stuff and use some of my paycheck and get another....but I'd still be on the hunt for the prick that ripped this off. I love the look of the guitar, it looks dark and evil, but at the same time, it looks elegant and expensive. Seriously, check out the pick at Schecterguitars.com...go to the c-series section and find the c-1elite. I compared this with a ESP ec-300, that thing sucked. It went out of tune every other note, and it was feather wieght. This guitar is perfect in every way, the price seems high for someone like me... but when you compare it to the real expensive guitars around 2,500 bucks or so, your getting the same thing, acually more! your getting a Schecter baby! It rocks.

The model I have is a 2003. Made originally in Korea but, accordinging to the sticker on the backplate, setup & checked in USA.
It has 24 Jumbo frets, Rosewood Set-Neck, Mahogany body with quilted mapled top.
Controls are single volume, single tone (with coil tap), 3 way selector switch.
Pickups are Duncan Designed H-102 humbuckers.
Bridge is a Tonepro design, tuners are Grover.
All hardware is gold plated.
No accesories included.

I play everything from Rock & Blues to a lttle Jazz.
I've never played a guitar with these kind of pickups & was not aware of any criticism until I read the reviews today.
I like them. Not as heavy as a Les Paul or as thin as a Strat but somehow manage to sound enough like both of them & a enough like none of them (if that makes sense to anyone)to make this a real nice sounding guitar.
The neck-pickup wa not as thick sounding as I am used to with humbuckers but being primarily a Strat player I didn't really mind.
Coil tape mode is ok but not great.
I'd have preferred the open coil look to the gold cover but that's a minor complaint.
I used this guitar straight into a Blues Deville amp & loved the tone although the sustain lacked a little.
If you want a Les Paul sound swap for beefier pickups or buy a Les Paul.
If you want a Strat sound - why buy a guitar with humbuckers?
If you want a little bit of everything for a very good price - buy this.

The action on the guitar was really nice, very low with just a little fret buzz but nothing that was audible once plugged in.
There was a slight marked on the upper horn straight from the factory which was very disappointing, the finish otherwise was to a very high standard.
I've had many comments about this guitar, especially from people who originally think it is a PRS. Got the looks but not the price tag.

The guitar seems robust & the finish weighty enough i feel to last the distance.
I've had it in the studio a few times & it has taken a couple of knocks without any noticeable damage.
Gold hardware looks great but unfortunately never seems to last forever. I started to wipe off my guitars, especially the hardware after playing to remove any sweat or dust & so far this has kept gold hardware on other guitars looking good for a long time.
The strap buttons are ok, sturdy enough, but i'd have preferred the top button to have been on the back of guitar (like an SG).
All in all a good sturdy built instrument but only time will tell.

Only dealing with schecter is via the web-site.
They answered my queries promptly & were very informative however the website fails to note that the controls include a coil tap.

I've been playing for 20 years. I own 10 Strats, couple of Les Pauls, 78 Tele Custom, Parker P38 (fitted with gk2 pickup), varied Yamaha acoustics, Danelectro twin neck, Fernandez strat & a little semi acoutsic Yamaha (can't remember the model name). Effects wise I use a Boss GT-5 thru a Yamaha Power Amp, Roland GR-33 Guitar Synth (with the Parker), E-Bow.
If this guitar is missing anything it's a tremolo.
If you want a quality guitar that sounds great but looks amazing then check this out.

this guitar has one volume/one tone with coil splitting. black with fake abalone binding on the neck. came with stock schecter pick-ups and anything else you want to know you can find the info in other reviews.

i play metal/rock /blues/jazz or anything i want....mainly metal. i have used this guitar with marshalls,mesas,vox,fenders,line 6. it doesn't matter it still sounds alright....not horrible but definitly not good. the pick-ups suck with any style of music.

set-up was the worst job ever done on a guitar. the action was to low on the low e,a,d strings but way too high on the g,b,e strings. intonation was way,way,way off. i usually set-up my own guitars but for this piece of work i had to take to a "professional" repair man just to get it to sound descent. ( it took him about 2-3 tries and about a week to do when a normal guitar is about 2-3 hrs.!) the only good thing in this catagory is the way it looks...i'll have to admit it looks stunnig but sounds the opposite!

this guitar's stock tuners are horrible. it never stays in tune. besides that the hardware is alright. i would never gig with it or use for a backup this guitar would be a good guitar to smash at the end of my shows.

didn't even want to try to deal with c.s.
warrenty is 1 year i think.

i've been playing for 5-6 years and have played better guitars from pawn shops!!!...i think that sums it up pretty well.

This is a follow up to a posting I did a year ago. Black gloss with abalone binding, 2 Duncan Designed pickups, etc.

I swapped out the Duncan Designed for a Seymour Duncan 59 in the neck and a Seymour Duncan Custom in the bridge. Great move, both pickups sound great. Range from Fender single coil with the tapped 59, and a great Les Paul sound from the Duncan Custom in the bridge.

The bridge on my guitar was very sharp. My hand would get cut when I laid my right palm against it. I had to file it down a little. The bridge also has been causing some very frequent string breakages of the D string. Again I believe because it seems a little sharp.
Also, when changing a string, be careful that the little round caps don't fall out of the body where the string goes through. I had to glue two of mine back in.

Two more gripes. The paint chips TOO easily. I have only used it to play out a dozen times, and the thing looks like hell!! I can't believe how easy this paint chips. Believe me, I treat my guitars very gentle, but it doesn't matter.
Also, the tuners don't stay in tune very well. The B and G are constantly going out while playing. I might switch to Schaller Locking tuners. My other guitar has a Floyd Rose, so I am not used to going out of tune so much.

I did all the repairs myself.

When I first bought this guitar, it was love at first sight. But unfortunately, one year later, and I am not as happily in love.
It looked great when it was new, but the paint chips are bugging me. I have a 10 year old Ibanez which has held up much better. The tuners are bugging me, the bridge sucks, even the wood seems too cheap for me now. Oh well, maybe next time I will shell out the money for an American made PRS,Dean Hardtail or Hamer.