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Roland XP-60

Summary
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Manufacturer URL http://www.rolandus.com/
Ease of Use 7.8 (31 responses)
Features 8.8 (29 responses)
Expressiveness/Sounds 8.2 (30 responses)
Reliability 8.8 (30 responses)
Customer Support 7.2 (15 responses)
Overall Rating 8.2 (28 responses)
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Product: Roland XP-60
Price Paid: US $1550
Submitted 05/31/1999 at 09:41am by Tyrone Oliver
Email: RawData501<at>Hotmail dot Com

Overall Rating : 2
Hi, Note: this is just an update to my previous review. What I'm referring to is the decay noise problem that is common to new Roland keyboard and module products. I have contacted Roland on this problem and they told me: "This problem is inherent of the machine you are using. The XP-60, 80, & JV-2080 all use 18-bit converters so they have a brighter and clearer sound thus exposing noise on the decay of notes in some patches. The JV-1080 and XP-50 use 16-bit converters and have a darker sound so you don't hear the noise." This is the explanation Roland gave but, I think it's just an excuse for inferior sounding converters on supposedly superior keyboards and modules. I then asked if Roland saw this decay noise issue as a problem and if so, were they currently working on a fix. Here's what I got: "We've contacted Japan on this subject but, we haven't heard a response yet." I asked what do they suggest I do in the mean time (I already told the tech I have a 1080 and didn't notice the problem there). Another quote folks: "Use your 1080 for intro parts and quieter passages." I tested another r XP-60 in another state and city (I was just on a business trip), same problem. Here are a few patches that can be auditioned which have a louder noise problem than most. PR-A 072 Fantasia JV, 084 Wave Bells, 086 Beauty Bells. PR-B 112 Alto Sax. Note: Be sure to have all the internal effects on and listen through quality headsets - preferably some place quiet. I think I should let everyone know that I am not a Roland basher and I have been a Roland and Boss user since 1989 (D-20). I guess I am more disappointed than anything. I use to look forward to new Roland products knowing that they would be the standards by which all others would be judged. I hope Roland doesn't incorporate these same "brighter & clearer 18-bit converters" into new products. For now I still use the XP-60 along with the JV-1080 for all of my synth sounds. I returned the E-MU Proteus 2000 for another JV-1080. I have plans to expand it with the newest cards. I hope this clears up any confusion. Tyrone Oliver


Product: Roland XP-60
Price Paid: US $1550.00
Submitted 05/10/1999 at 08:03am by T.Oliver

Ease of Use : 8
I am using an XP-60 with ROM ver. 1.10. The presets sound pretty good (standard Roland sound set - 1080, 2080, XP-50 & 80). Editing the pathches is not too hard because of the excellent graphic display. The manual is very general and too "formal" - It reads like Airforce Tech Data (very dry). Roland should hire an american company to write a better manual, ala "XP-60 for Dummies" ect...

Features : 9
64 voice polyphony with standard keyboard action (nothing to brag on). Good effects, very easy to use. Excellent expansion capabilties. I have the Orchestral, Vintage synth, 60's & 70's, & Hip-Hop cards - love them all! Sequencer is pretty good but I use an Akai MPC2000 to sequence so I never bother it and it never bothers me. This is basically a 61 key ver. of the XP-80.

Expressiveness/Sounds : 1
Sounds are generally good for all types of music. Very responsive to aftertouch. Effects are good and very programmable. Now here's what's wrong with it. IT HAS A TERRIBLE DECAY NOISE PROBLEM THAT IS VERY AUDIBLE ON PATCHES WITH ALOT OF SUSTAIN. THIS IS AUGMENTED IF THE PATCH USES ONBOARD REVERB. I DIDN'T NOTICE THIS IN THE STORE BECAUSE MUSIC STORES ARE LOUD AND I WAS ALREADY FAMILIAR WITH THE SOUND SET FROM USING A JV-1080. I PRIMARILY MONITOR WITH HEADSETS (SONY MDR-7506) AND FOUND THIS TERRIBLE PROBLEM WHILE SEQUENCING A HARP SOLO. I INITIALLY THOUGHT IT WAS IN THE INTERNAL EFFECTS UNIT SO I CUT IT OFF AND THE DECAY NOISE IS STILL THERE. IT SOUNDS LIKE A CHEAP 8-BIT SOUND CARD - VERY FUZZY AND STATICY AND THE END OF NOTES WITH LONG SUSTAIN. I INVESTIGATED THIS PROBLEM BY TESTING ANOTHER XP-60 - SAME PROBLEM. I TESTED A JV-1080 AND NO PROBLEM - VERY CLEAN. I TESTED A JV-2080 AND THERE IS A DECAY NOISE PROBLEM, BUT NOT AS LOUD AS THE XP-60. THE XP-80 I CHECKED DID NOT HAVE THIS PROBLEM - SOUNDED AS GOOD AS THE JV-1080. I CANNOT RECOMMEND THIS SYNTH TO ANYONE TO USE AS A PRO. SYNTH. BUT AT THE STREET PRICE OF $1,500, ITS COST IS CERTAINLY PRO. THIS NOISE PROBLEM HAS FORCED ME TO LOOK ELSEWHERE FOR SYNTH SOUNDS, SO INSTEAD OF BUYING A 1080 I GOT A PROTEUS 2000 WITH VERY GOOD AND CLEAN (NO DECAY NOISE) SOUNDS. I JUST USE THE XP-60 AS A CONTROLLER AND BACKING SOUNDS. IT'S A DAMN SHAME A KEYBOARD WITH SO MUCH POTENTIAL COULD FAIL IN AN AREA AS CRITICAL SOUND QUALITY. NOT RECOMMENDED, GET A JV-1080 OR PROTEUS 2000!

Reliability : 8
I think it will hold up. I do notice how newer Roland keyboards feel cheaper then say a D-50 or a D-20. Gotta cut costs somehow I guess. Too bad Roland decided to go with cheaper D/A converters on it's flagship Modual and Mid-priced workstations :(

Customer Support : 1
On my attempt to reach Roland to adress this problem I looked in the back of the manual and called 213-685-5141. The area code change to 323 - no problem... o.k. 323-685-5141.... "The number you have dailed is disconnected" It figuers, i'm sure no one at Roland will admit to this problem and probably just blow me off.

Overall Rating : 1
This would have been the workstation to end all workstations as far as price and features go. But the bottom line is this; how good does it sound. Most competing synth companies can't compare with Rolands sound set and features but with Shitty D/A converters your beautiful Roland sounds end up sounding like they were played though an 8-bit computer sound card. Everything was in the right place on this workstation except Roland dropped the ball and went with cheap D/A converters. Hint, Roland: YOU DON'T CUT CORNERS BY DEGRADING THE SOUND QUALITY, YOU DO IT BY CUTTING THE FEATURES. THIS SYNTH IS NOT RECOMMENDED FOR THE PROFFESIONAL/STUDIO MUSICIAN.

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